It’s the end of the year boys and girls, you know what that means? It’s list time!
I’ll put up my list of “Best/Favorite” movies of the year later, but with all those best and favorite movies I have, I had to sit through some stinkers. Some of these I knew weren’t going to be any good walking in, but I ended up taking the hit anyway. The list ranges all over the place, so don’t think I’m attacking certain movies because it’s easy. I walk into every movie with a clear mind and soaking up the movie for what it’s worth. Good or bad.
The list will have the movies in alphabetical order, just to be fair, and because I really don’t want to go through the trouble anymore of picking a number one because they weren’t good enough to make it on my other list. Like all lists, this is my opinion! So if you don’t agree that’s perfectly fine, and probably justified. Finally, there are other movies that could have gone on the list, but these are the ones that truly stuck out. Alright, let’s get this over with.
Blackhat (Universal Pictures/Legendary Pictures/Forward Pass)
Hitman: Agent 47 (20th Century Fox/TSG Entertainment/Infinite Frameworks Studios/Fox International Productions)
Hot Tube Time Machine 2 (Paramount Pictures/MGM)
Taken 3 (20th Century Fox/EuropaCorp/Canal+/TSG Entertainment/M6 Films/Cine+)
The Transporter Refueled (EuropaCorp/Fundamental Films/TF1 Films Productions/Belga Films/Canal+)
Disappointments/Least-Liked/Worst Movies of the Year
Aloha (Sony Pictures/Fox/Columbia Pictures/Vinyl Films)
Cameron Crowe’s latest film was hit with criticism with “white-washing” and keeping the film from critics to review just a couple days before release (not the only film on this list that did that). However, watching the film you can see why they kept it away from critics. Aloha had a great cast of Bradley Cooper, Emma Stone, Rachel McAdams, John Krasinski, and Bill Murray. Sadly, they couldn’t save this. The film tries to have high stakes, but only when it wants to, and it even felt ridiculous at times. Overall, the film was very uneven that at times made the film boring.
Fantastic Four (Fox/Marvel Entertainment/Marv Films/TSG Entertainment)
This one definitely goes into the disappointing and worst section. 20th Century Fox can’t nail down “Marvel’s First Family,” and it is strike three for them. Of course, it didn’t help that there was so much behind-the-scenes drama between the studio and director Josh Trank, and the troubling reshoots and scenes in the trailer that are nowhere in the film. Despite all that, like I said in my review: The fans lose in this, not Fox or Trank, us because we want to see a good Fantastic Four movie and what we got crap. Started out good, but crap nonetheless.
Jupiter Ascending (Warner Bros./Village Roadshow Pictures/Dune Entertainment)
I really wanted to like this movie more than I did. There are some great scenes in there, but the film felt way too big for its own good. The Wachowskis seemed like they were doing a lot of world building, but it all felt too condense and rushed with nothing having time to breathe. Dare I say, it probably would have worked better as a mini-series instead of a movie, but that’s just my opinion. The first sign was indeed the release date switch, when they pushed back the release date by a year.
Maggie (Liongates/Roadside Attractions/Grindstone Entertainment Group/Gold Star Films/Lotus Entertainment/Silver Reel/Gold Star Films/Matt Baer Films)
I wasn’t expecting too much of Maggie, but I walked in open-minded (as always) to watch a different take of the zombie genre. Arnold Schwarzenegger as a father dealing with his daughter, played by Abigail Breslin, being infected with virus that is turning people into zombies was interesting to see. However, Maggie’s slow burn didn’t really do the film any favors as the film felt too slow at times and when something powerful happened it took me a while to actually register it because I had to catch up at times. One thing that made me put the film on the list was the ending. The ending looked like it was going to go down a very powerful route, but instead went out in a whimper, and didn’t take the risk that that film could have really made and where they were potentially hinting at. I will say that Arnold as a father figure was great to see.
Paranormal Activity: The Ghost Dimension (Paramount Pictures/Blumhouse Productions)
I was a fan and defender of the Paranormal Activity films up until the third installment, and I enjoyed most of the spinoff The Marked Ones, but the series showed signs of losing it during the fourth installment. It seemed like the series just didn’t care anymore, and while it tried to add new things to the series, it just never kicked off the way they probably thought it would. As for The Ghost Dimension, the last of the series, it just didn’t do it for me. The supposed answers we were promised were rushed and lackluster, and the ending was just weak and not a good end to the series at all. The movie felt like just another installment that was setting up the real final installment. Another case of a good series losing it momentum by the end, and overstaying its welcome.
Paul Blart: Mall Cop 2 (Sony Pictures/Columbia Pictures/Happy Madison Productions)
I didn’t walk in really expecting much from this. I’ll admit, I enjoyed the first Paul Blart: Mall Cop. It had its funny and goofy moments, but it knew what it was and didn’t take itself too seriously. Unfortunately, the sequel did take itself a little bit too seriously for its own good. The jokes fell flat the majority of the time, and to be honest it just wasn’t that good. All the charm and goofiness the first film had was stripped away and replaced with unnecessary fat jokes and lame/awful jokes.
Point Break (Warner Bros./Alcon Entertainment/DMG Entertainment/Studio Babelsberg)
Despite my slight optimism for remakes in general, Point Break was a shallow and pointless remake that didn’t do much for me – and probably anyone – and while it had it’s very short and brief moments and a great performance with Edgar Ramirez, Point Break failed on all spectrum’s.
Seventh Son (Universal Pictures/Legendary Pictures)
Seventh Son felt a bit messy. The movie isn’t horrible, but the movie sometimes feels like you’re already familiar with some aspects of the world and it’s a little off-putting at times. One scene in particular threw me off only because they made the scene feel like it was really important, but emotionally it didn’t come out that way because there was no real investment in character involved.
Terminator Genisys (Paramount Pictures/Skydance Productions)
Terminator Genisys had some potential, Arnold Schwarzenegger came back, after some fans wanted him back, Alan Taylor was directing, and the film was going to add some new things to the timeline that we all know. Then that second trailer came out. You know, the one that gave away what could have been the biggest twist in the series and potentially a great moment to watch onscreen for the first time. Yeah, that one. Knowing that going in really hurt the movie, and despite their being another layer to the twist, it still wasn’t enough to forgive them for spoiling that big plot point in the trailers, TV spots, and posters.
The Gallows (Warner Bros./New Line Cinema/Blumhouse Productions/Management 360/Tremendum Pictures)
Another addition to the Found Footage horror subgenre was The Gallows, and like some of the films before it: it wasn’t good. Despite some cool and eerie shots in the movie, one of the characters – mainly holding the camera – was annoying to the point that it took me out of the movie. I can handle annoying characters, but holy hell did he reach a whole new level. Moreover, the motivation and reveal of why the events happen ended up making no sense whatsoever and seemed like a last minute thing. The Gallows may be the worst Found Footage movie I’ve seen.
The Green Inferno (BH Tilt/High Top Releasing/Worldview Entertainment/Dragonfly Entertainment/Sobras International Pictures)
I’m not the biggest Eli Roth fan, but I’ve slightly enjoyed some of his movies in the past, but The Green Inferno was rough to watch, and not in the way it was supposed to be rough to watch. None of the characters were really all that likeable, with the expectation of maybe two, and even the slow burn and waiting for everything to go to hell isn’t worth the wait. Some of the gore is good – that’s what the film is really about anyway – but overall this wasn’t good at all. This is definitely one of the worst films of the year.
The Lazarus Effect (Lionsgate/Blumhouse Productions/Relativity Studios)
This one had a ton of potential and even had the cast lead by Olivia Wilde and Mark Duplass to back it up. Unfortunately, the potential of the film disappeared once the film became a supernatural slasher-esque film in the last act. The Lazarus Effect had a great premise behind it, but the execution of it lacked power and left the film underwhelming to watch.
Tomorrowland (Walt Disney Pictures/A113)
This one hurt. I was actually conflicted to put Tomorrowland on this list and not put it as an “Honorable Mention” on my “Favorite/Best” movies of the year. However, that wouldn’t be extremely fair to the other movies. Tomorrowland had ton of potential, had a great team behind the camera and in front of the camera, but ultimately it was the lack of execution and beating over the head theme (which I loved, but sill) that made this probably one of the biggest disappointments, if not the biggest, of the year.
So, what were your biggest disappointments, worst, or least-liked films of the year?