‘Eddie the Eagle’ Review

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Director: Dexter Fletcher

Writers: Sean Macaulay and Simon Kelton

Cast: Taron Egerton, Hugh Jackman, Jo Hartley, Keith Allen, Iris Berben, Tim McInnerny, and Christopher Walken

Synopsis: The story of Eddie Edwards, the notoriously tenacious British underdog ski jumper who charmed the world at the 1988 Winter Olympics.

 

*Reviewer Note: This will be a spoiler free review.*

 

I wasn’t even born when Eddie Edwards entered the Olympics, so I have no real connection to the real story behind him. However, director Dexter Fletcher and star Taron Egerton were able to bring this film to life with a likable character that we can really root for and all thanks, not just to the script, but also Egerton’s great work on the film.

Eddie the Eagle follows Eddie Edwards (Egerton), who since a child, has been dreaming of being in the Olympics. We see through a fun montage his attempts to learn and skill certain events, but Eddie faces obstacles to get to his dreams. He has bad knees, poor eyesight and a lack of natural athleticisms that it takes to make it to the Olympics, also, his father Terry (Allen) doesn’t want him sticking to “silly” dreams. However, Eddie is determined as ever and finds a way to get on the British Olympic team that is set for the Winter Olympics in Calgary in 1988. All he has to do is go to Germany, train, and qualify.

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When he’s in Germany he meets other ski jumpers, who don’t necessarily give him a warm welcome. Soon after, he meets Bronson Peary (Jackman), a hard drinking, and chain-smoker with a bit of an attitude. Eddie eventually finds out that Bronson was a jumper himself and the two start training, with Bronson thinking Eddie’s over his head, but eventually sees true potential in the underdog.

Saying that Eddie the Eagle is just an underdog movie would be an understatement. The film can resonate with I’m sure anyone to everyone. Eddie deals with naysayers, that includes the British Olympic Association Dustin Target (McInnerny), and physical and financial obstacles that are constantly trying to bring him down and make him quit, but there is something about Eddie Edwards – at least this version of him – that takes all that and uses it to prove everyone wrong. It’s that kind of attitude and charisma that Egerton brings that make us root for Eddie from the minute we see him.

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Egerton’s Eddie is extremely likeable and that’s thanks to Egerton himself, who, if he wasn’t before, he’s now bound to be a big name and one everyone will know thanks to this. Hugh Jackman is reliable as ever and his former hero turned mentor role – which he’s played before in Real Steel – works here. Jackman and Egerton have great chemistry together and any time the two are onscreen together it completely works and elevates the film to a new level. Jo Hartley, who play Eddie’s mom Janette, gives a great and heartwarming performance as Eddie’s supportive mother is one of the many highlights the film has.

Not everything about Eddie the Eagle works. Jackman’s Bronson has a subplot with Christopher Walken’s Warren Sharp – who has about three short scenes in the whole film – that feels forced in and the film could have worked without it to be honest. Even the resolution, albeit being a “feel-good” moment, is rushed. Speaking of “feel-good” moments, Eddie the Eagle is filled with them, which could make people think the film is riddled cliché sports film moments. Which could be a fair assessment, but it doesn’t really make Eddie the Eagle a bad film.

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Of course, a film about ski jumping, you hope there are good ski jumping sequences, well, you’re in luck. While some of them are done with CGI, which you can’t blame the team behind the film for doing it that way since the safety of the actors comes first. Ultimately though, the film is about Eddie and his journey, and that is where the movie strives.

All in all, Eddie the Eagle is a great heartwarming, emotional, funny, and great motivational film that is elevated by the performance of Taron Egerton as Eddie “The Eagle” Edwards.

 

Eddie the Eagle

4.5 out of 5

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I Started a Podcast!

Yes, I started a podcast!

 

I’ve had the idea for a while now and, well, just was never able to actually record it. Now, I’ve got some time so here it is. I’m still figuring some stuff out, like the audio, so give it some time and I promise it will get better. So here’s the link if you want to take a listen. The first official podcast is about the Oscars today and its me making my picks. Hey, it’s also the first time you guys will hear my voice! Alright, that’s a stretch, but hey, its true. Moreover, if you want to stay up to date on the podcast and movie news I run a Facebook page that you can like right here: https://www.facebook.com/MoviePit

 

 

Also, my Eddie the Eagle review is almost ready to publish so be on the lookout for the that too.

‘Deadpool’ Review

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Director: Tim Miller

Writers: Rhett Reese and Paul Wernick

Cast: Ryan Reynolds, Ed Skrein, Morena Baccarin, Gina Carano, T.J. Miller, Brianna Hildebrand, Karan Soni, Jed Rees, and Leslie Uggams

Synopsis: A former Special Forces operative turned mercenary is subjected to a rouge experiment that leaves him with accelerated healing powers, adopting the alter ego Deadpool.

 

*Reviewer Note: This will be a spoiler free review.*

*Reviewer Note 2: There are post-credit scenes*

 

It’s been a long time, but fans have finally gotten their Deadpool movie, and it doesn’t suck! After the disaster of trying to bring the character to life in X-Men Origins: Wolverine, and after the “leaked” test footage that took the internet by storm, 20th Century Fox listened to the fans and decided to give the Merc with the Mouth a chance. Not only that they gave the film the Rated-R rating the film really needed for the character. Finally, we see the end result and its one that can possibly make every Deadpool fan happy. Cue the review.

Deadpool has an interesting set up in the first act. It acts as an origin story, for those unfamiliar with the character – which is probably a lot of people – and a “love story” between Wade Wilson (Reynolds) and Vanessa (Baccarin). However, the origin and love story are told in a flashback form during the heavily promoted expressway action sequences. It’s done fairly well and in a true Deadpool, and even comic book, way. The first time Wade meets Vanessa is at his favorite bar that is run by his best friend Weasel (Miiler). The two start an immediate relationship, but it comes crashing down when Wade finds out he has a serve case of cancer. This leads to an encounter with a mystery man (Rees) who promises him he can not only cure his cancer, but make him a superhero. Wade eventually goes and encounters Ajax (Skrein) and his right hand woman Angel Dust (Carano), who tell Wade they aren’t just curing him, they are making him a super slave and are putting him through a rigorous experiment

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Of course, something goes wrong in the lab and with the experiment and leaves Wade disfigured. Soon after, Wade promises a mission of revenge to find Ajax in hopes that Ajax will fix his disfigurement so he can go back to Vanessa and live their lives in peace. What follows is an action-packed, one-liner dropping comedy antics.

Now, Deadpool definitely won’t be for everyone. It’s brash, over-the-top, some will find it offensive, and with that the humor is something you either go with or just won’t find funny. However, there is no denying that Deadpool is a ton of fun to sit through and watch. Of course, that doesn’t mean its perfect – no film is. Despite the long wait, there are some things that just don’t click in the film, and one of them is something that drives Wade/Deadpool throughout the film: the love story. There’s nothing wrong with Reynolds and Baccarin’s chemistry and most of it is great, but the love story is a bit thin and won’t be the thing you’re talking about walking out.

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The other underdeveloped and weak point is the villain. Ed Skrein fares better here than he did in The Transporter Refueled, but his character is only okay and doesn’t really do anything to stick out too much. Same can be said for Gina Carano’s Angel Dust, although she does have a highlight moment near the end of the film, but the character doesn’t do much other than stand next to Ajax and look menacing.

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The other supporting cast do well with what they have. Going back to Morena Baccarin, she plays the part well and does the best she can with what she’s given. Leslie Uggams, who plays Blind Al, Deadpool’s roommate is pretty great and her scenes with Wade/Deadpool are damn hilarious and is involved in one of the funniest moments of the film. Briana Hildebrand’s Negasonic Teenage Warhead is pretty cool, but her scenes are limited only when Colossus – voiced by Stefan Kapicic and facial performance by Greg LaSalle – is around. Speaking of Colossus, he is treated so much better here than he was in the X-Men films and actually has more screen time than I thought he would. Finally, T.J. Miller, who I’m not really a big fan of, is great in this, especially when he’s with Reynolds. Any time the two are together, you’ll definitely being laughing.

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What makes Deadpool work is Ryan Reynolds. Deadpool I think would have not worked if it wasn’t for Reynolds, his quick wit and perfect comedic timing. Reynolds himself is a huge fan of the character, as are the writers of the film in Rhett Reese and Paul Wernick – both of which also wrote Zombieland and G.I. Joe: Retaliation – and director Tim Miller, which adds a nice added layer to the care that they took to create and bring the character to life on the big screen. The other thing about Reynolds is that he never really lets up. Wade/Deadpool is always talking so the jokes and one-liners are always in full swing. That being said some of the jokes tend to fall flat, but believe me, that’s a rare thing. Deadpool’s humor might be an acquired taste, but I’m sure even non-Deadpool fans or people that are not fans of the humor will find some of the jokes funny. Crass at times, and targets some people, but funny nonetheless.

All that is thanks to the rare comic book movie rating of being Rated-R. I’m not really one to complain about rating or get into a movie rating argument, because honestly for me, it doesn’t matter what a movie is rated as long as it’s good or highly entertaining. However, I did agree with many to say that Deadpool need to be Rated-R to really be a proper adaptation of the character and his wacky – to put it lightly – personality. The personality of Deadpool is also something non-fans will have to get use to, but Deadpool fans will highly appreciate and feels like the character jumped right out of the comic book.

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All in all, Deadpool has been a long time coming, and thankfully it’s finally here and is damn great. Right from the opening credits – which are awesome – you know exactly what you’re getting into. Is it perfect? No, but Ryan Reynolds pulls you in and takes you on this crazy ride and a damn enjoyable one at that.

 

Deadpool

4.5 out of 5

‘Pride and Prejudice and Zombies’ Review

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Director: Burr Steers

Writer: Burr Steers

Cast: Lily James, Sam Riley, Bella Heathcote, Ellie Bamber, Millie Brady, Suki Waterhouse, Douglas Booth, Sally Philips, Charles Dance, Jack Huston, Matt Smith, and Lena Headey

Synopsis: Jane Austen’s classic tale of the tangled relationships between lovers from different social classes in 19th century England is faced with a new challenge – and army of undead zombies.

 

*Reviewer Note: This will be a spoiler free review.*

*Reviewer Note 2: There is a very short scene in the middle of the credits*

 

Pride and Prejudice and Zombies has had a very troubled and long production. Natalie Portman was originally set to star until she dropped out because of scheduling conflicts – although she stayed on as a producer – and David O. Russell was going to direct until he dropped out due to scheduling conflicts as well. Lily Collins was then going to replace Portman but turned it down, and then the studio landed on Burr Steers to finally direct. What we finally ended up getting was a better than expected adaptation of Seth Grahame-Smith’s take on Jane Austen’s classic story of “Pride and Prejudice.” Of course, one has to get over the concept that zombies are added into a classic novel, and if you can get over that, then you’ll enjoy the film a hell of a lot more.

Just like the original – the Jane Austen story – Pride and Prejudice and Zombies is set in 19th century England and places its focus on Elizabeth Bennet (James) and her sisters: Jane (Heathcote), Lydia (Bamber), Mary (Brady), and Kitty (Waterhouse). Their mother, played by Sally Phillips, is determined to find them wealthy and eligible suitors so they can get married, since once their father dies, they get nothing. Of course, Elizabeth is very independent and headstrong with little to no interest in giving up her swords and martial arts training to be a married woman and to follow the norm of society. However, during all this, zombies – a term they actually use in the film – are overtaking England. This is where changes into the Austen’s story take place and where Grahame-Smith’s take kicks in.

From Left to Right: Ellie Bamber, Bella Heathcote, Lily James, Suki Waterhouse, and Millie Brady

The Bennet Sisters have been trained since they were girls and thanks to their father, played by Charles Dance, were sent to be trained in China, were the “wise” parents send their children to train as opposed to the rich parents who send their children to Japan. Certain families have gone the countryside to hide under their lands which includes the Bennet’s. When Mrs. Bennet finds out a new wealthy suitor in Mr. Bingley (Booth) has arrived from the warfront, they go to a ball where Bingley and Jane fall for each other. At that same party, Elizabeth meets Mr. Darcy (Riley), now a general in the army against the undead. The love story between them starts off as standoffish and trying to up one another every chance they can get. However, when George Wickham, a lieutenant in the army and one that has a past with Darcy comes into town, Elizabeth starts to fall for him, and where the love story starts to take place. Of course, everything comes to head once the story picks up in the final act that leads to an explosive and its own spin on the love story ending.

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Again, if you can get past the concept of zombies being injected into the story and the fact that now all the characters know martial arts and fight with swords, then sitting through the movie will be a hell of a lot better. However, Pride and Prejudice and Zombies is a pretty enjoyable and fun movie anyway. Director Burr Steers and Co. do a great job of balancing the different tones of action, horror, and comedy and make them blend together fairly well. The tonal differences could have really hurt the film, but thankfully Steers control the tones and make them work for the film instead of against it.

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That’s not to say that Pride and Prejudice and Zombies isn’t without its faults and missteps. The film is good, but could have been better with some better pacing in the middle of the film and expanding some of the new concepts they bring in that includes a Horsemen of the Apocalypse angle that leads nowhere expect some nice visuals. Some visuals do work, while others fall flat especially an early one in the film, but for some it doesn’t help that some scenes are very poorly lit. The low lighting really makes one particularly scene hard to see anything, which doesn’t help since the scene feels like it’s important scene, but since we can’t see anything, the scene just fails.

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Jack Huston’s Wickham also falls a bit flat, although his story with Darcy is solid, it’s a bit rushed so the emotional impact and feeling fails to grab a huge amount of attention. Also felling underwhelming is Lena Headey’s character Lady Catherine de Bourgh. Heady also has a few scenes in the film, but none of them really stick out too much. It’s a shame really since her character is described as one of the deadliest and most skilled swordswomen in England, which is accompanied with a nice visual, but other than that, the character doesn’t really go anyway.

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As for the rest of the cast, they all do well with the material presented in front of them. Lily James nails Elizabeth Bennet is every way possible, making her easy to root for and a kickass character at that. Sam Riley’s Mr. Darcy is one of the characters you grow to like as he comes off as a bit full of himself, but sees his actions as necessary to protect everyone from the zombie plague. Bella Heathcote’s Jane Bennet gets really the third billing of the movie since her arc with Douglas Booth’s Mr. Bingley is the main arc in the first act of the film, although they both disappear during the middle of the film in order to drawn Elizabeth and Darcy’s arc. The other three sisters are a bit interchangeable unless you remember who’s playing who. Matt Smith, who plays Parson Collins, is a big highlight in every scene he’s in and could easily steal the film for some people.

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All in all, Pride and Prejudice and Zombies a hell of a lot of fun and more enjoyable than some will give it credit for. While it fails on some levels, like pacing and some underdeveloped scenes, that stop it from being great, everyone involved make the crazy concept worth the watch. If zombie action with a little classic romance is your thing, Pride and Prejudice and Zombies should fill that right up.

Pride and Prejudice and Zombies

4 out of 5

‘Hail, Caesar!’ Review

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Directors: Joel & Ethan Coen

Writers: Joel & Ethan Coen

Cast: Josh Brolin, George Clooney, Alden Ehrenreich, Ralph Fiennes, Scarlett Johansson, Tilda Swinton, Frances McDormand, Channing Tatum and Jonah Hill

Synopsis: A Hollywood fixer in the 1950s works to keep the studio’s stars in line.

 

*Reviewer Note: This will be a spoiler free review.*

 

The Coen Brothers are known for making films they want to do, and don’t try to make franchise films that the studios today try to make. They also have their own unique style and vision that makes their films standout in their own way. Hail, Caesar! is no different. Their new film acts as a love letter to the Golden Age of Hollywood at times, but swings back and forth between that said love letter and showing us the craziness that existed in the time (and probably now too), and the overall absurdity of it all.

Set during the 1950s, Capitol Pictures (a fictional studio) is set to release their biggest picture to date titled Hail, Caesar! with the biggest star in Hollywood in Baird Whitlock (Clooney). However, during the last days of filming, Whitlock gets kidnapped by a group calling themselves “The Future” and it’s up to the studio’s fixer in Eddie Mannix (Brolin) to find him and make all this go away. Of course, Mannix is dealing with everything else like covering up the pregnancy of DeeAnna Moran (Johansson), moving his cowboy star Hobie Doyle (Ehrenreich) to a full fledge prestige drama with big time director Laurence Laurentz (Fiennes), dealing with twin sister columnists Thora and Thessaly Thacker (Swinton) and his own personal problems. During all this, Whitlock gets to known his captors in a different light.

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Hail, Caesar! like a lot of other Coen Brothers films is going to be a film you either like, or don’t, and while the statement can be said about any film it is no more truer than with this film. The trailers for Hail, Caesar! tell a bit of a different story than we see in the actual film, and that isn’t really that bad of a thing. The film is pretty straight forward once things are put into perspective. That’s not to say things get a little weird and are ridiculous at times, but Hail, Caesar! is great at showing us how every relationship is very topsy-turvy.

At the same time, Hail, Caesar! doesn’t have a problem branching off and leaving the Whitlock story. We follow Hobie and his transition from doing cowboy films to doing his first drama, a water dance sequence by Johansson’s Moran, and even a standout dance sequence that involves Channing Tatum’s Burt Gurney. The scenes have nothing to do with Whitlock, but they show the absurdity that Mannix and Capitol Pictures deal with on a regular basis. The scenes are great, but again, have nothing to do with the main conflict of the story which is Whitlock’s kidnapping.

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I don’t want to give away too much, but the film also has some religious overtones, the film Hail, Caesar! is a religious picture as well as it tells the story of a Roman tribune that eventually meets Jesus, and Mannix is a religious man himself as the film beginning of the film sees him in a confessional. Of course, it doesn’t really help as his character is flawed and does something immediately after that well defeat the purpose for some, but it was a different time back then.

So even if Hail, Caesar! isn’t your cup of tea, you have to admit the performances are worthwhile. The film belongs to Josh Brolin, who we see running around the lot to control everything in the studio. George Clooney’s Baird Whitlock isn’t a typical big star that is hard to work with, he’s just an actor who happens to be good at what he does and gets kidnapped, and has a bit of a womanizer side. Alden Ehrenreich’s Hobie is definitely a highlight of the film as he’s just nice guy that is a bit naïve and goofy, who perfectly fits into a Coen Brothers film.

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The supporting cast has surprisingly small and few scenes, with the only real connection being Mannix. Scarlet Johansson puts on a thick accent and fits into the Golden Age with her looks and wardrobe. Tilda Swinton chews up the scenery with her duel role as twin rivals, and Frances McDormand – who only has one scene – is another one of the highlights and one of the funniest scenes of the film. Jonah Hill also only has one scene in the movie, which in entirety is an okay scene. Finally, Ralph Fiennes as Laurence Laurentz is great to watch and arguably has one of the best scenes in the film with Ehrenreich.

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All in all, Hail, Caesar! can be a bit all over the place, but that is exactly what the Coen Brothers were probably trying to do. Their film isn’t afraid to pull any punches against their peers or what Hollywood was back in the day. The film won’t be for everyone, but Hail, Caesar! definitely has something for everyone.

 

Hail, Caesar!

4 out of 5

February Movie Releases

So how are those New Years Resolutions coming along? Kidding! (Mine aren’t doing too hot either).

 

Anyway, we’re here for movies! February may seem light, but it is filled with great potential and even some big films of the year that everyone has their eyes on, I’m looking at you Deadpool. Whatever the case, February has a lot of variety for everyone, so let’s get into it shall we?

 

 

5th

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The Choice (Romance – Lionsgate/The Safran Company/Nicholas Sparks Productions)

A Nicholas Sparks movie is coming out ladies! The film follows Travis (Benjamin Walker) and Gabby (Teresa Palmer), who met in a small coastal town and wind up in a relationship that is tested by life’s most defining events. The film also stars Alexandra Daddario, Maggie Grace, Tom Welling, and Tom Wilkinson.

 

Pride and Prejudice and Zombies (Comedy/Horror/Action – Cross Creak Pictures/Screen Gems/Head Gear Films/Darko Entertainment)

Based on Seth Grahame-Smith’s novel of the same name, Pride and Prejudice and Zombies follows The Bennet Sisters lead by Elizabeth (Lily James) as they deal with the social class order and an army of the undead that plague England in the 19th century. The film has had its ups-and-downs over the years so I’m glad the film is finally coming out, and that it actually looks not that bad. The film also stars Sam Riley, Douglas Booth, Matt Smith, Jack Huston, Bella Heathcote, Suki Waterhouse, Ellie Bamber, Millie Brady, Emma Greenwall, Charles Dance and Lena Headey.

 

Hail, Caesar! (Comedy/Drama – Universal Pictures/Working Title Films/Mike Zoss Productions)

The Coen Brothers’ next film is set in the golden days of Hollywood – the 1950s – as the film follows a Hollywood fixer, played by James Brolin, who is bought in by the studio to find one of the top actors in Hollywood (played by George Clooney), who has been kidnapped by someone or people calling themselves “The Future.” The film looks pretty funny and seems to have the classic Coen Brothers style and humor. Hail, Caesar! also stars Ralph Fiennes, Channing Tatum, Scarlett Johansson, Jonah Hill, Frances McDormand, and Tilda Swinton.

 

 

12th

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How to Be Single (Romantic Comedy – New Line Cinema/Flower Films/Richard Pictures)

The film follows Alice (Dakota Johnson) after breaking up with her boyfriend is taken out by her party heavy friend Robin (Rebel Wilson) to see the nightlife in New York City. Along the way they encounter more single people like Alison Brie, Leslie Mann, Jake Lacy, Nick Bateman, and Damon Wayans Jr. The film is already going up against Deadpool and Zoolander 2, but even if it wasn’t, the trailer doesn’t  do too much for me personally.

 

Zoolander 2 (Comedy – Paramount Pictures/Red Hour Films/Polygram Filmed Entertainment)

It took a while, but it finally happen: a Zoolander sequel is here. This time the film follows aging supermodels Derek (Ben Stiller) and Hansel (Owen Wilson) who are brought in by an organization when the world’s “most beautiful people” are killed and they all share Zoolander’s signature look. The film does have an uphill climb to top or even be on the same level as the original. The film also stars Penelope Cruz, Kristen Wiig, Christine Taylor, Will Ferrell, and Benedict Cumberbatch.

 

Deadpool (Action – 20th Century Fox/Marvel Enterprises/TSG Entertainment)

It’s finally here! After the failure of bringing the character to life in X-Men Origins: Wolverine, fans pretty much forced 20th Century Fox to give them a proper version of the merc with the mouth, and more importantly, make it a solo film. Well, now it happening and fans seem to be super excited to watch it.

 

 

19th

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Risen (Adventure Drama – Sony Pictures/Columbia Pictures/LD Entertainment/Affirm Films)

The film follows the Biblical story of the Resurrection as told through the eyes of a non-believer, Clavius (Joseph Fiennes), a powerful Roman Military Tribune and his aide Lucius (Tom Felton) and are tasked with solving the mystery of what happened to Jesus in the weeks following the crucifixion, in order to disprove the rumors of the risen Messiah and prevent an uprising in Jerusalem. The film will follow in the footstep of many religious films coming out this year. The film also stars Peter Firth, Cliff Curtis and Maria Botto.

 

Race (Drama – Focus Features/Forecast Pictures/Trinity Race/Solofilms/JoBro Productions & Film Finance)

A biopic about one of the greatest track and field athletes in history in Jesse Owens, played by Stephan James, as he prepares for the world stage of the 1936 Olympics. The film also stars Jason Sudeikis, Carice van Houten, Amanda Crew, Shanice Banton, Jeremy Irons and William Hurt.

 

The Witch (Horror – A24/Code Red Productions/Maiden Voyage Pictures/Pulse Films/Scythia Films)

The Witch made some waves at film festivals, more specifically Fantastic Fest and the Toronto International Film Festival, so it has some hype to live up to. The film follows a family in 1630s New England that is torn apart by the forces of witchcraft, black magic and possession. The film does look pretty creepy and it something I’m really looking forward to. The film stars Anya Taylor-Joy, Ralph Ineson, Kate Dickie, Harvey Scrimshaw, Lucas Dawson, Ellie Grainger and Julian Richings.

 

 

26th

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Limited Release: Crouching Tiger, Hidden Dragon: Sword of Destiny

A sequel to one of the best martial arts films of all time, Crouching Tiger, Hidden Dragon: Sword of Destiny continues the story of Michelle Yeoh’s Yu Shu Lien and tells of a story of lost and young love, and a legendary sword and one last opportunity at redemption. The film also stars Donnie Yen, Harry Shum Jr., Jason Scott Lee, and Shuya Chang. The film will get a limited theater release and will come out on Netflix as well.

 

Eddie the Eagle (Biography Drama – 20th Century Fox/Marv Films/Studio Babelsberg/Saville Productions)

The film tells the story of Great Britain’s first ski jumper – Eddie “The Eagle” Edwards – to enter the Winter Olympics. The film definitely has some things working for it as it stars Taron Egerton (Kingsman: The Secret Service)) as Edwards and Hugh Jackman as Bronson Peary, his coach and Christopher Walken also stars. The film looks pretty fun and has definitely jumped to my must-see list.

 

Gods of Egypt (Action Adventure – Lionsgate/Summit Entertainment/Thunder Road Pictures/Pyramania)

Alex Proyas directs this film that follows a Bek, a thief who is entrusted by the gods to help Horus (Nikolaj Coster-Waldau) take back Egypt from Set (Gerard Butler) who has taken Egypt for his own and has led it into darkness. The trailer was definitely something I was not expecting, but the film does look like a dumb fun action film. Gods of Egypt also stars Courtney Eaton, Abbey Lee, Rufus Swell, Elodie Yung, Chadwick Boseman, Goran D. Kleut, and Geoffrey Rush.

 

Triple 9 (Crime Thriller – Open Road Films/Anonymous Content/Worldview Entertainment/MadRiver Pictures)

Triple 9 follows a gang of criminals and corrupt cops as the plan the murder of a police officer in order to pull off a big heist. The film has been on my most anticipated for a while so it’s nice to finally see it come out especially since it has a massive cast of: Woody Harrelson, Chiwetel Ejiofor, Casey Affleck, Anthony Mackie, Aaron Paul, Norman Reedus, Teresa Palmer, Clifton Collins Jr., and Kate Winslet.

 

What are you looking forward to?