New Podcast: Jon Favreau and Disney Reimagining The Lion King, Sony Developing New Cinematic Universe & More

The podcast is here! And early!

Like I mentioned in the podcast, I’m going out of town this weekend so I decided to record the podcast early and put this out before I left. Enjoy!

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October Movie Releases

It is October ladies and gentleman!

This month looks pretty great and, yet again, some early Oscar nominations could come out. Of course, let’s not forget that it is the month of Halloween, so there are some potentially great horror films out this month. But let’s stop talking about them and actually get to them!

Also, Happy Early Halloween!

 

7th

 

Middle School: The Worst Years of My Life (Comedy – Lionsgate/Participant Media/CBS Films)

Imaginative quiet teenager Rafe Katchadorian (Griffin Gluck) is tired of his middle school’s obsession with the rules at the expense of any and all creativity. Desperate to shake things up, Rafe and his best friends have come up with a plan: break every single rule in the school and let the students run wild. The film also stars Laruen Graham, Isabela Moner, Adam Pally, Thomas Barbusca, Efren Ramirez and Andrew Daly. The film isn’t really targeted toward me, but I’m sure if I was younger this would be up my alley.

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The Girl on the Train (Mystery Drama Thriller – Universal Pictures/DreamWorks/Amblin Entertainment/Reliance Entertainment/Marc Platt Productions)

Based on the best-selling book of the same name, The Girl on the Train follows the story of Rachel (Emily Blunt), who goes on a train to London. She witnesses the “perfect” couple: Scott (Luke Evans) and Megan (Haley Bennett). But one day, havoc ensues and Rachel becomes involved in their drama and mystery of Megan. I’ve read the book and I can’t wait to see how they bring this to the big screen. Edgar Ramirez, Justin Theroux, Lisa Kurdow, and Allison Janney also star.

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The Birth of a Nation (Historical Drama – Fox Searchlight Pictures/Mandalay Pictures/Bron Studios/Phantom Four/Ting Giant Entertainment)

This film has been making a lot of waves at film festivals and is even considered an Oscar hopeful and favorite. However, recent things have come to light about Nate Parker that may hinder some of the film’s success, but only time will tell. The film follows Nat Turner (played by Nate Parker, who also wrote and directed the film), a former slave in America, who leads a liberation movement in 1831 to free African-Americas in Virginia that results in a violent retaliation from whites. The rest of casts includes Penelope Ann Miller, Aunjanue Ellis, Katie Garfield, Colman Domingo, Armie Hammer, Gabrielle Union, Aja Naomi King and Jackie Earle Haley.

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11th

Limited/Short Release: Shin Godzilla/Godzilla Resurgence

The Toho Godzilla is back! The film will be getting a limited and short run here in the States from the 11th to the 18th. So if you want to see the “official Godzilla” on the big screen, here’s your chance.

 

14th

Limited Release: Certain Women

Based on the short stories on Maile Meloy, the lives of three women (Laura Dern, Michelle Williams and Kristen Stewart) intersect in small-town America, where each is imperfectly blazing a trail. The film also stars Rene Auberjonois, James Le Gros, and Jared Harris.

 

Limited Release: Christine 

The film is based on the true story of 1970s TV reporter Christine Chubbuck, which will be played by Rebecca Hall. I assume many of you will assume what happens in the film based on the trailer or will look it up, but the story of Chubbuck is something I can’t believe I haven’t heard of. The film has a very impressive cast of Michael C. Hall, Tracy Letts, Timothy Simons, J. Smith-Cameron, Maria Dizzia and John Cullum.

 

Limited Release: Desierto 

A group of people trying to cross the border from Mexico into the United States encounter a man who has taken up border patrol duties in his own racist hands. The film looks like a strong and powerful film and has strong leads in Gael Garcia Bernal and Jeffrey Dean Morgan. Not only that, the film is being done by the Cuaron father-son duo, Alfonso Cuaron – the director of Gravity – is producing, while his son Jonas Cuaron is directing. Desierto also stars Alondra Hidalgo, Diego Catano, Marco Perez, Oscar Flores and David Lorenzo.

 

Kevin Hart: What Now? (Concert – Universal Pictures)

Another Kevin Hart live concert film, this time from the Philadelphia outdoor venue, Lincoln Financial Field.

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Max Steel (Sci-Fi Action Adventure – Open Road Films/Dolphin Entertainment/Mattel Entertainment/Playground Productions/Ingenious Media)

The adventures of teenager Max McGrath (Ben Winchell) and alien companion Steel (voiced by Josh Brener), who must harness and combine their tremendous new powers to evolve into the turbo-charged superhero Max Steel. The movie has been in the works for a handful of years now, and was even set to be released last year, but got pushed back because it wasn’t ready yet. Now, Max Steel is going to have to kick in it’s marketing into overdrive since the release date was just set in the middle of September, but I’m sure it will probably find it’s audience. The film also stars Maria Bello, Andy Garcia, Ana Villafane, and Mike Doyle.

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The Accountant (Drama – Warner Bros./Electric City Entertainment/Zero Gravity Management)

A forensic accountant (Ben Affleck) un-cooks the books for illicit clients. Directed by Gavin O’Connor, The Accountant stars a star studded cast that also includes Anna Kendrick, Jon Bernthal, J.K. Simmons, Jeffrey Tambor, John Lithgow. The film looks rather good – I say like I had anything to do with it – but seeing Affleck playing a badass with a cast like this around him? Nothing wrong with that, right?

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21st

Limited Release: American Pastoral

Ewan McGregor stars and makes his solo directorial debut that is based off Philip Roth’s novel that is set in postwar America, where a man watches his seemingly perfect life fall apart as his daughter’s new political affiliation threatens to destroy their family. The film also stars Jennifer Connelly, Dakota Fanning, Uzo Aduba, Molly Parker, Rupert Evans, Valorie Curry, and David Strathairn.

 

Limited Release: The Handmaiden

Directed by Chan-wook Park (Oldboy, Thirst, Stoker), a woman is hired as a handmaiden to a Japanese heiress, but secretly she is involved in a plot to defraud her.

 

Limited Release: In a Valley of Violence

Directed by Ti West (The House of the Devil, The Innkeepers), a mysterious stranger (Ethan Hawke) and a random act of violence drag a town of misfits and nitwits into the bloody crosshairs of revenge. The film looks like an interesting blend of genres with Western and comedy. The film also stars John Travolta, Karen Gillan, James Ransone, Taissa Farmiga, and Burn Gorman.

 

Boo! A Madea Halloween (Lionsgate/The Tyler Perry Company)

Tyler Perry brings one of his biggest and most beloved characters in Madea to life again in this horror comedy that sees Madea fighting off the supernatural on Halloween as she tries to keep a group of misbehaving teens safe.

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I’m Not Ashamed (Drama – Pure Flix Entertainment/All Entertainment/Visible Pictures)

Based on the inspiring and powerful true story and journal entries of Rachel Joy Scott (Masey McLain) – the first student killed in the Columbine High School shooting in 1999. I don’t know how people will react to this film, but I’m sure there is an audience. The cast is filled with unknown actors and actresses.

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Ouija: Origin of Evil (Horror – Universal Pictures/Blumhouse Productions/Platinum Dunes/Hasbro/Allspark Pictures)

A prequel to the film that came out in 2014, this film set in 1967 L.A, a widowed mother (Elizabeth Reaser) and her two daughters (Lulu Wilson and Annlise Basso) add a new stunt to bolster their séance scam business and unwittingly invite authentic evil into their home. When the youngest daughter is overtaken by a merciless spirit, the family confronts unthinkable fears to save her and send her possessor back to the other side. Ouija: Origin of Evil also stars Henry Thomas, Sam Anderson, Doug Jones, and Lin Shaye.

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Keeping Up with the Joneses (Action Comedy – 20th Century Fox/Parkes+MacDonald Image Nation)

A suburban couple (Zach Galifianakis and Isla Fisher) becomes embroiled in an international espionage plot when they discover that their seemingly perfect new neighbors (Jon Hamm and Gal Gadot) are government spies. I didn’t think much about this, but the trailers make it seem like it could be a fun watch. Keeping Up with the Joneses also stars Patton Oswalt, Matt Walsh, and Kevin Dunn.

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Jack Reacher: Never Go Back (Crime Drama – Paramount Pictures/Skydance Productions/TC Productions)

Jack Reacher (Tom Cruise) returns to the headquarters of his old unit, only to find out an old partner and friend (Cobie Smulders) is accused of espionage. I was surprised by the first Jack Reacher, and although I wasn’t screaming for a sequel, Never Go Back looks pretty damn good. Robert Knepper, Aldis Hodge, Patrick Heusinger, Holt McCallany, and Danika Yarosh also star.

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28th

Inferno (Mystery Thriller – Columbia Pictures/Imagine Entertainment)

Based on the continuing book series by Dan Brown, Ron Howard comes back to follows the adventures of Robert Langdon (Tom Hanks), who becomes a target of a manhunt and with the help of Dr. Sienna Brooks (Felicity Jones) and his knowledge of symbology, Langdon has to solve a crime, while also trying to escape the manhunt. Inferno does look a little more action-centric than the past films, but Hanks and Howard seem to really enjoy doing these films, so more power to them.  The film also stars Ben Foster, Irrfan Khan, and Omar Sy.

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What are you looking forward to?

‘The Magnificent Seven’ Review

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Director: Antoine Fuqua

Writers: Nic Pizzolatto and Richard Wenk

Cast: Denzel Washington, Chris Pratt, Ethan Hawke, Vincent D’Onofrio, Byung-hun Lee, Manuel Garcia-Rulfo, Martin Sensmeier, Haley Bennet, Peter Sarsgaard, Luke Grimes, and Matt Bomer

Synopsis: Seven gun men in the old west gradually come together to help a poor village against savage thieves.

 

*Reviewer Note: This will be a spoiler free review.*

 

Based on the classic Western of the same name, that was based on the classic film by acclaimed director Akira Kurosawa Seven Samurai, Antoine Fuqua brings is take to The Magnificent Seven with his own star-studded cast and great visuals of his own. I’ll be honest, I’ve been looking forward to this – and yes, I’ve seen the originals – but of course I actually don’t mind remakes and knee-jerkingly reject them just at the thought of it. So, was my excitement worth it? Or does it have to take a long walk into the sunset with my head down? Let’s load up our horse and find out.

The Magnificent Seven starts off by showing just what kind of person the heroes would be going through. The town of Rose Creek are being taken over by a mining corporation run by Bartholomew Bouge (Sarsgaard) who wants the townspeople to sell him their land, but when he shoots the husband of Emma Cullen (Bennett) – played by Matt Boomer – she goes to find men to help her and townspeople take back their town. She eventually finds and recruits bounty hunter Sam Chisolm (Washington), who in turn brings in gambler and playboy Josh Farraday (Pratt) to help him bring in the best people to give the town a shot. The two haul in famed sharpshooter Goodnight Robincheaux (Hawke) and his knife-wielding partner Billy Rocks (Lee), an outlaw named Vasquez (Garcia-Rulfo), tracker Jack Horne (D’Onofrio) and Comanche Native American named Red Harvest (Sensmeier). All seven of them get together to protect the town, even with odds stacked against them. What follows is a grand – or magnificent? – finale that will make any Western fan happy.

(l to r) Vincent D'Onofrio, Martin Sensmeier, Manuel Garcia-Rulfo, Ethan Hawke, Denzel Washington, Chris Pratt and Byung-hun Lee star in Columbia Pictures' THE MAGNIFICENT SEVEN.

(l to r) Vincent D’Onofrio, Martin Sensmeier, Manuel Garcia-Rulfo, Ethan Hawke, Denzel Washington, Chris Pratt and Byung-hun Lee 

I know I watched the originals, but let’s focus on the Western here, but it was a while ago so I can’t remember too much of it. However, I do know Fuqua’s version is different in its own way, and makes sense for the story he’s trying to tell. I know many won’t, and don’t like the idea of a Magnificent Seven remake – even though it itself is a remake, but whatever – but the film is a lot of fun, and completely worthwhile for new fans or old fans.

The cast is what makes the remake really worthwhile. Washington has worked with Fuqua three times now, and continues to show the duo have a lot of fun together and are great together. Chris Pratt’s Faraday looks like he’s enjoying poking fun at his fellow cast members and being a bit of a playboy, but he does have a sense of pride and duty once everything goes down. Peter Sarsgaard’s Bogue doesn’t have enough screen time as he probably should, which is saying something considering the film is a bit over two hours. Haley Bennett’s Emma Cullen gets a lot of screen time at the beginning, but blends into the background as the film moves forward.

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Ethan Hawke’s Goodnight has an interesting arc, although it takes a while for it to really come up and it kind of just slides away. Vincent D’Onofrio’s Jack Horne is a tracker that gets compared to a bear a lot, Byung-hun Lee’s Billy Rocks is the calm and collective one, Manuel Garcia-Rulfo’s Vasquez has a nice little rivalry with Faraday, and Martin Sensmeier’s Red Harvest has his moments.

Some, and even I’ll agree with some of it, will say the group gets together is too fast and there isn’t enough conflict between them. Especially since we hear that Jack Horne has killed a lot of Native Americans, and while their interactions with Red Harvest are minimal they never come off as standoffish but slight jabbing. It’s nice dynamic – all the characters have them – but it’s something that I know people will bring up. There are some other things that are never fully developed, but for the most part the film doesn’t suffer that much from it.

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The action is top notch and the final shootout is a sight to see. There is a lot going on in the scene, but you always know where you are and can follow the action throughout. It’s also pretty satisfying considering the film builds up to it for half the film. It also helps that the final shootout is great since right before the ending the film loses some steam and slows down.

All in all, The Magnificent Seven is a great, fun ride of a film. The cast is great and the final shootout is a great time. While the film may not be perfect in terms of some pacing issues and not going fleshing out some details, it is a worthwhile remake to a remake of a remake.

The Magnificent Seven

4 out of 5

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New Podcast: Ghost in the Shell TV Spots, Will Rogue One Make The Force Awakens Money? & More

The podcast is up!

I have a quick special guest on the podcast this week talking about Ghost in the Shell.

Enjoy.

‘Blair Witch’ Review

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Director: Adam Wingard

Writer: Simon Barrett

Cast: James Allen McCune, Callie Hernandez, Corbin Reid, Brandon Scott, Wes Robinson, and Valorie Curry

Synopsis: After discovering a video showing what he believes to be his sister’s experiences in the demonic woods of the Blair Witch, James and a group of friends head to the forest in search of his lost sibling.

 

*Reviewer Note: This will be a spoiler free review.*

 

It might be a little hard to believe that The Blair Witch Project came out more than 15 years ago, but now we have a proper sequel – get out of here Books of Shadows – to the film that, at the time, was like nothing anyone had ever seen before. Say what you will, despite how you feel about the film in general, The Blair Witch Project made a lot of waves the way it was presented, and it changed the way horror films would come to be in the future. Now, all these years later, we have a proper sequel that was kept hidden from us until Comic Con when it was revealed that The Woods was really Blair Witch. So, have Adam Wingard and Simon Barrett, the men responsible for great films like You’re Next and The Guest, given us a proper sequel to a film that changed the landscape at the time so much? Let’s take a walk through very familiar woods and find out.

Blair Witch follows James (McCune), the younger brother of Heather Donahue, one of the leads from The Blair Witch Project, who is the focus of a documentary by his friend Lisa (Hernandez). The reason for the documentary is because James thinks he sees his sister in a mysterious video that was sent to him that seemingly shows her running through the house at the end of the first film. James convinces Lisa and their friends Peter (Scott) and Ashley (Reid) to go with them to search for his sister, or at least find out what really happened. Along the way, they meet up with the people that sent him the video, Lane (Robinson) and Talia (Curry), who tag along to find the legendary Blair Witch.

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The buzz for Blair Witch was pretty big from the people that got to see it early, so it had a lot to live up to. Of course, the horror film community is very hard to please, but I’m sure some of them will agree that this year big studio horror films have been better than expected, and way better than years past. So there was a chance, whether it be a slim one, that Blair Witch would continue the trend, and for most of the film it does. However, Blair Witch does have pitfalls that fans of the original film, and in general, may cause to lose interest and question this sequel, and they are justified.

If you didn’t realize that Blair Witch was a sequel to Project you could make the argument that this film feels like a reboot/updated version since the film used better technology than the first film. Of course, the first film was made for cheap and used cameras to make it look even cheaper. Blair Witch uses a drone, an updated camera, a webcam, and head cameras, so the PUT THE CAMERA DOWN AND RUN IDOITS mantra goes out the window and leads to some interesting shots and lets the actors – and mayhem – cut loose a little more. That being said, the updated-ness both hurts and gives the film a sense that this is a sequel. It helps in the sense that if you wanted to see how Project looked with good quality visuals, here it is, also again, it lets the actors and mayhem take a different approach and cut a little more loose. For example, when characters go off on their own, you don’t know what’s going to happen – in fact anything can happen, which is how the updated-ness works.

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However, it hurts in the sense that it takes away some of the charm, albeit terrifying charm, of the original, because the original film felt like we were watching something we weren’t suppose to be watching. This is why it worked and has become a touchstone in not just the horror genre, but the found footage genre. Ultimately, that is what hurts Blair Witch because it looks more polished.

Speaking of the updated-ness (I’ll stop using that word), the film does follow some of the same beat-for-beat moments of the first film. The group gets lost, they argue, they hear weird noises, and ultimately start disappearing. Of course, different things happen along the way – for the better – and some of the original myth is expanded in a respectful way to the first film that could please fans and helps build the tension more as the film progress. Does it help if you watch the first film? Probably, but the film does a good job of summing up facts from the first film for you. The cast of mostly unknowns also do well, but considering by the end they’re running around screaming, all of that kind of goes out the window.

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All in all, Blair Witch does have its moments that make it a worthwhile and deserving sequel to The Blair Witch Project. It does have pitfalls and makes decisions that it probably shouldn’t have made that hurts its overall execution, and what made the first film so successful and memorable. Blair Witch does have some descent scares, but it’s the decisions it makes that kills a lot of what could have been a better film.

Blair Witch

3 out of 5

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New Podcast: Mr. Sinister will be in Wolverine 3, Stan Lee Becomes Action Hero & More

The Movie Pit Podcast is live!

I talk about some of the biggest news items of the week, the trailer released and this week’s limited and wide releases. Also, go like my Facebook page to get a preview of what we’ll talk about on the podcast, and to keep up with all the biggest news items of the week. https://www.facebook.com/MoviePit/

 

 

 

Mini-Reviews: Ben-Hur, War Dogs, Hell or High Water, & Sully

Hey everybody!

Welcome to the second edition of Mini-Reviews. This time, it’s more of a mixed than it was last time. So let’s get to it, shall we?

 

*As always, these will be spoiler free reviews*

 

Hell or High Water

Director: David Mackenzie

Writer: Taylor Sheridan

Cast: Chris Pine, Ben Foster, Jeff Bridges, and Gil Birmingham

Synopsis: A divorced dad and his ex-con brother resort to a desperate scheme in order to save their family’s ranch in West Texas.

 

Hell or High Water may start off as a typical bank robbers vs. the law film, but underneath all that is much more. Brothers Toby (Pine) and Tanner (Foster) Howard start a string of bank robbers that are actually to save their mother’s ranch in the desolated West Texas for a bigger reason we don’t find out until the final act. On their trail is a on the verge of retiring Ranger Marcus Hamilton (Bridges) and his partner Alberto Parker (Birmingham). As the Rangers get closer, the risk for Toby and Tanner gets bigger and it leads to an explosive finale.

The film is written by Sicario writer Taylor Sheridan, which you can immediately tell once the film gets going. The themes of the film are nicely layered and scattered throughout, which may seem off or forced to many, but once you look at film as a whole, you’ll appreciate the nuances.

However, it’s the cast that really makes this film fantastic. Chris Pine and Jeff Bridges are reliable as ever with Bridges seemingly enjoying his more livelier role to date, while Ben Foster once again showing he’s a force that shouldn’t be forgotten.

All in all, Hell or High Water is a fantastic film with a great cast and story. The film is slow ride, but so worth it for the final outcomes that fits in today’s world.

Hell or High Water

4.5 out of 5

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War Dogs

Director: Todd Phillips

Writers: Todd Phillips, Stephen Chin and Jason Smilovic

Cast: Miler Teller, Jonah Hill, Ana de Armas, Kevin Pollak and Bradley Cooper

Synopsis: Based on the true story of two young men, David Packouz and Efraim Diveroli, who won a $300 million contract from the Pentagon to arm America’s allies in Afghanistan.

 

Todd Phillips has come a long way from The Hangover. War Dogs is a much more mature film for him that tackles a huge subject of the second Iraq War, but doesn’t do so in a way that says “war is bad,” but takes a conversational, or to some the real reason, “war is an economy.” The film even stars with a voiceover by Teller’s David Packouz telling us how much it costs to gear and arm every soldier in our military.

The film follows David, an unhappy massage therapist working in Miami in 2005, who reunites with his old junior high best friend, Efraim Diveroli (Hill). Unlike David, Efraim is living a rather successful life as an arms dealer who picks up government contracts. Efraim needing help, and David with a baby on the way with his wife Iz (de Armas), the two decided to grow their own business and take on government contracts. However, their partnership and friendship are tested as the money gets bigger.

I will say the film was better than I thought it would be, and it helped that Jonah Hill and Miles Teller were on their A-game. Hill almost steals the film with his sleazy performance as Efraim. While Brady Cooper pops in and out through the film after being introduced around the middle of the film. Although the film doesn’t really bring too much new to the table, you can pretty much tell how this film will turn out by the end. It’s not a bad thing – considering it’s based on a true story – and while the chemistry between Teller and Hill seems spot-on, the movie does go into a lull after a while.

All in all, War Dogs is much more of a drama than comedy, but the film has plenty of laughs to balance out the seriousness and crazy reality of the film.

War Dogs

3.5 out of 5

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Ben-Hur

Director: Timur Bekmambetov

Writers: John Ridley & Keith R. Clarke

Cast: Jack Huston, Toby Kebbell, Nazanin Boniadi, Rodrigo Santoro, Pilou Asbaek, Sofia Black-D’Elia, Moises Arias, Ayelet Zurer, and Morgan Freeman

Synopsis: Judah Ben-Hur, a prince falsely accused of treason by his adopted brother, an officer in the Roman army, returns to his homeland after years at sea to seek revenge, but finds redemption.

 

I have no connection the old Ben-Hur films or novel since I never saw them or read it. I do know the cultural and film significance the film the property has had, so I was always going to go off what this new iteration bought to the table. I wasn’t really looking forward to the film too much since the trailers weren’t that great, but I gave it a shot and you know what? It wasn’t a complete waste of time.

Ben-Hur follows Judah Ben-Hur (Huston), a prince in Jerusalem, who lives his family including his adopted brother Messala (Kebbell) who knows his place amongst the family is at the very bottom. To find his own place in the world, Messala leaves and joins the Roman army, and after years have passed returns home as a successful soldier. Messala goes to Judah and pleads with him to name anyone that would think about attacking Pontius Pilate (Asbaek) when he passes through Jerusalem. Judah, not wanting to get dragged into anything, tells him he thinks Pilate will be safe. Of course, something happens and Messala seeing no other choice and viewing this as a betray sends Judah to be a slave.

However, when Judah’s ship does down, Judah finds land and is employed by a wealthy African named Ilderim (Freeman) to help him and become his chariot rider for a big race coming soon. Of course, the chariot race will have Messala in it. Along the whole way, Judah has small run ins with Jesus (Santoro).

One of the good things the film does is make the relationship between Judah and Massala a big part before we mostly follow Judah for the rest of the film. We see the love they have for each other, but you can see Messala is conflicted with his position in the family, and knows Judah will always first in the family’s eyes. It also helps that Jack Huston and Toby Kebbell have descent chemistry together, and Kebbell has enough acting chops to not make Messala a villain, but enough to make us not root for him in some way.

The rest of the cast does okay with what they given. Freeman doesn’t show up until the final third of the film, and does his typical reliable Freeman performance. Nazanin Boniadi plays Esther, Judah’s wife who tries to play Judah’s moral compass, and Rodrigo Santoro’s Jesus is nicely scattered through the film.

The film does bring up some political issues into the film, and thankfully aren’t shoehorned in. However, when Judah gets free from the ship, that message is gone and focuses on Judah’s journey of revenge, and from there the performances do take a bit of a dip, but thankfully come back near the end of the film.

All in all, Ben-Hur isn’t that bad of the film. It’s not perfect, and I’m sure most people will say it’s not like the other iterations, but something tells me that’s okay for this one. Also, the much advertised chariot race was a descent enough action set-piece.

Ben-Hur

3 out of 5

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Sully

Director: Clint Eastwood

Writer: Todd Komarnicki

Cast: Tom Hanks, Aaron Eckhart, Mike O’Malley, and Laura Linney.

Synopsis: The story of Chesley Sullenberger, who became a hero after gliding his plane along the water in the Hudson River, saving all of the airplane flights 155 crew and passengers.

 

I barely remember the actual event of “The Miracle on the Hudson” on the news, but I never actually knew, many most of us too, what happened afterwards. So who better to tell that story on screen than Clint Eastwood and everyone’s favorite actor Tom Hanks. Hanks is, of course, not untested playing real people as he already did it in Captain Phillips and Saving Mr. Banks. But there is something a little different about playing the man that saved 155 people in a forced water landing.

Sully follows ‘Sully’ (Hanks) as he deals with the aftermath of landing on the Hudson River. Sully and his co-pilot Jeff Skiles have to deal with an investigation by the FAA and the insurance company. Despite Sully pulling off the impossible and viewed as a hero by many, he’s viewed as reckless to the investigators for putting everyone and the plane in danger since the simulations all show he could have made it back to the airport or make it to another one.

For what it’s worth, Sully is a very engaging film that keeps you hooked from beginning to end. The plane sequence is tense to watch, and will probably make you a little afraid of flying now, and it’s interesting to see it play out in multiple ways. We see the sequence in two different ways that are completely different, but they are a thrill to watch in their own ways. I will say the film does lack a certain something that keeps the film from being a more powerful film, not saying the film isn’t powerful, but for me there was something missing.

Of course, the main draw here is Tom Hanks. Hanks is – once again – reliable in every way possible and carries the film on his shoulders. I wouldn’t say it’s his best performance, but you believe him as this conflicted man that probably risked the lives on everyone onboard. Aaron Eckhart as Jeff Skiles is pretty good here too and might be a performance some will forget. Mike O’Malley plays Charles Porter, the lead investigator in the case against Sully. O’Malley is a surprise choice for the role, considering he’s known mostly for his comedic performance, but has put on some dramatic roles as of late and nails the performance here. Laura Linney feels almost wasted here as Sully’s wife Lorraine, as her whole performance is talking on the phone to Sully, but does have one moment near the end of the film that makes it work.

All in all, Sully isn’t that bad of a film. It’s not Eastwood’s or Hanks’ best film, but it’s not their worst.  The film is engaging and tense throughout to keep you invested more than you think, and it shines a light on a hero. The CGI plane moments do take you out of the film a bit, but Eastwood hasn’t really worked with too much CGI before, so we can probably let it pass.

Sully

3.5 out of 5

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