The Movie Pit Podcast has returned!
It has been a while, but it feels good to be back.
The Movie Pit Podcast has returned!
It has been a while, but it feels good to be back.
The long-awaited trailer for Justice League came out this weekend, and I’ve been sitting on my reaction to it because, well, the DC Extended Universe hasn’t been the best. This isn’t me being a Marvel fanboy or a DC hater. I liked Man of Steel, and Batman v Superman: Dawn of Justice and Suicide Squad were both disappointments in their own way, and I’m hoping Wonder Woman is great. Justice League on the other hand has a massive uphill battle for me. The movie can’t be okay, fine, good or alright – it has to be great. Because I’ll be honest, if Justice League is another disappointment, bad or god forbid horrible, then I will lose all hope in the DCEU and no longer care about the DC Comics property at Warner Bros.
Is that too much? Maybe. But for me as a fan of these characters, and a fan who has been waiting to see them all together on the big screen, that statement couldn’t be any more true. So let’s move on to my thoughts on the trailer shall we.
For a teaser trailer, and for fans of the characters/our inner child, the teaser is pretty effective and cool. However, the teaser almost feels like Warner Bros. and DC is trying to pander to those that are starting to lose faith in the films. It’s almost like their saying “See, we put Aquaman on top of the Batmoblie before flying off to fight Parademons! Just like you probably did as a kid!” Okay, let’s get serious.
The Humor: Obviously, one of the things that has plagued the DC films is that some people think the films take themselves too seriously, and the films need to inject some humor into them. Of course, the Marvel films are filled with humor, but are also injected with serious moments. The DC films so far have some moments, but to be fair, they are more serious films than their Marvel counterparts. The trailer clearly shows that the film will have humor in it, whether it be dry humor like Bruce telling Barry “I’m rich” or Aquaman’s lines like “it’s on him” or “I dig it” when he sees Batman in full costume. Either way, the humor works on some extent here so points for them.
Cyborg: Cyborg has been a much-talked about character in Justice League. I’ve been holding my judgment on him until the film comes out, but the trailer finally shows him off a little more. Honestly, still not sold. The character still looks too CG. Now before everyone gets ready to shout at me. Marvel of course has characters created completed out of CGI, but at least they look better than Cyborg does. He literally just look like floating head at times, and I’m hoping they do some more touch ups in his CG to make him look better because right now, not looking too great for me.
The Small Cameos: The teaser actually showed some people I didn’t think we’d see. For one, we see J.K. Simmons’ Jim Gordon, which is one of the most perfect casting calls WB and DC have done. We also get our first – almost – official look at Atlantis with Amber Heard’s Mera getting the highlight. Then there’s Billy Crudup’s Henry Allen in prison. I don’t remember reading he was going to be in the film, but it was a pleasant surprise to see him in the teaser, even if it’s going to be one scene in the film itself. Although this isn’t actually a person, seeing The Crawler in the trailer as Batman rides it up along a wall to save Wonder Woman was kinda cool.
The Battle: It’s been revealed that the battle scene we see in the trailer is part of the prologue of the film. It involves the alliance of three armies: The Atlanteans, The Amazons and mankind going up against and stopping one of the invasions by the Parademons and whoever is leading them, whether it’s Darkseid or Steppenwolf is yet to be seen. It also looks like the invasion will continue again with the Justice League having to stop them either here on Earth, or on some version of Apokolips. Also, Mother Boxes will play a role here as well. Hopefully the next trailer helps solve that without spoiling the whole film.
The Flash and Aquaman: Almost like Cyborg, I’m not sold on Ezra Miller as The Flash. Miller hasn’t impressed me in anything too much, he’s a fine actor with the right material and his attitude will probably make sense once we see him in action, but he almost looks like the goofy younger brother who finally gets to hangout with his older siblings and do cool stuff with them. When it comes to Aquaman, Jason Momoa is definitely a different pick for the character, but its almost like he’s not playing Aquaman, it felt like he’s playing Jason Momoa playing Aquaman.
Now whether that matters at the end of the day is a different story, but seeing Momoa give that cheer and yelling “yeah” when he jumps on top of the Batmoblie and jumps off to attack Parademons was kind of cool – even though I made fun of it at the beginning.
Look, inner kid in me liked the trailer, because I mean come on, it’s the freaking Justice League teaming up and fighting on the big screen. Realistic side of me knows we’ve been burned by good looking trailers in the DCEU – and other films too, just to be fair – so I’m not holding my breath for the film. Then again, that’s a trailers job isn’t? Make the movie look appealing and great so that you get out and watch it. Justice League is no different. We all know this movie is going to make a lot of money. Whether it’s the amount of money the studio is ultimately looking for is another question.
However, the ultimate question is whether it will good at all. The fate of the DCEU hangs in the balance with this, and at first look I’ll give you what I actually did when I saw the teaser for the first time — sigh.
Director: Dean Israelite
Writer: John Gatins
Cast: Dacre Montgomery, Naomi Scott, RJ Cyler, Ludi Lin, Becky G., Elizabeth Banks, Bill Hader, David Denman and Bryan Cranston
Synopsis: A group of high-school kids, who are infused with unique superpowers, harness their abilities in order to save the world.
*Reviewer Note: This will be a spoiler free review.*
*Reviewer Note 2: There is a post-credit scene.*
Power Rangers, if you’re like me and of the same age, that means something to you. Of course, the Power Rangers have gone through different incarnations since 1993, but that should show you that, not only is the brand still going strong, but it has a connection with people of every age. So when word broke that Hollywood was taking another stab at a big screen version of the Power Rangers, fans were concerned, intrigued and happy to see where this would go. So, does this new version of the Power Rangers work? Yes, yes it does.
Like mostly every incarnation of the heroes, the film follows five teenagers who are misfits in their own way. There’s Jason (Dacre Montgomery), a now former football star who gets into an accident at the beginning of the film ruining the school’s chances of a championship; Billy (RJ Cyler), who is mildly autistic in this version; Kimberly, the popular one who now finds herself outside her popularity; Zack (Ludi Lin), who is a bit of an adrenaline junkie and is a caregiver for his mother; and Trini (Becky G), the new girl who doesn’t fit in with her “normal” parents.
One night all of them come together, by chance, and find mysterious colored coins which end up giving them special abilities. When they go back to the site they found the coins, they find an abandoned spaceship where they meet the android Alpha 5 (voiced by Bill Hader) and Zordon (Bryan Cranston), who tells them they have been chosen to be the Power Rangers. Moreover, they have to train because the evil force of Rita Repulsa (Elizabeth Banks) has risen again and is in search of the powerful Zeo Crystals to destroy the world.
Power Rangers takes the basic premise of the first series – well, the American one anyway – and pulls concepts from other incarnations to reboot the whole thing and make it more modern and change the mythology we all know and love, which surprisingly works. The film feels like a mix of The Breakfast Club and Chronicle, but the story and characters stand on their own. Sure they have to save the world, but the characters try to find themselves amongst strangers, a mysterious head in a wall and a weird looking robot. Their journey is what keeps us engaged until we see them suit up. It’s a story that we can probably all connect to in our own way, but it’s the cast that makes it worth it.
For a group of relative unknowns, they did an awesome job making us by their characters. Dacre Montgomery’s Jason isn’t the typical jock although buying him as the leader was a little hard to buy at first, Naomi Scott’s Kimberly isn’t the Kimberly we all remember but carries something with her, Ludi Lin’s Zack is completely different from what we remember, but the caretaker aspect is an interesting one, Becky G’s Trini is the much talked about LGBTQ character, and while I was turned off by her attitude at first, she grew on me as the film went on. RJ Cyler’s Billy will undoubtedly be a fan favorite, and arguably is the heart of the film along with Bill Hader’s Alpha 5, which design is much better and less distracting once you see it move around. Bryan Cranston’s Zordon is perfect, but it’s Elizabeth Banks who fails on some levels. While she’s a bit of wildcard in terms of you never know what she’s going to do, she doesn’t really feel like a villain until the end. It’s nothing against Banks herself, but her Rita was just a little underwhelming for me. Oh, and Goldar is, well, he’s what we see in the trailers.
The film’s tone is also great. It’s got the right amount of cheesiness, humor, coming-of-age style and realness a new modern version Power Rangers needed. Sometimes the tone can be all over the place, but overall it’s pretty spot on. One scene, that is a great scene, but it came at a weird place is when the team start to really get to know each other. One complaint I know many will have is the amount of time the group have in the actual Ranger suits. It doesn’t come until the final act of the film, but I would say the team does deserve to earn the suits, which makes the wait for it to actually happen worth it.
All in all, Power Rangers is a great film for fans of the Power Rangers. The cast is great, the tone is spot on for the majority of the film along with the cheesiness the film needs. Also, for a film that is over two hours, it went by like a breeze. It’s also a great way to introduce new fans to the group of heroes we all loved as kids – and maybe even still to this day. It’s morphin’ time!
4.5 out of 5
Welcome to another edition of Mini-Reviews. So let’s get to it, shall we?
*As always, these will be spoiler free reviews*
Director: Dax Shepard
Writer: Dax Shepard
Cast: Dax Shepard, Michael Pena, Vincent D’Onofrio, Rosa Salazar, Jessica McNamee, Kristen Bell, Adam Brody, Richard T. Jones, Jane Kaczmarek, Isiah Whitlock Jr. Justin Chatwin and Maya Rudolph
Synopsis: A rookie officer is teamed with a hardened pro at the California Highway Patrol, though the newbie soon learns his partner is really an undercover Fed investigating a heist that may involve some crooked cops.
Loosely based off the popular show from the late 70s, CHIPS ups the ante on the comedy and raunchiness. Basically taking the Jump Street-like tone and making it fit its overtly over-the-top comedy and a very thin plot. Needless to say, this isn’t your parents’ CHiPs.
The film follows Jon Baker (Dax Shepard), reimagined as an ex-motocross rider who is down on his luck, addicted to pain medication from his injuries and trying to repair his broken marriage with his wife (played by Shepard’s real-life wife Kristen Bell) becomes a California Highway Patrol officer. He is then partnered up with undercover FBI agent Castillo (Michael Pena), renamed Francis Llewellyn Poncherello or “Ponch” who goes undercover when a heist involving potential corrupt cops is pulled off. The two have to find a way to work together as the threat becomes more real for the both of them.
As you can see Shepard not only starred in the film, he also wrote and directed the film. I’ve personally never seen a Shepard-directed film, so this was my first exposure to him as both. The humor is a bit over the top, but exactly what you’d expect in a raunchy R-rated comedy. Some of it works, some of it doesn’t so the humor will be something that you are either on board with or not, and if you’re not then you’re in for a long ride.
However, one of the biggest highlights – and probably the main one – is the chemistry between Shepard and Michael Pena. The two start off bickering at each other non-stop but eventually, of course, find a mutual respect. Although, I’ll admit Shepard’s Baker came off as annoying at the first, while Pena is impatience came out as dick-ish. The rest of the cast don’t really standout too much, but do they best they can do with the material their given.
Vincent D’Onofrio plays the villain, but other than one scene with Pena and Shepard, he’s really just there. Rosa Salazar plays a cop that may or may not be into Shepard’s Baker, Adam Brody plays Ponch/Castillo’s FBI partner who hates him – for a comedic/reasonable reason – while Isiah Whitlock Jr. plays the head of the FBI division Castillo/Ponch belongs to and constantly is yelling at him. Finally, Kirsten Bell doesn’t do too much to make an impact.
All in all, CHIPS is definitely not for everyone. Its best scenes are way too far apart and its humor is all over the place and sometimes outright offensive. While I wasn’t overly impressed, CHIPS is a passable enough comedy that you won’t hate yourself for watching. Maybe.
3 out of 5
The Belko Experiment
Director: Greg McLean
Writer: James Gunn
Cast: John Gallagher Jr., Adria Arjona, Tony Goldwyn, John C. McGinley, Melonie Diaz, Brent Sexton, Owain Yeoman, James Earl, Rusty Schwimmer, Sean Gunn, David Dastmalchian, Michael Rooker and Gregg Henry
Synopsis: In a twisted social experiment, 80 Americans are locked in their high-rise corporate office in Bogota, Columbia and ordered by an unknown voice coming from the company’s intercom system to participate in a deadly game of kill or be killed.
The Belko Experiment is, you can say, loosely based on the cult classic Battle Royale where it forces innocent people by mysterious forces to kill each other. The difference in this film is it takes it to an office space in a foreign country, and has a script by James Gunn. So, of course the question becomes does it do anything to keep itself separated from the herd? Somewhat.
The film follows employees of Belko Industries in Bogota, Columbia who are literally locked and sealed in their complex and told through the intercom that they need to kill their follow employees and friends or they will be killed themselves. To prove their point, they have installed “trackers” into their heads when they took the job which ends up actually being explosives. Of course, at first they think it’s a prank, but eventually they find out its real – and they need to kill 30 people or the voice will kill 60 at random.
As you see the set-up is rather simple, and the film doesn’t really waste too much time setting everything up, along with some of the characters. Our main leads are Mike (John Gallagher Jr.) and his girlfriend Leandra (Adria Arjona) who are still in the early stages of their relationship. We then have Tony Goldwyn as the COO in that branch, Barry Norris, who eventually becomes our “villain,” and I put villain in quotes, because obviously good and evil are blurred in these kind of situations and that something that Barry comes to terms with, but Mike struggles with even though he’s pushed by Leandra to come to a decision.
The rest of the cast is fine, but they only have small moments and it’s easy to sometimes remember who’s alive and not. John C. McGinley is easily the second villain in the film, and one that you see coming from the beginning, Sean Gunn has a small but somewhat funny comic relief role, Melonie Diaz plays new worker at Belko, Dany Wilkins, who feels like she could play a big role, but doesn’t really. Finally David Dastmalchian and Michael Rooker play technicians who try to find a way out their own way.
A movie like this will always make us, the viewer, decide what we’d do in a situation like this. The film also doesn’t hold back on the violence, because besides the explosives going off that literally blow the back of someone’s head, once the free-for-all starts, it doesn’t let up. It’s a dark, brutal and grizzly outlook of everything. So if gore isn’t your thing, you should probably pass on this.
All in all, The Belko Experiment isn’t anything new to this particular sub-genre. While the cast does fine with what they’re given, we already know that most of these characters are going to die, so we probably hold off on making a strong connection to any of them, which is in some ways a negative aspect for the film. However, if you want to watch a bloodbath in an office, then this is your film.
The Belko Experiment
3 out of 5
Director: Daniel Espinosa
Writers: Rhett Reese and Paul Wernick
Cast: Jake Gyllenhaal, Rebecca Ferguson, Hiroyuki Sanada, Olga Dihovichnaya, Ariyon Bakare and Ryan Reynolds
Synopsis: A team of scientists aboard the International Space Station discover a rapidly evolving life form that caused extinction on Mars, and now threatens the crew and all life on Earth.
One of the things I dislike about sci-fi space films with something mysterious onboard a spaceship is that it immediately gets compares to Alien. Which I guess is fair, but also not for whatever the film is because you have that thought in your mind and will not judge whatever film that is fairly. So the moment the first trailer for Life came out, everyone said it was Alien ripoff, or if you wanted to believe the crazy fan theory, a secret Venom prequel (it isn’t by the way). While Life is a genre changer, it is a pretty great tension filled thriller that keeps you engaged from start to finish.
The film follows the astronauts on the International Space Station that have discovered organic life from a sample recovered from Mars. The crew includes a CDC representative Miranda North (Rebecca Ferguson), doctor and long time inhabitant of the ISS David Jordan (Jake Gyllenhaal), engineer Rory Adams (Ryan Reynolds), scientist Hugh Derry (Ariyon Bakare), pilot Sho Murakami (Hiroyuki Sanada) and captain Ekaterina Golovkina (Olga Dihovichnaya). Once they get the organism and study it, they discover that its, as Hugh puts it, “all muscle, all brain” they end up nicknaming Calvin, based off a contest on Earth. Of course, Calvin breaks frees and starts causing chaos on the ship.
Life immediately makes it known how tense this movie will be putting us inside the ship as the crew attempt to grab a probe that has Calvin in it. It never really lets up until right before the last attempt to kill Calvin where characters talk about why they came to space. It’s a good scene, but it takes some of the (no pun intended) air out of the film.
But, what makes Life great is the cast. You can clearly see they all had a great time working together, as they all have great chemistry together and their characters are fleshed out enough to make us care of them once Calvin starts moving around the ISS. Speaking of Calvin, the design of Calvin is pretty interesting and one that I would love to see more of. However, when it comes to his – its? – movement it is pretty scary to imagine that thing coming at you, especially considering how smart it really is.
All in all, Life isn’t a game changer to the subgenre, but it is a tension filled ride from start to finish that has a great cast and a formidable and scary villain.
4 out of 5
Director: Jordan Vogt-Roberts
Writers: Dan Gilroy, Max Borenstein and Derek Connolly
Cast: Tom Hiddleston, Brie Larson, Samuel L. Jackson, John Goodman, Corey Hawkins, Thomas Mann, Tian Jing, Jason Mitchell, Eugene Cordero, Shea Whingham, John Ortiz, Toby Kebbell and John C. Reilly
Synopsis: A team of scientists explore an uncharted island in the Pacific, venturing into the domain of the mighty Kong, and must fight to escape a primal Eden.
*Reviewer Note: This will be a spoiler free review.*
*Reviewer Note 2: There is a post-credit scene*
King Kong is one of the most famous movie characters of all time, so it’s no surprise that Hollywood would try to bring him to the big screen as much as possible. Some have been great and some have been disappointing, but Kong: Skull Island thankfully leans more toward the great side. So, what exactly did director Jordan Vogt-Roberts do to make Kong: Skull Island a good King Kong film? Keep reading and find out.
Set during 1973, at the tail end of U.S troops pulling out of Vietnam, struggling government organization Monarch has two employees in William Randa (John Goodman) and Houston Brooks (Corey Hawkins) who have a wild theory that an uncharted island could lead to major secrets. They manage to pull together a survey and mapping operation on the island with a military escort lead by Preston Packard (Samuel L. Jackson), a former SAS Captain and expert tracker James Conrad (Tom Hiddleston) and an antiwar photojournalist Mason Weaver (Brie Larson). Once they arrive to the island – and after dropping bombs to map out the island – they meet Kong (motion-captured by Toby Kebbell and Terry Notary), who isn’t happy they’re dropping bombs in his backyard.
After surviving the initial attack, the group gets separated with Packard leading some of his men in Mills (Jason Mitchell), Cole (Shea Whigham), Reles (Eugene Cordero) and Randa, while Conrad, Weaver, and Brooks are with other Monarch members in San (Tian Jing), Slivko (Thomas Mann) and Victor Nieves (John Ortiz) before they run into Hank Marlow (John C. Reilly), who has been on the island for quite some time. What follows is both groups trying to make it off the island, avoiding Kong, but also finding out that Kong may not be the most dangerous thing there.
If you follow the news online, or are a fan of 2014’s Godzilla, Monarch is a connective tissue from the movie, and Skull Island was the studio’s way to introducing King Kong for the forthcoming mashup film between Godzilla and King Kong. However, Skull Island – thankfully – stands on its own making Kong a huge highlight and a force of nature. So since we’re talking about Kong, let’s go more into him. Obviously, Kong is someone you don’t want to mess with according the trailers. He’s king on the island as Reilly’s Marlow says, and that statement is proven the moment we meet as he takes over what felt like a dozen helicopters with ease, and going up against some of the Skull Crawlers. And when it comes to the Skull Crawlers, they do make an intimidating villains and great foes to Kong.
When it comes to the cast, they all play their part very, very well. Tom Hiddleston and Brie Larson have their characters fleshed out enough, while the highlights could very well go to John C. Reilly and Samuel L. Jackson. Reilly’s Marlow has been stuck on the island for decades with the natives of the land, so his nuances are fun to watch unfold. Jackson’s characters fits into the time. Jackson is fueled by one thing after the first encounter with Kong: Find Kong and kill him. Jackson’s Packard is very much inspired by the time and films like Apocalypse Now. In fact the whole film feels a tinge like Apocalypse Now, which isn’t a bad thing, but it’s not so bluntly obvious that it takes away from the film. Two others that I want highlight personally is the pair of Shea Whigham and Jason Mitchell, the two have great chemistry together and is actually my favorite pairing in the film. One unfortunate casting misstep is Toby Kebbell, who gets the short end of the stick when it comes to the cast and story.
However, besides the cast and Kong, a huge highlight is the visuals and cinematography by Larry Fong. Kong and the Skull Crawlers are impressive sure, but of course we come across other creatures on the island that are either beautiful or scary as hell. Kong: Skull Island has a nice balance of the two, but it’s not just the creatures that impress, it’s the beautiful landscapes of the island. If Skull Island wasn’t filled with things that can kill you, you’d probably want to visit – maybe.
All in all, Kong: Skull Island is an enjoyable fun adventure film with a great cast, visuals, cinematography and soundtrack. While the film does slow down at times, it doesn’t do so without trying to flesh out the characters. Of course, the highlight of the film is seeing King Kong return to the big screen in all his glory.
Kong: Skull Island
4 out of 5
The Movie Pit Podcast is here!
Later than usual because I forgot about it for a bit – can’t believe either!
Director: James Mangold
Writers: James Mangold, Michael Green, and Scott Frank
Cast: Hugh Jackman, Patrick Stewart, Dafne Keen, Boyd Holbrook, Stephen Merchant, Elizabeth Rodriguez, Eriq La Salle, Elise Neal, Quincy Fouse, and Richard E. Grant
Synopsis: In the near future, a weary Logan cares for an ailing Professor X in a hide out on the Mexican border. But Logan’s attempts to hide from the world and his legacy are up-ended when a young mutant arrives, being pursued by dark forces.
*Reviewer Note: This will be a spoiler free review.*
17 years ago – yes, 17 years! – we saw a virtually unknown Australian actor take the role of the fan-favorite X-Men Wolverine in Hugh Jackman. While people had their doubts at the time – some still do – Jackman proved himself to handle the character well, and has earn the respect of many fans over the years. So when it was announced that Logan would be Jackman’s last go as Logan aka Wolverine, it was fair to say it has been the end of an era. So, was Jackman’s last ride worth it and the perfect way to send off Jackman? Yes, yes it was.
Set in the year 2029, mutants are almost all but extinct and there hasn’t been a mutant birth in some time. We find Logan (Hugh Jackman), who is now going by his birth name, James Howlett, as a limo driver in Texas to raise money. After long night he goes across the border to an abandoned facility where he hides and cares for an old and ailing Professor Charles Xavier (Patrick Stewart) with the help of another mutant, Caliban (Stephen Merchant). Before Logan can gather enough money to buy a boat so he and Charles can live out in the ocean, they cross paths with Laura (Dafne Keen), a young girl who is very similar to Logan in almost every regard. Now all together, they must run from a military force called The Reavers, lead by Donald Pierce (Body Holbrook) and a scientist in Dr. Zander Rice (Richard E. Grant) that are after Laura and will do anything to get her back.
While the character, of course, originated in the comics and has appeared in every X-Men film and now has three solo films in what are essentially comic book/superhero films, Logan is a whole – no pun intended – animal altogether. Not only is the film rated R, and boy does it embrace that rating – seriously, wow – the film doesn’t feel like a comic book/superhero film. It actually comes off more like a neo-western and it’s better because of it. Instead of focusing on some Earth-ending event, it focuses mainly on Logan, the man, and him protecting his girl he hardly knows in this bleak future, and finally coming to terms with his mortality. We’ve seen the mortality question come up before, but we see it more here. And it is that reason while I think so many love this movie. Director James Mangold could have easily put some Earth-ending even here, but he didn’t. He knew who the star in this film is, and what fans have been dying to see, and he finally delivers it.
Hugh Jackman has already played version of Logan/Wolverine we’re use to, but his performance in Logan is something different. We see him finally beaten down and a broken version of himself. He’s not healing like he use to, his drinking a lot and cuts himself off from the world. Not only that, he has to help Charles Xavier (Patrick Stewart), who due to his old age, his powers have become a bit unstable, but the chemistry between Jackman and Stewart in the film is the best we’ve seen. Stewart is finally able to cut loose and not worry about coming off as a mentor or professor and instead tells everything how it is. Seeing the two together at this stage in their lives makes the film even better, especially knowing that Stewart is also bowing out after this makes his performance equally bittersweet.
However, if you want to talk about casting, you have to talk about Dafne Keen as Laura aka X-23. Making your film debut is always tough, but making your film debut in Logan as a badass killing machine who is mute is probably tougher. Keen will definitely be a fan-favorite walking out of the film, and not just for being badass but the fact that she can express so much of her emotions into a simple stare. I don’t know where director James Mangold and the casting directors found Keen, but I can’t wait to see what she does after this. Believe me, we’ll be seeing a lot more of Keen in the future.
However, despite the great casting from the good guy side – which also includes Stephen Merchant’s Caliban – the bad guy side of the spectrum falls apart fairly quickly. Even though the film isn’t about the villains, and more about Logan, is doesn’t mean the villains should suffer. Boyd Holbrook does a descent job as the head of the Reavers, Donald Pierce, but his smooth-talking persona fades away and is just another henchmen. Finally there’s Richard E. Grant, a scientist who has a connection to Laura, but his character isn’t in the film enough to really justify him really being there. He does play a part that is pivotal for the ending, but that’s really it.
All in all, Logan is one of the best X-Men and best solo Wolverine film there’s been. It’s a beautifully done character film that ends the era of Hugh Jackman’s Wolverine in the best way possible. A brutal one, but a respectful and proper way to send off Hugh Jackman and Patrick Stewart, while introducing Dafne Keen. Logan is one of the films that will have you talking afterwards and have you thinking back at how great it is.
4.5 out of 5