‘Dunkirk’ Review

Director: Christopher Nolan

Writer: Christopher Nolan

Cast: Fionn Whitehead, Aneurin Barnard, Barry Keoghan, Tom Glynn-Carney, Jack Lowden, Harry Styles, Cillian Murphy, James D’Arcy, Tom Hardy, Mark Rylance and Kenneth Branagh

Synopsis: Allied soldiers from Belgium, the British Empire and France are surrounded by the German army and evacuated during a fierce battle in World War II.

 

*Reviewer Note: This will be a spoiler free review.*

 

Based on the real event during World War II, and one of the most disastrous military missions in British history, Dunkirk is told through the perspective of three different viewpoints with imagined characters director Christopher Nolan made up, and a few characters that were based off real people. However, that doesn’t make Dunkirk any less of an important history film. I personally didn’t know anything about the real event at Dunkirk, and held off reading anything about the event until after the movie. This isn’t also your typical Nolan movie either, which makes the experience so much better. So let’s not waste any more space and get to what makes Dunkirk so damn good.

Nolan does do some experimenting with this film as it jumps across three different timelines that weave together in a slow fashion – all of them dealing with the British evacuation of Dunkirk. There’s the shoreline nicknamed The Mole, which takes place over the course of a week and follows British soldier Tommy (Fionn Whitehead) and a fellow soldier he comes across played by Damien Bonnard, as they try to get out of Dunkirk. There’s “The Sea” that takes place over a day and follows Mr. Dawson (Mark Rylance), his son Peter (Tom Glynn-Carney), and George (Barry Keoghan) who sail to Dunkirk as a rescue party and pick up a soldier (Cillian Murphy) along the way. Finally, “The Air” which takes place over the course of an hour and follows British pilots Collins (Jack Lowden) and Farrier (Tom Hardy) who provide air support for the ships.

One of the things you obviously notice right away about the film, despite big names like Hardy, Murphy, Rylance, James D’Arcy and Kenneth Branagh appearing, they are nothing more than supporting roles. Although, I’d make the argument that Rylance is one of the leads of the film, but I’ll leave that up to you. Also, considering this is a war film, you’re probably expecting buckets of blood and a hardcore brutal look at war like Saving Pirate Ryan right? Well, you don’t get that. However, you did get something better, for the lack of a better word – a cold, relentless and unforgiving look at war.

There never is a real safe place in their film, which adds to the tension every time we get what could be a moment of peace. Combine that with Hans Zimmer’s amazing score with a ticking clock that is both unnerving, but blends right into the scenes perfectly. Considering that, I was surprised like most people were that Dunkirk’s runtime is only an hour and forty-six minutes. Not that war films have to be long, but even with that “short” runtime, Dunkirk tells the story it is trying to tell.

I don’t know if people will see this as a negative, but Nolan doesn’t really get into any back stories of the characters. Everything is very in the moment, despite the non-linear narrative Nolan is putting on. You get a sense on who the characters might be by their actions, but Nolan doesn’t really give anyone an exposition dump to tell their story. The only real person that gets a ton of dialogue is Branagh’s Commander Bolton who is trying to get everyone out of Dunkirk. The other characters like Whitehead’s Tommy, who opens the film, can be seen as the lead of the film, but since the film jumps around I was okay that he wasn’t the central focus – but again that could be me

That said, the cast is great with everyone holding their own and not stealing the spotlight from anyone. Whitehead spends the majority of the film with Harry Styles, who surprisingly is not that bad. This could easily be seen as stunt casting, but the singer isn’t bad in his acting debut. Cillian Murphy is terrific as the soldier pleading with Mark Rylance’s character to turn back and go home. Speaking of Rylance, he does fine job as Mr. Dawson and his two main co-stars Barry Keoghan as George and Tom Glynn-Carney’s Peter. Jack Lowden and Tom Hardy as the pilots are only involved in the dogfights, which are great and enthralling to watch.

Even with the great cast, this movie belongs to Nolan and the crew. Specifically, the already mentioned Hans Zimmer and cinematographer Hoyte Van Hoytema, who gives us the massive scope, but captures the intense dread and desperation of the characters, especially the ones on The Mole as they hear the German planes fly over them dropping bombs on them.

All in all, Dunkirk is an intense film that doesn’t let you go until the very end. Christopher Nolan was able to do something different in the war genre that I hope people appreciate and find the nuances with the great cinematography and score.

Dunkirk

4.5 out of 5

‘War for the Planet of the Apes’ Review

Director: Matt Reeves

Writers: Matt Reeves and Mark Bomback

Cast: Andy Serkis, Woody Harrelson, Steve Zahn, Karin Konoval, Terry Notary, Ty Olsson, Michael Adamthwaite, Gabriel Chavarria and Amiah Miller

Synopsis: After the apes suffer unimaginable losses, Caesar wrestles with his darker instincts and begins his own mystic quest to avenge his kind.

 

*Reviewer Note: This will be a spoiler free review.*

 

Planet of the Apes was a movie that changed the movie scene due to its amazing practical effects, visual storytelling – apes of horses! – and vision of the future. Sure the series went to some crazy places and out there ideas. No serious watch them or look it up, but the series always had a special place in people’s hearts, and after a lackluster attempt with Tim Burton’s version – although credit where credit is due with those practical effects – the series got a much needed shot-in-the-arm with the reboot back in 2011 in Rise of the Planet of the Apes.

Lead by motion-capture pioneer Andy Serkis with WETA Digital helping with the groundbreaking special effects, Rise became an instant hit with fans and nonfans alike. Serkis’ Caesar was a compelling character that made us feel and root for him to win, which meant yes, humans are the bad guys and had to be stopped. We then got Dawn of the Planet of the Apes which added an extra layer, it wasn’t humans vs. apes, it was humans vs. apes vs. apes, thanks to Toby Kebbell’s Koba, who hated what humans did to apes, and Caesar, who saw the good in humans once and believes that there could be peace. Now, of course, we get War for the Planet of the Apes, a great end to a great trilogy.

War picks up a couple years after the events of Dawn, and we now sees Caesar (Andy Serkis) with the remaining apes living in hiding in the woods from a group of soldiers lead by The Colonel (Woody Harrelson). After two attacks on their home, Caesar has had enough and decides to get revenge. Breaking away from the apes, and sending them to a new promised home, Caesar is followed by his trusted and closest friends in Maurice (Karin Konoval), Rocket (Terry Notary) and Luca (Michael Adamthwaite). Eventually they come across a young girl, played by Amiah Miller, who has lost the ability to speak, and Bad Ape (Steve Zahn), an ape that has learned to talk just be being around humans. What follows is Caesar struggling with his darker side to get revenge, but also still trying to remain the leader to his people

Despite the summer releases of all the films, and the massive – and impressive –special effects, this Apes franchise never really feels like a summer movie. They could have easily turned this into a full-fledged apes vs. humans series, but instead they made every film about making Caesar a fully fleshed out and complex character. The film could be looked at as character study on both sides. Are the apes the heroes, or are the humans. Yes, there are good humans like James Franco’s Will or Jason Clarke’s Malcolm, but for every good few humans, there are extremely bad humans like Harrelson’s The Colonel, who take the extreme.

Caesar fights for his people and to keep them safe, but so do the humans, and in this case Woody Harrelson’s The Colonel has a reasonable case for his actions. Although anyone in that kind of position will probably say their position is right, but in this case, he’s somewhat right. That said, that is another reason why I love this rebooted trilogy. It gives you both sides of the argument and lets you choose, but Caesar is such a great character and seeing his journey for three films now, you have to root for him.

Of course, some of that goes to Andy Serkis. Serkis’ subtle nuances always made Caesar feel more human, if that makes some sense. Here it’s the same, Caesar is still conflicted, but still has his purpose but is stuck figuring out if he wants to continue doing things his way or if he falls for the darkness that Koba told him he would and should do. That’s why his advisory here in Harrelson’s The Colonel is a great one. Like Caesar, The Colonel only has one purpose and will do whatever it takes to complete it.

When it comes to the rest of the cast, it’s hard to really judge all of them considering they are mostly all motion-capture. When it comes to the new characters in Bad Ape, he brings some humor to the otherwise dark toned film, and all of it works and is not forced. Then there’s Amiah Miller’s character who is a huge homage and Easter Egg to the original series that ties in where the future of the series can go, but also do their own version. Also, credit to Miller, who’s still relativity new to Hollywood, on what she was able to pull off here given that she doesn’t talk at all.

Speaking of homage and Easter Eggs, War does have a few more besides Miller’s character, but there is something that I really liked that they added that connects to the original. It was something that feels small, but when you look at past films, and potentially future films, it completely works and makes sense – although part of me kind of wishes they don’t make any more after this.

All in all, War for the Planet of the Apes has it all; action, drama, humor, beautiful cinematography by Michael Seresin and score by Michael Giacchino. More importantly, War is a fitting end to a near perfect trilogy that gave us a great character in Caesar played by Andy Serkis. While part of me would somewhat like to see where this franchise goes from here, the other part of me hopes they leave it at that.

War for the Planet of the Apes

4.5 out of 5

Spider-Man: Homecoming Spoiler Review

The spoiler-filled review of Spider-Man: Homecoming is up!

Give it a listen, and if Youtube is too inconvenient for you, the podcast is up on ITunes now right here (id1249582608?mt=2)

‘Spider-Man: Homecoming’ Review

Director: Jon Watts

Writers: Jon Watts, Jonathan Goldstein, John Francis Daley, Christopher Ford, Chris McKenna, and Erik Sommers

Cast: Tom Holland, Robert Downey Jr., Michael Keaton, Jacob Batalon, Laura Harrier, Jon Favreau, Zendaya, Tony Revolori, Bokeem Woodbine, Donald Glover and Marisa Tomei

Synopsis: Several months after the events of Captain America: Civil War, Peter Parker, with the help of his mentor Tony Stark, tries to balance his life as an ordinary high school student in Queens, New York City while fighting as his superhero alter ego Spider-Man as a new threat, the Vulture, emerges.

 

*Reviewer Note: This will be a spoiler free review.*

*Reviewer Note 2: There are two post-credit scenes.*

 

The second reboot of Spider-Man in the last 15 years is here, and dare I say, it might be the best one yet. Jon Watts has bought the real teenage aspect of Peter Parker which not only makes him a desperate young hero trying to prove himself, but also trying make it through the difficulties of high school. There other nice thing, there’s no origin story. Although the film does act as a pseudo-origin story given that Peter is finally becoming the Spider-Man we all know and love from the comics.

The film begins with, surprisingly, Michael Keaton’s Adrian Toomes with his clean-up crew after what looks like the Battle of New York from The Avengers, and suddenly getting kicked out, but not before taking some alien technology with them. We then jump forward to Peter Parker (Tom Holland) in a home movie-like video recapping the events of Captain America: Civil War, including some shots from the airport battle. After getting to keep the suit, we cut forward yet again a few months with Peter feeling left out and antsy to get back into the real action. That comes to fruition when he discovers a gang selling alien tech weapons lead by Adrian aka The Vulture. Peter then tries to take down Adrian and his crew, while also dealing with his best friend Ned (Jacob Batalon) who knows his secret, dealing with his crush from afar in Liz (Laura Harrier) and keeping his identity from his Aunt May (Marisa Tomei).

While on paper, Spider-Man: Homecoming sounds like it has a lot going on, but what Jon Watts and the writers were able to do here is nothing short of great. The film is actually over two hours along, but it never feels long. Homecoming moves at a brisk pace, all while being enjoyable and fun, but more importantly, it’s funny. The humor is top notch and while the film never goes full comedy, the humor is one of the many things that makes the film great.

The other nice thing about Homecoming is that it’s small stakes movie. There’s no end of the world or portal opening in the middle of the sky scenario. It’s Peter trying to stop a gang from selling alien tech weapons. Sure he fights a guy in an alien tech suit, with his super-suit and superpowers but it’s not like he’s a demigod or Iron Man. We see Peter as Spider-Man swinging around the city doing some things like stopping a guy from stealing a bike or even when he’s just being Peter, we see him go to a bodega to get a bite to eat. He really is, as cheesy as it sounds, a friendly neighborhood Spider-Man.

The reason why this works is simply because of Tom Holland. Holland is great as Peter and Spider-Man. He has the sensibility and humor a Peter Parker/Spider-Man needs and makes the role his own. Nothing against Toby Maguire and Andrew Garfield, but Holland is of the right age for the character and has a personality that we can easily follow and root for. He’s also still learning everything as he goes, and we see him fail, which is what we’ve been really missing from the previous installments. Sure he has the heart of a hero and is always trying to do the right thing, but he still doesn’t know when to step in and when to step away.

The rest of the cast is pretty great too. Let’s start off with the obvious – Robert Downey Jr. once again playing Tony Stark/Iron Man. While he’s in almost every promotion spot we’ve seen, he’s actually not in the movie that much, so if you had the fear that Iron Man/Stark would take over the film, he doesn’t. Michael Keaton as Adrian Toomes, since they never actually call him the Vulture, is okay as the villain. His reasoning does leave something to be desired, but you can see where he’s coming from, but I think it helps that he’s damn terrifying when he needs to be.

Jacob Batalon as Ned, Peter’s best friend and the only friend that knows he’s Spider-Man, is great here and his chemistry with Holland is fantastic. Zendaya as the deadpan schoolmate Michelle has her moments that are welcomed humorous moments. Laura Harrier as Peter’s love interest, Liz, doesn’t have much to do other than be something Peter can’t really have because of his alter-ego Jon Favreau once again plays Happy Hogan, who acts like a watch dog to Peter, although he struggles him off every chance he gets. Tony Revolori plays Flash Thompson, a high school rival/bully to Peter, and Bokeem Woodbine plays Shocker, the secondary villain that Peter/Spider-Man has to deal with.

Donald Glover appears as Aaron Davis, someone Spider-Man comes across for help. Unfortunately, Marisa Tomei as Aunt May is a little underwritten for me. Yes, the fact that she’s younger does play a funny little role in the film, but she doesn’t really give Peter a wise speech about being a kid or anything like that, she does have one moment like that, but I kind of wish they played her up more. Instead she is played as an over-protective aunt who tells Peter to run the other way when danger is put in front of him. However, this new attitude does get a nice payoff, but I still would have loved to see more of her.

Of course, there are many Easter Eggs for fans to fine, some are right in your face, while others fans may need to keep an eye out for it. Thankfully, Sony doesn’t overstuff the movie with them or try to force the Marvel Cinematic Universe in the film itself keeping everything Spider-Man related and watching him grow as the character that we all love and know.

All in all, Spider-Man: Homecoming is a hell of a lot of fun. From start to finish you are bound to love this movie. Tom Holland has solidified himself as Peter Parker/Spider-Man and I for one can’t wait to see where he takes the character next. The Easter Eggs to the history of the character do make the film all the more great consider where the potential can go, and I’m sure one particular one will get fans talking. However, I would highly recommend everyone to go watch Homecoming. It’s not a reboot for reboot stake or for Sony to make more money, it’s a Spider-Man movie that we’ve been waiting for.

Spider-Man: Homecoming

4.5 out of 5

 

‘Baby Driver’ Review

Director: Edgar Wright

Writer: Edgar Wright

Cast: Ansel Elgort, Lily James, Jon Hamm, Jamie Foxx, Eiza Gonzalez, CJ Jones, Jon Bernthal and Kevin Spacey

Synopsis: After being coerced into working for a crime boss, a young getaway drivers himself taking part in a heist doomed to fail.

 

*Reviewer Note: This will be a spoiler free review.*

 

I’m not going to make this a secret – I love Edgar Wright. Every movie he’s done I’ve either loved or thoroughly enjoyed to no end. So when he dropped out of Ant-Man and moved on to Baby Driver, I was both a little upset (I was really looking forward toward his Ant-Man) and excited to see what he was going to do with this. Thankfully, from the very first trailer I was completely in. Then the early reviews and reception came out and everyone was saying how great and awesome it was. However as the release date loomed, and the reception kept getting better and better, I started wondering, is it really that good? Yes, yes it is.

Baby Driver centers on Baby (Ansel Elgort), a skilled, but reluctant getaway driver working off his debut to Doc (Kevin Spacey). However, he’s a not a normal getaway driver, he constantly listens to music to drown out his tinnitus in his ears that was a result from a car accident where he lost his parents as a child, and it’s his inner soundtrack that makes him the best. One day he meets waitress Debora (Lily James), and finally sees a future where he doesn’t have to be a getaway driver. However, as he and Debora get closer, Doc ropes him back into the game on a big job alongside Bats (Jamie Foxx), Buddy (Jon Hamm) and Darling (Eiza Gonzalez). What follows is Baby trying to escape in more ways than one.

Like I mentioned, Baby is constantly listening to music and acts like not only his own personal soundtrack but ours as well, giving us a sense at what Baby is feeling at the certain times. At one point, during Baby’s second job working with Jaime Foxx’s Bats – when he’s introduced – JD (Lanny Joon) and Eddie (played by Flea), Baby restarts a song because the timing in off. The funny thing is that it doesn’t come off as awkward or weird, it comes off as funny and almost necessary. I read somewhere that the film is almost a reverse musical, instead of people bursting out into song, its Baby’s music that pushes the story forward a bit.

I don’t know how people will feel with music almost constantly playing, but Edgar Wright makes it work so well that it is rather impressive. Also, the fact that the music syncs with the action and the choreography to perfection makes the film that much better. Speaking of the action and the choreography, it’s highly impressive what Wright was able to bring out of everyone, and what he’s able to accomplish with all the car stunts is damn cool.

When it comes to the cast, they are also all fantastic. I’m not the biggest fan of Ansel Elgort, but he’s not that bad here as Baby. He’s a man of few words – expect when he’s talking to Debora – and lets his soundtrack and driving do the talking for him. Kevin Spacey chews up every scene he’s in, which isn’t many, but he does leave his impression felt. Jaime Foxx as Bats is, well, crazy and a bit unhinged and does act as the primary villain, although you can argue that they’re all bad guys, expect Baby who’s a reluctant bad guy. Jon Hamm and Eiza Gonzalez play the happy couple of Buddy and Darling, who are crazy about each other and Buddy actually likes Baby and sees something special in him, which plays a bigger factor than you think in the film near the end.

Lily James as Debora is, unfortunately, a little underdeveloped. She does have a story behind her, but it’s only her telling it so it could have helped if we’d see a little more of her. Jon Bernthal isn’t underdeveloped, he’s underused. Bernthal is part of the opening heist of the film, but isn’t seen after that. It’s a bit of a shame, but he’s great in the time that he’s there. CJ Jones also appears as Joseph, Baby’s deaf foster father who wishes Baby would leave the criminal life.

All in all, Baby Driver is a fantastic film with great car chase sequences with an awesome cast and an equally great soundtrack that perfect fits with the action and how Ansel Elgort’s Baby is feeling. Moreover, while Baby Driver isn’t as personal as Edgar Wright’s other films, it is as stylized as them and filled with more action. Do yourself a favor and go watch Baby Driver in the biggest and loudest theater you can find.

Baby Driver

4.5 out of 5

Spoiler-Filled Review of ‘Transformers: The Last Knight’

I spoil review Transformers: The Last Knight on another addition of The Movie Pit Podcast, and it doesn’t go well. I do swear and yell a lot, so you have been warned. Also, check out the link below because the podcast is now on Itunes!

 

Podcast Itunes Link  – https://itunes.apple.com/us/podcast/the-movie-pit-podcast/id1249582608?mt=2

 

‘Transformers: The Last Knight’ Review

Director: Michael Bay

Writers: Art Marcum, Matt Holloway and Ken Nolan

Cast: Mark Wahlberg, Laura Haddock, Josh Duhamel, Isabela Moner, Jerrod Carmichael, Santiago Cabrera, Tony Hale, John Turturro and Anthony Hopkins

Voice Cast: Peter Cullen, Frank Welker, Erik Aadhal, John Goodman, Ken Watanabe, Omar Sy, John DiMaggio and Jim Carter

Synopsis: Humans and Transformers are at war, Optimus Prime is gone. The key to saving our future lies buried in the secrets of the past in the hidden history of Transformers on Earth.

 

*Reviewer Note: This will be a spoiler free review.*

*Reviewer Note 2: There is a post-credit scene.*

 

Five, count them, five Transformers movie directed by Michael Bay have now cursed us been released, and I still can’t figure out why none of them have been any good. Sure, the first movie was okay, but since then the series has gone downhill. The lack of story, and really any sense of direction, make these movies really hard to follow, root for and really enjoy overall, yet, there are fans out there. The Last Knight, which is Michael Bay “last” movie in the series, is another entry of all style and no real substance.

The movie starts off on a somewhat good note setting it during The Dark Ages as King Arthur and his army in a midst of battle as they wait for Merlin, played by Stanley Tucci, who has already discovered the Transformers and pleads with them to help Arthur and his army. They do and give Merlin a staff, this beings the secret history and long place for the Transformers. We then cut 1600 years later and see Optimus Prime (Peter Cullen) floating in space aimlessly only to get sucked into his broken home planet of Cyberton. There he meets Quintessa (Gemma Chan), who says he is the “Prime of Life” and tells Optimus he can have his home world back, but only if Earth is destroyed because of its hidden secret (spoiler territory which I won’t get into).

Then there is, of course, the human characters. We first meet teenager Izabella (Isabela Moner) who has her own Transfomers and is living in the fallen section of Chicago after the events of Dark of the Moon. She gets rescued by Cade Yeager (Mark Wahlberg), now a fugitive from the government and famous for helping the Autbots that are still around, who now operates a junk yard where Autobots Bumblebee, Hound (John Goodman), Drift (Ken Watanabe), Crosshairs (John DiMaggio) and the Dinobots – the only scene we see them in – are hiding from new agency in TRF, who are hunting down Transformers and killing them.

Cade gets involved in the bigger scheme of things when he comes across a medallion that attracts the attention of Megatron (Frank Welker) and Sir Edmund Burton (Anthony Hopkins). Burton brings together Cade – with the help of his own Transformer butler Cogman (Jim Carter) – and an Oxford professor Vivian Wembley (Laura Haddock) who is an important part of not only the medallion’s history, but why Cyberton is coming to Earth. We also have Optimus Prime acting unlike himself.

So, as you can see Transformers: The Last Knight has a lot – A LOT – going on, and that makes it an even bigger mess than it already is. The problem, well at least one of them, is that The Last Knight is adding too much mythology and lore way to late in the game. Also, some of it doesn’t make any sense. We see in the trailers that the Transformers have been on Earth longer than we thought. They also been there for big events like World War II – which of course was never mentioned in the films, especially with Bumblebee, who gets his own little flashback scene attacking a Nazi headquarters. Which when you think about, if the Transformers were helping the Allies during the war, shouldn’t it have ended quicker?

It’s almost like the film is insulting us that they think we can’t remember anything from the previous movies. Because you know, Stanley Tucci was in the last film, but is only seen here are Merlin during the Dark Ages segment in the movie. Even the Dinobots, and even mini-Dinobots introduced here, which were made to be a big deal in the last movie film, are not even a factor here. Also, if the world didn’t completely known about Transformers before the events of the first movie, how come we see paintings of King Arthur with the three-headed Transformer behind him in Oxford? It’s just dumb how these movies just throw something for the sack of story and plot, logic and proper storytelling be damned.

Yeah, I know. You don’t watch a Transformers movie for its story and plot; you watch it for its action scenes. Look, even I’ll admit, the series so far has had some pretty descent and great action sequences, but that only takes you so far, and eventually it just becomes noise and incoherent action. It also says a lot that the best action piece in this movie is the fight that’s been promoted heavy in Bumblebee taking on Optimus Prime, and even with that said, we pretty much see almost most of it in the trailers and TV spots.

The real problem is that Transformers shouldn’t be this bad. It’s actually hurts to even think about how bad these movies are. The human characters aren’t interesting enough, cringe-worthy humor and stupid – and I mean take you out of the movie stupid – puns, and once again, stereotypical/slightly racist robots that serve no purpose other than trying to get a laugh or connect with a young audience. Seriously, there are Decepticons here that get introduced similar to a scene ripped right out of Suicide Squad, which could have been fun but the Decepticons and Megatron do absolutely NOTHING in this movie. Are they in it? Yes, but do they serve a purpose? No. Not even close, but you forget they’re in this because they disappear for half an hour or longer. Also, the introduction of Hot Rod (voiced by Omar Sy) is wasted here as he doesn’t really serve a real purpose other than having another fan favorite Autobot and showing off his power of slowing down time.

But going back to the humans, Wahlberg looks like he’s at least trying in some scenes, but this could be his last movie. Laura Haddock comes off as snobby when she’s teaching her students, and while her family history is important to the film, that fact that she doesn’t know it makes no sense since it’s pretty much her job. Josh Duhamel comes back as Lennox from the first three movies, and honestly, doesn’t do much – so his character remains the same. Isabela Moner as Izabella plays the tough teenager wants to help the Autobots, but while her character plays a big role in the first act, her character just doesn’t matter for the rest of the movie. Finally, Anthony Hopkins – poor, poor Anthony Hopkins. Hopkins at least adds some star power to the film and rambles on for long periods of time giving off five minute exposition’s dumps. His role is suppose to feel important, but sometimes it just sounds like an old man rambling, which is a shame considering its Hopkins. He also has a dumb sub-plot with the returning John Turturro that goes on for far too long.

So let’s get to Optimus Prime, who has been the center of the promotional material since he goes “evil.” He also disappears once he gets saved from space. Optimus spends the first half of the movie – where he has about ten minutes (if that) screen time – with Quintessa and is gone for the whole second half of the film to finally appear in the final act to have that fight – and yes – become good again. Is that a spoiler? Come on, we all know he wasn’t going to stay evil.

All in all, Transformers: The Last Knight is more or less of the same thing from the other movies. If you’re a fan, you may like it, but if you’re like me, The Last Knight may finally be the last straw. Its one thing to make a bad Transformers movie, it’s another thing to continue to make them thinking they’re good. The adding of mythology and lore does not do the movie any favors as it’s already bloated enough with nonsense action. However, you know what the biggest problem is? Despite it being the last Michael Bay movie – maybe – he can’t help himself from adding a post-credit scene to story he won’t – potentially – be involved in anymore. If Bay truly wanted to leave the series, he would have left the new director enough room to do their own story and thing. But no. Finally, let’s face it, I can sit here and write “this movie is a steaming pile of combined shits that you only fuel by buying a ticket,” but The Last Knight will still make a crap ton of money.

Transformers: The Last Knight

2 out of 5