New Podcast – Oscars 2020 & Birds of Prey Thoughts

Hello, everybody!

The podcast is back, with a special early podcast where I talk about the 2020 Oscars; from the winners, stats and the moments. I also talk about the new film out in theaters Birds of Prey. Remember, you can listen to the podcast on multiple platforms like Youtube, Apple Podcast and Stitcher!

http://linktr.ee/chrisrenteria27

 

February Movie Releases

So how are those New Years Resolutions coming along? Kidding!

Anyway, we’re here for movies! Compared to last year, February is looking like a legit month with some huge films coming out. It’s also the month that is bringing the end to a beloved franchise. So let’s get to it!

 

7th

Limited Release: The Lodge

A soon-to-be stepmom is snowed in with her fiancé’s two children at a remote holiday village. Just as relations begin to thaw between the trio, some strange and frightening events take place. The Lodge stars Riley Keough, Jaeden Martell, Lia McHugh, Alicia Silverstone and Richard Armitage.

 

Birds of Prey (and the Fantabulous Emancipation of One Harley Quinn) – Warner Bros., DC Entertainment, Luckychap Entertainment

After splitting with the Joker, Harley Quinn joins superheroes Black Canary, Huntress and Renee Montoya to save a young girl from an evil crime lord. Birds of Prey stars Margot Robbie, Mary Elizabeth Winstead, Jurnee Smollett-Bell, Rosie Perez, Ella Jay Basco, Chris Messina, Ali Wong and Ewan McGregor.

 

 

14th

Limited Release: Ordinary Love

An extraordinary look at the lives of a middle-aged couple in the midst of the wife’s breast cancer diagnosis. Ordinary Love is lead by Liam Neeson and Lesley Manville.

 

Limited Release: Downhill

A remake of the Swedish film; Barley escaping an avalanche during a family ski vacation in the Alps, a married couple (Will Ferrell and Julia Louis-Dreyfus) is thrown into disarray as they are forced to reevaluate their lives and how they feel about each other. Downhill co-stars Zach Woods, Zoe Chao, Helene Cardona, Kristofer Hivju and Miranda Otto.

 

What About Love – UC541

Two young lovers change the lives of their parents forever when the parents learn from the joyful experiences of their kids, and allow themselves to again find their love. What About Love stars Marielle Jaffe, Miguel Angel Munoz, Jose Coronado, Maia Morgenstern, Andy Garcia, Ian Glen and Sharon Stone.

*No Trailer Found*

 

The Photograph – Universal Pictures, Will Packer Productions, Perfect World Pictures

When famed photographer Christina Eames dies unexpectedly, she leaves her estranged daughter, Mae (Issa Rae), hurt, angry and full of questions. When Mae finds a photograph tucked away in a safe-deposit box, she soon finds herself delving into her mother’s early life — an investigation that leads to an unexpected romance with a rising journalist (LaKeith Stanfield). The Photograph co-stars Chelsea Peretti, Rob Morgan, Lil Rel Howery, Teyonah Parris, Kelvin Harrison Jr., Jasmine Cephas Jones and Courtney B. Vance.

 

Sonic the Hedgehog – Paramount Pictures, Sega, Original Film, Blur Studio

A cop in the rural town of Green Hills will help Sonic (voiced by Ben Schwartz) escape from the government who is looking to capture him. Sonic the Hedgehog stars James Marsden, Tika Sumpter, Neal McDonough and Jim Carrey.

 

Blumhouse’s Fantasy Island – Columbia Pictures, Blumhouse Productions

The enigmatic Mr Roarke (Michael Pena) makes the secret dreams of his lucky guests come true at a luxurious but remote tropical resort, but when the fantasies turn into nightmares, the guests have to solve the island’s mystery in order to escape with their lives. Fantasy Island co-stars Lucy Hale, Maggie Q, Parissa Fitz-Henley, Austin Stowell, Jimmy O. Yang, Portia Doubleday, Kim Coates and Michael Rooker.

 

 

21st

Limited Release: Emma

Based on the novel by Jane Austen; Following the antics of a young woman, Emma Woodhouse (Anya Taylor-Joy), who lives in Georgian- and Regency-era England and occupies herself with matchmaking – in sometimes misguided, often meddlesome fashion- in the lives of her friends and family. Emma co-stars Josh O’Connor, Mia Goth, Johnny Flynn, Callum Turner, Chloe Pirrie, Miranda Hart and Bill Nighy.

 

Brahms: The Boy 2 – STX Entertainment, Lakeshore Entertainment, Huayi Brothers

After a family moves into the Heelshire Mansion, their young son soon makes friends with a life-like doll called Brahms. The movie stars Katie Holmes, Ralph Ineson and Owain Yeoman.

 

The Call of the Wild – 20th Century Studios, 3 Arts Entertainment

Based on the novel by Jack London; Buck is a big-hearted dog whose blissful domestic life gets turned upside down when he is suddenly uprooted from his California home and transplanted to the exotic wilds of the Alaskan Yukon in the 1890s. As the newest rookie on a mail-delivery dog sled team, Buck experiences the adventure of a lifetime as he ultimately finds his true place in the world. The Call of the Wild stars Harrison Ford, Cara Gee, Jean Louisa Kelly, Omar Sy, Karen Gillan, Dan Stevens and Bradley Whitford.

 

28th

Limited Release: The Whistlers

A policeman is intent on freeing a crooked businessman from a prison on Gomera, an island in the Canaries. However, he must first learn the difficult local dialect, a language which includes hissing and spitting.

 

Limited Release: Burden

When a museum celebrating the Ku Klux Klan opens a South Carolina town, the idealistic Reverend Kennedy (Forest Whitaker) strives to keep the peace even as he urges the group’s Grand Dragon (Garrett Hedlund) to disavow his racist past. Burden co-stars Andrea Riseborough, Usher Raymond and Tom Wilkinson.

 

Limited Release: Guns Akimbo

Miles (Daniel Radcliffe) is a video game developer who inadvertently becomes the next participant in a real-life death match that streams online. While Miles soon excels at running away from everything, that won’t help him outlast Nix (Samara Weaving), a killer at the top of her game.  Guns Akimbo co-stars Ned Dennehy and Rhys Darby.

 

The Invisible Man – Universal Pictures, Blumhouse Productions, Goalpost Pictures

Written and directed by Leigh Whannell (Upgrade); When Cecilia’s (Elizabeth Moss) abusive ex (Oliver Jackson-Cohen) takes his own life and leaves her his fortune, she suspects his death was a hoax. As a series of coincidences turn lethal, Cecilia works to prove that she is being hunted by someone nobody can see. The Invisible Man co-stars Aldis Hodge, Storm Reid and Harriet Dyer.

 

What are you looking forward to?

‘The Gentlemen’ Review

Director: Guy Ritchie

Writer: Guy Ritchie

Cast: Matthew McConughey, Charlie Hunnam, Michelle Dockery, Henry Golding, Colin Farrell, Jeremy Strong, Tom Wu, Eddie Marsan and Hugh Grant

Synopsis: A British drug lord tries to sell off his highly profitable empire to a dynasty of Oklahoma billionaires.

*Reviewer Note: This will be a spoiler free review.*

 

Writer/director Guy Ritchie made a splash on the film scene with his gangster comedies like Lock, Stock and Two Smokin’ Barrels and Snatch. He’s recently taken a crack at a TV spy adaptation in The Man from U.N.C.L.E (which is criminally underrated), a different take on King Arthur with King Arthur and the Legend of the Sword and recently, the successful, Disney live-action film Aladdin. One thing that was clear in all of them, Ritchie has a style that he’s mastered, and it’s damn enjoyable when he finds his groove. Enter, The Gentlemen.

Mickey Pearson (Matthew McConaughey), an American-born, marijuana kingpin in London is looking to get out of the game. He’s lucky enough to find a buyer in Jeremy Strong’s Matthew, but when Dry Eye (Henry Golding) tries to make a move on Mickey’s empire, things get a little too complicated. On top of that, Mickey’s right-hand man, Ray (Charlie Hunnam) has to deal with an ambitious, and somewhat sleazy cunning private eye in Fletcher (Hugh Grant), who is under employment from Big Dave (Eddie Marsan) to write a big story.

I won’t lie, I’ve been looking forward to The Gentlemen since I heard about, and it really did not disappoint. The movie is truly a Guy Ritchie film, but with some grown maturity from the filmmaker. The film throws you right into the action of everything with the movie mainly being told through the framing device of Fletcher telling Ray what he’s found out. Because of that, the first act of the movie is pretty exposition heavy, but Ritchie’s setting the stage for everything that’s about to come.

The movie doesn’t really slow down too much, which can be a good thing or a bad thing depending on your viewing. Honestly, the only thing that I would count against the movie is sometimes the plot can get convoluted, and Michelle Dockery, who plays Mickey’s wife Rosalind, doesn’t have too much to do expect one pretty out there scene that surprisingly works.

If the plot doesn’t draw you in then maybe the cast will. McConaughey plays it pretty straight despite him playing a weed kingpin, but it’s the confidence that he drips makes the character. Hunnam’s Ray is a loyal soldier to Mickey and besides dealing with Fletcher, he deals with another subplot in the movie. Henry Golding’s Dry Eye isn’t the most interesting “villain” in the movie, and you can clearly see his ambition gets the better of him. Jeremy Strong’s Matthew still a character you like to hate, which the handful of scenes he has.

Easily, the two show-stealing performances belong to Colin Farrell’s Coach, a boxing coach to the local young kids, and is a much more important character than you think. Then there’s Hugh Grant, who is having a BALL playing Fletcher, as he chews up the scenery every time he’s on. He’s a bit scummy, but it’s hard to hate him.

All in all, The Gentlemen is an entertaining gangster comedy from beginning to end, with a great cast and catchy dialogue. It’s a fine return to form by Guy Ritchie to the genre, and something I hope we see more of him in the future.

The Gentlemen

Rating: Stamp of Approval

 

Monthly Rewind – January Movie Releases 2010-2018

Hello, everybody!

I’m starting a new feature here on Movies with Chris called Monthly Rewind! Given that the decade just ended, I figured I do something a little different than a “Best of” or “Favorite of” the Decade list. Instead of naming all of my noteworthy movies, I thought I would look at the movies I’ve seen in the last ten years in those given months and give my thoughts on them all these years later, or just how they have held up.

It’s something new, and potentially, a lot of fun. So join me won’t you? Let’s get started and take a look at January’s past. The only year we won’t do is 2019, given that we just went through all of it. Again, these are movies that I have seen.

If you know something came out during that month, or year, and it’s not on here. It’s a good chance that I haven’t seen it – yes, even after all these years – or I just completely missed it while putting the list together. It’s a lot of movies after all.

Alright, let’s get started with 2010!

 

2010

Daybreakers

The Book of Eli

Legion

Edge of Darkness

Thoughts: It’s rather weird bunch of movies here. The four of these don’t have a lot of staying power with me, and presumably with audiences. Daybreakers, a world where almost everyone is a vampire, still has its fans and it is still an underrated vampire movie starring Ethan Hawke.

The Book of Eli probably still holds some weight because of the twist at the end, plus some of the visuals by directors The Hugh Brothers. And of course seeing Denzel Washington kick some ass.

Legion I think has been forgotten about, even though it got a short-lived sequel TV series on SyFy. At least some of the visuals still work and stick around like Doug Jones’ Ice Cream Man.

Finally, Edge of Darkness, one of the last movies Mel Gibson led, before his public meltdown (also, his first since Signs in 2002), which I don’t think anyone really remembers. I know I barely remember it.

 

2011

The Green Hornet

A Somewhat Gentle Man

Ong-bak 3

The Housemaid

The Mechanic

Ip Man 2

Thoughts: This month actually had two movies I had seen at the Chicago International Film Festival – A Somewhat Gentle Man and The Housemaid. The problem is I can’t remember if it was the year before, or if they played during the festival this year (both got limited releases in theaters this month). As for the other movies;

The Green Hornet was a really bad misfire, even by today’s standards. Of course, the only big highlight anyone remembers about this is Jay Chou’s Kato, and Kato Vision. Since honestly, it probably the only thing people should remember.

Ong-bak 3 is still, to this day, a mess. Tony Jaa had made the biggest name for himself with the first Ong-Bak, and later Tom yum Goong aka The Protector, but it was when Jaa took it upon himself to try and direct and completely different story under the Ong-bak name, and it just didn’t work. It also didn’t help that the movie suffered because Jaa basically suffered a panic attack trying to direct this and part 2, which were suppose to be one movie.

The Mechanic, a remake of the 1972 film, this was at the time when Jason Statham was in those small, independent feel action movies that were mostly forgettable. The Mechanic stills fits that mold, but I think the more surprising thing is that the movie got a sequel, that we’ll talk about later.

Ip Man 2, I mean come on. The Ip Man movies are all known for the impressive fight sequences with Donnie Yen playing the titular character so well.

 

 

2012

Tinker Tailor Soldier Spy

Contraband

Underworld: Awakening

Haywire

The Artist

The Grey

Thoughts: This was a weird January, for me. I remember thinking back then, that this a good January in a while. First, we had two highly divisive films in the spy thriller Tinker Tailor Soldier Spy and The Artist. One was a very slow-burn spy film that many said was too dragged out, while the other went back to the old ways of Hollywood with a black-and-white, silent film, that has sadly been thrown to the wayside.

Contraband was a remake of the Icelandic film, which ironically, its lead star Baltasar Kormakur directed this. It’s probably one of more forgettable Mark Wahlberg-led movies, but also because he had Giovanni Ribisi playing the lead villain as a tough guy gangster. No disrespect to Ribisi, but come on.

Underworld: Awakening, the forth movie in the series, I’m sure it was meant as a way to bring back the franchise after its last film – which was technically a prequel to the first movie – but instead we got, probably, the most forgettable Underworld movie which didn’t do anything new for the series, other than give Kate Beckinsale’s Selene a daughter, who doesn’t even factor into the next movie (and they even recast), and introduce Theo James’ David, who is the most boring character in the series.

Steven Soderbergh’s Haywire was, to me, the start of Hollywood’s more brutal, gritty realistic take on fight scenes. It helped that Soderbergh cast MMA star Gina Carano as the lead, which got her more mainstream attention. The movie itself, slugs on a tad, with an ending that I remember kind of just happens.

Finally, Joe Carnahan’s The Grey, arguably, one of the only real movies that came out in January to have really a true amount of staying power. Anytime someone brings up The Grey it one of two things. One, how great it is or two, we never see Liam Neeson actually fight the Alpha wolf.

 

 

2013

Gangster Squad

Zero Dark Thirty

The Last Stand

Mama

Broken City

Hansel & Gretel: Witch Hunters

Parker

Movie 43

John Dies at the End

Thoughts: I didn’t remember all these movies dropping in January, but here we are. I did manage to see Zero Dark Thirty in its limited release in December, but the wide release was this month.

Oh Gangster Squad, so much potential, and yet, such a disappointment at the end. Tragedy for the release date shift and reshoots aside, it’s hard to see how they wasted such a great cast and story, even to this day. Plus, the movie takes the Hollywood action route instead of the true takedown of Mickey Cohen.

John Dies at the End was one of those genre film festival favorites, which admittedly I watched much later, and I’ll admit, I wasn’t the biggest fan of it. But I can see why it was, and still has, a midnight movie fan base.

Parker, for me, is the most forgettable Jason Statham one-word title films, which had him playing a thief that gets double-crossed and left for dead, only to take a new identity and work with Jennifer Lopez’ character – a real estate agent who wants more of life – who happens to have a connection to Statham’s old crew.

Broken City starred Mark Wahlberg as an ex-cop trying to take down the mayor of his city played by Russell Crowe. I honestly don’t remember anything about this movie. I had to look up what the movie was about to even write that short synopsis.

Hansel & Gretel: Witch Hunters was my guilty pleasure of 2013, and it still kind of is. It knows exactly what it is and doesn’t try to be something different. Plus, you get to stare at Gemma Arterton for an hour-and-a-half.

Mama, the film that brought up It and It Chapter Two director Andy Muschietti, and based off his own creepy short film. I think Mama gets some undeserved bashing – it’s not perfect or even all that great – but it’s definitely worthwhile, even though it does have a couple cheap pop scares.

The Last Stand, which I saw again recently, was highly more enjoyable than I remembered. It has the right amount of seriousness, humor, and quirkiness to Arnold Schwarzenegger getting older.

Then there’s Movie 43….ugh

 

 

2014

Paranormal Activity: The Marked Ones

Her

Inside Llewyn Davis

Lone Survivor

Jack Ryan: Shadow Recruit

Ride Along

I, Frankenstein

Thoughts: Her, Lone Survivor and Inside Llewyn Davis are the wide releases, and I’d say that Her probably has the most staying power over the other two mainly because of relevant it is still till this day. Inside Llewyn Davis does have a loyal fanbase, but I think it’s one of those movies that you don’t pop in regularly.

Ride Along was, arguably, the start of Kevin Hart’s film career stardom. Starring with Ice Cube as future brother-in-laws with Cube playing the hardened, no-nonsense cop, and Hart, a security guard, trying to prove himself. It was funny for the time and the chemistry between Hart and Cube worked, and still works.

I, Frankenstein was one of those movies I was weirdly looking forward to, even though I knew it was going to be bad. Then I watched it, and yeah. It’s not very good. Aaron Eckhart playing Frankenstein’s monster – named Adam – stuck in a war between Gargoyle angels and demons is a bit sloppy and overall things we’ve seen before.

Kenneth Branagh’s Jack Ryan: Shadow Recruit starring Chris Pine was an okay movie then, and an okay movie now. Pine does fine with what he’s given against Branagh’s thick fake Russian accent.

Finally, Paranormal Activity: The Marked Ones, the only real spinoff of the horror franchise (there was a foreign spinoff that isn’t “canon”), it’s also considered a “cousin” film as it follows a Hispanic group of friends dealing with a demonic entity that does end up being connected to the main series. It’s not best Paranormal Activity movie, but definitely one of the better, and underappreciated, movies.

 

 

2015

The Woman in Black 2: Angel of Death

[REC] 4: Apocalypse

Taken 3

Predestination

Inherent Vice

Paddington

Blackhat

Foxcatcher

American Sniper

Red Army

A Most Violent Year

Thoughts: Some more wide releases of limited releases a couple weeks prior in Inherent Vice, American Sniper and A Most Violent Year. American Sniper, still to this day, gets flake, mostly deserved, and that fake baby man. Come on, Eastwood! Inherent Vice is still the weird movie where people don’t really know what’s going on and A Most Violent Year is mostly forgotten, even though it has some great performances by Oscar Isaac and Jessica Chastain. Maybe it will get some more eyes on it as something is in the works to bring it back.

I believe Foxcatcher, was also a limited release gone wide this month. It was the first time we saw Steve Carell in a different light after The Office, and it was the first time I saw Channing Tatum as a real actor. Red Army was a documentary of the Soviet Union’s famed Red Army hockey team, which was very good, even if you aren’t a hockey fan.

The Woman in Black 2: Angel of Death, is probably one of the forgettable movies this month, which is reasonable in my mind considering I really don’t remember anything about the movie. The same can be said for the thriller Blackhat, directed by Michael Mann, which starred Chris Hemsworth as a hacker who gets entangled in a dangerous, potentially worldwide threat. The only thing I truly remember about the movie – besides being a very diverse cast – is the sound going out in my theaters for what was probably the most exciting part of the movie, only for it to come back once the scene ended.

Taken 3 was a weird sequel, and honestly I can’t remember too much about this one either, other than the weird “twist” the movie does out of the blue. [REC] 4: Apocalypse, the final [REC] film, had a great set-up of bringing back original star Manuela Velasco as Angela, and trapping the action in a boat in the middle of the ocean, but the execution was kind of lacking, which is a huge bummer considering how great the series started.

Predestination, based on the short story “All You Zombies” by Robert A. Heinlein, not only brought us the great Sarah Snook, but a weird, twisty sci-fi mystery drama about a multitude of different themes that is definitely worth the rewatch or first-time viewing.

Finally, Paddington, I mean what’s left to say about the loveable Paddington, voiced by Ben Whishaw – originally voiced by Colin Firth, but him and director Paul King agreed they needed to go a different route – and his crazy adventures.

 

 

2016

The Forest

The Revenant

Ride Along 2

13 Hours

Carol

The 5th Wave

The Boy

Ip Man 3

Room

Kung Fu Panda 3

Jane Got a Gun

Thoughts: Weirdly, only three wide release here in The Revenant, which is still the bear basically rag dolls Leonardo DiCaprio that got him an Oscar. Carol, which I don’t hear too much about anymore, but Cate Blanchett and Rooney Mara are fantastic in it, if you haven’t watched it yet, and then there’s Room, which gave us Jacob Tremblay and a fantastic performance by Brie Larson, which fans have turned on because…reasons?

This year might be the “worst” January in the decade to be honest. The Forest and The Boy were the horror films released this month and neither of them really did the job they set out to do. The Forest had the concept of basing it in Japan’s Suicide Forest with Natalie Dormer, while The Boy had Lauren Cohen in what was teased as a “is the doll supernatural or not?” Of course, only one of these is getting a sequel.

The 5th Wave, which was based off a pretty descent YA book, was a complete disappointment for me, personally. Even with the pretty much reliable Chloe Grace Moretz and pre-mega star Maika Monroe, the premise was perfect set-up for them to only make the most bland and boring “action” movie that year.

Speaking of disappointing, the Natalie Portman-led western Jane Got a Gun was most likely a product of behind-the-scenes troubles with original director Lynne Ramsay dropping out literally the first day of filming, and actors swapping in-and-out of lead roles and supporting roles.

Ride Along 2, a couple years after the first movie, brings back Kevin Hart and Ice Cube together moving the action to another city and bringing in Olivia Munn and Benjamin Bratt as the villain. I honestly can’t remember anything about this movie, which seeing how cheap these movies are to make, I’m surprised they didn’t make another one.

Ip Man 3’s main marketing push was having a fight scene between Donnie Yen’s Ip Man versus Mike Tyson’s Frank, and if you saw the movie, you know that the fight only happens once and it isn’t even the end of the movie. The movie itself is a fine action movie, and also introduces Jin Zhang’s Cheung Tin-chi, who got a spinoff movie.

The third and final Kung Fu Panda film came out this month, and brought an end to the movies in a perfect way. Not only did Po find his family and his people, he finally reached the end of his arc of becoming a great fighter.

Finally, 13 Hours, the Michael Bay-directed movie about the U.S. compound in Libya that got attacked, and the security team there defended it. It’s basically the “ill-timed” movie about the attacks in Benghazi. Bay isn’t really that kind of director so the movie was all about the action, and for that, I was thoroughly surprised. The cast is also pretty great with John Krasinski beefing up for the role.

 

 

2017

Hidden Figures

A Monster Calls

Patriots Day

The Founder

Underworld: Blood Wars

Monster Trucks

The Bye Bye Man

Sleepless

Live by Night

xXx: Return of Xander Cage

Split

Resident Evil: The Final Chapter

Thoughts: Four limited releases turned wide this month in Hidden Figures, A Monster Calls, Patriots Day and The FounderA Monster Calls is the one that sticks with me the most because I didn’t expect the movie to hit me as hard as it did. The Founder, the story of Ray Kroc who turned the family owned burger restaurant into what we know now, saw Michael Keaton be a ruthless, ambitious former salesman that made us loathe him. Hidden Figures and Patriots Day, both based on true stories, with Hidden Figures probably being the one of the two that sticks out to more people.

Ben Affleck-directed Live by Night was considered a huge disappointment by all accounts, and lead to some personal problems for Affleck. Speaking of disappointing, especially one that essentially killed a franchise, Underworld: Blood Wars made Selene into, basically, superhero with no real purpose other than “trying” to do something different, but it was a big heap of NOPE.

On that front, Resident Evil: The Final Chapter did end the long running franchise that was more of the same from what we’ve seen, with a twist I’m sure they thought was smart, but really came off as dumb. Monster Trucks was a weird take on the brand, but you know what, if I was a kid, I would have dug the hell out of this. As an adult, it was still an okay family movie.

Sleepless was actually a remake of a VERY good French film Nuit Blanche, which followed the same basic premise of a cop who goes to a nighclub where his son is being kept after a deal gone wrong. The remake was kind of lifeless despite its descent cast of Jamie Foxx, Michelle Monaghan, Scoot McNairy, Dermot Mulroney and David Harbour.

The Bye Bye Man…*sigh*

Honestly, the only thing that got me in for xXx: Return of Xander Cage was that it starred Donnie Yen…that’s it. I mean, yes the movie was as ridiculous as you would think it would be.

Finally, Split came out this month, in what was one of the best surprises of the month and best surprise twist sequels that I can remember. Even before that though, we got an amazing performance by James McAvoy, and it made Anya Taylor-Joy a household name.

 

 

2018

Molly’s Game

The Post

Phantom Thread

I, Tonya

Insidious: The Last Key

Paddington 2

The Commuter

Proud Mary

12 Strong

Den of Thieves

Maze Runner: The Death Cure

Hostiles

Thoughts: Four limited releases this month in Molly’s Game, I Tonya, The Post and Phantom Thread; five if you count Hostiles – which kind of came and went without much fanfare despite a solid performance by Christian Bale. The Post and Molly’s Game have pretty much, at least it feels like, been forgotten. Phantom Thread was Paul Thomas Anderson and Daniel Day-Lewis’ last team-up as this was Day-Lewis’ last film, and what a way to go out. As for I, Tonya, this arguably made Margot Robbie the true household name that she is now, with her portray as Tonya Harding. Plus it gave us Paul Walter Hauser.

This month also gave us Proud Mary, which I thought was a nice homage to 70s action movies, but it failed to really leave an impression. Insidious: The Last Key was the last Insidious movie we got, which acted as an origin story for Lin Shaye’s Elise and a prequel to the very first movie. It’s not the best entry in the series, but at least Shaye got one more ride of the character.

We also got the ending of the Maze Runner movies with the third entry The Death Cure which admittedly was a little too long for its own good, and lacked a certain punch for me. The same could be said about 12 Strong – the certain punch – the based on a true story war film that starred Chris Hemsworth leading a small group of soldiers to stop an attack from the Taliban after 9/11. The movie was more of a character movie than an action film like it was marketed, but seeing Chris Hemsworth, Michael Pena and Michael Shannon play off each other was a nice please.

Now for two movies that were surprisingly good in their own way, The Commuter and Den of Thieves. The Commuter could have easily been another Liam Neeson action thriller that most people forgot about – and maybe this one is too – I happen to watch it again recently and thoroughly enjoyed it again. When it comes to Den of  Thieves, this could have easily been a forgettable action crime thriller with everyone chewing up the scenery. And in some part, it really is, but there was something about the wannabe-Heat to it all that I really liked.

Finally, Paddington 2…again, how can you NOT love these movies!

 

And that’s it everyone. Admittedly, this was a lot. So I’ll probably tone down the lists going forward, especially since this is going up at the end of January. But more importantly, I want to know what you guys think about this. Let me know what your favorite movies in January were?

First Podcast of the Year – Movies of 2019, Birds of Prey & New Mutants Trailers, Doctor Strange 2 Loses Director & More

The first Movie Pit Podcast of the year is out!

I run down the Movies of 2019, which if you’re a regular reading here, you’ve probably already seen the list, BUT, in case you didn’t, now you can hear me say what I thought about the Movies of 2019. That list includes; Favorites, Honorable Mentions, Disappointments/Least-Liked, Surprises, Frustrating and Undecided Movies of the Year.

 

So click on the linktree link and take a listen on your preferred platform from Youtube, Apple Podcast or Stitcher!

https://linktr.ee/chrisrenteria27

 

Enjoy the weekend, everyone!

‘The Grudge’ Review

Director: Nicolas Pesce

Writer: Nicolas Pesce

Cast: Andrea Riseborough, Demian Bichir, John Cho, Betty Gilpin, John J. Hansen, Frankie Faison, William Sadler, Lin Shaye and Jackie Weaver

Synopsis: A house is cursed by a vengeful ghost that dooms those who enter it with a violent death.

*Reviewer Note: This will be a spoiler free review.*

 

The second remake of the Japanese horror film Ju-on: The Grudge from 2002 – the first American remake came out in 2004 – this new Grudge movie comes from writer/director Nicolas Pesce, known for The Eyes of My Mother, and brings the action to America instead of keeping it in Japan. Pesce had come out before the release of the movie saying his version of the story would be “fucked up.” So, some self-professed hype is already at play here. That said, I will admit that when I found out about Pesce directing the remake, and having seen The Eyes of My Mother, I thought he’s a pretty descent choice. However, now having seen The Grudge I will say this; I was wrong.

The Grudge tells four different stories – taking place in different years – that are all connected to one home, where every person that steps in it is met with a violent and deadly outcome. Like I mentioned, the action is moved to America, and mostly follows the story of Detective Muldoon (Andrea Riseborough), who has moved to a new town with her son, Burke (John J. Hansen), after the death of her husband. She’s assigned to her new partner, Goodman (Demian Bichir), and immediately finds a body in the forest that belonged to the long missing Lorna Moody (Jacki Weaver). The case makes Goodman uneasy, and that makes Muldoon curious about the case.

The connected stories belong to Peter and Nina Spencer (John Cho and Betty Gilpin), real-estate agents who are dealing with pregnancy problems, and are trying to sell the, unbeknownst to them, cursed house. There is also Faith and William Matheson (Lin Shaye and Frankie Faison), who are other occupants of the house, when William asks for help from Lorna Moody. Then there is a short story between Goodman and his old partner Wilson (William Sadler), and finally the, short, story of what kick starts everything of Fiona Landers (Tara Westwood) who worked in Japan – in the original cursed house – and brought the curse back with her.

While the non-linear narrative is nothing new for this brand, this Grudge makes things too muddy for its own good. While it doesn’t bounce around too much, the stories are a bit blah. It also doesn’t help that we know The Matheson’s, Sanders’ and Moody are dead so the tension of seeing their story play out is dampened a bit, but even when they’re playing out they really don’t do much to suck you in.

The only real story that draws you in is that of John Cho and Betty Gilpin, mainly because of how serious they play it. I’d argue that they should have been the focus and then have Riseborough and Bichir’s characters play into their story. The real shame here is the waste of the cast, even though everyone looks like they are trying to the best with what they have, the majority of the characters are underwritten or just not given anything to really do. This is true for Bichir’s Goodman, who doesn’t really do anything other than tell Muldoon to let the case go, and he always thought there was something wrong with the house.

Then comes the scares, probably the main reason everyone will try to watch this. On that front, The Grudge disappoints as well. The scares are pretty basic and nothing we haven’t seen before. Even the classic imaginary that we are familiar with – the hand in the hair, bathtub filled with dirty water – isn’t worthwhile. There are nice references to the past films, but it’s there to mainly show that Pesce was a fan of the series before he got the job. Which is a shame because I do think that Pesce has a good eye for imagery, but it’s almost like Pesce was afraid of letting the movie loose, and being “fucked up” like he promised.

All in all, The Grudge is less superior to its 2004 remake, and is way too messy for its own good. The characters are underdeveloped or underwritten, and it lacks the punch the movie tries to promise. Plus, it is a tad boring at times, which is something you don’t want from horror movie. If I had to pick something that I liked about it, it would probably be some of the score from The Newton Brothers.

The Grudge

Rating: Pass

 

New Movie Ratings for the Year

Hello, everybody!

Another year is here, and that means new movies, which means new reviews! I know I’ve been lacking on the review department, but that’s something I’m going to change in 2020. So much so in fact, that I already have a review in the waiting, which is why I’m writing this. I’m changing my rating system!

This is something I’ve been wanting to do since last year, but just didn’t for some reason, so here it is. Gone are the number rating from zero to five, and in come some more understandable ratings.

 

Stamp of Approval – pretty self-explanatory right? The Stamp of Approval is basically replacing the 4.5 or 5 star rating. When a movie gets this rating, it’s me saying I LOVED it and highly recommend it to you, and you should get to the theater right away.

Recommend – This is replacing the 4 out of 5 rating. Recommend is for the movies that I, clearly, recommend you guys watching. They may not be my necessary favorites, but movies that most likely would potentially end up on my Honorable Mentions of the year.

Rental – This is basically the average rating of 3 and 3.5. These are movies that if you missed in theaters it wouldn’t be the worst thing in the world. And with that said, you can easily watch them at home and be okay with it.

Pass – Self-explanatory, again. These are the movies that I can’t personally recommend to anyone.

Run – So yeah, no one should watch these movies. Like, ever.

 

So here are the new ratings for the page. Let’s see how these go over.