‘Annabelle: Creation’ Review

Director: David F. Sandberg

Writer: Gary Dauberman

Cast: Talitha Bateman, Lulu Wilson, Stephanie Sigman, Phillippa Coulthard, Grace Fulton, Lou Lou Safran, Taylor Buck, Alicia Vela-Bailey, Anthony LaPaglia and Miranda Otto

Synopsis: Several years after the tragic death of their little girl, a dollmaker and his wife welcome a nun and several from a shuttered orphanage into their home, soon becoming the target of the dollmaker’s possessed creation, Annabelle.

 

*Reviewer Note:  This will be a spoiler free review.*

*Reviewer Note 2: There are two Post-Credit scenes.*

 

The Conjuring unexpectedly started its own universe when it was released back in 2013, when the studio decided to give the Annabelle doll its own movie a year later. Annabelle acted as a prequel to The Conjuring, showing the horrors of the haunted doll before landing in the Warren’s Cursed Object Room. While I enjoyed Annabelle for what it was, it wasn’t all that great to me. However, everything about Annabelle: Creation in the trailers and TV spots was great and promising. I was lucky enough to see an advanced free screening of it, and good god did this scare the crap out of me.

Annabelle: Creation is set in the 50s and follows a dollmaker, Samuel Mullins (Anthony LaPaglia) and his wife Esther (Miranda Otto) who after losing their daughter Bee in a tragic and sudden accident, believe they are visited by her spirit who wishes to live within a doll. However, they soon realize something sinister surrounds the doll and they lock it away. Years later, they take in a group of orphaned girls lead by Sister Charlotte (Stephanie Stigman), thinking it would be good for them. The two main girls we follow are Janice (Talitha Bateman) and Linda (Lulu Wilson), and of course, Janice ends up finding the doll and starts to unleash an evil amongst the house.

Despite the first Annabelle being just okay, Creation ups the ante in every way possible. Right from the beginning we get just a little creeped out by close-up shots of Samuel making the dolls, but it’s followed by seeing this family being happy before Bee’s accident. From there, we jump forward a couple years and we see the former happy home a little beaten up as the bus with the orphaned girls comes driving up the dusty road. Thankfully, we get a feel for some of the characters from the get-go before everything starts going to hell – not literally, but you know what I mean.

The cast is pretty solid, although you got big names in there like Anthony LaPaglia and Miranda Otto in there, the film belongs to the young co-stars, more specifically Talitha Bateman’s Janice and Lulu Wilson’s Linda. As you spot from the trailers Janice finds the Annabelle doll and starts to experience weird and unexplainable things. She believes this is because she’s the weakest because she has Polio, and walks around with a crutch. It’s Bateman’s raw emotion that really makes us scared for her and wishing that someone would come in to save her. As for Wilson, she already has horror acting chops in last year’s – surprisingly good – Ouija; Origin of Evil, although here she plays for human side as opposed to the demon side. However, it’s also the friendship and bond that Janice and Linda have that makes the film great. The two want to find a home, preferably together, and we believe the friendship they have, which makes it somewhat gut-wrenching to see their friendship get tested when Annabelle shows up.

The rest of the cast is okay, Philippa Coulthard’s Nancy and Grace Fulton’s Carol have their own experience with the Annabelle doll and what she can affect that leads to some pretty cool scares, but they are usually followed by two other girls that somewhat disappear throughout the film only to reappear near the end to experience the mayhem. Stephanie Sigman’s Sister Charlotte doesn’t get to do a lot in the film, but does have a big scene with Miranda Otto – who also doesn’t have a ton of screen time. Anthony LaPaglia’s Samuel plays the stricken-father to a tee, but it sometimes comes off as creepy and way too cold.

Director David. F. Sandberg does an incredible job setting everything up with his cinematographer Maxime Alexandre, because Sandberg loves to play around with darkness in film. Much like his last film Lights Out, which James Wan also produced and was based off a short of Sandberg’s, Annabelle: Creation’s scariest and most horrifying scenes take place once the sun drops and the lights go out. Obviously, this is standard amongst all horror films, but there something about Sandberg’s approach to it that makes it all the more horrifying and great to watch.

Speaking of the scares, they are nonstop. Seriously, once it starts it never lets go. Usually horror films will save the good scares for the last act, but not here. Annabelle: Creation has multiple long scare scenes scattered throughout the film that are truly terrifying and probably best to watch in a packed theater with everyone shouting “NO” or “RUN.”

All in all, Annabelle: Creation is a great addition to the new Conjuring universe, and dare I say is one of the best films yet. The scares are top notch, the two leads in Talitha Bateman and Lulu Wilson are great and it’s horrifying to watch. I definitely recommend watching Annabelle: Creation in the biggest, loudest and darkest screen possible.

Annabelle: Creation

4.5 out of 5

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August Movie Releases

Can you believe it’s already August? Seriously, where has the all the time gone geez. Anyway, August is filled some films that could have potential. It’s also the last month of the Summer Movie Season, also known to some as studios’ “dump month.”  Let’s hope that it is not the true case.

 

4th

Expansion Release: An Inconvenient Sequel: Truth to Power

 

Limited Release: Wind River

Taylor Sheridan (Sicario, Hell or High Water) writes and makes his directorial debut here which follows an FBI agent (Elizabeth Olsen) teaming with a town’s veteran game tracker (Jeremy Renner) to investigate a murder that occurred on a Native American reservation. The film looks pretty great to be honest and seeing Sheridan make his directorial debut with great leads is going to – hoping – be great to watch. The film also stars Jon Bernthal, Gil Birmingham, Martin Sensmeier and Julia Jones.

 

Kidnap (Thriller – Aviron Pictures, Well Go USA Entertainment, Di Bonaventura Pictures, Gold Star Films)

A mother, played by Halle Berry, stops at nothing to recover her kidnapped son. This was supposed to come out last year, but got shelved after Relativity Media and got picked up some by another studio. It also doesn’t help that the movie doesn’t look all that great, but you never know. The film stars Sage Correa, Dana Gourrier, Christopher Berry and Lew Temple.

 

Detroit (Drama Thriller – Annapurna Pictures, MGM, First Light Production, Page 1)

Amidst the chaos of the Detroit Rebellion, with the city under curfew and as the Michigan National Guard patrolled the streets, three young African American men were murdered at the Algiers Motel. The film is directed by Kathryn Bigelow and written by Mark Boal, the duo already have The Hurt Locker and Zero Dark Thirty under their belts and are now tackling this story set against the backdrop of the famous Detroit Riots. It looks absolutely great and has a great cast lead by John Boyega. Detroit also stars Will Poulter, Jacob Latimore, Jason Mitchell, Kaitlyn Dever, Jack Reynor, Algee Smith, Ben O’Toole, John Krasinski and Anthony Mackie.

 

The Dark Tower (Sci-Fi Fantasy – Sony Pictures/Media Rights Capital/Imagine Entertainment)

Based on the Stephen King stories, The Dark Tower follows Gunslinger Roland Deschain (Idris Elba), who roams an Old West-like landscape in search of the Dark Tower, in hopes that reaching it will preserve his dying world. This puts him at odds with The Man in Black (Matthew McConaughey. This movie has been in the works for so long, I’m happy to finally see this get made, and more importantly it doesn’t look that bad. The Dark Tower also stars Tom Taylor, Abbey Lee, Katheryn Winnick, Jackie Earle Haley, Fran Kranz and Dennis Haysbert.

 

11th

Limited Release: The Only Living Boy in New York 

Directed by Marc Webb, adrift in New York City, a recent college graduate’s life is upended by his father’s mistress. The film stars Callum Turner, Kiersey Clemons, Kate Beckinsale, Jeff Bridges, and Pierce Brosnan.

 

Limited Release: Ingrid Goes West

Ingrid (Aubrey Plaza) is an unhinged social media stalker who takes a liking to Taylor Sloane (Elizaebth Olsen), a life influencer, who looks to live the perfect life. Ingrid moves to L.A to try and become friends with Taylor, but eventually – like always – takes things too far. The film also stars O’Shea Jackson Jr., Wyatt Russell and Pom Klementieff.

 

Limited Release: Good Time

A bank robber (Robert Pattinson) finds himself unable to evade those who are looking for him. The film is by A24, who has been on a tear lately, and sees Pattinson’s character also trying to save his brother from being kept in prison. The film also stars Ben Safdie, Barkhad Abdi, and Jennifer Jason Leigh.

 

The Nut Job 2: Nutty by Nature (Animation – Open Road Films, ToonBox Entertainment, Shanghai Hoongman, Gulfstream Pictures)

Following the events of the first film, Surly and his friends must stop Oakton City’s mayor from destroying their home to make way for a dysfunctional amusement park. The voice cast includes Will Arnett, Katherine Heigl, Maya Rudolph, Jackie Chan, Isabela Moner, Peter Stormare, Bobby Cannavale, Gabriel Iglesias, Jeff Dunham and Bobby Moynihan.

 

The Glass Castle (Drama – Lionsgate, Netter Productions)

Based on the memoir by Jeannette Walls, the film follows a young girl who comes of age in a dysfunctional family of nonconformist nomads with a mother who’s an eccentric artist and an alcoholic father who would stir the children’s imagination with hope as a distraction to their poverty. The film has a great cast of Brie Larson, Naomi Watts, Sarah Snook, Max Greenfield and Woody Harrelson.

 

Annabelle: Creation (Horror – New Line Cinema, Atomic Monster)

Several years after the tragic death of their little girl, a dollmaker and his wife welcome a nun and several girls from a shuttered orphanage into their home, soon becoming the target of the dollmaker’s possessed creation, Annabelle. Directed by David F. Sandberg, who did the impressive Light’s Out, the film is a prequel to the first Annabelle, which of course itself a prequel/spinoff of The Conjuring. The film stars Miranda Otto, Stephanie Sigman, Anthony LaPaglia, Lulu Wilson, Adam Bartley, Alicia Vela-Bailey, Philippa Coulthard, Javier Botet, and Mark Bramhall. I was lucky enough to see an advanced screening late last month, and I really liked it. The film just never lets you go. I highly recommend.

 

18th

The Hitman’s Bodyguard (Action Comedy – Lionsgate/Nu Image / Millennium Films/Skydance Productions/Campbell Grobman Films)

The world’s top bodyguard (Ryan Reynolds) gets a new client, a hit man (Samuel L. Jackson) who must testify at the International Court of Justice. They must put their differences aside and work together to make it to the trial on time. I like to call this the quintessential Samuel L. Jackson movie given the red-band trailers have Jackson yelling “mother fucker” for most of it. The film also stars Salma Hayek, Elodie Yung, Joaquim de Almeida, and Gary Oldman.

 

Logan Lucky (Comedy – Bleecker Street Media, Fingerprint Releasing, Trans-Radial Pictures, Free Association)

Two brothers (Adam Driver and Channing Tatum) attempt to pull off a heist during a NASCAR race in North Carolina. Steven Soderbergh returns to the big screen after his semi-retirement with this great looking comedy heist film including to wacky characters like Daniel Craig’s Joe Bang and a one armed Adam Driver. The film also stars Katherine Waterston, Riley Keough, Sebastian Stan, Katie Holmes, Jack Quaid, Seth MacFarlane and Hilary Swank

 

25th

Tulip Fever (Romance Drama – The Weinstein Company, Worldview Entertainment, Ruby Films)

Based on Deborah Moggach’s novel, an artist falls for a young married woman while he’s commissioned to paint her portrait during the Tulip mania of 17th century Amsterdam. The film has been moved around so many times now, let’s hope it finally sticks. The film also has a nice cast of Alicia Vikander, Cara Delevingne, Holliday Grainger, Dane DeHaan, Christoph Waltz, Zach Galifianakis, Kevin McKidd, Jack O’Connell, Tom Hollander, David Harewood, and Judi Dench.

 

Crown Heights (Drama – Amazon Studios, Black Maple Films, Washington Square Films, Iam21 Entertainment)

When Colin Warner (Lakeith Stanfield) is wrongfully convicted of murder, his best friend Carl King (Nnamdi Asomugha) devotes his life to proving Colin’s innocence. The film also stars Bill Camp and Nestor Carbonell.

 

All Saints (Drama – Columbia Pictures, Affirm Films)

Based on the true story of a salesman-turned-pastor Michael Spurlock (John Corbett), the tiny church he was ordered to shut down, and a group of refugees from Southeast Asia. Together, they risked everything to plant seeds for a future that might just save them all.

 

Birth of the Dragon (Action – WWE Studios, BH Tilt, Groundswell Productions)

Set against the backdrop of 1960s San Francisco, the film is a modern take on the classic movies that Bruce Lee was known for. It takes its inspiration from the epic and still controversial showdown between and up-and-coming Bruce Lee (Philip Ng) and kung fu master Wong Jack Man (Yu Xia) – a battle that gave birth to a legend.

 

Leap! (Animation – The Weinstein Company, Quad Productions, Caramel Film, Main Journey)

Originally a French film, an orphan girl (voiced by Elle Fanning) dreams of becoming a ballerina and flees her rural Brittany for Paris, where she passes for someone else and accedes to the position of pupil at the Grand Opera House. It looks like foreign animated films with an American voice cast is starting to become a trend, but for me, Leap! doesn’t look all that great. The dubbed voice cast also includes Dane DeHaan, Maddie Ziegler and Carly Rae Jepsen.

 

So, what are you looking forward to?

‘Atomic Blonde’ Review

Director: David Leitch

Writer: Kurt Johnstad

Cast: Charlize Theron, James McAvoy, Sofia Boutella, John Goodman, Toby Jones, James Faulkner, Roland Moller, Bill Skarsgard, and Eddie Marsan

Synopsis: An undercover MI6 agent is sent to Berlin during the Cold War to investigate the murder of a fellow agent and recover a missing list of double agents.

 

*Reviewer Note:  This will be a spoiler free review.*

 

I’ve been sitting on this review for a while, as I was lucky enough to see a free advanced screening of the film at the beginning of the month. Loosely based off the graphic novel titled The Coldest City by Antony Johnston and Sam Hart, Atomic Blonde is the first film solo-directed by David Leitch, one of the co-directors of John Wick. So even before the film was released, we knew that the film would at least have great action scenes, right? Well, yes, it does, but Atomic Blonde isn’t without its faults. However, if anything, it once again proves that Charlize Theron – if you didn’t know already – is a total badass.

Atomic Blonde is set within days the Berlin Wall comes down, and follows Lorraine Broughton (Charlize Theron), who is introduced after getting out of a tub of ice water with bruises covering her whole body and a black eye. Lorraine then goes to MI6 to get debriefed by her boss Eric Gray (Toby Jones) and CIA agent Emmett Kurzfeld (John Goodman). The film then is told through flashbacks. Lorraine is bought in after the death of fellow agent Gasciogne (Sam Hargave), who Lorraine had a brief relationship with, who was carrying heavy and sensitive information on him when he died. Lorraine’s mission is to go to Berlin, meet her contact David Percival (James McAvoy), find the information and get out of Berlin alive. However, the mission is thrown for a loop when the list actually does go missing, and the only person that knows anything about the list is a defector codenamed Spyglass (Eddie Marsan). Lorraine not only has to get the information, but get out of Berlin alive.

Since the trailers were released, I have been really looking forward to Atomic Blonde. It had a great cast, the style looked cool and more importantly it looked like Charlize Theron was going to kick a lot – a lot – of ass. Thankfully, we get a lot of Charlize Theron kicking ass. The problem with Atomic Blonde is that before we get to the extreme level of ass-kicking, the film trudges along. The film works along the lines of other spy thrillers by being layered and dense with plot and characters that may or may not betray or want to kill Lorraine. However, some of it doesn’t really work too well.

Sofia Boutella’s character Delphine gets introduced, but she doesn’t really do too much in the film other than the promoted sex scene with Theron’s Lorraine. Her character should be more important considering the state of things, but no. Eddie Marsan’s character is introduced early on, but then disappears for the rest of the film until he’s needed again. Although I wish we got a little more of him especially since he’s an important part to everything, but I can see why he’s gone. James McAvoy seemed like he was having fun playing his David Percival. He’s a bit snarky, unpredictable and sometimes straight-out untrustworthy, but he’s still damn fun to watch. It’s also great to see him clash with Theron’s Lorraine, considering their styles are so different.

However, the film belongs to Theron. She’s a force from beginning to end, and never turns it off. Her character is cold and distant, but considering the lifestyle she lives it makes sense. That also makes her a death machine to anyone stupid enough to mess with her, but she also gets hurt like everyone else which is a nice touch. Add that the fact that she did a lot of her own stunts, because you can clearly see her face throughout the fight scenes makes those fight scenes more believable and awesome. Including an amazing ten-minute or so non-stop action scene that feels like its unbroken and probably one of the best action scenes I’ve ever seen on the big screen.

All in all, Atomic Blonde is a worthy action spy thriller worth your time. While the film faces some pacing issues that bring the film down, and loaded a bit too much for its own good, director David Leitch still puts together a great action film with a great lead in Charlize Theron. I wouldn’t personally put Atomic Blonde next to John Wick, but if you’re feeling left out story-wise, the action should hold you over.

Atomic Blonde

4 out of 5

‘Dunkirk’ Review

Director: Christopher Nolan

Writer: Christopher Nolan

Cast: Fionn Whitehead, Aneurin Barnard, Barry Keoghan, Tom Glynn-Carney, Jack Lowden, Harry Styles, Cillian Murphy, James D’Arcy, Tom Hardy, Mark Rylance and Kenneth Branagh

Synopsis: Allied soldiers from Belgium, the British Empire and France are surrounded by the German army and evacuated during a fierce battle in World War II.

 

*Reviewer Note: This will be a spoiler free review.*

 

Based on the real event during World War II, and one of the most disastrous military missions in British history, Dunkirk is told through the perspective of three different viewpoints with imagined characters director Christopher Nolan made up, and a few characters that were based off real people. However, that doesn’t make Dunkirk any less of an important history film. I personally didn’t know anything about the real event at Dunkirk, and held off reading anything about the event until after the movie. This isn’t also your typical Nolan movie either, which makes the experience so much better. So let’s not waste any more space and get to what makes Dunkirk so damn good.

Nolan does do some experimenting with this film as it jumps across three different timelines that weave together in a slow fashion – all of them dealing with the British evacuation of Dunkirk. There’s the shoreline nicknamed The Mole, which takes place over the course of a week and follows British soldier Tommy (Fionn Whitehead) and a fellow soldier he comes across played by Damien Bonnard, as they try to get out of Dunkirk. There’s “The Sea” that takes place over a day and follows Mr. Dawson (Mark Rylance), his son Peter (Tom Glynn-Carney), and George (Barry Keoghan) who sail to Dunkirk as a rescue party and pick up a soldier (Cillian Murphy) along the way. Finally, “The Air” which takes place over the course of an hour and follows British pilots Collins (Jack Lowden) and Farrier (Tom Hardy) who provide air support for the ships.

One of the things you obviously notice right away about the film, despite big names like Hardy, Murphy, Rylance, James D’Arcy and Kenneth Branagh appearing, they are nothing more than supporting roles. Although, I’d make the argument that Rylance is one of the leads of the film, but I’ll leave that up to you. Also, considering this is a war film, you’re probably expecting buckets of blood and a hardcore brutal look at war like Saving Pirate Ryan right? Well, you don’t get that. However, you did get something better, for the lack of a better word – a cold, relentless and unforgiving look at war.

There never is a real safe place in their film, which adds to the tension every time we get what could be a moment of peace. Combine that with Hans Zimmer’s amazing score with a ticking clock that is both unnerving, but blends right into the scenes perfectly. Considering that, I was surprised like most people were that Dunkirk’s runtime is only an hour and forty-six minutes. Not that war films have to be long, but even with that “short” runtime, Dunkirk tells the story it is trying to tell.

I don’t know if people will see this as a negative, but Nolan doesn’t really get into any back stories of the characters. Everything is very in the moment, despite the non-linear narrative Nolan is putting on. You get a sense on who the characters might be by their actions, but Nolan doesn’t really give anyone an exposition dump to tell their story. The only real person that gets a ton of dialogue is Branagh’s Commander Bolton who is trying to get everyone out of Dunkirk. The other characters like Whitehead’s Tommy, who opens the film, can be seen as the lead of the film, but since the film jumps around I was okay that he wasn’t the central focus – but again that could be me

That said, the cast is great with everyone holding their own and not stealing the spotlight from anyone. Whitehead spends the majority of the film with Harry Styles, who surprisingly is not that bad. This could easily be seen as stunt casting, but the singer isn’t bad in his acting debut. Cillian Murphy is terrific as the soldier pleading with Mark Rylance’s character to turn back and go home. Speaking of Rylance, he does fine job as Mr. Dawson and his two main co-stars Barry Keoghan as George and Tom Glynn-Carney’s Peter. Jack Lowden and Tom Hardy as the pilots are only involved in the dogfights, which are great and enthralling to watch.

Even with the great cast, this movie belongs to Nolan and the crew. Specifically, the already mentioned Hans Zimmer and cinematographer Hoyte Van Hoytema, who gives us the massive scope, but captures the intense dread and desperation of the characters, especially the ones on The Mole as they hear the German planes fly over them dropping bombs on them.

All in all, Dunkirk is an intense film that doesn’t let you go until the very end. Christopher Nolan was able to do something different in the war genre that I hope people appreciate and find the nuances with the great cinematography and score.

Dunkirk

4.5 out of 5

New Podcast – Ben Affleck Leaving the DCEU, Doctor Doom Movie, Movie Trailer & Ton More

The Movie Pit Podcast is live!

It was a big week, so the podcast is pretty long. Also, if Youtube is inconvenient, the podcast is on ITunes now too (link – https://itunes.apple.com/us/podcast/the-movie-pit-podcast/id1249582608?mt=2)

 

‘War for the Planet of the Apes’ Review

Director: Matt Reeves

Writers: Matt Reeves and Mark Bomback

Cast: Andy Serkis, Woody Harrelson, Steve Zahn, Karin Konoval, Terry Notary, Ty Olsson, Michael Adamthwaite, Gabriel Chavarria and Amiah Miller

Synopsis: After the apes suffer unimaginable losses, Caesar wrestles with his darker instincts and begins his own mystic quest to avenge his kind.

 

*Reviewer Note: This will be a spoiler free review.*

 

Planet of the Apes was a movie that changed the movie scene due to its amazing practical effects, visual storytelling – apes of horses! – and vision of the future. Sure the series went to some crazy places and out there ideas. No serious watch them or look it up, but the series always had a special place in people’s hearts, and after a lackluster attempt with Tim Burton’s version – although credit where credit is due with those practical effects – the series got a much needed shot-in-the-arm with the reboot back in 2011 in Rise of the Planet of the Apes.

Lead by motion-capture pioneer Andy Serkis with WETA Digital helping with the groundbreaking special effects, Rise became an instant hit with fans and nonfans alike. Serkis’ Caesar was a compelling character that made us feel and root for him to win, which meant yes, humans are the bad guys and had to be stopped. We then got Dawn of the Planet of the Apes which added an extra layer, it wasn’t humans vs. apes, it was humans vs. apes vs. apes, thanks to Toby Kebbell’s Koba, who hated what humans did to apes, and Caesar, who saw the good in humans once and believes that there could be peace. Now, of course, we get War for the Planet of the Apes, a great end to a great trilogy.

War picks up a couple years after the events of Dawn, and we now sees Caesar (Andy Serkis) with the remaining apes living in hiding in the woods from a group of soldiers lead by The Colonel (Woody Harrelson). After two attacks on their home, Caesar has had enough and decides to get revenge. Breaking away from the apes, and sending them to a new promised home, Caesar is followed by his trusted and closest friends in Maurice (Karin Konoval), Rocket (Terry Notary) and Luca (Michael Adamthwaite). Eventually they come across a young girl, played by Amiah Miller, who has lost the ability to speak, and Bad Ape (Steve Zahn), an ape that has learned to talk just be being around humans. What follows is Caesar struggling with his darker side to get revenge, but also still trying to remain the leader to his people

Despite the summer releases of all the films, and the massive – and impressive –special effects, this Apes franchise never really feels like a summer movie. They could have easily turned this into a full-fledged apes vs. humans series, but instead they made every film about making Caesar a fully fleshed out and complex character. The film could be looked at as character study on both sides. Are the apes the heroes, or are the humans. Yes, there are good humans like James Franco’s Will or Jason Clarke’s Malcolm, but for every good few humans, there are extremely bad humans like Harrelson’s The Colonel, who take the extreme.

Caesar fights for his people and to keep them safe, but so do the humans, and in this case Woody Harrelson’s The Colonel has a reasonable case for his actions. Although anyone in that kind of position will probably say their position is right, but in this case, he’s somewhat right. That said, that is another reason why I love this rebooted trilogy. It gives you both sides of the argument and lets you choose, but Caesar is such a great character and seeing his journey for three films now, you have to root for him.

Of course, some of that goes to Andy Serkis. Serkis’ subtle nuances always made Caesar feel more human, if that makes some sense. Here it’s the same, Caesar is still conflicted, but still has his purpose but is stuck figuring out if he wants to continue doing things his way or if he falls for the darkness that Koba told him he would and should do. That’s why his advisory here in Harrelson’s The Colonel is a great one. Like Caesar, The Colonel only has one purpose and will do whatever it takes to complete it.

When it comes to the rest of the cast, it’s hard to really judge all of them considering they are mostly all motion-capture. When it comes to the new characters in Bad Ape, he brings some humor to the otherwise dark toned film, and all of it works and is not forced. Then there’s Amiah Miller’s character who is a huge homage and Easter Egg to the original series that ties in where the future of the series can go, but also do their own version. Also, credit to Miller, who’s still relativity new to Hollywood, on what she was able to pull off here given that she doesn’t talk at all.

Speaking of homage and Easter Eggs, War does have a few more besides Miller’s character, but there is something that I really liked that they added that connects to the original. It was something that feels small, but when you look at past films, and potentially future films, it completely works and makes sense – although part of me kind of wishes they don’t make any more after this.

All in all, War for the Planet of the Apes has it all; action, drama, humor, beautiful cinematography by Michael Seresin and score by Michael Giacchino. More importantly, War is a fitting end to a near perfect trilogy that gave us a great character in Caesar played by Andy Serkis. While part of me would somewhat like to see where this franchise goes from here, the other part of me hopes they leave it at that.

War for the Planet of the Apes

4.5 out of 5

Spider-Man: Homecoming Spoiler Review

The spoiler-filled review of Spider-Man: Homecoming is up!

Give it a listen, and if Youtube is too inconvenient for you, the podcast is up on ITunes now right here (id1249582608?mt=2)