November Movie Releases

It’s Turkey Month ladies and gentlemen!

Happy Early Thanksgiving! It’s now at the point that we have a great film or films coming out every week and some that will for sure divide films fans. Now let’s jump right into the fray and see what’s coming out!

 

1st

A Bad Moms Christmas (Comedy – STX Entertainment, Huayi Brothers Pictures)

Amy (Mila Kunis), Carla (Kathryn Hahn) and Kiki (Kristen Bell) struggle to cope when their respective mothers visit for the holidays. I’m sure I’m with many who were surprised at how funny the first Bad Moms was and how successful it ended up being. So, and I can’t believe I’m saying this; I’m looking forward toward the sequel to Bad Moms. The film co-stars Jay Hernandez, Peter Gallagher, Cheryl Hines, Christine Baranski and Susan Sarandon.

 

3rd

Limited Release: LBJ

The story of U.S. President Lyndon Baines Johnson (Woody Harrelson) from his young days in West Texas to the White House. The film has a pretty impressive supporting cast in Bill Pullman, Jeffrey Donovan, Jennifer Jason Leigh, C. Thomas Howell, Michael Stahl-David and Richard Jenkins.

 

Limited Release: Last Flag Flying

Written and directed by Richard Linklater, and a spiritual sequel to the 1973 film The Last Detail. Thirty years after they served together in Vietnam, a former Navy Corpsman Larry “Doc” Shepherd (Steve Carell) re-untied with his old buddies, former Marines Sal Nealon (Bryan Cranston) and Reverend Richard Mueller (Laurence Fishburne), to bury his son, a young Marine killed in the Iraq War. The film looks pretty funny with three friends getting together on a road trip with some drama. The film also stars J. Quinton Johnson, Deanna Reed-Foster, and Yul Vazquez.

 

Limited Release: Lady Bird

Written and directed by Greta Gerwig, in only her second directorial film but her first solo film, Lady Bird follows Christine “Lady Bird” McPherson (Saoirse Ronan), who tries to get through life in Northern California while dealing with her mother (Laurie Metcalf) and her sick father (Tracy Letts). The film looks pretty great and a nice character piece with Ronan adding another potential great character to her resume. The film co-stars Odeya Rush, Timothee Chalamet, Kathryn Newton, Laura Marano, Daniel Zovatto and Lucas Hedges.

 

Limited Release: Blade of the Immortal

The 100th film by legendary director Takashi Miike (Ichi the Killer, 13 Assassins), and based off the manga by Hiroaki Samura. The film follows Manji, a highly skilled samurai, who is cursed with immortality and whose path is crossed by young girl looking for the legendary immortal samurai to help her avenge her parents, who were filled by a ruthless warrior and his army. This looks like a crazy, bloody, fun ride that only Miike can create.

 

Thor: Ragnarok (Sci-Fi Action Adventure – Marvel Studios, Walt Disney Pictures)

Directed by Taika Waititi (What We Do in the Shadows, Hunt for the Wilderpeople), Thor (Chris Hemsworth) finds himself imprisoned on another planet, and forced into a gladiatorial game against fellow Avenger, The Incredible Hulk (Mark Ruffalo). Thor has to survive and must race against time to stop the powerful Hela (Cate Blanchett) from destroying Asgard and everything in her way. I don’t know about you, but I’m stupid excited for this…that’s all, I can’t wait for this. The film co-stars Tom Hiddleston, Tessa Thompson, Karl Urban, Idris Elba, Jaimie Alexander, Ray Stevenson, Tadanobu Asano, Jeff Goldblum, Sam Neill, Benedict Cumberbatch and Anthony Hopkins

 

10th

Limited Release: Three Billboards Outside Ebbing, Missouri

Written and directed by Martin McDonagh (In Bruges, Seven Psychopaths), in what is described as a “darkly comic drama,” a mother (Frances McDormand) personally challenges the local authorities to solve her daughter’s murder, when they fail to catch the culprit. I’m a huge fan of what McDonagh has done so far, and I can’t wait to see what he does here, with yet, another great cast. The film-co-stars Sam Rockwell, Woody Harrelson, Peter Dinklage, Abbie Cornish, Caleb Landry Jones, Zeljko Ivanek, Lucas Hedges and John Hawkes.

 

Daddy’s Home 2 (Comedy – Paramount Pictures, Gary Sanchez Productions)

Brad (Will Ferrell) and Dusty (Mark Wahlberg) must deal with their intrusive fathers, played by John Lithgow and Mel Gibson, during the holidays. I didn’t watch the first Daddy’s Home until this year, and I didn’t mind it, so now with the sequel coming out, I’m kind of looking forward to it. The film co-stars Linda Cardellini, John Cena and Alessandra Ambrosio.

 

Murder on the Orient Express (Crime Mystery – 20th Century Fox, Scott Free Productions, The Mark Gordon Company, Genre Films)

Based on the novel by Agatha Christie, renowned Belgian detective Hercule Poirot (Kenneth Branagh, who also directs) investigates the murder of a wealthy American traveling on the Orient Express, the most famous train in the world. I loved the teaser trailer with that great tracking shot. Now that we’ve seen a little more of the trailer, I’m hoping this turns out to be great. The film also stars Daisy Ridley, Michael Pena, Josh Gad, Leslie Odom Jr., Penelope Cruz, Lucy Boynton, Derek Jacobi, Tom Bateman, Marwan Kenzari, Michelle Pfeiffer, Johnny Depp and Judi Dench.

 

17th

Limited Release: Sweet Virginia

A former rodeo champ befriends a young man with a propensity for violence. The film stars Jon Bernthal, Imogen Poots, Christopher Abbott and Rosemarie DeWitt.

 

Limited Release: I Love You, Daddy

Directed, co-written and starring Louis C.K., when a successful television writer’s daughter becomes the interest of an aging filmmaker with an appalling past, he becomes worried on how to handle the situation. The film co-stars Rose Byrne, Charlie Day, Helen Hunt, Edie Falco, Chloe Grace Moretz and John Malkovich.

 

Limited Release: Roman J. Israel, Esq.

Directed by Dan Gilroy, the film stars Denzel Washington stars as Roman Israel, a driven, idealistic defense attorney who, through a tumultuous series of events, finds himself in a crisis that leads to extreme action. The film also stars Colin Farrell, Carmen Ejogo and Shelley Hennig.

 

The Star (Animation – Sony Pictures Animation, Columbia Pictures, The Jim Henson Company, Walden Media, Affirm Films, Franklin Entertainment)

A small but brave donkey and his animal friends become the unsung heroes of the first Christmas. This animated film came out of nowhere really, so I don’t know if I’ll be watching this. The voice cast is impressive though with Zachary Levi, Gina Rodriguez, Steven Yeun, Keegan-Michael Key, Kristin Chenoweth, Ving Rhames, Anthony Anderson, Tyler Perry, Oprah Winfrey, Kris Kristofferson and Christopher Plummer.

 

Wonder (Drama – Lionsgate, Walden Media, Participant Media, Mandeville Films)

Based on the New York Times bestseller by R.J. Palacio. The film follows August Pullman (Jacob Tremblay), a boy with a facial deformation who enters fifth grade, in a mainstream elementary school, for the first time. I haven’t read the book, but just seeing the trailer, it looks like we’re in for a dramatic and touching story. The film co-stars Julia Roberts, Owen Wilson, Izabela Vidovic, Noah Jupe, Daveed Diggs and Mandy Patinkin.

 

Justice League (Action Adventure – Warner Bros./DC Entertainment/Dune Entertainment/Lensbern Productions)

It’s about time! The other big team-up of well-known superheroes is finally coming to the big screen, whether we like the approach or not. Fueled by his restored faith in humanity and inspired by Superman’s (Henry Cavill) selfless act, Bruce Wayne (Ben Affleck) enlists the help of his newfound ally, Diana Prince (Gal Gadot), to face an even greater enemy. The film also stars Jason Momoa, Ezra Miller, Ray Fisher, Amy Adams, Jeremy Irons, Jesse Eisenberg, J.K. Simmons, Willem Dafoe, and Diane Lane. Look, the DCEU has been shaky at best – expect you Wonder Woman – so here’s hoping that Justice League can at least put some stability to it.

 

22nd

Limited Release: The Man Who Invented Christmas

Based on the book by Les Standiford, the journey that led to the creation of Ebenezer Scrooge (Christopher Plummer) and other classic characters from “A Christmas Carol.” The film shows how Charles Dickens (Dan Stevens) conjured up a timeless tale. The film also co-stars Jonathan Pryce.

 

Limited Release: Darkest Hour (War Drama – Focus Features/Working Title Films)

Directed Joe Wright (Atonement, Anna Karenina, Hanna) Winston Churchill (Gary Oldman) leads a charge against Hitler’s army in the early days of World War II. I have to admit this looks pretty damn good. It also helps that the movie has been getting a ton of Oscar buzz. The film also stars Lily James, Ben Mendelsohn, Kristen Scott Thomas and John Hurt.

 

Coco (Animation – Walt Disney Pictures/Pixar Animation Studios)

Aspiring musician Miguel (newcomer Anthony Gonzalez) teams up with charming trickster Hector (Gael Garcia Bernal) on an extraordinary journey through the Land of the Dead. As much as we have come to learn not to doubt Pixar, but this is going to have a hard time surpassing The Book of Life in my mind. But, like I said, never doubt Pixar. The voice cast ranges all over the place from unknowns to be names like Benjamin Bratt, Cheech Marin, Renee Victor and Edward James Olmos.

 

24th

Limited Release: Call Me by Your Name

Based on the novel by Andre Aciman, in the 1983, the son of an American professor is enamored by the graduate student who comes to study and live with his family in their northern Italian home. Together, they share an unforgettable summer full of music, food, and romance that will forever change them. I didn’t know too much about this until I starting seeing the film festival buzz, and after watching the trailer, it could not be too bad. The film stars Armie Hammer, Timothee Chalamet, Amira Casar and Michael Stuhlbarg.

What are you looking forward to?

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‘Geostorm’ Review

Director: Dean Devlin

Writers: Dean Devlin and Paul Guyot

Cast: Gerard Butler, Jim Sturgess, Abbie Cornish, Alexandra Maria Lara, Zazie Beetz, Eugenio Derbez, Daniel Wu, Talitha Bateman, Ed Harris and Andy Garcia

Synopsis: When the network of satellites designed to control the global climate start to attack Earth, it’s a race against the clock to uncover the real threat before a worldwide geostorm wipes out everything and everyone.

 

*Reviewer Note: This will be a spoiler free review.*

 

Natural disasters movies are probably, and arguably, the best escapism movies in Hollywood. There’s something about watching cities and monuments getting destroyed that we see every day or want to visit. But, let’s be honest, natural disaster movies have kind of lost their luster. There’s only so many times you can watch the Statue of Liberty get destroyed, or a massive wave destroying a city. Eventually, everything is going to get done, so you’re left with trying to do something different.

Off that note, Geostorm already had an uphill battle against the plethora of other natural disaster movies, so it decided to include all of them, and add the sci-fi element of a machine that can control the weather. Does it sound ridiculous? Of course it does! But we’re talking about people being able to control the weather with a machine. Oh, and it’s directed by Dean Devlin, who has produced all those disasters movies.

Geostorm is set in a world where after climate change has gotten so out of control, the world leaders finally band together to create what is dubbed “The Dutch Boy,” after the story of a boy who stops his town from flooding by putting his finger in a hole. The Dutch Boy is a series of satellites that control the weather from the International Space Station, the creator of the program is Jake Lawson (Gerard Butler), but it taken away from him after a series of events and given to his younger brother, Max (Jim Sturgess), who then has to fire him. We skip forward a few years, and after dangerous malfunctions starts happening, killing thousands of people, Max finds Jake and sends him back to the station to figure out what’s going on.

Meanwhile, Max, who is having a secret relationship with a secret service agent played by Abbie Cornish, deals with the problems on Earth as much as he can, before finding out there is something bigger to the whole picture. Now, the two brothers have to put aside their different and stop whoever is using the Dutch Boy as a weapon, and save the world.

I didn’t want to dislike or hate Geostorm, unfortunately the movie doesn’t do itself any favors. Like I said, Geostorm had an uphill battle from the beginning, and it also didn’t help that the movie came out after real natural disasters that people are still recovering from. Moreover, the movie did end up doing a lot of reshoots to apparently fix a lot of issues (I can only imagine what those were).

That’s not to say Geostorm doesn’t have some good aspects to it. There are some dumb popcorn-movie entertaining moments, and some descent funny lines, but the movie doesn’t really have anything groundbreaking that we haven’t seen before. It’s a rather safe natural disaster movie which kind of defeats the purpose on the genre.

All in all, Geostorm is an uninspired natural disaster movie that never really capitalizes on its own “new” concept. The acting is borderline flat, with the destruction being a mix-match of things we’ve seen before, but more importantly, Geostorm is rather predictable with its twists, which take you out of the movie a bit. Like I mentioned, I didn’t want to dislike or hate Geostorm as much as I did, but the movie didn’t do itself any favors.

Geostorm

2.5 out of 5

July Movie Releases

Hello!

It’s July everybody! The Summer Movie Season is almost over, but it’s not going down without a fight. July has some great movies coming out, especially some anticipated movies for some. So let’s get to it.

 

7th

Limited Release: A Ghost Story (Drama – A24)

Directed by David Lowery (Ain’t Them Bodies Saints and Pete’s Dragon), in this singular exploration of legacy, love, loss and the enormity of existence, a recently deceased, white-sheeted ghost returns to his suburban home to try to reconnect with his bereft wife. The film stars Casey Affleck and Rooney Mara.

 

Spider-Man: Homecoming (Action Adventure – Sony Pictures/Marvel Studios/Columbia Pictures/Pascal Pictures)

Peter Parker/Spider-Man (Tom Holland) begins to navigate his newfound identity as the web-slinging superhero. Of course, this marks the first Spider-Man film were our favorite web-slinger is now part of the Marvel Cinematic Universe. The film also stars Robert Downey Jr., Marisa Tomei, Zendaya, Michael Keaton, Jon Favreau, Tony Revolori, Michael Chernus, Bokeem Woodbine, Logan Marshall-Green, Angourie Rice, and Donald Glover.

 

14th

Limited Release: Lady Macbeth

Based on the novel by Nikolai Leskov titled “Lady Macbeth of the Mtsensk,” a 19th century young bride is sold into marriage to a middle-aged man.

 

Wish Upon (Horror – Broad Green Pictures, Busted Shark Productions)

A teenage girl (Joey King) discovers a box that carries magic powers and a deadly price for using them. The film looks pretty creepy, but I don’t know if I’m completely sold on it yet. The film also stars Ki Hong Lee, Sherilyn Fenn, Elisabeth Rohm, and Ryan Phillippe.

 

War for the Planet of the Apes (Action Drama – 20th Century Fox/Chernin Entertainment)

Caesar (Andy Serkis) and the remaining apes are left to deal with humanities latest attack from a dangerous and determined leader known as The Colonel (Woody Harrelson). The film look fantastic, and this being the third chapter it looks like it could be the best one yet. War for the Planet of the Apes also stars Judy Greer, Steve Zahn, Amiah Miller, Terry Notary and Karin Konoval.

 

21st

Girls Trip (Comedy – Universal Pictures/Will Packer Productions)

When four lifelong friends travel to New Orleans for the annul Essence Festival, sisterhoods are rekindled, wild sides are rediscovered, and there’s enough dancing, drinking, brawling, and romancing to make the Big Easy blush. The film stars Regina Hall, Jada Pinkett Smith, Tiffany Haddish, Deborah Ayorinde, Larenz Tate Kate Walsh and Queen Latifah.

 

Valerian and the City of a Thousand Planets (Sci-Fi Action Adventure – EuropaCorp/Fundamental Films/Gulf Films)

Based on the French comic by Pierre Christin and directed by Luc Besson, time-traveling agent Valerian (Dane DeHaan) is sent to investigate a galactic empire, along with his partner Laureline (Cara Delevingne). The film also stars Ethan Hawke, Rihanna, Sam Spruell, Rutger Hauer, Clive Owen and the voice of John Goodman.

 

Dunkirk (Action Drama – Warner Bros./RatPac-Dune Entertainment/Syncopy)

Directed and written by Christopher Nolan, Allied soldiers from Belgium, Britain, Canada and France are surrounded by the German army and evacuated during a fierce battle in World War II. I got to see the special preview during the IMAX screening of Rogue One, and I seriously took a deep breath afterwards because it was that intense. So if the film is anything like that, I think we’re in for a great ride. Dunkirk stars Tom Hardy, Cillian Murphy, Mark Rylance, James D’Arcy, Aneurin Barnard, Jack Lowden, Harry Styles and Kenneth Branagh.

 

28th

Limited Release: An Inconvenient Sequel: Truth to Power (Documentary – Paramount Pictures, Participant Media, Actual Films)

A decade after An Inconvenient Truth brought climate change into the heart of popular culture comes the follow-up that shows just how close we are to a real energy revolution.

 

The Emoji Movie (Animation – Sony Pictures Animation, Columbia Pictures)

It’s hard to think that an Emoji movie will have a real plot, but it does. Gene (T.J. Miller), a muli-expressional emoji, sets out on a journey to become a normal emoji. The voice cast includes James Corden, Ilana Glazer, Steven Wright and Patrick Stewart.

 

Atomic Blonde (Thriller – Focus Features, 87Eleven, Sierra/Affinity, Closed on Mondays Entertainment, Denver and Delilah Productions)

Based on the graphic novel by Antony Johnston, an undercover MI6 agent (Charlize Theron) is sent to Berlin during the Cold War to investigate the murder of a fellow agent and recover a missing list of double agents. The film also stars Sofia Boutella, James McAvoy, John Goodman, Eddie Marsan, James Faulkner and Toby Jones.

 

What are you looking forward to?

The Movie Pit Spoiler Reviews – The Mummy & It Comes at Night

The third installment of The Movie Pit Spoiler Reviews is here!

This week it’s A24’s newest film, It Comes at Night and Universal Pictures’ first film in their new shared monsters universe – Dark Universe – in The Mummy.

 

‘The Mummy’ Review

Director: Alex Kurtzman

Writers: David Koepp, Dylan Kussman and Christopher McQuarrie

Cast: Tom Cruise, Annabelle Wallis, Sofia Boutella, Jake Johnson, Courtney B. Vance, Marwan Kenzari and Russell Crowe

Synopsis: An ancient princess is awakened from her crypt beneath the desert, bringing with her malevolence grown over millennia, and terrors that defy human comprehension.

 

*Reviewer Note: This will be a spoiler free review.*

 

Universal Pictures’ shared monsters universe, called Dark Universe, is finally here. The originators of shared universe are set to bring their monsters back to the big screen in a big way, and they started it all with The Mummy. I’ve been looking forward toward the Dark Universe since it was announced, because I’m a fan of the classic black-and-white horror films and the iconic characters – if you haven’t seen them, I highly recommend you do. So my hope for The Mummy is that it started off the shared universe strong. Unfortunately, that’s not entirely the case. The Mummy stumbles to create the universe off on a strong note, but is there a glimmer of hope? Let’s find out.

The film opens with showing us the history of Princess Ahmanet (Sofia Boutella) and how she got mummified for her terrible actions toward the Pharaoh. We cut to the present and find soldiers Nick Morton (Tom Cruise) and Chris Vail (Jake Johnson) in Iraq, who after failing to discover a treasure, accidentally discover an ancient and mysterious tomb. This introduces archaeologist Jenny Halsey (Annabelle Wallis), who has been searching for something like this for years. There they discover an ancient sarcophagus that belongs to Ahmanet, and that’s when things start to pick up.

After awakening from a plane crash that he should not have survived from, Nick starts to see visions of Ahmanet telling him he’s chosen for something. This leads Nick and Jenny going to London to meet Dr. Henry Jekyll (Russell Crowe), who runs a mysterious organization called Prodigium, which keeps tabs on the world’s greatest evils and monsters to see how much of a threat they really are. With Ahmanet’s power growing, and Nick’s visions getting worse, everyone is in a race against time to stop Ahmanet from unleashing her fury to the world.

I’ll give The Mummy credit in getting a great cast together. Tom Cruise is already well-versed in big films like this and can handle himself thoroughly. I’ll also give the film credit in trying to make Nick unlikeable to some degree, but of course once everything starts happening to him he changes more than one way. Sofia Boutella as Ahmanet/The Mummy has a great look to her, but is surprisingly underused. Despite being called The Mummy we don’t really see her breakout in her full terror glory like I think the film needed. Sure she does some pretty terrifying things, but never to the point where the build up for her is really worth it.

Annabelle Wallis’ Jenny is more of the straight character here, and isn’t too bad, but overall she doesn’t do too much other than fill us in on the history of everything. However, holding your own against someone like Tom Cruise is a feat on its own. Jake Johnson’s Chris Vail brings the comedy relief, and his chemistry with Cruise is fantastic that I hope these guys do another movie together. Finally, Russell Crowe as Dr. Henry Jekyll, and yes, his alter ego “Eddie” Hyde – that’s what he calls himself. Crowe and Prodigium will most likely be the connective tissue for the Dark Universe as their headquarters is filled with some noteworthy Easter Eggs. Crowe himself is fine, although it should be interesting to see how his character goes from here. Even with his split personality, his character can go from welcoming to serious, and I don’t know if they were just trying to rush this tease for the bigger scope of shared universe, or if it was written poorly.

The action is okay, although the highly promoted plane sequence is pretty much what we see in the trailers. Personally, my favorite action set-piece is when Mr. Hyde shows up, I won’t get too into it, but it’s pretty cool. However, when it comes to the horror moments they lack the certain tension that the film should have had. Especially considering that it’s already been announced the universe will a mix of horror and action-adventure. While The Mummy has that in full, the execution of it lacks the punch.

Another thing that doesn’t help is the film has a little too much going on. We have the introduction of Prodigium and what they do, Nick’s visions and Ahmanet’s reign of terror that has a subplot attached that doesn’t have enough time to breathe, which is kind of a shame because it could have been awesome to see fleshed out more.

All in all, The Mummy isn’t the best start to Universal Pictures’ Dark Universe but there are glimmers of what could be a good new shared universe. While the film is a bit too packed for its own good, and leaves certain things underdeveloped and underwhelming, The Mummy does have a good cast and some descent action set-pieces to keep you entertained.

The Mummy

3 out of 5

‘Pirates of the Caribbean: Dead Men Tell No Tales’ Review

Directors: Joachim Ronning and Espen Sandberg

Writer: Jeff Nathanson

Cast: Johnny Depp, Javier Bardem, Geoffrey Rush, Brenton Thwaites, Kaya Scodelario, Kevin McNally, Golshifteh Farahani, David Wenham, Orlando Bloom, Keira Knightley, and Paul McCartney

Synopsis: Captain Jack Sparrow searches for the Trident of Poseidon.

 

*Reviewer Note:  This will be a spoiler free review.*

*Reviewer Note 2: There is a post-credit scene.*

 

The Pirates of the Caribbean franchise has been an interesting one for me. I really enjoyed the first film, the second film was okay for what it was and the third film felt like it was an hour too long – I don’t even acknowledge the last film. So, when Dead Men Tell No Tales was announced I was a little hesitant about watching it. But, then they released the first teaser and I loved it. It gave me some faith for the new film. Now after watching it, I was kind of right. Dead Men Tell No Tales isn’t a return to form, but it does make some of the right steps to bring it back.

The film starts off with a young Henry Turner, the son of Will Turner (Orlando Bloom), who goes out every night to find his father and tell him he’s going to find a way to break his father’s curse. The only way to do that is to find the Trident of Poseidon, which is said to give the bearer total control of the seas. We skip forward in time and find out someone else besides Henry (Brenton Thwaites) is trying to find the Trident in Carina Smyth (Kaya Scodelario), an accused witch – who’s really an astronomer. However, their search for the Trident gets them mixed up with the undead Captain Salazar (Javier Bardem) who has been broken free of his confinement and Captain Barbosa (Geoffrey Rush), who is once again a pirate trotting the seas with his new crew collecting treasure. Of course, all of them have one person in common: Captain Jack Sparrow (Johnny Depp).

Dead Men Tell No Tales feels like the first film. There’s a blooming romance between Henry and Carina, although it doesn’t help that Thwaites isn’t a great lead actor. Also, the film makes sure that Johnny Depp isn’t the main character – sure he’s the big name of the film and Jack Sparrow has become a pop culture figure, but Jack wasn’t the real lead in the Pirates films, it was who he was following – another reason why Stranger Tides didn’t work. Speaking of Depp’s Jack Sparrow, he’s essentially become a parody of what the character was from the first film which is a shame because his character doesn’t really add anything to the franchise anymore and comes off as a bit annoying. Although, the name of Captain Jack Sparrow is essentially what it’s become in the movie – a revered pirate is nothing more than a drunk, selfish lowlife that is a shell of his former self.

The rest of the cast is fine with Javier Bardem playing a fine villain, who is dead because of Jack before he became the infamous pirate we saw in Curse of the Black Pearl. Geoffrey Rush is always having fun playing Barbosa, but he gets to add some of his more dramatic chops and is also involved in a shoehorned in storyline that could have been more effective if it was touched on earlier than it was. Orlando Bloom and Keira Knightley do appear in glorified cameos that don’t really add anything to the story, other than Bloom’s scene with a young Henry.

All in all, Pirates of the Caribbean: Dead Men Tell No Tales is much better than the last film as it follows other characters that aren’t just Jack Sparrow. The film does lack some awesome sword fights and ship battles that made the first two films so great, but Dead Men Tell No Tales is a promising return to form if Disney decides to do more.

Pirates of the Caribbean: Dead Men Tell No Tales

3 out of 5

Mini-Reviews: Snatched and King Arthur: Legend of the Sword

Hey everybody!

Welcome to another edition of Mini-Reviews. Been a while since I’ve done one of these, so please, bare with me. So let’s get to it, shall we?

 

*As always, these will be spoiler free reviews*

 

Snatched

Director: Jonathan Levine

Writer: Katie Dippold

Cast: Amy Schumer, Goldie Hawn, Ike Barinholtz, Wanda Sykes, Joan Cusack, Tom Bateman, Bashir Salahuddin, Oscar Jaenada and Christopher Meloni

Synopsis: When her boyfriend dumps her before their exotic vacation, a young woman persuades her ultra-cautious mother to travel with her to paradise, with unexpected results.

 

Snatched follows Emily (Amy Schumer), who has not only been fired from her job, but also gets dumped by her boyfriend (Randall Park) and has booked a non-refundable trip to Ecuador. This leads her to go to her overly cautious mother, Linda (Goldie Hawn), to go with her especially after discovering an old photo album that showed a younger Linda on adventures. When Linda finally breaks down, the two end up in Ecuador where they meet a pair of tourists Ruth (Wanda Sykes) and her partner Barb (Joan Cusack), who was in the Special Forces. However, Emily connects with a good looking stranger, James (Tom Bateman) who shows her a good time before taking her and Linda to see the rest of the island. The three end up in an accident with Emily and Linda being held captive, and having to find a way to escape.

The film surprisingly works when it completely goes for ridiculous moments, rather than quick-witted humor. In fact, the ridiculous moments actually made the film more bearable for me to watch. I’ve admitted that I’m not the biggest Amy Schumer fan, but I didn’t let that effect the way I watched the film, and with that said, Schumer isn’t even the funniest person in her own movie. Schumer’s Emily could come off as unlikeable and annoying, and I wouldn’t blame you, but her relationship with Goldie Hawn’s Linda is the main focus of the film.

The mother-daughter dynamic starts off almost immediately and isn’t that bad, but the real deeper moments are far apart and actually feel real and not forced. Its arguments you can with our mothers and the resolution isn’t really always there and a quick answer. Schumer and Hawn handle those scenes so perfectly that for just a brief second you forget the comedy aspect of the film.

One of the things that makes Snatched work is the supporting cast, mainly the chemistry and scenes between Ike Barinholtz’s agoraphobic adult son Jeffrey and a State Department official Morgan Russell played by Basir Salahuddin. Anytime the two are on screen, you will be laughing hard – I know I did. Then there’s Christopher Meloni’s character, Roger Simmons, who I won’t spoil, but I’ll just say this – he’s a great and welcome addition to the ridiculous that is this movie. The same can’t be said for Oscar Jaenada, who plays the man in charge that kidnaps Emily and Linda, is wasted in the film, but it isn’t his film to begin with so I can forgive that.

All in all, Snatched works when it’s over-the-top. Not all the jokes work, and even the ones that do are a little iffy. Even though Amy Schumer is the lead in the film, the supporting cast is what makes this movie work on the levels that it does.

Snatched

3 out of 5

 

 

King Arthur: Legend of the Sword

Director: Guy Ritchie

Writers: Guy Ritchie, Lionel Wigram, Joby Harold

Cast: Charlie Hunnam, Astrid Berges-Frisbey, Djimon Hounsou, Jude Law, Aidan Gillen, Kingsley Ben-Adir, Neil Maskell, Tom Wu, Freddie Fox, Craig McGinlay and Eric Bana

Synopsis: Robbed of his birthright, Arthur comes up the hard way in the back alleys of the city. But once he pulls the sword from the stone, he is forced to acknowledge his true legacy – whether he likes it or not.

 

King Arthur: Legend of the Sword starts off with a lengthy opening credits scene showing off Arthur’s father Uther (Eric Bana) facing a powerful Mage attacking his castle. It gives us a tease of the power of the sword Excalibur. After his battle, Uther’s brother Vortigern (Jude Law) plans a coup and kills Arthur’s parents, but not before they were able to send a young Arthur down the river. We jump forward in time and find a now grown up Arthur (Charlie Hunnam), who grew up in a brothel, and with his two friends Wet Stick (Kingsley Ben-Adair) and Back Lack (Neil Maskell) have a good thing going. They protect the girls at the brothel, and take a little bit of money from people on the street. However, when the seas by the castle start to recede, they reveal Excalibur, and Vortigen finds out that the sword has found a new person to wield it and use it against him.

The search wages and eventually Arthur finds his way there. When he pulls the sword from the stone and instantly becomes a target and a legend among the people. Arthur is then saved and works with his father’s old allies in Bedivere (Djimon Hounsou), Goose Fat Bill (Aidan Gillen) and The Mage (Astrid Berges-Frisbey). What follows is Arthur coming to terms with not only learning to use the sword and defeat Vortigern, but become the legend the people think he is.

Legend of the Sword has many things working for it. The Guy Ritchie touch is welcomed to a story we’ve heard, read and seen numerous times. One of the best moments in the film is when Arthur and his friends are recounting a story about a troublesome group and what happened – it’s Guy Ritchie at his finest. In fact, the film works better when it’s not focusing on the mystical side of things. Seeing Arthur as a street-level grounded character was a good way to go with his concept.

That’s not to say some things don’t work. When the film goes all in on the mystical side of things, some of it stumbles. The idea that humans and Mages are at war – said at the beginning of the film – doesn’t really pay off for the rest of the film. Other than Vortigern having some powers and the character The Mage, that part isn’t really brought up again. Even some of Voritgern’s powers that are introduced don’t really make too much sense or are never really developed. Speaking of Vortigern, Jude Law does an okay job, but his character isn’t really all that fleshed out.

When it comes to the rest of the cast, Charlie Hunnam does fair job as Arthur. Obviously, it is a different take on Arthur, and Hunnam’s performance is connected to the sword as it shows him the last moments of his parents, which already keeps him up at night. Also, his chemistry with Ben-Adir’s Wet Stick, Maskell’s Back Lack and Bleu Landau’s Blue (son of Back Lack) works really well. Astrid Berges-Frisbey’s The Mage, keeps her cards close to the vest, but her powers are on full display throughout the film. Djimon Hounsou and Aidan Gillen are there to add a boost to the supporting characters, and do a find job at that.

The third act of the film however, is when Ritchie falls into summer box office territory. It goes completely over-the-top with the special effects and mystical side of things. It also gets a little hard to follow and feels a bit out of place even within the perimeters that film has set for itself.

All in all, King Arthur: Legend of the Sword isn’t all that bad. There’s a lot of good concepts within the film, and although some things don’t really work out or are either underdeveloped or not fleshed out enough, the film never falters too much. Needless to say, this isn’t your parents King Arthur.

King Arthur: Legend of the Sword

3.5 out of 5