Favorite Directors, Actors, Actress, Supporting Roles & Villains

The end of the year doesn’t just mean putting out your best/favorite movies of year. It can be a time to reflect the individuals like directors, actors, actress, supporting roles, villains and everything in between. So, that said, I’m here to do just that. We all have our favorites, and these are mine. This is of course my opinion. I tried to shorten the list as much as I could, but like every year, it was a bit too hard so I left the lists as such.

 

Also, villains are probably considered Supporting Actors/Actress in other lists, but again, to not only make the lists shorter, I want the villains to have their own category, because everyone loves a good villain, right?

 

Finally, everything and everyone will be in alphabetical order. This is also part one of two different lists. Enjoy.

 

 

Directors

Chris McKay – The LEGO Batman Movie

Christopher Nolan – Dunkirk

Denis Villeneuve – Blade Runner 2049

Edgar Wright – Baby Driver

Guillermo del Toro – The Shape of Water

J.A. Bayona – A Monster Calls

James Mangold – Logan

Jordan Peele – Get Out

Patty Jenkins – Wonder Woman

Matt Reeves – War for the Planet of the Apes

Taika Waititi – Thor: Ragnarok

 

Honorable Mentions

Andy Muschietti – It

David F. Sandberg – Annabelle: Creation

Greta Gerwig – Lady Bird

James Franco – The Disaster Artist

Kathryn Bigelow – Detroit

M. Night Shyamalan – Split

Martin McDonagh – Three Billboards Outside Ebbing, Missouri

Steven Soderbergh – Logan Lucky

 

 

Just Missed the List

Ben Wheatley – Free Fire

Craig Gillespie – I, Tonya

Darren Aronofsky – Mother!

James Gunn – Guardians of the Galaxy Vol. 2

Lee Unkrich and Adrian Molina – Coco

Nacho Vigalondo – Colossal

Michael Showalter – The Big Sick

Ridley Scott – All the Money in the World

 

 

Actors

Andy Serkis as Caesar – War for the Planet of the Apes

Chris Hemsworth as Thor – Thor: Ragnarok

Chris Pine as Steve Trevor – Wonder Woman

Daniel Kaluuya as Chris Washington – Get Out

Gary Oldman as Winston Churchill – Darkest Hour

Hugh Jackman as Logan – Logan

Lewis MacDougall as Conor – A Monster Calls

Michael Fassbender as David and Walter – Alien: Covenant

Michael Keaton as Ray Kroc – The Founder

Sam Rockwell as Dixon – Three Billboards Outside Ebbing, Missouri

Tom Holland as Peter Parker/Spider-Man – Spider-Man: Homecoming

 

Honorable Mentions

James Franco as Tommy – The Disaster Artist

Richard Jenkins as Giles – The Shape of Water

RJ Cyler as Billy/Blue Ranger – Power Rangers

Ryan Gosling as K – Blade Runner 2049

Ryan Reynolds as Michael & Samuel L. Jackson as Darius – The Hitman’s Bodyguard

Sebastian Stan as Jeff Gillooly – I, Tonya

Sharlto Copley as Vernon – Free Fire

Steve Carell as Bobby Riggs – Battle of the Sexes

Will Arnett as Batman/Bruce Wayne – The LEGO Batman Movie

Will Poulter as Krauss – Detroit

 

Just Missed the List

Ansel Elgort as Baby – Baby Driver

Armie Hammer as Ord – Free Fire

Chadwick Boseman as Thurgood Marshall & Josh Gad as Sam Friedman – Marshall

Chris Evans as Frank Adler – Gifted

Dave Franco as Greg – The Disaster Artist

Jackie Chan as Quan Ngoc Minh – The Foreigner

James McAvoy as David Percival – Atomic Blonde

Jeremy Renner as Cory Lambert – Wind River

Jason Sudeikis as Oscar – Colossal

Javier Bardem as Him – Mother!

Joel Edgerton as Paul – It Comes At Night

Kumail Nanjiani as Kumail – The Big Sick

Mark Rylance as Mr. Dawson – Dunkirk

 

 

Actress

Anya Taylor-Joy as Casey Cooke – Split

Aubrey Plaza as Ingrid Thorburn – Ingrid Goes West

Dafne Keen as Laura – Logan

Frances McDormand as Mildred – Three Billboards Outside Ebbing, Missouri

Gal Gadot as Diana – Wonder Woman

Jessica Chastain as Molly Bloom – Molly’s Game

Margot Robbie as Tonya Harding – I, Tonya

Mckenna Grace as Mary Adler – Gifted

Noomi Rapace as The Settman Siblings – What Happened to Monday

Sally Hawkins as Elisa Esposito – The Shape of Water

Saoirse Ronan as Christine “Lady Bird” McPherson – Lady Bird

 

Honorable Mentions

Anne Hathaway as Gloria – Colossal

Emma Stone as Billie Jean King – Battle of the Sexes

Rebecca Hall as Elizabeth Marston – Professor Marston and the Wonder Women

Sophia Lillis as Beverly – It

Talitha Bateman as Janice & Lulu Wilson as Linda – Annabelle: Creation

 

Just Missed the List

Charlize Theron as Lorraine Broughton – Atomic Blonde

Jennifer Lawrence as Mother – Mother!

Michelle Williams as Gail Harris – All the Money in the World

Seo-hyun Ahn as Mija – Okja

Zoe Kazan as Emily – The Big Sick

Zoe Lister-Jones as Anna – Band Aid

 

 

Supporting Actor

Christopher Plummer as J. Paul Getty – All the Money in the World

Daniel Craig as Joe Bang – Logan Lucky

Dwayne Johnson as Hobbs & Jason Statham as Deckard – The Fate of the Furious

Harrison Ford as Rick Deckard – Blade Runner 2049

Jacob Batalon as Ned – Spider-Man: Homecoming

Liam Neeson as The Monster (voice) – A Monster Calls

Michael Rooker as Yondu – Guardians of the Galaxy Vol. 2

Patrick Stewart as Charles – Logan

Samuel L. Jackson as Preston Packard – Kong: Skull Island

 

Honorable Mentions

Cillian Murphy as Shivering Soldier – Dunkirk

Doug Jones as Amphibian Man – The Shape of Water

Demian Bichir as Miguel Alvarez – Lowriders

Domhnall Gleeson as Monty ‘Schafer’ – American Made

LilRel Howery as Rod Williams – Get Out

Nick Offerman as Dick McDonald & John Carroll Lynch as Mac McDonald – The Founder

Paul Walter Hauser as Shawn Eckhardt – I, Tonya

Ralph Fiennes as Alfred Pennyworth – The LEGO Batman Movie

Shea Whigham as Cole & John C. Reilly as Hank Marlow – Kong: Skull Island

Taika Waititi as Korg & Mark Ruffalo as Bruce Banner/Hulk & Jeff Goldblum as Grandmaster – Thor: Ragnarok

 

Just Missed the List

Bradley Whitford as Dean Armitage – Get Out

Christopher Meloni as Roger, Ike Barinholtz as Jeffrey & Bashir Saladuddin as Morgan Russell – Snatched

Jack Reynor as Harry – Free Fire

Jeremy Ray Taylor as Ben, Finn Wolfhard as Richie & Jack Dylan Grazer as Eddie – It

Jon Bernthal as Griff – Baby Driver

Michael Cera as Dick Grayson/Dick – The LEGO Batman Movie

Pedro Pascal as Whiskey – Kingsman: The Golden Circle

Ray Romano as Terry – The Big Sick

Steve Zahn as Bad Apes – War for the Planet of the Apes

Stephen Merchant as Caliban – Logan

 

 

Supporting Actress

Allison Janney as LaVona Golden – I, Tonya

Ana de Armas as Joi – Blade Runner 2049

Felicity Jones as Mum – A Monster Calls

Laurie Metcalf as Marion McPherson – Lady Bird

Pom Klementieff as Mantis – Guardians of the Galaxy Vol. 2

Robin Wright as Antiope – Wonder Woman

Tessa Thompson as Valkyrie – Thor: Ragnarok

Tiffany Haddish as Dina – Girls Trip

 

Honorable Mentions

Amiah Miller as Nova – War for the Planet of the Apes

Bella Heathcote as Olive Byrne – Professor Marston and the Wonder Women

Holly Hunter as Beth – The Big Sick

Lucy Davis as Etta – Wonder Woman

Michelle Pfeiffer as Woman – Mother!

Riley Keough as Kim – It Comes At Night

 

Just Missed the List

Elle Fanning as Loretta Figgis – Live by Night

Glenn Close as Dr. Caroline Caldwell – The Girl with All the Gifts

Karen Gillan as Nebula – Guardians of the Galaxy Vol. 2

Linda Cardellini as Joan Smith – The Founder

Salma Hayek as Sonia Kincaid – The Hitman’s Bodyguard

Sigourney Weaver as Grandma – A Monster Calls

 

 

Villain

Allison Williams as Rose Armitage – Get Out

Annabelle – Annabelle: Creation

Bill Skarsgard as Pennywise – It

Cate Blanchett as Hela – Thor: Ragnarok

James McAvoy as Dennis/Patricia/Hedwig/Kevin/Barry/Jade/Orwell/The Beast – Split

Jamie Foxx as Bats & Jon Hamm as Buddy – Baby Driver

Michael Keaton as Adrian Toomes/Vulture – Spider-Man: Homecoming

 

Honorable Mentions

Calvin – Life

Common as Cassian – John Wick: Chapter 2

Michael Shannon as Richard Strickland – The Shape of Water

Skull Crawlers – Kong: Skull Island

Sylvia Hoeks as Luv – Blade Runner 2049

Zach Galifinakis as The Joker – The LEGO Batman Movie

 

Just Missed the List

Charlize Theron as Cipher – The Fate of the Furious

Kurt Russell as Ego – Guardians of the Galaxy Vol. 2

Tony Goldwyn as Barry Norris – The Belko Experiment

Woody Harrelson as The Colonel – War for the Planet of the Apes

 

 

Mini-Reviews: Keeping Up with the Joneses, Jack Reacher: Never Go Back, Desierto, Ouija: Origin of Evil, & Miss Peregrine’s Home for Peculiar Children

Hey everybody!

Welcome to the sixth edition of Mini-Reviews. This time, there are more movie reviews than usual. I’ve been a bit behind so this is me making up for lost time. So let’s get to it, shall we?

 

 

Keeping Up with the Joneses

Director: Greg Mottola

Writer: Michael LeSieur

Cast: Zach Galifianakis, Isla Fisher, Jon Hamm, Gal Gadot, Matt Walsh, Maribeth Monroe, Kevin Dunn and Patton Oswalt

Synopsis: A suburban couple becomes embroiled in an international espionage plot when they discover that their seemingly perfect new neighbors are government spies.

 

I didn’t think much about the film other than the fact it had a good cast. Ironically, I had that same feeling about Masterminds, which also had Zach Galifianakis, and while Keeping Up with the Joneses was a better movie than Masterminds, the film doesn’t do enough to warrant being a standout action comedy.

The film follows Jeff (Galifianakis) and Karen (Fisher) Gaffney, who quietly live in the suburbs. Karen is an interior designer while Jeff works Human Resources for a big company called MBI. However, the lives get turned upside when their new, and seemingly perfect, new neighbors Tim (Hamm) and Natalie (Gadot) Jones turn out to be spies. When the Joneses come clean, the Gaffney’s ended up being sucked into their mission to stop a deadly plot.

Keeping Up with the Joneses isn’t the best action comedy out, but it certainly isn’t the worst. The cast isn’t that bad and the mismatched casting of Galifianakis and Fisher with Hamm and Gadot actually works, although the bonding scenes and overall chemistry of Galifianakis and Hamm plays out better than Fisher and Gadot. There are some genuine laughs in the film, but overall the film does shoehorn in some jokes that fall completely flat. The film also does rely more on the comedy side of things rather than the action. Although the standout action sequence is a car chase that does feel a bit out of place within the movie, but one that actually works in terms of action.

All in all, the film does have a lot of issues, and while many will probably end up forgetting they watched Keeping Up with the Joneses in a few years, it isn’t completely a waste of time like some will have you believe it is.

Keeping Up with the Joneses

3 out of 5

keeping_up_with_the_joneses

 

Jack Reacher: Never Go Back

Director: Edward Zwick

Writers: Edward Zwick, Richard Wenk, and Marshall Herskovitz

Cast: Tom Cruise, Cobie Smulders, Danika Yarosh, Aldis Hodge, Patrick Heusinger, Holt McCallany, Madalyn Horcher, and Robert Knepper

Synopsis: Jack Reacher must uncover the truth behind a major government conspiracy in order to clear his name. On the run as a fugitive from the law, Reacher uncovers a potential secret from his past that could change his life forever.

 

The first Jack Reacher was a pleasant surprise when it came 2012, but when the sequel was announced without director Christopher McQuarrie, fans were, respectfully, disappointed. That being said, the sequel went forward to new director Edward Zwick (Glory, Blood Diamond), who worked with Tom Cruise on The Last Samurai. However, the result this time around was not that great.

Never Go Back finds Jack Reacher (Cruise) traveling to Washington D.C. to meet up with Major Susan Turner (Smulders), who he has been talking to recently, and someone who has taken over his old unit. However, when Reacher finally reaches D.C. he finds out that Turner has been arrested for espionage, but something doesn’t feel right to Reacher and he decides to get to the bottom of it. To make things worse, Reacher finds out that there is a paternity suit against him and that he has a 15-year-old daughter named Samantha (Yarosh).

Tom Cruise really wants another franchise, and Jack Reacher could have been it if Never Go Back wasn’t such a mess. Cruise nails the no nonsense, tough guy one-liners, but having Reacher become a potential father doesn’t really fit the character, and at times, slows the movie down trying to make awkward situations where Reacher has to act like a father to Sam – and in some cases have Turner act as a mother. Some of the scenes are funny, but feel out of place next to the Reacher breaking nameless thugs’ bones, and a hitman named The Hunter (Heusinger) killing people that stand in his way.

I’m all for shaking a character up, but we’ve only had one movie with Reacher, and the first one had him as this unstoppable hitting machine that gets the job done. He’s like that here too, but it seems like he’s more tamed down this time around. There is a little more action this time around, although there’s nothing that compares to the chase scene in the first film.

The new cast is a nice addition. Cobie Smulders does the best she can with what they give her, but I kind of wished she was more important to the overall plot. Danika Yarosh as Sam, Reacher’s possible daughter, holds her own with Cruise and Smulders, but she’s sometimes left with being the person that it told to stay back or having to be saved. Patrick Heusinger’s The Hunter is an okay villain, when he’s actually being a villain, and Robert Knepper is severely underused.

All in all, Jack Reacher: Never Go Back is an okay movie that happens to be a sequel. Not saying the potential franchise can’t come back, but Never Go Back was a step backwards for the character.

Jack Reacher: Never Go Back

3 out of 5

jack_reacher_never_go_back_ver3

 

Desierto

Director: Jonas Cuaron

Writer: Jonas Cuaron and Mateo Garcia

Cast: Gael Garcia Bernal, Jeffrey Dean Morgan, Alondra Hidalgo, Diego Catano, Marco Perez, Oscar Flores and David Lorenzo

Synopsis: A group of people trying to cross the border from Mexico into the United States encounter a man who has taken border patrol duties into his own racist hands.

 

Directed by Jonas Cuaron, the son of Alfonso Cuaron (Children of Men, Gravity), Desierto is a timely film about the border of Mexico and the U.S., and while Cuaron does understand the material and issue, he rather follow the dangerous cat-and-mouse game between our leads. It’s not so much a bad thing, but Cuaron is still learning his footing in the directing game. It should also be noted that the names of the characters are never said in the film – only in the credits.

Desierto follows a Mexican man, named Moises in the credits, played by Gael Garcia Bernal, who along with a group of Mexican immigrants are coming to cross the border illegally. When the truck they’re in breaks down, they are left to walk the rest of the way in the desert. However, they aren’t alone as a man, named Sam in the credits, played by Jeffrey Dead Morgan finds them and kills most of the group. Moises, along with a few others, are left to survive in the desert against Sam and his dog Tracker.

The film is one of the ultimate cat-and-mouse game films. The majority of the film is Sam chasing down Moises through the desert, which of course, adds a lot of tension since there is not a lot of places to hide there. It’s a hell of a lot harder when you also have a tracking dog and a madman with a rifle chasing you down. The film works best when it’s a thriller of the characters on the run, but it’s once it slows down is when the film starts to show its faults.

It’s not hard to see the political themes, especially this late in the political season. Sam’s truck even has a small confederate flag and once he kills the first group of people he sarcastically says “welcome to the land of the free.” It’s not a bad thing, but Cuaron never fully develops that idea, and chooses to focus on the chase instead.

When it comes the cast, Gael Garcia Bernal and Jeffrey Dead Morgan fully invest in their characters. Jeffrey Dean Morgan doesn’t go over-the-top like he could have, but he also doesn’t see what he’s doing as wrong. In fact he barely flinches when killing the characters from far away. Gael Garcia Bernal, on the other hand, plays his character pretty straight. He’s trying to survive to make it to his kids, and does something in the film that I didn’t think the film would do. The only other character that gets some more depth is Alondra Hidalgo’s Adela.

The film does lose some steam near the end during the final confrontation between Moises and Sam because Cuaron wanted to keep the camera rolling. I’m not saying it wasn’t bad, but this is what separates him and his father in the director’s category. Although, not many directors are Alfonso Cuaron.

All in all, Desierto isn’t a bad film, but it works better when it’s a cat-and-mouse thriller rather than being a cat-and-mouse political undertone thriller. While Gael Garcia Bernal and Jeffrey Dean Morgan are on point with their roles, the overall film lacks a certain punch to put it over the top.

Desierto

3 out of 5

desierto

 

Miss Peregrine’s Home for Peculiar Children

Director: Tim Burton

Writers: Jane Goldman

Cast: Asa Butterfield, Eva Green, Ella Purnell, Samuel L. Jackson, Finlay MacMillan, Lauren McCrostie, Chris O’Dowd, Rupert Eveertt, Allison Janney, Judi Dench, and Terence Stamp

Synopsis: When Jake discovers clues to a mystery that stretches across time, he finds Miss Peregrine’s Home for Peculiar Children. But the danger deepens after he gets to know the residents and learns about their special powers.

 

Based on the novel written by Ransom Riggs – which I haven’t read yet – and directed by Tim Burton, Miss Peregrine’s Home for Peculiar Children was a movie I was actually looking forward to despite it being directed by Tim Burton. I haven’t been a fan of Burton’s for a while, but it looks like he was returning to form with his X-Men-esque fantasy tale. Also, having never read the book, I’m judging the movie for the movie itself, and not how loyal the film is to the book.

The film follows Jake (Butterfield), who is living in Florida, and wants to do something more in his life. That just happens when his grandfather, Abe (Stamp), passes away supernaturally. Remembering some stories as a child, Jake convinces his reluctant father (O’Dowd) to go to Wales so Jake can get closure on his grandfather’s passing, and maybe find out what really happening, all the while remembering the stories of his grandfather about a woman he once knew called Miss Peregrine (Green). Eventually Jake finds out the stories of his grandfather are not stories at all, and finds Miss Peregrine’s Home for Peculiar Children that has children with powers of invisibly, floatation, pryokinesis, and other peculiarities. However, Jake finds out that all of them are stuck in September 3rd, 1943. Worse of all, dangerous monsters – known as Hallows – are after them lead by Mr. Barron (Jackson).

The film works best when the fanatical elements are in full swing. When Jake direst arrives at the home and meets everyone, the film is fun. We get to see everyone uses their abilities. Ella Purnell’s Emma is the one we get to know the most as she and Jake spend the most time together, her peculiarity is air and being able to float off the ground. We also meet Olive (McCrostie), who can turn into anything she touches into fire, Hugh (Parker) who is always invisible, Enoch (MacMillan) who has an interesting ability that leads to a surprising and cool sequence near the end of the film. There are twins, Claire (Raffiella Chapman) has a mouth on the back of her head, Horace (Hayden Keeler-Stone) can project his dreams, Fiona (Georgia Pemberton) can manipulate nature, and Bronwyn (Pixie Davies) is super strong.

It did seem like Miss Peregrine was tailor-made for Burton, and Burton does his usual thing and makes sure that the whimsy never fully gets put in the background. When the film does go off the fantasy element is when the film slows down a bit, but that rarely happens in the film. However, the film does get lost in itself for a bit, which is prone to happen when you have a lot going on. There’s even one plot point bought up that gets completely forgotten about once it’s introduced.

The cast does a great job with everything they were asked to do. Butterfield’s Jake does have a peculiarity that makes sense for the film, and one that makes the film rather suspenseful at one point. Eva Green as Miss Peregrine is great to watch. Green brings a levity and grand approach to the children’s guardian. Samuel L. Jackson’s Barron character is, well, Samuel L. Jackson playing a bad guy – minus the swearing. His character is a bit too cheesy at times and just a smidge over-the-top. Judi Dench, Rupert Everett, Chris O’Dowd, and Allison Janney pop in for small roles that don’t really do too much in the film. One casting I couldn’t get over is Kim Dickens, who appears in literally two very short scenes as Jake’s mother.

All in all, Miss Peregrine’s Home for Peculiar Children is one of the better Tim Burton films in the recent years. While the film does have some things wrong with it, the cast and whimsy of it all will keep you invested until the end.

Miss Peregrine’s Home for Peculiar Children

3.5 out of 5

miss_peregrines_home_for_peculiar_children

 

Ouija: Origin of Evil

Director: Mike Flanagan

Writers: Mike Flanagan and Jeff Howard

Cast: Elizabeth Reaser, Annalise Basso, Lulu Wilson, Henry Thomas and Parker Mack

Synopsis: In 1965 Los Angeles, a widowed mother and her two daughters add a new stunt to bolster their séance scam business and unwittingly invite authentic evil into their home. When the youngest daughter is overtaken by a merciless spirit, the family confronts unthinkable fears to save her and send her possessor back to the other side.

 

A sequel/prequel to the 2014 film, Ouija – which I never saw by the way, and kind of have no intention on seeing to be honest – Origin of Evil, is just that, an origin of the evil Ouija board that causes mayhem to the people that used it.

Ouija: Origin of Evil, set in Los Angeles in 1965, it follows the Zander family in mother Alice (Reaser), eldest daughter Lina (Basso) and youngest daughter Doris (Wilson), who run séance scam, but Alice does think she’s doing good by helping people, even if it’s not really true. Desperate for money, the family adds an Ouija board to shake things up. However, when Doris starts using the board more, strange things start to happen around the family, and eventually the family finds out that Doris has made contact with actual spirits – and they aren’t happy.

Never seeing the first film (although I read what the connection was afterwards), I can only judge the film for what it was, and in part I really enjoyed the film. Origin of Evil keeps a great deal of the focus on the family, making us really care for these characters, and when everything goes to hell at the end, you do feel worried for them. It also helps that the actresses are great, but the highlight and real star of the film is Lulu Wilson, who plays Doris. One scene in particular stands out where the focus is on her and talks about a certain subject that really sticks with you, and despite the subject, I couldn’t help but laugh because it was so uneasy to hear her talk about it.

The film does have some missteps, like a subplot with Henry Thomas’ character Father Tom. The subplot doesn’t really lead anywhere, and while it gives Elizabeth Reaser’s Alice more screen time, it felt shoehorned in. The other thing is the Ouija board. The board, while a huge and really only reason the events of the film takes place, is just hanging out in the background. The film could have probably done without the Ouija board and found a way to introduce the spirits another way.

All in all, Ouija: Origin of Evil handles itself pretty well, as a horror film that also has a solid family story holding it together. While I may not have understood some of the little things that may connect it to the first film, I still really enjoyed it for what it was.

Ouija: Origin of Evil

3.5 out of 5

ouija_two_ver2

Mini-Reviews: Masterminds, Deepwater Horizon, Storks, & The Girl on the Train

Hey everybody!

Welcome to the third edition of Mini-Reviews. This time, it’s more of a mixed than it was last time. So let’s get to it, shall we?

 

*As always, these will be spoiler free reviews*

 

Masterminds

Director: Jared Hess

Writers: Chris Bowman, Hubbel Palmer, and Emily Spivey

Cast: Zach Galifianakis, Kristen Wiig, Owen Wilson, Jason Sudeikis, Kate McKinnon, Leslie Jones, Mary Elizabeth Ellis, Ken Marino, and Jon Daly

Synopsis: A guard at an armored car company in the Southern U.S. organizes on of the biggest bank heists in American history. Based on the October 1997 Loomis Fargo robbery.

 

Yes, Masterminds is based on a true story. Of course, I’m sure the film takes some liberties, but for the most part the film tells the story of David Ghantt (Galifianakis), an armored car guard at Loomis Fargo who wants to do more in his life. He gets the chance when his co-worker Kelly (Wiig), under orders of the town small-town criminal Steve (Wilson), convinces him to rob Loomis Fargo. David, of course does it thinking he has a chance with Kelly, even though he’s engaged to Jandice (McKinnon). The good news is that David gets it done and is convinced to go down to Mexico to hide out, the bad news is that the FBI is on to him and Steve wants to cut loose ends.

Masterminds was set to come out two years ago, until it got pushed back to this year, and even then its release was in question thanks to Relativity Media’s bankruptcy. It also didn’t help that the film had a pretty descent cast, so it’s a shame that after all this, the film didn’t turn out as good as it could have been. I will say it does seem hard to make a comedy based on a true story, since you can’t really force funny moments in true stories, but if you have the right cast I assume you could. Masterminds is sadly not one of those.

I will say I’m not a huge fan of Zach Galifianakis, but he does okay here as a somewhat lovable and gullible David, who gets fooled into robbing $17 million. Kristen Wiig is reliable as always, and is arguably the heart of the film. Owen Wilson has his small moments, but doesn’t stand out as much as Jason Sudeikis’ hitman character Mike McKinney. His part of the film is rather odd, and at times will probably make you cringe-laugh, but he goes all in for this. Kate McKinnon and Leslie Jones are put on the backburner for the most part. Jones plays a detective for the FBI hunting down David, while McKinnon plays David’s soon-to-be wife Jandice as an odd and cliché trailer park women, who has only one big moment.

All in all, Masterminds is a wasted opportunity to let all these great comedic actors to cut loose. There are some genuine funny moments in the film, but overall Masterminds fails to really connect, and make you laugh the way I think they thought it would.

Masterminds

2.5 out of 5

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Deepwater Horizon

Director: Peter Berg

Writers: Matthew Michael Carnahan and Matthew Sand

Cast: Mark Wahlberg, Kurt Russell, Kate Hudson, Douglas M. Griffin, James DuMont, Joe Chrest, Gina Rodriguez, J.D Evermore, Ethan Suplee, Dylan O’Brien and John Malkovich

Synopsis: A dramatization of the April 2010 disaster when the offshore drilling rig, Deepwater Horizon, exploded and created the worst oil spill in U.S. history.

 

Peter Berg has become a “based on a true story” film master. Friday Night Lights, Lone Survivor, the upcoming Patriots Day – based on the Boston Marathon bombing – and this. Berg has a way to really make the people in those films more important than the event itself sometimes, and Deepwater Horizon is another prime example of that. Not only that, he makes the film feel like a horror film at times, which is what the people onboard the actual rig probably felt like they were in on that fateful day.

The film mostly follows the Deepwater Horizon rig’s chief electrical technician Mike Williams (Wahlberg) and installation manager Jimmy Harrell (Russell) or Captain Jimmy as the crew calls him, on the day they arrive on the Deepwater Horizon along with a few BP company men and control room operator Andrea Fleytas (Rodriguez). However, when they arrive they find out that BP management, lead by Donald Vidrine (Malkovich) on the rig, want the crew to start drilling right away because they are behind schedule. Of course, Mike and Jimmy aren’t having any of it because the safety of the crew is at risk, Mike lets them know that the rig isn’t running at one-hundred percent, but Vidrine pushes them and they start drilling. What follows is the Deepwater Horizon suffering massive failure and an explosion that sets the rig up in flames. The crew then tries to survive and escape the rig at all costs.

Berg does a great job of setting everything up. He even goes into the technical side of things even though he probably knows not all the audience is going to know what the hell they’re talking about – we can get the gist considering we know what happens and they make it sound pretty bad. We also get a descent sense of these characters, so when the rig goes up in flames we care for these characters. And while most films would tip-toe around the situation, Berg tackles it head-on and does lay some – arguably all – of the blame on BP for forcing the rig workers to keep going.

The other great thing Berg does is make us, essentially, part of the crew. When the Deepwater Horizon goes up in flames, you can feel the horror that these men went through. This isn’t your typical escapist disaster film, this was a man-made disaster that isn’t filled with your typical Hollywood hero. Wahlberg or Russell don’t make big speech to comfort everyone, they get hurt and are equally affected by the rig explosion like everyone else. 11 men lost their lives that night, and the way Berg makes the event look, it’s almost hard to believe that not more people died.

The cast holds their own. Wahlberg gives one of his finest performances to date, and one that pays off at the end. I know Wahlberg may make people think of the film a certain way, but when he’s given the right material with a great director like Berg, he always turns in a great performance. Russell is as reliable as ever, Gina Rodriguez and Dylan O’Brien have their moments, but are scattered throughout the film and only really pick up during the events of the explosion. Finally, Malkovich seems to be enjoying himself playing a sleazy BP official, and while maybe that’s not how the real life Vidrine was, it does give us the general idea of greed and not caring about the consequences.

All in all, Deepwater Horizon is a very effective thriller that sometimes feels like a horror movie. Peter Berg knows exactly what to show and what kind of story he wants to tell, and instead of focusing on the oil spill – which got the most attention in the news – this highlights the people actually onboard the rig. I’ll even admit that by the end of this film, I was in tears. Something not a lot of films can make me do, and make me admit.

Deepwater Horizon

4.5 out of 5

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Storks

Director: Nicholas Stoller and Doug Sweetland

Writer: Nicholas Stoller

Voice Cast: Andy Samberg, Katie Crown, Kelsey Grammer, Anton Starkman, Ty Burrell, Jennifer Aniston, Keegan-Michael Key, Jordan Peele, Stephen Kramer Glickman and Danny Trejo

Synopsis: Storks have moved on from delivering babies to packages. But when an order for a baby appears, the best delivery stork must scramble to fix the error by delivering the baby.

 

I didn’t really expect anything from Storks when I first read about it. However, that all changed when I watched the film, because I really liked Storks. The film follows Junior (Samberg), who works at Cornerstore.com which is where storks now deliver packages instead of babies because delivering babies became too much of a problem. Junior is not in line for a promotion from his boss Hunter (Grammer), but before he can take the position he has to do one thing: fire the only human worker at Cornerstone, Tulip (Crown). Junior doesn’t really do so and instead puts her in a building by herself.

However, that only complicates matters as Tulip gets a letter from Nate Gardner (Starkman) who wants a sibling, and accidentally makes one. Junior already thinking he’d be in trouble with Hunter decides to deliver the baby on his own with Tulip tagging along. Of course, a grand adventure ensues.

I had a lot of fun with this movie more than I thought I would. The film never loses steam and the jokes are top notch, so much so that I was still smiling or laughing way after they were delivered. The stories are also very touching. On one end you have the human story of Nate, an only child, who wants a sibling to play with because his parents (voiced by Burrell and Aniston) are always busy with their real estate business. On the other end you have the two stories of Junior wanting to be more than a delivery man, and Tulip trying to find her own place in the world, and wanting to really help. The two stories perfectly blend together near the end that makes the finale all the more touching and heartwarming.

The rest of the voice cast is filled with Keegan-Michael Key and Jordan Peele playing Alpha and Beta Wolf, who are one of the many highlights of the film, and Danny Trejo as Jasper, a stork that comes into play in the second half of the film. Finally, another highlight of the film is Stephen Kramer Glickman as Pigeon Toady, who will leave you laughing for sure.

All in all, Storks is a ton of fun that takes a while to bring its core theme out, but the ride is so much fun that it doesn’t matter. Storks will leave you laughing out loud and leave you wanting a bit more.

Storks

4.5 out of 5

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The Girl on the Train

Director: Tate Taylor

Writer: Erin Cressida Wilson

Cast: Emily Blunt, Haley Bennett, Rebecca Ferguson, Justin Theroux, Luke Evans, Edgar Ramirez, Laura Prepon, Allison Janney and Lisa Kudrow

Synopsis: A divorcee becomes entangled in a missing persons investigation that promises to send shockwaves throughout her life.

 

Based on the popular and one of the fast-selling novels of all time by Paula Hawkins, The Girl on the Train is being labeled as the possible next Gone Girl. A comparison that doesn’t really help any film since Gone Girl was vastly different animal that some people haven’t seen before. While the film does show shades of that, The Girl on the Train is a completely different animal altogether that is a less effective thriller and drama than Gone Girl.

The Girl on the Train follows alcoholic and divorced Rachel (Blunt) who rides the train every morning. During her rides, she always stops and spots the house of a couple who she doesn’t know but pretends to give them names and jobs. However, one day the woman, Megan (Bennett), ends up going missing and the day she did she noticed Megan with another man. What follows is Rachel trying to figure out what happened to a woman she’s made an unnatural connection to, but her obsession also becomes a problem for her ex-husband Tom (Theroux) and his new wife Anna (Ferguson), who she has been harassing them.

Going more into detail will probably lead me into spoiler territory which is something that I obviously don’t want to do. The film does jump back in time – a few months – so we get enough scenes with Haley Bennett’s Megan before she goes missing. The film also spends some time with Rebecca Ferguson’s Anna, who shines more near the end of the film than in the beginning. All that said though, this movie belongs to Emily Blunt. I’m okay with saying Blunt is one of the best actresses working today, and this film proves it. The rest of the cast, while they have their moments, kind of fall to the wayside. Edgar Ramirez and Laura Prepon are underutilized, especially Prepon, and Allison Janney, while her character was meant to only be small, would have been nice to see more of her.

The characters are probably going to make some people not like the film. There are times when you probably want to go into the screen and smack one of them around, which is what makes the film a little more relatable – to the characters anyway. It also helps that these characters are in the thriller genre, so their actions will make us question where they fall in line to the case. Although, there are times when the film gets bogged down in its own drama.

All in all, The Girl on the Train is held together by Emily Blunt’s great performance, along with Haley Bennett. The film gets bogged down a bit by its own drama, and while some things from the book don’t carry over, they make up for it by telling their own story. The Girl on the Train isn’t the next Gone Girl, but its effective while watching.

The Girl on the Train

3.5 out of 5

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‘Spy’ Review

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Dir: Paul Feig

Writer(s): Paul Feig

Cast: Melissa McCarthy, Jude Law, Jason Statham, Rose Byrne, Miranda Hart, Bobby Cannavale, Peter Serafinowicz, Nargis Kakhri, Morena Baccarin and Allison Janney

Synopsis: A desk-bound CIA analyst volunteers to go undercover to infiltrate the world of a deadly arms dealer, and prevent diabolical global disaster.

 

 

*Reviewer Note:  This will be a spoiler free review.*

 

 

Ever since Bridesmaids, Melissa McCarthy has been almost the go to woman for big comedy movies. While they weren’t meet with a lot of acclaim like Bridesmaids, McCarthy still tried to do the best she can. Here with Spy, like The Heat, she reunites with writer/director Paul Feig and brings McCarthy back to form and makes her a great, strong, and funny character as oppose to a character that sometimes relies on being dumb or fat jokes. Feig and McCarthy’s Spy is going back to their roots and it is a fun ride.

 

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Spy follows Susan Cooper (McCarthy), a desk-bound CIA agent who assists one of the CIA’s top agents, Bradley Fine (Law). However, when a mission reveals that the top field agents’ identities have been compromised Deputy Director Elaine Crocker (Janney) has no choice but to send an agent that is completely unknown, Susan of course volunteers because she wants to prove herself. The objective is to get close to the daughter of an arms dealer, Rayna Boyanov (Byrne) to get a nuclear bomb off the market before someone buys it. Of course, not everyone thinks Cooper is capable, especially the other top super spy in the agency, Rick Ford (Statham), who thinks sending in Cooper is the worst idea possible and that she’s going to blow the mission.

 

Like I mentioned earlier, McCarthy isn’t playing a dumb character here, her character Susan Cooper is extremely capable of handling herself, yes the movie pokes fun a bit, especially in her covers, but it doesn’t take away from the fact that she is a good agent and is willing to do whatever it takes to get the job done. That being said, this is McCarthy’s movie. She carries the movie on her shoulders and never shows a sign of giving that up. She shoots out witty one-liners left and right and has no problem pulling punches either. I was surprised that McCarthy could carry herself in action sequences. Easily, one of the highlight action sequences is a kitchen brawl (more on that in minute).

 

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Of course, a great lead always has a great supporting, and Spy is filled with them. Jason Statham easily stands out. Statham’s Rick Ford is the pretty cliché tough guy agent that thinks he’s the best, but is a bit too intense, but it’s fun to see Statham in the role because it’s a lot of fun to see him in it. Miranda Hart is equally great as Susan’s analyst’s friend and has a buddy-cop dynamic with McCarthy’s Cooper, but also carries a lot of heart, even though she’s rather goofy (in a good way). Rose Byrne looks like she is enjoying the entitled posh-like villain and the same goes for Jude Law, who is essentially playing a James Bond-like persona. Peter Serafinowicz’s Aldo is another to look out for too.

 

I give huge credit to Paul Feig, because holy crap did he handle the action sequences great. I don’t like to limit directors or actors to their genre, but finding out that Feig is a huge fan of the action films and spy movies, it completely makes sense when you watch the movie. Spy is filled with great homage’s to the spy genre, but also makes fun of it which is really great and funny to watch.

 

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The action in the movie is pretty solid. I mentioned the kitchen brawl between Susan and Lia (Nargis Fakhri) is easily a highlight. The scene is funny, brutal and kinetic. I didn’t really suspect a fight scene like that being in a comedy movie. It’s a spoof either, it is a real deal fight scene and both ladies don’t hold back. Another highlight is a chase scene that involves Susan chasing down a car in a scooter which is pretty impressive. If Feig ever wanted to do another action comedy, let him do it because he can certainly put it together really well. (Note: Yes, I know he did The Heat which had some action, but nothing compared to Spy.)

 

All in all, Spy stumbles only slightly but for the most part is a hell of a lot of fun to watch. It’s equal part spy action movie and comedy, dare I say the better of the action comedies of late. Feig and McCarthy are a great team and the supporting cast makes the film even better. This is not your typical Melissa McCarthy movie, so go watch it and give it a chance.

 

Spy

4.5 out of 5

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