December Movie Releases

It’s December, ladies and gentlemen!

The year is almost over! How has your year been, because it’s been a great year for films, huh? December is also a tough month to set, because this is the big Oscar month, so a lot of films end up getting limited releases, expansion releases, and then wide releases. So if anything is off, it’s because of that. I’ll do my best to get everything where it’s suppose to go, and if not I’ll come back and update the schedule.  So let’s jump right in the films that will close out the year.

Also, Happy Whatever-It-Is-You-Celebrate!

 

2nd

Limited Release: Jackie (Biography Drama – Fox Searchlight Pictures/Why Not Productions/Wild Bunch)

Following the assassination of her husband, First Lady Jacqueline Kennedy (played by Natalie Portman) fights through grief and trauma to regain her faith, console her children and define her husband’s historic legacy. The film has gotten a lot of love at the film festival circuit, and is getting a lot of Oscar buzz. It probably helped that this film has been in the works for a long time too. Jackie also stars Peter Sarsgaard, Greta Gerwig, John Hurt, Billy Crudip, Max Casella, Richard E. Grant, and Caspar Phillipson.

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Limited Release: La La Land (Drama Comedy Musical)

Ryan Gosling and Emma Stone reunite for La La Land which follows a jazz pianist who falls for an aspiring actress in Los Angeles. The film is getting a ton of great reviews from the film festival circuit so this one is one you should keep your eye out for. Also the trailer really gives off the vibe that the film will be a nice tribute to films of old. The film also stars Finn Wittrock, Rosemarie DeWitt, John Legend, Jason Fuchs, Hemky Madera, and J.K. Simmons.

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Incarnate (Horror Thriller – Universal Pictures/Blumhouse Productions/WWE Studios/IM Global/High Top Releasing/Deep Underground Films)

A scientist with the ability to enter the subconscious minds of the possessed must save a young boy from the grips of a demon with powers never seen before, while facing the horrors of his past. The film stars Aaron Eckhart, Carice van Houten, David Mazouz, Emjay Anthony, Matt Nable, and Catalina Sandino Moreno.

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9th

Expanded/Wide Release: Nocturnal Animals

Expanded Release: La La Land

Expanded Release: Jackie

 

 

Office Christmas Party (Comedy – Paramount Pictures/DreamWorks Pictures/Bluegrass Films)

When his uptight CEO sister (Jennifer Aniston) threatens to shut down his branch, the branch manager thrown an epic Christmas party in order to land a big client and save the day, but the party gets way out of hand. The film also stars T.J. Miller, Kate McKinnon, Jason Bateman, Rob Corddry, Olivia Munn, Jillian Bell, Jamie Chung, Abbey Lee, Randall Park, Matt Walsh and Courtney B. Vance.

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16th

Limited Release: The Founder (Biography Drama)

Michael Keaton stars in this film that tells the story of McDonald’s founder, Ray Kroc. I don’t think I’ve ever actually thought about the story of McDonald’s and since I’ve seen the trailer, it’s peaked my interest and I’m sure to many others as well. The rest of the cast includes Laura Dern, Patrick Wilson, Linda Cardellini, Nick Offerman, B.J. Novak, and John Carroll Lynch.

 

 

Collateral Beauty (Drama – New Line Cinema/Village Roadshow Pictures/Overbrook Entertainment/Anonymous Content/Likely Star/PalmStar Media)

An advertising executive encounters three mysterious figures who encourage him to move on from the past. The film looks like it’s going to be a powerhouse with the cast, but the idea does seem odd, and one that you can probably figure out from the trailers. Hopefully the execution works. Will Smith, Kate Winslet, Keira Knightley, Edward Norton, Naomie Harris, Michael Pena, and Helen Mirren star.

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Rogue One: A Star Wars Story (Sci-Fi Adventure –Walt Disney Pictures/Lucasfilm)

Gareth Edwards directs the first spinoff/standalone film of the new set of Star Wars films, which actually takes us back in time as it follows Rebels on a mission to steal plans for the Death Star. Listen, it’s Star Wars, people are going to go watch it. However, the film’s last two trailers were freaking awesome, of course the film however, will have some closer eyes as the “dirty” word in Hollywood has hit the film: reshoots. Nonetheless, the film looks great and more importantly it looks different. The film stars Felicity Jones, Mads Mikkelsen, Alan Tudyk, Ben Mendelsohn, Donnie Yen, Diego Luna, Riz Ahmed, Jonathan Aris, and Forest Whittaker.

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21st

Sing (Animation – Universal Pictures/Illumination Entertainment)

A koala named Buster (Matthew McConaughey) recruits his best friend to help him drum up business for his theater by hosting a singing competition. I don’t know if I’m over talking animal animated film this year, but I’m not getting behind the Sing train. The voice cast also includes Scarlett Johansson, Reese Witherspoon, John C. Reilly, Seth MacFarlane, Taron Egerton, Nick Offerman, Peter Serafinowicz,  and Jennifer Saunders.

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Patriots Day (Lionsgate/CBS Films/Closest to the Hole Productions)

Directed by Peter Berg, the film is an account of Boston Police Commissioner Ed Davis’s (played by John Goodman) actions in the events leading up to the 2013 Boston Marathon bombing and the aftermath, which includes the city-wide manhunt to find the terrorists behind it. Berg has already made a splash this year with Deepwater Horizon with Mark Wahlberg, so I can only think that this will be either as good or just as good. Patriots Day also stars J.K. Simmons, Kevin Bacon, Melissa Benoist, Michelle Monaghan, Alex Wolff, and Rachel Brosnahan.

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Passengers (Sci-Fi Adventure – Sony Pictures/Columbia Pictures/Village Roadshow Pictures/LStar Capital/Original Film/Start Motion Pictures/Company Films)

A spacecraft traveling to a distant colony planet and transporting thousands of people has a malfunction in its sleep chambers. As a result, two passengers (Chris Pratt and Jennifer Lawrence) are awakened 90 years early. Two of the most liked and extremely talented actors in Hollywood are getting together for a film, and one that looks not too bad, I think we looking at a big hit here, don’t you think? Michael Sheen, Laurence Fishburne, and Andy Garcia also star.

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Assassin’s Creed (Action – 20th Century Fox)

Based on the popular video game franchise, Michael Fassbender stars as Callum Lynch, who with the help of revolutionary technology that unlocks his genetic memories, experiences the adventures of his ancestor, Aguilar, in 15th Century Spain. Callum discovers he is descended from a mysterious secret society, The Assassins, and amasses incredible knowledge and skills to take on the oppressive and powerful Templar organization in the present day. Justin Kurzel, who directed the well-received and great film Macbeth, directs and reunites not only with Fassbender but Marion Cotillard as well. The film also stars Jeremy Irons, Brendan Gleeson, Ariane Labed, Mathias Varela, Brian Gleeson, and Michael Kenneth Williams.

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23rd

Limited Release: A Monster Calls (Fantasy Drama – Focus Features/Participant Media/River Road Entertainment/Apaches Entertainment/La Trini)

Based on a script and book by Patrick Ness, A Monster Calls follows a boy as he seeks the help of a tree monster to cope with his single mom terminal illness. The film stars Liam Neeson as The Monster, Felicity Jones as the Mother, Sigourney Weaver as the Grandmother, Toby Kebbell as Dad, and Lewis MacDougall as the boy and Lily-Rose Aslandogdu as Lily. The film looks fantastic and I can’t wait to see how it does. The limited release is due to Focus Features trying to get the film an Oscar run. The film will come out early next year.

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Limited Release: Silence (Drama)

Directed by Martin Scorsese and based off the novel by Shusaku Endo, the film is set in the seventeenth century, where we follow two Jesuit priests that face violence and persecution when they travel to Japan to locate their mentor and propagate Christianity. The film has been looking for a release date and what better date to come out in than in December around Oscar season right? The film stars Liam Neeson, Andrew Garfield, Adam Driver, Shin’ya Tsukamoto and Tadanobu Asano.

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Why Him? (Comedy – 20th Century Fox/Red Hour Films/21 Laps Entertainment)

A dad (Bryan Cranston) forms a bitter rivalry with his daughter’s young rich boyfriend (James Franco). The film looks decently funny, at least we can hope, and seeing Cranston on the big screen is always nice – even if it’s a film like this. The film stars Zoey Deutch, and Megan Mullally.

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25th

Limited Release: 20th Century Women (Comedy Drama)

The story of three women who explore love and freedom in Southern California during the late 1970s. The film stars Annette Bening, Elle Fanning, Greta Gerwig, Alia Shawkat, Laura Wiggins, and Billy Crudup.

 

Limited Release: Paterson (Drama Comedy) 

Set in the present in Paterson, New Jersey, this is a tale about a bus driver and poet, who also happens to be named Paterson (Adam Driver). I saw the trailer for the first time recently, and it looks like a great little indie film that will showcase Adam Driver.

 

Limited Release: Hidden Figures (Drama)

Based on a true story, a team of African-American women provide NASA with important mathematical date needed to launch the program’s first successful space missions. The film stars Taraji P. Henson, Octavia Spencer, Janelle Monae, Kristen Dunst, Jim Parsons, Mahershala Ali, Aldis Hodge, Glen Powell, and Kevin Costner.

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Limited Release: Live By Night

Based off the novel of the same name by Dennis Lehane, Ben Affleck writes, directs and stars in this great looking film that is set during the Prohibition and follows Joe Coughlin, the son of a prominent Boston police captain, as he rises through the ranks of the criminal underworld and the trouble he falls into along the way. Besides the film looking great, it has a great cast in Zoe Saldana, Elle Fanning, Sienna Miller, Brendan Gleeson, Chris Sullivan, Anthony Michael Hall, Titus Welliver, Max Casella, Chris Messina, and Chris Cooper.

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Fences (Drama – Paramount Pictures/Scott Rudin Productions/Bron Studios/MACRO)

Based on the play by August Wilson, and directed by Denzel Washington, Fences follows an African American father who struggles with race relations in the United States while trying to raise his family in the 1950s and coming to terms with the events of his life. The film stars Washington, Viola Davis, Mykelti Williamson, Russell Hornsby and Stephen Henderson.

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So, what are you looking forward to?

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Mini-Reviews: Keeping Up with the Joneses, Jack Reacher: Never Go Back, Desierto, Ouija: Origin of Evil, & Miss Peregrine’s Home for Peculiar Children

Hey everybody!

Welcome to the sixth edition of Mini-Reviews. This time, there are more movie reviews than usual. I’ve been a bit behind so this is me making up for lost time. So let’s get to it, shall we?

 

 

Keeping Up with the Joneses

Director: Greg Mottola

Writer: Michael LeSieur

Cast: Zach Galifianakis, Isla Fisher, Jon Hamm, Gal Gadot, Matt Walsh, Maribeth Monroe, Kevin Dunn and Patton Oswalt

Synopsis: A suburban couple becomes embroiled in an international espionage plot when they discover that their seemingly perfect new neighbors are government spies.

 

I didn’t think much about the film other than the fact it had a good cast. Ironically, I had that same feeling about Masterminds, which also had Zach Galifianakis, and while Keeping Up with the Joneses was a better movie than Masterminds, the film doesn’t do enough to warrant being a standout action comedy.

The film follows Jeff (Galifianakis) and Karen (Fisher) Gaffney, who quietly live in the suburbs. Karen is an interior designer while Jeff works Human Resources for a big company called MBI. However, the lives get turned upside when their new, and seemingly perfect, new neighbors Tim (Hamm) and Natalie (Gadot) Jones turn out to be spies. When the Joneses come clean, the Gaffney’s ended up being sucked into their mission to stop a deadly plot.

Keeping Up with the Joneses isn’t the best action comedy out, but it certainly isn’t the worst. The cast isn’t that bad and the mismatched casting of Galifianakis and Fisher with Hamm and Gadot actually works, although the bonding scenes and overall chemistry of Galifianakis and Hamm plays out better than Fisher and Gadot. There are some genuine laughs in the film, but overall the film does shoehorn in some jokes that fall completely flat. The film also does rely more on the comedy side of things rather than the action. Although the standout action sequence is a car chase that does feel a bit out of place within the movie, but one that actually works in terms of action.

All in all, the film does have a lot of issues, and while many will probably end up forgetting they watched Keeping Up with the Joneses in a few years, it isn’t completely a waste of time like some will have you believe it is.

Keeping Up with the Joneses

3 out of 5

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Jack Reacher: Never Go Back

Director: Edward Zwick

Writers: Edward Zwick, Richard Wenk, and Marshall Herskovitz

Cast: Tom Cruise, Cobie Smulders, Danika Yarosh, Aldis Hodge, Patrick Heusinger, Holt McCallany, Madalyn Horcher, and Robert Knepper

Synopsis: Jack Reacher must uncover the truth behind a major government conspiracy in order to clear his name. On the run as a fugitive from the law, Reacher uncovers a potential secret from his past that could change his life forever.

 

The first Jack Reacher was a pleasant surprise when it came 2012, but when the sequel was announced without director Christopher McQuarrie, fans were, respectfully, disappointed. That being said, the sequel went forward to new director Edward Zwick (Glory, Blood Diamond), who worked with Tom Cruise on The Last Samurai. However, the result this time around was not that great.

Never Go Back finds Jack Reacher (Cruise) traveling to Washington D.C. to meet up with Major Susan Turner (Smulders), who he has been talking to recently, and someone who has taken over his old unit. However, when Reacher finally reaches D.C. he finds out that Turner has been arrested for espionage, but something doesn’t feel right to Reacher and he decides to get to the bottom of it. To make things worse, Reacher finds out that there is a paternity suit against him and that he has a 15-year-old daughter named Samantha (Yarosh).

Tom Cruise really wants another franchise, and Jack Reacher could have been it if Never Go Back wasn’t such a mess. Cruise nails the no nonsense, tough guy one-liners, but having Reacher become a potential father doesn’t really fit the character, and at times, slows the movie down trying to make awkward situations where Reacher has to act like a father to Sam – and in some cases have Turner act as a mother. Some of the scenes are funny, but feel out of place next to the Reacher breaking nameless thugs’ bones, and a hitman named The Hunter (Heusinger) killing people that stand in his way.

I’m all for shaking a character up, but we’ve only had one movie with Reacher, and the first one had him as this unstoppable hitting machine that gets the job done. He’s like that here too, but it seems like he’s more tamed down this time around. There is a little more action this time around, although there’s nothing that compares to the chase scene in the first film.

The new cast is a nice addition. Cobie Smulders does the best she can with what they give her, but I kind of wished she was more important to the overall plot. Danika Yarosh as Sam, Reacher’s possible daughter, holds her own with Cruise and Smulders, but she’s sometimes left with being the person that it told to stay back or having to be saved. Patrick Heusinger’s The Hunter is an okay villain, when he’s actually being a villain, and Robert Knepper is severely underused.

All in all, Jack Reacher: Never Go Back is an okay movie that happens to be a sequel. Not saying the potential franchise can’t come back, but Never Go Back was a step backwards for the character.

Jack Reacher: Never Go Back

3 out of 5

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Desierto

Director: Jonas Cuaron

Writer: Jonas Cuaron and Mateo Garcia

Cast: Gael Garcia Bernal, Jeffrey Dean Morgan, Alondra Hidalgo, Diego Catano, Marco Perez, Oscar Flores and David Lorenzo

Synopsis: A group of people trying to cross the border from Mexico into the United States encounter a man who has taken border patrol duties into his own racist hands.

 

Directed by Jonas Cuaron, the son of Alfonso Cuaron (Children of Men, Gravity), Desierto is a timely film about the border of Mexico and the U.S., and while Cuaron does understand the material and issue, he rather follow the dangerous cat-and-mouse game between our leads. It’s not so much a bad thing, but Cuaron is still learning his footing in the directing game. It should also be noted that the names of the characters are never said in the film – only in the credits.

Desierto follows a Mexican man, named Moises in the credits, played by Gael Garcia Bernal, who along with a group of Mexican immigrants are coming to cross the border illegally. When the truck they’re in breaks down, they are left to walk the rest of the way in the desert. However, they aren’t alone as a man, named Sam in the credits, played by Jeffrey Dead Morgan finds them and kills most of the group. Moises, along with a few others, are left to survive in the desert against Sam and his dog Tracker.

The film is one of the ultimate cat-and-mouse game films. The majority of the film is Sam chasing down Moises through the desert, which of course, adds a lot of tension since there is not a lot of places to hide there. It’s a hell of a lot harder when you also have a tracking dog and a madman with a rifle chasing you down. The film works best when it’s a thriller of the characters on the run, but it’s once it slows down is when the film starts to show its faults.

It’s not hard to see the political themes, especially this late in the political season. Sam’s truck even has a small confederate flag and once he kills the first group of people he sarcastically says “welcome to the land of the free.” It’s not a bad thing, but Cuaron never fully develops that idea, and chooses to focus on the chase instead.

When it comes the cast, Gael Garcia Bernal and Jeffrey Dead Morgan fully invest in their characters. Jeffrey Dean Morgan doesn’t go over-the-top like he could have, but he also doesn’t see what he’s doing as wrong. In fact he barely flinches when killing the characters from far away. Gael Garcia Bernal, on the other hand, plays his character pretty straight. He’s trying to survive to make it to his kids, and does something in the film that I didn’t think the film would do. The only other character that gets some more depth is Alondra Hidalgo’s Adela.

The film does lose some steam near the end during the final confrontation between Moises and Sam because Cuaron wanted to keep the camera rolling. I’m not saying it wasn’t bad, but this is what separates him and his father in the director’s category. Although, not many directors are Alfonso Cuaron.

All in all, Desierto isn’t a bad film, but it works better when it’s a cat-and-mouse thriller rather than being a cat-and-mouse political undertone thriller. While Gael Garcia Bernal and Jeffrey Dean Morgan are on point with their roles, the overall film lacks a certain punch to put it over the top.

Desierto

3 out of 5

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Miss Peregrine’s Home for Peculiar Children

Director: Tim Burton

Writers: Jane Goldman

Cast: Asa Butterfield, Eva Green, Ella Purnell, Samuel L. Jackson, Finlay MacMillan, Lauren McCrostie, Chris O’Dowd, Rupert Eveertt, Allison Janney, Judi Dench, and Terence Stamp

Synopsis: When Jake discovers clues to a mystery that stretches across time, he finds Miss Peregrine’s Home for Peculiar Children. But the danger deepens after he gets to know the residents and learns about their special powers.

 

Based on the novel written by Ransom Riggs – which I haven’t read yet – and directed by Tim Burton, Miss Peregrine’s Home for Peculiar Children was a movie I was actually looking forward to despite it being directed by Tim Burton. I haven’t been a fan of Burton’s for a while, but it looks like he was returning to form with his X-Men-esque fantasy tale. Also, having never read the book, I’m judging the movie for the movie itself, and not how loyal the film is to the book.

The film follows Jake (Butterfield), who is living in Florida, and wants to do something more in his life. That just happens when his grandfather, Abe (Stamp), passes away supernaturally. Remembering some stories as a child, Jake convinces his reluctant father (O’Dowd) to go to Wales so Jake can get closure on his grandfather’s passing, and maybe find out what really happening, all the while remembering the stories of his grandfather about a woman he once knew called Miss Peregrine (Green). Eventually Jake finds out the stories of his grandfather are not stories at all, and finds Miss Peregrine’s Home for Peculiar Children that has children with powers of invisibly, floatation, pryokinesis, and other peculiarities. However, Jake finds out that all of them are stuck in September 3rd, 1943. Worse of all, dangerous monsters – known as Hallows – are after them lead by Mr. Barron (Jackson).

The film works best when the fanatical elements are in full swing. When Jake direst arrives at the home and meets everyone, the film is fun. We get to see everyone uses their abilities. Ella Purnell’s Emma is the one we get to know the most as she and Jake spend the most time together, her peculiarity is air and being able to float off the ground. We also meet Olive (McCrostie), who can turn into anything she touches into fire, Hugh (Parker) who is always invisible, Enoch (MacMillan) who has an interesting ability that leads to a surprising and cool sequence near the end of the film. There are twins, Claire (Raffiella Chapman) has a mouth on the back of her head, Horace (Hayden Keeler-Stone) can project his dreams, Fiona (Georgia Pemberton) can manipulate nature, and Bronwyn (Pixie Davies) is super strong.

It did seem like Miss Peregrine was tailor-made for Burton, and Burton does his usual thing and makes sure that the whimsy never fully gets put in the background. When the film does go off the fantasy element is when the film slows down a bit, but that rarely happens in the film. However, the film does get lost in itself for a bit, which is prone to happen when you have a lot going on. There’s even one plot point bought up that gets completely forgotten about once it’s introduced.

The cast does a great job with everything they were asked to do. Butterfield’s Jake does have a peculiarity that makes sense for the film, and one that makes the film rather suspenseful at one point. Eva Green as Miss Peregrine is great to watch. Green brings a levity and grand approach to the children’s guardian. Samuel L. Jackson’s Barron character is, well, Samuel L. Jackson playing a bad guy – minus the swearing. His character is a bit too cheesy at times and just a smidge over-the-top. Judi Dench, Rupert Everett, Chris O’Dowd, and Allison Janney pop in for small roles that don’t really do too much in the film. One casting I couldn’t get over is Kim Dickens, who appears in literally two very short scenes as Jake’s mother.

All in all, Miss Peregrine’s Home for Peculiar Children is one of the better Tim Burton films in the recent years. While the film does have some things wrong with it, the cast and whimsy of it all will keep you invested until the end.

Miss Peregrine’s Home for Peculiar Children

3.5 out of 5

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Ouija: Origin of Evil

Director: Mike Flanagan

Writers: Mike Flanagan and Jeff Howard

Cast: Elizabeth Reaser, Annalise Basso, Lulu Wilson, Henry Thomas and Parker Mack

Synopsis: In 1965 Los Angeles, a widowed mother and her two daughters add a new stunt to bolster their séance scam business and unwittingly invite authentic evil into their home. When the youngest daughter is overtaken by a merciless spirit, the family confronts unthinkable fears to save her and send her possessor back to the other side.

 

A sequel/prequel to the 2014 film, Ouija – which I never saw by the way, and kind of have no intention on seeing to be honest – Origin of Evil, is just that, an origin of the evil Ouija board that causes mayhem to the people that used it.

Ouija: Origin of Evil, set in Los Angeles in 1965, it follows the Zander family in mother Alice (Reaser), eldest daughter Lina (Basso) and youngest daughter Doris (Wilson), who run séance scam, but Alice does think she’s doing good by helping people, even if it’s not really true. Desperate for money, the family adds an Ouija board to shake things up. However, when Doris starts using the board more, strange things start to happen around the family, and eventually the family finds out that Doris has made contact with actual spirits – and they aren’t happy.

Never seeing the first film (although I read what the connection was afterwards), I can only judge the film for what it was, and in part I really enjoyed the film. Origin of Evil keeps a great deal of the focus on the family, making us really care for these characters, and when everything goes to hell at the end, you do feel worried for them. It also helps that the actresses are great, but the highlight and real star of the film is Lulu Wilson, who plays Doris. One scene in particular stands out where the focus is on her and talks about a certain subject that really sticks with you, and despite the subject, I couldn’t help but laugh because it was so uneasy to hear her talk about it.

The film does have some missteps, like a subplot with Henry Thomas’ character Father Tom. The subplot doesn’t really lead anywhere, and while it gives Elizabeth Reaser’s Alice more screen time, it felt shoehorned in. The other thing is the Ouija board. The board, while a huge and really only reason the events of the film takes place, is just hanging out in the background. The film could have probably done without the Ouija board and found a way to introduce the spirits another way.

All in all, Ouija: Origin of Evil handles itself pretty well, as a horror film that also has a solid family story holding it together. While I may not have understood some of the little things that may connect it to the first film, I still really enjoyed it for what it was.

Ouija: Origin of Evil

3.5 out of 5

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‘Ender’s Game’ Review

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Dir: Gavin Hood

Cast: Asa Butterfield, Haille Steinfeld, Abigail Breslin, Viola Davis, Ben Kingsley, and Harrison Ford

Synopsis: The International Military seek out a leader who can save the human race from an alien attack. Ender Wiggin, a brilliant young mind, is recruited and trained to lead his fellow soldiers into a battle that will determine the future of Earth

 

*Reviewer Note: This will be a non-spoiler review as always.*

Based on the popular Orson Scott Card 1985 sci-fi novel of the same name the movie takes place 50 years after earth suffered an attack from the ‘Formics’ – insect-like aliens. Their efforts failed, but millions died during the invasion, and the planet has been awaiting the Formics’ return ever since.  The government decides that children are our best chance of survival, training them to take charge of the planet’s International Fleet. The reason is because kids “don’t think the way we think,” they operate at a higher speed, and can handle technology and deal with tremendous amounts of information without getting burnt out.

This is where we see Ender (Butterfield), who has vast intelligence and maturity but he’s also a very troubled boy. From being bullied for being a Third, at this time families are limited to two children, by school mates and his older brother and having both selfless and selfish. Ender, according to Colonel Graff (Ford), is the last and only hope to save the Earth from a possible future attack from the Formics. Graff then gets Ender to practice to become the leader he thinks Ender can be and sends him to Battle School.

The Battle School, a huge space station that orbits the planet, has our young cast, or Launchies as their called, raised on war games and taught the laws of engagement to prepare for the war.  The school’s commander, Graff, along with Major Anderson (Davis) see Ender’s true potential and leads some back and forth between the two on how far they are pushing him and if he’s truly the one to stop the war.

It’s at the school where we see Graff do whatever he think is necessary to make sure the students, especially Ender, are ready for the war. Even if it means treating them like they’re not children and that’s where Graff and Anderson bump heads and ultimately shows us how different they view the war.

The big highlight of the Battle School section of the movie is the Battle Room. A giant glass sphere where war simulations are played out in zero-gravity and where the children divided up into teams to wage war against each other.   Through these games Ender and his fellow cadets learn tactics and strategy and again learn to become leaders and killers. The zero-gravity scenes look a bit cheesy at first especially when it’s only one of two people but once we see the room filled with everyone flying around and battling it they become great scenes to see.

Unlike my other reviews, I don’t be talking about the final act of the movie to save you from nothing anything. Needless to say, it will make question everything you’ve seen.

As far as the acting goes, this is Asa Butterfield’s show. He does a great job of balancing the emotions and the intensity of Ender as he’s put through the ringer with all the tests and showing how effective he can be as a leader. Harrison Ford’s Graff is a puppet master of sorts, coming off as caring but then completely changes once the stakes get raised. Butterfield and Ford, next to Davis, have the strongest performances in the movie and leads to a great scene between the two at the very end.

The rest of the cast does okay with their roles but nothing really great. Hailee Steinfield’s sharp-shooting cadet Petra has more to do in the movie than she does in the book and Moises Arias miss-cast as bully Bonzo kind of fits but really does nothing. Ben Kingsley as former war hero Mazer Rackham really does nothing for the movie when he pops up in the third act.  Abigail Breslin, who plays Ender’s sister Valentine, probably does the best job of the supporting cast (next to Davis and Ford of course). Her compassion for her brother plays a factor on who Ender by the end.

You may have noticed I’ve only about one reference to the book. I do believe you shouldn’t compare the movie to the book too much. The movie does make changes from the book. Valentine and Peter (Ender’s older brother played by Jimmy Pinchak) are very downplayed, with Peter only getting two scenes and Valentine have a handful. That being said the ending is different. There are some minor changes and things that are not even mentioned; Thirds, the governments, the aliens are given a name, the Mind Game (which doesn’t really work) and more importantly the ages of the characters. I personally didn’t mind so much of the changes but I know some fans will.

All in all, Ender’s Game is a pretty descent adaptation. Despite its changes from the book it still manages to work in the end. The effects are great and acting by Butterfield and Ford makes the message at the end mean more.

Ender’s Game

4 out of 5