Mini-Reviews – Justice League, Lady Bird, Coco & Three Billboards Outside Ebbing, Missouri

Hey everybody!

Welcome to another edition of Mini-Reviews. It’s been a while since I’ve done one of these. I know I’ve been slacking on my movie reviews, so please forgive me for that, I have been watching movies but I haven’t had a real chance to sit down and write full reviews. So this is going to make up for it, with some of the big movies I’ve watched. Movies not included are Daddy’s Home 2, Roman J. Israel Esq., Murder on the Orient Express.


Been a while since I’ve done one of these, so please, bare with me. So let’s get to it, shall we?


*As always, these will be spoiler free reviews*


Lady Bird

Director: Greta Gerwig

Writer: Greta Gerwig

Cast: Saoirse Ronan, Laurie Metcalf, Beanie Feldstein, Lucas Hedges, Odeya Rush, Timothee Chalamet, Jordan Rodrigues, Marielle Scott and Tracy Letts.

Synopsis: In the early 2000s, an artistically-inclined seventeen year-old comes of age in Sacramento, California.


Greta Gerwig’s solo directorial effort, Lady Bird is a great coming-of-age story following Christine “Lady Bird” McPherson (Saoirse Ronan), who wants out of her town but is not financially able to go to a big college. It also doesn’t help that her mother, Marion (Laurie Metcalf) is working non-stop and thinks she should think more logically about college. During all of this, we follow Lady Bird, which is what she wants to be called, go through her final year at school, love and thinking what her future holds for her.

I had heard a lot about Lady Bird during its film festival run, and when I finally got the chance to see it, I can see why people really loved it. Gerwig’s writing was fantastical, nothing ever felt forced and Ronan is simply amazing as Lady Bird. The main thing for me about the movie is, despite the movie being set in 2002, it doesn’t really feel that way. Sure we have flip-phones and the whole, “the government is going to put trackers on us” mentally by one of the characters Lady Bird interacts with, and the news of attacks overseas by our government, but the time period isn’t really that important – at least from my point of view of watching.

The thing that makes Lady Bird work for me is the chemistry between Ronan and Metcalf. Any time they are on the screen together it makes the film pop, and it’s both fun and hard to watch as you see them argue and fight one minute and then suddenly have a heart-to-heart the next. It would be really hard to imagine if none of these ladies including Gerwig, are not nominated for the major award shows.

All in all, Lady Bird is a greatly acted film with top notch writing and humor that feels real. While I did feel it loses only a slightly bit of steam near the end, the cast and the script really make Lady Bird worth the while.

Lady Bird

4 out of 5



Justice League

Director: Zack Snyder

Writers: Chris Terrio and Joss Whedon

Cast: Ben Affleck, Gal Gadot, Ray Fisher, Ezra Miller, Jason Momoa, Amy Adams, Jeremy Irons, Joe Morton, Connie Nielsen, Amber Heard, J.K. Simmons, Diane Lane, Henry Cavill and Ciaran Hinds

Synopsis: Fueled by his restored faith in humanity and inspired by Superman’s selfless act, Bruce Wayne enlists the help of his newfound ally, Diana Prince, to face an even greater enemy.


Justice League has had a long and hard road to get to the big screen. From the scarped George Miller-directed movie, to the DCEU’s battle to get fans and critics to go all in for their movies, the movie has finally arrived and it’s just okay. If you didn’t know, Zack Snyder directed the movie at first, but had to step down for the reshoots because of the death of a loved, and Joss Whedon – who had done some script work – came in to take over.

To be honest, I didn’t have a lot of hopes for this. I still had the bad taste of Batman v Superman: Dawn of Justice with me, but I was willing to really give Justice League a chance. Unfortunately, Justice League was a huge misstep for me. The CGI was really off in places – I’m looking at you Henry Cavill mustache removal!

Justice League has a rather simple plot; Bruce Wayne/Batman (Ben Affleck) gathers together the team of the Amazon, Diana Prince/Wonder Woman (Gal Gadot), the speedster Barry Allen (Ezra Miller), the loner Arthur Curry/Aquaman (Jason Momoa) and the cybernetically enhanced Victor Stone/Cyborg (Ray Fisher) to stop the threat of Steppenwolf (voiced by Ciaran Hinds), an intergalactic threat that comes to Earth to find the Mother Boxes, cubes with massive power. It’s up to them to stop him and save the world.

The problem with Justice League is, besides some of the terrible CGI, is it doesn’t really take the time to get to know the new characters. We know Wonder Woman, Batman and Superman, but we get the cliff notes of Aquaman, The Flash and Cyborg, which doesn’t help considering we’re suppose to care for these characters, and they’re the new big characters we’re going to follow. Miller’s Barry is too jokey; Stone’s Cyborg is a bit too stoic – although he does loosen up at the end – and Momoa’s Curry/Aquaman is a bit too “bro” for me, which is fine for a new approach, but I didn’t really get into it.

All in all, despite all that, yes, Justice League does have some fun and cool moments, but a lot of the negatives and drawbacks of the movie – some I didn’t even mention – really make it hard to enjoy the moments entirely. Justice League does take the DCEU into the right direction of more hopeful and fun, instead dark gritty. Hopefully, the DCEU continues down this route, otherwise the franchise is in a lot of trouble.

Justice League

2.5 out of 5



Three Billboards Outside Ebbing, Missouri 

Director: Martin McDonagh

Writer: Martin McDonagh

Cast: Frances McDormand, Sam Rockwell, Woody Harrelson, Lucas Hedges, Caleb Landry Jones, John Hawkes, Amanda Warren, Samara Weaving, Kerry Condon, Darrell Britt-Gibson, Clarke Peters, Sandy Martin, Zeljko Ivanek, Abbie Cornish, and Peter Dinklage

Synopsis: In this darkly comic drama, a mother personally challenges the local authorities to solve her daughter’s murder, when they fail to catch the culprit.


Martin McDonagh, who directed In Bruges and Seven Psychopaths, is a director that I will also keep a look out for now. When I found out about Three Billboards Outside Ebbing, Missouri and the cast, it immediately jumped into my “Must Watch” list, and I’m glad I did, because this was a film that really stuck with me.

The film follows Mildred (Frances McDormand), who has recently lost her daughter in a brutal way, and after the police have seemed to give up on the case, she decides to buy three billboards that target the police for not doing their jobs. The billboards get the attention of the police, more specifically Sheriff Bill Willoughby (Woody Harrelson) and Officer Jason Dixon (Sam Rockwell), and the townspeople who are heavily against them. The film then follows Mildred as she deals with everyone seemingly against her, and Dixon and Willoughby trying to finally figure out the case.

There is a lot more going on in Three Billboards Outside Ebbing, Missouri that I won’t even hint at here, mainly because this film really does lend itself on knowing the least amount of information possible to thoroughly enjoy it and really get into the world that this movie takes place in. I will say it’s a dark comedy, so prepare yourself for that, and if you seen McDonagh’s other films, then you’d know what to expect.

I will say Frances McDormand is great as always, but I’d argue that this movie belongs to Sam Rockwell. He’s absolutely fantastic in this, and dare I say, this is one of his best performances he’s ever done.

All in all, Three Billboards Outside Ebbing, Missouri is a wonderfully entertaining dark comedy with great performances by Frances McDormand and Sam Rockwell. Seriously do yourself a favor and try to avoid anything about the movie, and go watch it.

Three Billboards Outside Ebbing, Missouri

4.5 out of 5




Director: Lee Unkrich and Adrian Molina

Writers: Adrian Molina and Matthew Aldrich

Voice Cast: Anthony Gonzalez, Gael Garcia Bernal, Alanna Ubach, Renee Victor, Edward James Olmos and Benjamin Bratt

Synopsis: Aspiring musician Miguel, confronted with his family’s ancestral ban on music, enters the Land of the Dead to work out the mystery.


I am willing to admit that I had serious doubts about Coco. I knew that Pixar had been working on a Dia de los Muertos movie for a while now, but I was a huge fan of another Dia de los Muertos film called The Book of Life. However, Coco completely blew me away. The movie follows Miguel, who is banned from playing, listening or even thinking about music, but like all kids, he doesn’t follow his family’s rule. Miguel is inspired by a deceased musician from the town, Ernesto de la Cruz (Benjamin Bratt), and through magic, enters the Land of the Dead on The Day of the Dead to find de la Cruz and find his place in the world.

Along his journey there, he meets his deceased family and a con man named Hector (Gael Garcia Bernal). But, Miguel finds out that he has to get back to the living world before he’s stuck in the Land in the Dead forever.

Like any Pixar movie, the movie has a great story, great characters and amazing visuals. The beautiful and bright colors of The Land of the Dead really pop and I kind of wish we could see more of it as a whole, and not just sections. I also liked that they really dug into the actual culture of everything, and it’s cool to see that represented in a movie like this.

More importantly, and the thing that will put any movie on my list of anything, this tugged on every emotional string that I had. I’ll admit, I was on the verge of tears A LOT. The characters actions and even some of the music, more specifically “Remember Me” started up the waterworks.

All in all, Coco is a great film with eye-popping visuals and an amazing soundtrack. I will admit, something in the final act was a little jarring, especially for a kids and Pixar movie but I guess it worked out at the end of it all.


4.5 out of 5



New Podcast – Deadpool 2 Teaser, Another Ben Affleck/DCEU Rumor & More

The Movie Pit Podcast is up!

Remember the podcast is also on iTunes, if listening on Youtube is too inconvenient. Also, I’m doing special Q&A section on the podcast next week, since it’s a holiday, so SEND ME QUESTIONS! Movie or non-movie related are welcomed. Finally, be on the look out for a review of Justice League this weekend.

New Podcast – Ben Affleck Leaving the DCEU, Doctor Doom Movie, Movie Trailer & Ton More

The Movie Pit Podcast is live!

It was a big week, so the podcast is pretty long. Also, if Youtube is inconvenient, the podcast is on ITunes now too (link –


Justice League Trailer Thoughts

The long-awaited trailer for Justice League came out this weekend, and I’ve been sitting on my reaction to it because, well, the DC Extended Universe hasn’t been the best. This isn’t me being a Marvel fanboy or a DC hater. I liked Man of Steel, and Batman v Superman: Dawn of Justice and Suicide Squad were both disappointments in their own way, and I’m hoping Wonder Woman is great. Justice League on the other hand has a massive uphill battle for me. The movie can’t be okay, fine, good or alright – it has to be great. Because I’ll be honest, if Justice League is another disappointment, bad or god forbid horrible, then I will lose all hope in the DCEU and no longer care about the DC Comics property at Warner Bros.


Is that too much? Maybe. But for me as a fan of these characters, and a fan who has been waiting to see them all together on the big screen, that statement couldn’t be any more true. So let’s move on to my thoughts on the trailer shall we.


For a teaser trailer, and for fans of the characters/our inner child, the teaser is pretty effective and cool. However, the teaser almost feels like Warner Bros. and DC is trying to pander to those that are starting to lose faith in the films. It’s almost like their saying “See, we put Aquaman on top of the Batmoblie before flying off to fight Parademons! Just like you probably did as a kid!” Okay, let’s get serious.


The Humor: Obviously, one of the things that has plagued the DC films is that some people think the films take themselves too seriously, and the films need to inject some humor into them. Of course, the Marvel films are filled with humor, but are also injected with serious moments. The DC films so far have some moments, but to be fair, they are more serious films than their Marvel counterparts. The trailer clearly shows that the film will have humor in it, whether it be dry humor like Bruce telling Barry “I’m rich” or Aquaman’s lines like “it’s on him” or “I dig it” when he sees Batman in full costume. Either way, the humor works on some extent here so points for them.


Cyborg: Cyborg has been a much-talked about character in Justice League. I’ve been holding my judgment on him until the film comes out, but the trailer finally shows him off a little more. Honestly, still not sold. The character still looks too CG. Now before everyone gets ready to shout at me. Marvel of course has characters created completed out of CGI, but at least they look better than Cyborg does. He literally just look like floating head at times, and I’m hoping they do some more touch ups in his CG to make him look better because right now, not looking too great for me.


The Small Cameos: The teaser actually showed some people I didn’t think we’d see. For one, we see J.K. Simmons’ Jim Gordon, which is one of the most perfect casting calls WB and DC have done. We also get our first – almost – official look at Atlantis with Amber Heard’s Mera getting the highlight. Then there’s Billy Crudup’s Henry Allen in prison. I don’t remember reading he was going to be in the film, but it was a pleasant surprise to see him in the teaser, even if it’s going to be one scene in the film itself. Although this isn’t actually a person, seeing The Crawler in the trailer as Batman rides it up along a wall to save Wonder Woman was kinda cool.


The Battle: It’s been revealed that the battle scene we see in the trailer is part of the prologue of the film. It involves the alliance of three armies: The Atlanteans, The Amazons and mankind going up against and stopping one of the invasions by the Parademons and whoever is leading them, whether it’s Darkseid or Steppenwolf is yet to be seen. It also looks like the invasion will continue again with the Justice League having to stop them either here on Earth, or on some version of Apokolips. Also, Mother Boxes will play a role here as well. Hopefully the next trailer helps solve that without spoiling the whole film.


The Flash and Aquaman: Almost like Cyborg, I’m not sold on Ezra Miller as The Flash. Miller hasn’t impressed me in anything too much, he’s a fine actor with the right material and his attitude will probably make sense once we see him in action, but he almost looks like the goofy younger brother who finally gets to hangout with his older siblings and do cool stuff with them. When it comes to Aquaman, Jason Momoa is definitely a different pick for the character, but its almost like he’s not playing Aquaman, it felt like he’s playing Jason Momoa playing Aquaman.

Now whether that matters at the end of the day is a different story, but seeing Momoa give that cheer and yelling “yeah” when he jumps on top of the Batmoblie and jumps off to attack Parademons was kind of cool – even though I made fun of it at the beginning.


Final Thoughts

Look, inner kid in me liked the trailer, because I mean come on, it’s the freaking Justice League teaming up and fighting on the big screen. Realistic side of me knows we’ve been burned by good looking trailers in the DCEU – and other films too, just to be fair – so I’m not holding my breath for the film. Then again, that’s a trailers job isn’t? Make the movie look appealing and great so that you get out and watch it. Justice League is no different. We all know this movie is going to make a lot of money. Whether it’s the amount of money the studio is ultimately looking for is another question.


However, the ultimate question is whether it will good at all. The fate of the DCEU hangs in the balance with this, and at first look I’ll give you what I actually did when I saw the teaser for the first time — sigh.


New Podcast: Ben Affleck Leaves Director’s Chair of Batman, Aquaman Gets Two More Actors & More

The new podcast is up, and I get just a tad fired up

Mini-Review – Underworld: Blood Wars, Sleepless, Patriots Day, Live By Night & The Bye Bye Man

Hey everybody!

Welcome to another edition of Mini-Reviews. This is a longer one than usual, due to me falling behind. So let’s get to it, shall we?


*As always, these will be spoiler free reviews*


Underworld: Blood Wars

Director: Anna Foerster

Writer: Cory Goodman

Cast: Kate Beckinsale, Theo James, Tobias Menzies, Lara Pulver, James Faulkner, Peter Andersson, Clementine Nicholson, Bradley James, Daisy Head and Charles Dance.

Synopsis: Vampire death dealer, Selene fights to end the eternal war between the Lycan clan and the Vampire faction that betrayed her.


The Underworld series started off as an interesting franchise that had some cool mythology and made Kate Beckinsale a big name to those not familiar with her. The sequel came along and was just okay which lead to a prequel for the third film. Then the fourth film came out and things took a turn for the worse. The series had lost its footing and became lost in its attempt to make itself relevant. This now leads us to Underworld: Blood Wars, which is more of the same, but thankfully better than Underworld: Awakening, which isn’t saying much really.

Blood Wars starts off by giving us a bit of a refresher on the series so far – leaving some things out – but also shows that Selene (Kate Beckinsale) is now a fugitive from the remaining vampires and new Lycan leader, Marius (Tobias Menzies), who wants the location of Selene’s daughter. The problem is that even Selene doesn’t know where her daughter is, and with the help of David (Theo James), his father Thomas (Charles Dance), and a vampire council member Semira (Lara Pulver), Selene is brought back into the fold to help deal with Marius.

Like I mentioned, Blood Wars is more of the same from the previous films – stylized action set-pieces, new mythology and characters being introduced and Kate Beckinsale in tight leather kicking-ass. Other than that, the film doesn’t really do anything that feels substantial. Things are brought up that would be considered twists or could have landed bigger if written better or anything the film did actually mattered.

The film is too rushed for its own good. Everything lands too quickly, and the final act of the film just happens. One particular part in the final act does mean something since it’s connected to the beginning of the film, but other than that the final act is structurally not sound.

When it comes to the cast, they all do the best they can with what they are given. Kate Beckinsale is the only real saving grace of the cast since she’s played the part so many times now. Theo James is just as bland as he was in the last film, while Tobias Menzies’ Marius is supposed to be this great Lycan leader, but doesn’t really do anything that frightening – also his cheap two dollar CGI wolf character doesn’t do him any favors. Lara Pulver as Semira could have been a great character if she had more screen time as could have Clementine Nicholson’s Lena, who is part of a new vampire clan, Finally, Charles Dance’s Thomas should have had more time, because you know, its Charles freaking Dance.

All in all, Underworld: Blood Wars is a passable sequel, and a better one than Awakening, but again, that’s not saying much. Things feel like they just happen, and the structure of the film is just off that you can never really feel any sort of enjoyment. One thing that really bothered me is the ending. I obviously don’t want to spoil it, but considering how it ends, it just felt like the whole film was for nothing.

Underworld: Blood Wars

2.5 out of 5





Director: Baran bo Odar

Writer: Andrea Berloff

Cast: Jamie Foxx, Michelle Monaghan, Scoot McNairy, Gabrielle Union, Octavius J. Johnson, T.I., Dermot Mulroney, and David Harbour

Synopsis: A cope with a connection to the criminal underworld scours a nightclub in search of his kidnapped son.


A remake of the French film Nuit Blanche, Sleepless takes place mostly in one location and is surprising a little better than I thought it would be, even though I had watched the original film years before.

Sleepless follows Las Vegas officer Vincent Downs (Jaime Foxx), who along with his partner Sean (T.I.) steal a bag of cocaine at the beginning of the film. Little do they know, the cocaine belongs to a crooked casino boss Stanley Rubino (Dermot Mulroney) who is going to sell the drugs to the dangerous Rob Novak (Scott McNairy), the son of a local mob boss. In order to get the drugs back, they kidnap Vincent’s son Thomas (Octavius J. Johnson) and demand he return their product. Of course, things don’t go over smoothly as Internal Affairs agents Jennifer Bryant (Michelle Monaghan) and Doug Dennison (David Harbour) become involved.

Like I mentioned, the film is a little better than I thought it was going to be, but Sleepless does run into some issues throughout. The film doesn’t do Jamie Foxx any favors besides making him look like an action hero. Foxx’s usual charisma is put on the backburner so he can be almost stoic at times, which is a bit of a shame. Although, the result does lead to impressive fight scenes, including a kitchen scene and a highly impressive hotel room fight.

The rest of the cast do their best with what they are given. Scoot McNairy is one of the best underrated and unknown actors around, and while he plays a villain well, they could have done just a little more with him. Michelle Monaghan plays the straight-laced IA agent who has her moments, and after watching this, I hope we see more roles like this from her, and her chemistry with the always reliable David Harbour is spot on. Dermot Mulroney looked like he enjoy playing a slimy villain, Gabrielle Union only has a handful of scenes, so her casting feels wasted and T.I. also has only a few scenes but all of his scenes feel the same when you look back afterwards.

All in all, Sleepless feels a bit hallow at times, but it does have its moments that make the price of admission worth it.


3.5 out of 5




Patriots Day

Director: Peter Berg

Writers: Peter Berg, Matt Cook and Joshua Zetumer

Cast: Mark Wahlberg, John Goodman, Michelle Monaghan, Kevin Bacon, Alex Wolff, Themo Melikidze, Jimmy O. Yang, Rachel Brosnahan, Christopher O’Shea, James Colby, Michael Beach, Vincent Curatola, Jake Picking, Melissa Benoist, and J.K. Simmons

Synopsis: An account of the 2013 Boston Marathon bombing and the aftermath, which includes the city-wide manhunt to find the terrorist responsible.


Considering Patriots Day is based off a real event, and one that I’m sure most of us remembering watching on TV as the events unfolded, I’m going to play with the “no spoilers” rule here a bit. The film follows the events at the Boston Marathon and what the first responders and FBI did to find and capture the Tsarnaev brothers.

The film has a lot of players on the board, we mostly follow Boston Police Sergeant Tommy Saunders (Mark Wahlberg), a made up character based on several people, who is at the finish line of the marathon when the first bomb went off. The events bring everyone is like Police Commissioner Ed Davis (John Goodman), Governor Deval Patrick (Michael Beach) and FBI Special Agent Richard DesLauriers (Kevin Bacon) to find Tamerlan Tsarnaev (Themo Melikidze) and his brother Dzhokhar Tsarnaev (Alex Wolff) which involved shutting down all of Boston and lead to a dangerous shootout in Watertown.

Peter Berg really does have a knack for true-story films, Lone Survivor and Deepwater Horizon were great films, and all star Mark Wahlberg, but the thing that makes these films, along with Patriots Day is how he handles the material. Berg treats the events with tremendous respect and never tries to feed the audience a political agenda or lean the audience a certain way. He lets the story tell itself and lets the characters come to life in their own way, even though most of the characters are based on real people. It’s also a credit to the great cast that they are able to do so.

However, with a big cast like this, the film does have a lot of characters to follow that a lot of them don’t get real time to breathe and don’t get the justice they deserve. J.K. Simmons has a small, but good, role as the Watertown sergeant Jeffrey Pugliese, Rachel Brosnahan and Christopher O’Shea play couple Jessica Kensky and Patrick Downes who were close to the first blast sight, Jake Picking plays Officer Sean Collier, who was shot by the brothers, and Jimmy O. Yang plays Dun Meng, who has a dangerous encounter with brothers halfway through the film. Another thing Patriots Day falls into is some pacing issues before the final act of the film, but again, it’s the cast the keep the film together.

Two of the highlights of the film, if that’s what you want to call it considering the nature of the real life events, is the aftermath of the bombing. How Berg moves the camera through the destruction and through the eyes of Tommy is both horrifying and telling on how the first responders probably felt when they helped so many that day. The other is the shootout before Dzhokhar runs and hides in the boat he was later recovered from.

All in all, Patriots Day isn’t an easy film to watch due to the nature of the events and how Berg was able to recreate it. The cast, despite being one person too many, does a tremendous job paying respect to people they were playing and to those affected by the actions that happened that horrible day and what happened afterwards.

Patriots Day

4 out of 5




Live by Night

Director: Ben Affleck

Writer: Ben Affleck

Cast: Ben Affleck, Chris Messina, Sienna Miller, Elle Fanning, Zoe Saldana, Robert Glenister, Remo Girone, Chris Cooper and Brendan Gleeson

Synopsis: A group of Boston-bred gangsters set up shop in balmy Florida during the Prohibition era, facing off against the competition and the Ku Klux Klan.


Based off the novel by Dennis Lehane, Ben Affleck writes and directs what has become a bit of a passion project for him, so it’s a bit odd to see what became of the film. Affleck has shown he’s a great to solid director with films like Gone Baby Gone, The Town and Argo, but Live by Night will be – hopefully – the only blemish on his resume.

Ben Affleck plays Joe Coughlin, a former World War I soldier and son of a police officer (Brendan Gleeson), who returns home and starts to see himself as an outlaw and runs heists throughout Boston. He eventually falls in love with Emma Gould (Sienna Miller), who happens to be the mistress of Irish mob boss Albert White (Robert Glenister). This puts him on the sights on White’s rival, Italian mob boss Maso Pescatore (Remo Girone) who wants Joe to work for him. Joe eventually does and Maso sends him down to Tampa to run his bootlegging operation. Once there, and reunited with his old partner Dion Bartolo (Chris Messina) and they make a nice empire for themselves. That all changes when Joe starts falling in love with Graciela (Zoe Saldana), and struggles to keep his moral code in place.

Live by Night is unfortunately a bit of a mess, which is odd considering Affleck was passionate about getting the film made, and took so long to make. That’s not to say there is some great stuff within the mess, but it is the scattered material that keeps the film from being great. Not only that, the film has a bit too much going on that by the end, it feels like the film is forcing itself to tie-up the loose ends that were introduced beforehand. It’s a bit of a shame too, considering Affleck has shown he can handle himself with great material.

The cast itself is great, but it’s a shame that some characters don’t have time to expand and get developed more. Chris Messina, who is always great with the right material, playing Joe’s right-hand man Dion Bartolo could have used more time onscreen as could Elle Fanning’s character Loretta, the daughter of Tampa sheriff Figgis played by Chris Cooper. Especially considering Fanning is involved in a big subplot. Zoe Saldana also pops in but doesn’t really do much after her initial introduction, and reminding Joe that he doesn’t need to be cruel to do the life he’s involved in. Brendan Gleeson’s glorified cameo suffers just a bit due to him using his natural Scottish accent that makes it a little hard to understand. Sienna Miller’s character could have been an interesting character, but her arc gets cut too soon.

Affleck does okay as the Joe, and even though we follow him throughout the film his moments of doubt and morality being tested are usually rushed to the point that it just feels like Affleck is trying to get to the next scene, which is odd considering the film is over two hours. When it comes to working with his production designer and cinematographer, he works well. Every scenic shot is beautiful to look at, and the sets look amazing.

All in all, Live by Night has some issues that could have been avoided, but sadly they aren’t which hurts the film in the long run. The cast is great, but none of their characters are developed fully or pushed to the wayside to tell Ben Affleck’s Joe story. While the action scenes are top-notch, Live by Night is just a tad underwhelming in the long run, but in no way should change your view on Affleck’s directing ability.

Live by Night

3.5 out of 5




The Bye Bye Man

Director: Stacy Title

Writer: Jonathan Penner

Cast: Douglas Smith, Lucien Laviscount, Cressida Bonas, Jenna Kanell, Michael Trucco, Cleo King, Leigh Whannel, Doug Jones, Carrie-Anne Moss and Faye Dunaway

Synopsis: Three friends stumble upon the horrific origins of the Bye Bye Man, a mysterious figure they discover is the root cause of the evil behind man’s most unspeakable acts.


It’s a bit of a shame that after the great year horror had last year – finally – a film like this comes along and washes all that away. Apparently based off a story called “The Bridge to Body Island” by Robert Damon Schneck, The Bye Bye Man has an interesting concept that falls apart once the film gets going. That’s only the beginning of this film’s issues.

The film follows three college friends in Elliot (Douglas Smith), his girlfriend Sasha (Cressida Bonas) and their friend John (Lucien Laviscount) who buy and move into an old house off campus. Everyone seems okay at first until Elliot finds an old coin on his nightstand left by the previous owner. He then discovers writing underneath the drawer that says “Don’t Think it, Don’t Say it” and under that are craved words “The Bye Bye Man.” At first he laughs it off, but when the three start experiencing strange things in and out of the house, they soon learn The Bye Bye Man (played by the awesome character actor Doug Jones) is indeed real, and after them.

One of the problems with The Bye Bye Man – one of many – is we don’t get a sense of the characters, and hardly care for them. Elliot is the closet one to actually having a backstory, while Sasha is just the girlfriend who, at the beginning, tries to convince Elliot that what is happening is real, but after Elliot goes along with it, she becomes a bit annoying, and John somewhat disappears for a bit and we really don’t miss him. Jenna Kanell pops in as Sasha’s friend Kim, who is a psychic of sorts and, based off the trailers, is the one that gets killed by the train, which is the highlight of her character.

However, the saving graces of the film – cast wise – is the small roles by Carrie-Anne Moss, Faye Dunaway and Leigh Whannell. Faye Dunaway appears near the end of the film and adds to some backstory of The Bye Bye Man, Carrie-Anne Moss plays a local detective that could have been played by really anyone else, but Moss adds some gravitas to the role. Leigh Whannell plays Larry Redmond a writer that “discovers” The Bye Bye Man and is involved in the best scenes in the film: flashbacks. Finally, Doug Jones does this best he can with what he’s given as the titular character.

All in all, the concept of the film sounds good at first, but once we start seeing what he does and really think about it afterwards, The Bye Bye Man fails to execute on its promise. The characters are bland and are never developed and a muddled story doesn’t help. The Bye Bye Man is almost passable film while watching, but nothing you’ll remember.

The Bye Bye Man

2 out of 5



Let me know what you think.

January Movie Releases

Happy New Year!!

That’s right, ladies and gentlemen, we have a new year in front of us which means one thing: new movies! Now, January is usually referred to as Hollywood’s “Dump” Month. Meaning they will release movies that they don’t think will perform well or are not confident in. Sometimes that is the case, but sometimes a movie will shine through. January is also filled with expanded releases of movies that came out in December so there is also that to look forward to.

You’ll notice that I will put the companies attached and responsible for releasing the film as well. Just trying something new to expand the page a bit and instead of posters, now you’ll be seeing trailers. I’ll try to update whenever new trailers come out.





Wide Release: Hidden Figures

Based on the book my Margot Lee Shetterly, a team of African-American women provide NASA with important mathematical data needed to launch the program’s first successful space missions. I had the opportunity to watch the film on its limited release late last year, and I have to say it is a fantastic film. Do yourself a favor and go watch this. The film stars Taraji P. Henson, Octavia Spencer, Janelle Monae, Kevin Costner, Jim Parsons, Kirsten Dunst, Mahershala Ali, Aldis Hodge and Glen Powell.


Wide Release: A Monster Calls (Fantasy Drama – Focus Features/Participant Media/River Road Entertainment/Apaches Entertainment/La Trini)

Based on a script and book by Patrick Ness, A Monster Calls follows a boy as he seeks the help of a tree monster to cope with his single mom terminal illness. The film stars Liam Neeson as The Monster, Felicity Jones as the Mother, Sigourney Weaver as the Grandmother, Toby Kebbell as Dad, and Lewis MacDougall as the boy and Lily-Rose Aslandogdu as Lily.


Underworld: Blood Wars (Action – Screen Gems/Lakeshore Entertainment/Sketch Films)

Selene (Kate Beckinsale) returns to once again try and end the war between the Lycan clan and the Vampire fraction that betrayed her. Blood Wars does look like a step-up from the last film, but I don’t know how the film will actually turn out. The film also stars Theo James, Tobias Menzies, Lara Pulver, and Charles Dance.




Wide/Expansion Release: Patriots Day


Limited Release: The Comedian

A look at the life of an aging insult comic played by Robert De Niro. The film also stars Leslie Mann, Danny DeVito, Cloris Leachman, Harvey Keitel, Eddie Falco and Billy Crystal.


Wide Release: Live By Night

Based off the novel of the same name by Dennis Lehane, Ben Affleck writes, directs and stars in this great looking film that is set during the Prohibition and follows Joe Coughlin, the son of a prominent Boston police captain, as he rises through the ranks of the criminal underworld and the trouble he falls into along the way. Besides the film looking great, it has a great cast in Zoe Saldana, Elle Fanning, Sienna Miller, Brendan Gleeson, Chris Sullivan, Anthony Michael Hall, Titus Welliver, Max Casella, Chris Messina, and Chris Cooper.


Wide Release: Silence 

Based on the book by Shusaku Endo, Martin Scorsese directs this historic drama set in the seventh century when two Jesuit priests (Andrew Garfield and Adam Driver) face violence and persecution when they travel to Japan to locate their mentor (Liam Neeson) and propagate Catholicism. Based off the trailer the film looks very powerful, and the early word from its limited release has made that statement true. Now tith its wide release, hopefully we’ll get a chance to experience that. Silence also stars Tadanobu Asano, and Ciaran Hinds.


The Bye Bye Man (Horror Thriller – STX Entertainment/Intrepid Pictures/Los Angles Media Fund)

An adaptation of the short story “The Bridge to Body Island,” by Robert Damon Schneck, the story centers on three Wisconsin college students in the 1990s, who move into an old house off campus. They unwittingly unleash a supernatural entity known as The Bye Bye Man, who comes to pretty upon them once they discover his name. The friends must try to save each other, all the while keeping The Bye Bye Man’s existence a secret to save others from the same deadly fate. The film looks okay, and a bit cheesy based on the first trailer – at least for me. This is actually the third move for the film as it was set for an October release, then a June release, then a early December release, and now this date.


Monster Trucks (Sci-Fi Adventure – Paramount Pictures/Paramount Animation/Nickeldeon Movies)

Another film that was moved three times now, although this one was done to complete post-production, Monster Trucks takes the idea of the popular derby and flips it on its head by making it literal. There are alien monsters that take over trucks and are on the run. Of course humans help them and what follows is some insane looking over-the-top action. Stars Lucas Till, Jane Levy, Rob Lowe, Amy Ryan, Barry Pepper, Samara Weaving, Holt McCallany, Frank Whaley, Thomas Lennon, and Danny Glover.


Sleepless (Action Thriller – Open Road Films/FilmNation Entertainment/Vertigo Entertainment/Riverstone Pictures)

A remake of French film Nuit Blanche (which I highly recommend you watch), a cop with a connection to the criminal underworld scours a nightclub in search of his kidnapped son. The film look okay, I was a huge fan of the original film, and this one does look like they’re upping the action, which is fine if the movie turns out good. The film stars Jamie Foxx, Gabrielle Union, Michelle Monaghan, David Harbour, T.I., and Scoot McNairy.



Limited Release: The Red Turtle

Produced by the famous Studio Ghibli, the dialogue-less film follows the major life stages of a castaway on a deserted tropical island populated by turtles, crabs and birds.


Wide Release: 20th Century Women


The Resurrection of Gavin Stone (Family Romance Comedy – High Top Releasing/WWE Studios)

Gavin Stone (Brett Dalton), a washed up former child star, is forced to do community service at a local megachurch and pretends to be Christian so he can land the part of Jesus in their annual Passion Play, only to discover that the most important role of life is far from Hollywood. The film also stars Neil Flynn, Anjelah Johnson-Reyes, Liam Matthews, D.B. Sweeney, and WWE Legend Shawn Michaels.


The Founder (Biography Drama – The Weinstein Company/FilmNation Entertainment/The Combine)

Michael Keaton stars in this film that tells the story of McDonald’s founder, Ray Kroc. I don’t think I’ve ever actually thought about the story of McDonald’s and since I’ve seen the trailer, it’s peaked my interest and I’m sure to many others as well. Also, the studio has high hopes as they moved the film from its release date last year in August to prime Oscar contention time. The rest of the cast includes Laura Dern, Patrick Wilson, Linda Cardellini, Nick Offerman, B.J. Novak, and John Carroll Lynch.



Split (Thriller – Universal Pictures/Blumhouse Productions/Blinding Edge Pictures)

M. Night Shyamalan is back at it. The film stars James McAvoy as Kevin, a man with at least 23 different personalities, is compelled to abduct three teenage girls. As they are held captive, a final personality – “The Beast” – begins to materialize. The film also stars Anya Taylor-Joy, Haley Lu Richardson, Sterling K. Brown and Betty Buckley. Honestly, this doesn’t look that bad. McAvoy looks like he’d nailing the role and it actually looks like a cool and effective thriller.


xXx: The Return of Xander Cage (Action Thriller – Paramount Pictures)

Directed by D.J. Caruso (Disturbia, Eagle Eye, I Am Number Four), Xander Cage (Vin Diesel), thought to be dead, is bought back by his handler Augustus Gibbons (Samuel L. Jackson) to lead a team to stop a massive attack. The film also stars Nina Dobrev, Donnie Yen, Ruby Rose, Tony Jaa, Toni Collette, Rory McCann, and Deepika Padukone.



A Dog’s Purpose (Dramedy – Universal Pictures/Amblin Entertainment/Walden Media/DreamWorks SKG)

Based on the novel by W. Bruce Cameron and directed by Lasse Hallstrom (What’s Eating Gilbert Grape, Dear John, The Hundred-Foot Journey), the film follows a dog (voiced by Bradley Cooper), who looks to discover his purpose in life over the course of several lifetimes and owners. The film also stars Britt Robertson, Peggy Lipton, John Ortiz, and Dennis Quaid.


Bastards (Comedy – Warner Bros./Alcon Entertainment/The Montecito Picture Company/DMG Entertainment)

Upon learning that their mother has been lying to them for years about their allegedly deceased father, two fraternal twin brothers hit the road in order to find him. The film stars Owen Wilson, Ed Helms, Glenn Close, Ving Rhames, Terry Bradshaw, and J.K. Simmons.


Resident Evil: The Final Chapter (Screen Gems/Constantin Film International/Capcom Entertainment)

The last installment of the Milla Jovovich and Paul W.S. Anderson Resident Evil series, which could be a good or bad thing, depending on how you feel about the series. The Final Chapter picks ups immediately after the events from the last film and follows Alice (Jovovich) returning to Raccoon City where the Umbrella Corporation is gathering forces for a final strike against the only remaining survivors. The film will bring back Ali Larter as Claire Redfield, Iain Glen as Dr. Alexander Isaacs and Shawn Roberts as Albert Wesker with new cast members Ruby Rose, William Levy, Eoin Macken, and international star Rola.


Gold (Drama Thriller – TWC-Dimension/Black Bear Pictures/Living Films/Hwy61)

An unlikely pair venture to the Indonesian jungle in search of gold. The film is giving off a semi-American Hustle vibe and seeing Matthew McConaughey lose himself in the character should be interesting to watch. The film also stars Bryce Dallas Howard, Edgar Ramirez, Toby Kebbell, Rachael Taylor, Corey Stoll, Bruce Greenwood, Bill Camp, and Stacy Keach


What are you looking forward to?