‘Ant-Man’ Review

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Dir: Peyton Reed

Writer(s): Edgar Wright, Joe Cornish, Adam McKay, & Paul Rudd

Cast: Paul Rudd, Michael Douglas, Evangeline Lilly, Corey Stoll, Michael Pena, David Dastmalchian, T.I., Bobby Cannavale, Judy Greer, Abby Ryder Fortson, Hayley Atwell, and John Slattery

Synopsis: Armed with a super-suit with the astonishing ability to shrink in scale but increase in strength, con-man Scott Land must embrace his inner hero and help his mentor, Dr. Hank Pym, plan and pull off a heist that will save the world.

*Reviewer Note:  This will be a spoiler free review.*

*Reviewer Note 2: There are two post-credit scenes*

Marvel finally released Ant-Man. Yes, Marvel has been working on an Ant-Man film for years now. For those that don’t know, Ant-Man was one of the first films announced back at Comic Con during the very first Iron Man movie. Edgar Wright was attached and working on it for so long, and of course, the big thing was that Wright left due to creative reasons, which is why Peyton Reed came onboard. Thankfully – and rightfully – Marvel kept some of the story details from Wright and Joe Cornish’s script. So, does this long awaited movie work? Or do we feel the delay in the final product? Let’s shrink and see what’s inside.

Ant-Man starts off rather interestingly in that it starts off in the past with a young Hank Pym – played by Michael Douglas in the best looking “de-aging” effect I’ve ever seen – coming into the board of what was once S.H.I.E.L.D and says he’s leaving, for reasons that I won’t obviously get into because of spoilers. The movie then jumps ahead to the present to show Scott Lang (Rudd) getting out of prison after serving serious time after he hacked into his old job’s network to right a wrong. He reunites with his old cellmate Luis (Pena) and tells him about a job, but Scott doesn’t want to do it.

Scott wants to turn a new leaf and go clean so he can be a better father to his daughter, Cassie (the damn adorable Abby Ryder Fortson). It turns out to be harder when his ex-wife, played by Judy Greer, wants him to be a better person and her new husband (Cannavale) is a cop that doesn’t like Scott too much. Scott being an ex-con has a hard time finding a new job and turns to Luis, who says he has an “easy job” for Scott and their crew –Dave (T.I.) and Kurt (Dastmalchian)– little do they know, the easy job happens to be connected to Hank Pym.

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Meanwhile, Hank is dealing with his mentor Darren Cross (Stoll), who has taken over his company and is on the brink of breaking his tech to create the Yellowjacket suit. To make matters worse his estranged daughter Hope (Lilly) is by his side. Or at least it would seem that way. While Hope and Hank don’t get along, they know that if Darren succeeds in getting his suit working, it could cause total chaos. The two work together with Scott, although Hope at first doesn’t believe in him, to help Scott learn how to use the Ant-Man suit and stop Darren at all costs.

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I know that’s pretty vague and comic book fans will probably read over that and say why aren’t telling us everything. Here’s the thing. Ant-Man is a pretty much lesser known property. Yes, there are fans out there, but to the “mainstream” audiences Ant-Man is at the very bottom of list. One of the things that I liked about the movie is that is works a bit as an origin story, but also a passing of the torch story. In the comics, Hank Pym is the original Ant-Man and the mantle of the character has been passed on to others, with Scott Lang being one of them. Here, we see Scott Lang not only becoming the Ant-Man, but also go through a journey that takes him from low-level criminal to a man looking to do good by his daughter and become a hero. I guess you can also call Ant-Man a bit of a redemption story, although it more about Scott finding redemption in the eyes of his ex-wife – in terms that he can be a good father and has left the past behind him.

But it doesn’t start off that way. Ant-Man starts off and keeps the beats of a heist film. Hank and Hope want Scott to go in and “steal some shit.” You have the crew each with their own unique skill set and quirk. They lay out the plan and have to overcome an unexpected obstacle during the plan. More importantly, they all have their part to play and they look after each other. However, it’s not the perfect heist film, and some of the other aspects and themes overpower the heist film arch that you sometimes forget that is one the main points of the movie.

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However, if I was going to let you guys know what to expect from Ant-Man is, and you can probably tell from reading so far, is that this is different kind of Marvel movie. The movie is set within the Marvel Cinematic Universe – with an Avenger showing up in what is easily one of the best scenes in the movie – and makes a reference to the future of the MCU. But, director Peyton Reed, who deserves a hell of a lot of credit for pulling this off, does manage to make this movie a smaller (pun intended) movie. Yes, the action sequences are awesome – more on that in a moment – but the people of the movie are what stands out. The relationships they all have with each other matter and play a role in not just the movie, but with who they are and what they will become.

Now the action in the movie is pretty damn cool. The first time we see Scott use the suit is a pretty great wild ride. But it’s when Scott starts to learn how to use the suit and is able to communicate with the ants is when it becomes even better. There is one highlight for me when Scott is dodging bullets and it sounds like he’s in war zone. Honestly, anything with the ants was great. I almost don’t want to give anything away just so you can enjoy it yourself. But, I will say the heavily promoted Thomas the Train Engine sequence is fun to watch. It’s not just the action that great, it’s the humor. I didn’t think I would laugh as much as I did, but I did. The great thing is that Ant-Man isn’t cracking jokes every second, as one would assume since Peyton Reed is known as a comedy director. The humor comes naturally and doesn’t feel forced.

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However, Ant-Man wouldn’t work without its cast. Rudd is likeable and someone you can root for in the movie. Michael Douglas doesn’t phone it in but brings some levity to Hank Pym, a man that is dealt with a lot and finally has a chance of his own redemption. Evangeline Lilly’s Hope van Dyne is pretty feisty and her relationship with Douglas’ Hank is one of – if not –the emotional core of Ant-Man. The supporting cast of T.I., David Dastmalchian and Michael Pena was fantastic and Pena is easily the scene stealer of the movie. Seriously, Pena is a highly underrated actor and if people didn’t know about him before, they will now.

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As for Cory Stoll’s Darren Cross/Yellowjacket, Stoll does the best he can with what he has. It’s been said by many that with exception of Loki, Marvel’s movie villains don’t work or are lackluster. Personally, they are only half right. Marvel nailed it when they casted Tom Hiddleston as Loki. Stoll, however, isn’t a close second, but is pretty unnerving in his own way. There is one scene, early on, that shows you who Darren is and how far he is willing to go to get what he wants. His motivation and actions are somewhat clear, but Darren is more of threat and menacing before he puts on the Yellowjacket suit. Don’t get me wrong, if I saw someone in the Yellowjacket suit and using it, I’d run in the opposite direction as fast as I could. But by the end, Yellowjacket is just there for Ant-Man get fight.

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All in all, Ant-Man is a different kind of Marvel movie. Instead of the jam-packed action – there are some of those in here – we get a more grounded and human story with great relationships. Ant-Man won’t be for everybody, but it shouldn’t take away how great and different it is, especially after all the trouble it took to get it made.

Ant-Man

4.5 out of 5

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‘Spy’ Review

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Dir: Paul Feig

Writer(s): Paul Feig

Cast: Melissa McCarthy, Jude Law, Jason Statham, Rose Byrne, Miranda Hart, Bobby Cannavale, Peter Serafinowicz, Nargis Kakhri, Morena Baccarin and Allison Janney

Synopsis: A desk-bound CIA analyst volunteers to go undercover to infiltrate the world of a deadly arms dealer, and prevent diabolical global disaster.

 

 

*Reviewer Note:  This will be a spoiler free review.*

 

 

Ever since Bridesmaids, Melissa McCarthy has been almost the go to woman for big comedy movies. While they weren’t meet with a lot of acclaim like Bridesmaids, McCarthy still tried to do the best she can. Here with Spy, like The Heat, she reunites with writer/director Paul Feig and brings McCarthy back to form and makes her a great, strong, and funny character as oppose to a character that sometimes relies on being dumb or fat jokes. Feig and McCarthy’s Spy is going back to their roots and it is a fun ride.

 

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Spy follows Susan Cooper (McCarthy), a desk-bound CIA agent who assists one of the CIA’s top agents, Bradley Fine (Law). However, when a mission reveals that the top field agents’ identities have been compromised Deputy Director Elaine Crocker (Janney) has no choice but to send an agent that is completely unknown, Susan of course volunteers because she wants to prove herself. The objective is to get close to the daughter of an arms dealer, Rayna Boyanov (Byrne) to get a nuclear bomb off the market before someone buys it. Of course, not everyone thinks Cooper is capable, especially the other top super spy in the agency, Rick Ford (Statham), who thinks sending in Cooper is the worst idea possible and that she’s going to blow the mission.

 

Like I mentioned earlier, McCarthy isn’t playing a dumb character here, her character Susan Cooper is extremely capable of handling herself, yes the movie pokes fun a bit, especially in her covers, but it doesn’t take away from the fact that she is a good agent and is willing to do whatever it takes to get the job done. That being said, this is McCarthy’s movie. She carries the movie on her shoulders and never shows a sign of giving that up. She shoots out witty one-liners left and right and has no problem pulling punches either. I was surprised that McCarthy could carry herself in action sequences. Easily, one of the highlight action sequences is a kitchen brawl (more on that in minute).

 

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Of course, a great lead always has a great supporting, and Spy is filled with them. Jason Statham easily stands out. Statham’s Rick Ford is the pretty cliché tough guy agent that thinks he’s the best, but is a bit too intense, but it’s fun to see Statham in the role because it’s a lot of fun to see him in it. Miranda Hart is equally great as Susan’s analyst’s friend and has a buddy-cop dynamic with McCarthy’s Cooper, but also carries a lot of heart, even though she’s rather goofy (in a good way). Rose Byrne looks like she is enjoying the entitled posh-like villain and the same goes for Jude Law, who is essentially playing a James Bond-like persona. Peter Serafinowicz’s Aldo is another to look out for too.

 

I give huge credit to Paul Feig, because holy crap did he handle the action sequences great. I don’t like to limit directors or actors to their genre, but finding out that Feig is a huge fan of the action films and spy movies, it completely makes sense when you watch the movie. Spy is filled with great homage’s to the spy genre, but also makes fun of it which is really great and funny to watch.

 

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The action in the movie is pretty solid. I mentioned the kitchen brawl between Susan and Lia (Nargis Fakhri) is easily a highlight. The scene is funny, brutal and kinetic. I didn’t really suspect a fight scene like that being in a comedy movie. It’s a spoof either, it is a real deal fight scene and both ladies don’t hold back. Another highlight is a chase scene that involves Susan chasing down a car in a scooter which is pretty impressive. If Feig ever wanted to do another action comedy, let him do it because he can certainly put it together really well. (Note: Yes, I know he did The Heat which had some action, but nothing compared to Spy.)

 

All in all, Spy stumbles only slightly but for the most part is a hell of a lot of fun to watch. It’s equal part spy action movie and comedy, dare I say the better of the action comedies of late. Feig and McCarthy are a great team and the supporting cast makes the film even better. This is not your typical Melissa McCarthy movie, so go watch it and give it a chance.

 

Spy

4.5 out of 5

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