New Podcast – New Marvel’s Black Panther Trailer, Han Solo Movie Gets Title & More

The Movie Pit Podcast is live!

This week the movie news was just a tad slow, so enjoy the “shorter” podcast this week. Also below the Youtube video, there is a link to the podcast for iTunes. So if Youtube is too inconvenient for you to listen, iTunes is also another option. Finally, if you can go me the favor of leaving a review and rating – and subscribing too – on iTunes, that would be great too. Enjoy your weekend everybody, and look for reviews of Geostorm and another undecided movie this weekend.

 

Podcast Itunes Link  – https://itunes.apple.com/us/podcast/the-movie-pit-podcast/id1249582608?mt=2

 

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New Podcast – Ben Affleck Leaving the DCEU, Doctor Doom Movie, Movie Trailer & Ton More

The Movie Pit Podcast is live!

It was a big week, so the podcast is pretty long. Also, if Youtube is inconvenient, the podcast is on ITunes now too (link – https://itunes.apple.com/us/podcast/the-movie-pit-podcast/id1249582608?mt=2)

 

‘The LEGO Batman Movie’ Review

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Director: Chris McKay

Writers: Seth Grahame-Smith, Chris McKenna, Erik Sommers, Jared Stern, & John Whittington

Voice Cast: Will Arnett, Michael Cera, Rosario Dawson, Ralph Fiennes, Zach Galifianakis, Jenny Slate, Mariah Carey, Channing Tatum, Jonah Hill, Ellie Kemper and Billy Dee Williams

Synopsis: Bruce Wayne must not only deal with the criminals of Gotham City, but also the responsibility of raising a boy he adopted.

 

*Reviewer Note:  This will be a spoiler free review.*

 

No one knew what to think when The LEGO Movie came out, and then we watched it, everyone (okay not everyone) fell in love with it. Something many agreed was the standout was LEGO Batman, so when it was announced that LEGO Batman would be getting a spinoff, it seemed right and logical. And before you ask, no, you don’t have to watch The LEGO Movie in order to watch The LEGO Batman Movie, in fact, the film stands on its own. So was the gamble worth it? Yes, yes it was.

The LEGO Batman Movie starts off with a pretty lengthy and action-packed opening where Batman (Will Arnett) takes on what looks to be his entire rogues gallery lead by The Joker (Zach Galifianakis). Afterwards, he returns to Wayne Manor on Wayne Island where he essentially lives by himself with the expectation of Alfred (Ralph Fiennes), and lives his life as a lonely man. However, that changes when Jim Gordon retires and his daughter Barbara Gordon (Rosario Dawson) is bought in to be the new commissioner and wants to work with the Batman to finally end crime in Gotham, which of course he doesn’t like. Add on the fact that while be distracted as Bruce Wayne, he unknowingly adopts an orphan in Richard Grayson (Michael Cera), or as the other kids in the orphanage call him, Dick. What follows is Batman bringing Dick into the fold and discovering what it means to work together and be a part of a team.

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While the film may be for kids, there is enough here for hardcore Batman fans. The film really digs deep into the core of the character and what makes him tick. The film makes fun of how long the character’s been around, but at the same time it brings up the obvious questions fans, and non-fans, bring up about him. It never gets to the point that it brings the character down – as it shouldn’t – but just enough to make you really think back and criticize the character and his actions. However, it all wrapped up as a huge love letter to Batman and it works on much a personal and ambitious level, and all done in LEGO form.

The voice cast is pretty spot on with Will Arnett, once again, being the highlight once again. He has this ability to tap into Batman that makes him comes off as both a jerk at times, but also a charming character. Michael Cera is a close second to stealing the show from Arnett as Dick Grayson/Robin as he’s equal parts naïve, adventurous and funny, moreover he’s the perfect opposite to Batman. Ralph Fiennes is pretty spot on as Alfred, Rosario Dawson as Barbara Gordon does the best with what’s she’s given, and is a nice non-villain foil/love interest to Batman.

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Zach Galifianakis as The Joker, which I’ll be honest, I wasn’t sold on when he was casted does a great job. Seeing him be down on the dumps when Batman tells him he’s “fighting around” is both hilarious and a bit heartbreaking in its own way. To go a bit nerdy, hearing Billy Dee Williams voice Two-Face –albeit in a small role – was still cool to hear. The rest of the villain cast don’t really have big moments like Joker, and some other villains Joker recruits – which leads to a fun introduction and funny moments – so I won’t get too much into them. Finally, Channing Tatum and Jonah Hill return to voice Superman and Green Lantern in a fun cameo appearance.

While I’m sure many will find some things wrong or misplaced with the film, the film lags for a only a bit, The LEGO Batman Movie nows who the audience is. One thing I do love about the film is it stands on its own. Despite one moment in the film, it stands on itself and doesn’t rely on The LEGO Movie to keep it up – not that it really needed it – I mean, come on, it’s LEGO Batman for crying out loud.

All in all, The LEGO Batman Movie is all around fun. Whether you’re a hardcore Batman fan or not the film has just about everything for everybody watching. More importantly, the film knows and understands the character, which makes the film feel like the ultimate love letter, and the perfect one.

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The LEGO Batman Movie

4.5 out of 5

New Podcast: Year in Review, Thor: Ragnarok Synopsis, Woody Harrelson Eyed for Young Solo Film & More

The first podcast of 2017 is here!

‘Hail, Caesar!’ Review

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Directors: Joel & Ethan Coen

Writers: Joel & Ethan Coen

Cast: Josh Brolin, George Clooney, Alden Ehrenreich, Ralph Fiennes, Scarlett Johansson, Tilda Swinton, Frances McDormand, Channing Tatum and Jonah Hill

Synopsis: A Hollywood fixer in the 1950s works to keep the studio’s stars in line.

 

*Reviewer Note: This will be a spoiler free review.*

 

The Coen Brothers are known for making films they want to do, and don’t try to make franchise films that the studios today try to make. They also have their own unique style and vision that makes their films standout in their own way. Hail, Caesar! is no different. Their new film acts as a love letter to the Golden Age of Hollywood at times, but swings back and forth between that said love letter and showing us the craziness that existed in the time (and probably now too), and the overall absurdity of it all.

Set during the 1950s, Capitol Pictures (a fictional studio) is set to release their biggest picture to date titled Hail, Caesar! with the biggest star in Hollywood in Baird Whitlock (Clooney). However, during the last days of filming, Whitlock gets kidnapped by a group calling themselves “The Future” and it’s up to the studio’s fixer in Eddie Mannix (Brolin) to find him and make all this go away. Of course, Mannix is dealing with everything else like covering up the pregnancy of DeeAnna Moran (Johansson), moving his cowboy star Hobie Doyle (Ehrenreich) to a full fledge prestige drama with big time director Laurence Laurentz (Fiennes), dealing with twin sister columnists Thora and Thessaly Thacker (Swinton) and his own personal problems. During all this, Whitlock gets to known his captors in a different light.

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Hail, Caesar! like a lot of other Coen Brothers films is going to be a film you either like, or don’t, and while the statement can be said about any film it is no more truer than with this film. The trailers for Hail, Caesar! tell a bit of a different story than we see in the actual film, and that isn’t really that bad of a thing. The film is pretty straight forward once things are put into perspective. That’s not to say things get a little weird and are ridiculous at times, but Hail, Caesar! is great at showing us how every relationship is very topsy-turvy.

At the same time, Hail, Caesar! doesn’t have a problem branching off and leaving the Whitlock story. We follow Hobie and his transition from doing cowboy films to doing his first drama, a water dance sequence by Johansson’s Moran, and even a standout dance sequence that involves Channing Tatum’s Burt Gurney. The scenes have nothing to do with Whitlock, but they show the absurdity that Mannix and Capitol Pictures deal with on a regular basis. The scenes are great, but again, have nothing to do with the main conflict of the story which is Whitlock’s kidnapping.

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I don’t want to give away too much, but the film also has some religious overtones, the film Hail, Caesar! is a religious picture as well as it tells the story of a Roman tribune that eventually meets Jesus, and Mannix is a religious man himself as the film beginning of the film sees him in a confessional. Of course, it doesn’t really help as his character is flawed and does something immediately after that well defeat the purpose for some, but it was a different time back then.

So even if Hail, Caesar! isn’t your cup of tea, you have to admit the performances are worthwhile. The film belongs to Josh Brolin, who we see running around the lot to control everything in the studio. George Clooney’s Baird Whitlock isn’t a typical big star that is hard to work with, he’s just an actor who happens to be good at what he does and gets kidnapped, and has a bit of a womanizer side. Alden Ehrenreich’s Hobie is definitely a highlight of the film as he’s just nice guy that is a bit naïve and goofy, who perfectly fits into a Coen Brothers film.

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The supporting cast has surprisingly small and few scenes, with the only real connection being Mannix. Scarlet Johansson puts on a thick accent and fits into the Golden Age with her looks and wardrobe. Tilda Swinton chews up the scenery with her duel role as twin rivals, and Frances McDormand – who only has one scene – is another one of the highlights and one of the funniest scenes of the film. Jonah Hill also only has one scene in the movie, which in entirety is an okay scene. Finally, Ralph Fiennes as Laurence Laurentz is great to watch and arguably has one of the best scenes in the film with Ehrenreich.

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All in all, Hail, Caesar! can be a bit all over the place, but that is exactly what the Coen Brothers were probably trying to do. Their film isn’t afraid to pull any punches against their peers or what Hollywood was back in the day. The film won’t be for everyone, but Hail, Caesar! definitely has something for everyone.

 

Hail, Caesar!

4 out of 5

‘The Hateful Eight’ Review

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Director: Quentin Tarantino

Writer: Quentin Tarantino

Cast: Samuel L. Jackson, Kurt Russell, Jennifer Jason Leigh, Walton Goggins, Tim Roth, Demian Bichir, Michael Madsen, James Parks, and Channing Tatum

Synopsis: In the dead of a Wyoming winter, a bounty hunter and his prisoner find shelter in a cabin currently inhabited by a collection of nefarious characters.

 

*Reviewer Note:  This will be a spoiler free review.*

 

Despite the script leak, Quentin Tarantino continued his eighth film with his mystery Western, The Hateful Eight. He also did something special by shooting the film in 70mm. Now if you’re not a huge cinephile, or just know what that means, it probably doesn’t mean too much, but considering the rarity of how films are made nowadays, The Hateful Eight is a special film. This film is filled with the traditional and very noticeable Tarantino tropes and works, but Tarantino still finds a way to make the film feel different and make the audience feel a bit uncomfortable watching these strangers stuck in a cabin as the tension between all of them arise.

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The film is set after the Civil War, and takes place in Wyoming as a blizzard comes roaring in. We follow bounty hunter Major Marquis Warren (Jackson) hitching a ride with John “The Hangman” Ruth (Russell), who is chained to his bounty Daisy Domergue (Leigh), who are on the way to Red Rock so Ruth can collect Daisy’s bounty. Along the way, they pick up former Confederate soldier Chris Mannix, who has just become the sheriff of Red Rock despite Ruth’s disbelief, and they all head to an inn in the mountains called Minnie’s Haberdashery. Once they get there, they meet the already there occupants in cowboy Joe Gage (Madsen), British gentlemen Oswaldo Mobray (Roth), former Confederate General Sandy Smithers (Dern), and Bob (Bichir), the man looking over Minnie’s as she’s away. Trapped in the inn for a few days as the blizzard blows over, Ruth and Warren try to figure out if everyone, if anyone, can be trusted which leads to a tension-filled environment that, in the typical Tarantino style, eventually goes into mayhem.

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The timeline for the film isn’t just some random place setting. The fact that Samuel L. Jackson’s Warren is the only real African-American character does lend itself to the plot and the characters later on in the film. Major Warren actually has something that everyone can’t believe he has, and leads to some funny moments, but also more tension between Warren, Mannix, and Smithers. Hell, the fact that Warren fought on the opposite side of Mannix and Smithers is enough to always keep your eyes on them. Warren makes a great point once everyone knows that he has the thing no one can believes he has that makes a lot of sense, not just in the movie, but even in today’s world. The Hateful Eight isn’t trying to be political; it just makes some interesting political points.

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What holds the film together is the very Tarantino-esque characters, and the great cast that brings them all to life. Of course, Samuel L. Jackson – the only actor in the cast that has worked with Tarantino the most – is great in this and delivers a great monologue-like speech around the beginning of the third act that could potentially send chills down your spine. It also reminds us why the film is called The Hateful Eight. On the other end, Kurt Russell’s John Ruth aka The Hangman doesn’t have a speech that makes us hate or feel awkward, although his mustache will probably make you envious, but the way he treats Daisy goes ranges from threatening to shoot her, despite wanting to hang her, to hitting her if she gets out of line. It’s an odd relationship that – somehow – seems to work once we see them juxtaposed to each other. Hey, speaking of Daisy, Jennifer Jason Leigh is just memorizing to watch. Daisy sometimes just blends into the background as we focus on the other characters, but every time Daisy is in the spotlight, she shines. One scene is particular had me going, which involved her simply sitting with a guitar and singing.

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The supporting cast is equally great in what they are given. Walton Goggins is the highlight for me personally. Goggins is always a great supporting character guy and he can do anything that a director throws at him, and he does it here again and has one of the best arcs at the end of the film. Tim Roth, Michael Madsen, and Demian Bichir all have their moments to shine and bring some nice nuances to their roles. Bruce Dern doesn’t really do much until the middle of the film where his arch finally comes into play. Channing Tatum also pops up in a different role than he’s usually known for.

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On a technical level, The Hateful Eight is great to look at. The cinematography by Robert Richardson really puts you in Minnie’s Haberdashery, which is a great set, and out in the wintery landscape of Wyoming. Moreover, legendary spaghetti western composer Ennio Morricone score is both tense and a bit haunting, almost The Thing-like. The score is more haunting due to the fact the film is a slow burn through-and-through.

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All in all, The Hateful Eight is a slow burn, scene chewing, mystery Western that makes you question every character until the end. The great cast and the characters they play are elevated even more thanks to the secluded and close-quarters environment. If you love Tarantino films, this will be right up your alley, although it can be arguably said that this may not be Tarantino best film, but it still a great one in his filmography.

 

The Hateful Eight

4.5 out of 5

Jupiter Ascending Review

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Dir: The Wachowskis

Writer(s): The Wachowskis

Cast: Mila Kunis, Channing Tatum, Sean Bean, Douglas Booth, Nikki Amuka-Bird, Tuppence Middleton, and Eddie Redmayne

Synopsis: In a bright and colorful future, a young destitute caretaker gets targeted by a ruthless son of a powerful family that live on a planet in need of a new heir, so she travels with a genetically engineered warrior to the planet in order to stop his tyrant reign

 

 

*Reviewer Note:  This will be a spoiler free review.*

 

 

The Wachowskis broke on to the scene with their smash and cult-hit The Matrix. Everyone fell in love with them, and then they started to go downward with a lot people after the sequels to The Matrix and Speed Racer, even Cloud Atlas had fans divided. Nonetheless, The Wachoski siblings have always been passionate about their projects and put a lot of work into creating the world and trying to get the audience into the world as much as possible. All of that can be said for Jupiter Ascending, problem is the film falls flat in areas and while there are highlights, ultimately the film is nothing more than an tiny bit average film.

 

The film follows Russian immigrant Jupiter Jones (Kunis), who works as a house maid but unbeknownst to her, she possesses the same genetic makeup from a powerful galactic royal family the Abrasax’s. She then finds out that she has some rights to Earth, (yes, the planet Earth). Because of this Jupiter is targeted by the three Abrasax siblings; Balem (Redmayne), Titus (Booth), and Kalique (Middleton). Lucky for Jupiter, she had a hybrid soldier turned mercenary in Caine Wise (Tatum) to help her. Unfortunately, they get caught up in a family feud and have to try to survive with the help of only a limited few.

 

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Again, Jupiter Ascending isn’t a perfect film and while it has some great things about it, it fails to capture on those things to help it move forward. The set design and costumes are beautiful to look at and add to the  whole building a bit, in the sense that you get where these characters are coming from and how they go about their life, but that’s all they are there for, to look pretty.

 

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Even some of the cool straight sci-fi stuff, like Caine’s gravity boots are really cool to see the first few times, but after a while they lose a bit of their specialness. The guns make the sound you would think sci-fi intergalactic weapons would make, and while cool to look at, they stop using them around the first half of the movie. The ships are another story. One of the main ships the characters use is nice to see fly through the streets of Chicago and destroy any building in sight, but once they get into actual space it, again, lose something at it even though the design of the ship looks great.

 

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The real problem with Jupiter Ascending is the story itself. While it’s nice to know what the creatures are and how everything works for these galactic characters, sometimes it is just better to let the audience enjoy the film and everything around it. I don’t really consider this nitpicky, just an observation because we see other films that don’t explain every single thing and still turn out to be good. I get that the Wachoskis are trying to get us invested in this world, but by the end of the film only a few things they explain turn out to be important and relevant.

 

The cast here is okay. It’s a nice change of the norm to have a female hero in a big sci-fi film like this with Mila Kunis playing Jupiter. Kunis gives Jupiter an equal level of being naïve, determination, and some unfortunate lack of seeing the bad in people. Let’s just say she gets caught in pretty much the same situation twice in the span of a half hour. Channing Tatum’s Caine Wise is a soldier that has wolf DNA in him, which gives him the fearlessness of a wolf and will do anything to protect Jupiter. His character isn’t just in it to protect her either, even though there is a somewhat forced love story, Caine does have a motivation to helping Jupiter.

 

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The other supporting characters are kind of forgettable. That’s not a knock on the actors playing them, it is just that they don’t really do anything and don’t really get fleshed out that much. Sean Bean is one of the noticeable supporting characters as he plays a character named Stinger, who has a history with Caine and tells Jupiter –and the audience – what is really going on.

 

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The Abrasax siblings don’t really do much. We get a quick scene of them all together, the only scene mind you, and then they disappear with the expectation of Balem. Redmayne looks to be enjoying himself chewing up the scenery while talking in his above whispering voice and occasions shouting. Out of the three siblings, Redmayne’s Balem is the most fleshed out character, even though he has about twenty minutes of screen time. Douglas Booth’s Titus is the “playboy” of the three and does something kind of creepy which you’ll know when it happens. Tuppence Middleton’s Kalique Abrasax is really just kind of there, she only serves one purpose of telling Jupiter what the Abrasax really do; she is the weakest of the three.

 

All in all, Jupiter Ascending isn’t a perfect movie, but there is some fun to it. You can get lose in the action scenes, especially the Chicago scene (maybe I’m biased), but there are a lot of characters that show up and do nothing for the film and then disappear – which includes two bounty hunters. Visually the movie is great to look at and while the story fumbles with itself, you’re going to have at least some fun watching it, kind of.

 

Jupiter Ascending

3 out of 5