Director: Quentin Tarantino
Writer: Quentin Tarantino
Cast: Samuel L. Jackson, Kurt Russell, Jennifer Jason Leigh, Walton Goggins, Tim Roth, Demian Bichir, Michael Madsen, James Parks, and Channing Tatum
Synopsis: In the dead of a Wyoming winter, a bounty hunter and his prisoner find shelter in a cabin currently inhabited by a collection of nefarious characters.
*Reviewer Note: This will be a spoiler free review.*
Despite the script leak, Quentin Tarantino continued his eighth film with his mystery Western, The Hateful Eight. He also did something special by shooting the film in 70mm. Now if you’re not a huge cinephile, or just know what that means, it probably doesn’t mean too much, but considering the rarity of how films are made nowadays, The Hateful Eight is a special film. This film is filled with the traditional and very noticeable Tarantino tropes and works, but Tarantino still finds a way to make the film feel different and make the audience feel a bit uncomfortable watching these strangers stuck in a cabin as the tension between all of them arise.
The film is set after the Civil War, and takes place in Wyoming as a blizzard comes roaring in. We follow bounty hunter Major Marquis Warren (Jackson) hitching a ride with John “The Hangman” Ruth (Russell), who is chained to his bounty Daisy Domergue (Leigh), who are on the way to Red Rock so Ruth can collect Daisy’s bounty. Along the way, they pick up former Confederate soldier Chris Mannix, who has just become the sheriff of Red Rock despite Ruth’s disbelief, and they all head to an inn in the mountains called Minnie’s Haberdashery. Once they get there, they meet the already there occupants in cowboy Joe Gage (Madsen), British gentlemen Oswaldo Mobray (Roth), former Confederate General Sandy Smithers (Dern), and Bob (Bichir), the man looking over Minnie’s as she’s away. Trapped in the inn for a few days as the blizzard blows over, Ruth and Warren try to figure out if everyone, if anyone, can be trusted which leads to a tension-filled environment that, in the typical Tarantino style, eventually goes into mayhem.
The timeline for the film isn’t just some random place setting. The fact that Samuel L. Jackson’s Warren is the only real African-American character does lend itself to the plot and the characters later on in the film. Major Warren actually has something that everyone can’t believe he has, and leads to some funny moments, but also more tension between Warren, Mannix, and Smithers. Hell, the fact that Warren fought on the opposite side of Mannix and Smithers is enough to always keep your eyes on them. Warren makes a great point once everyone knows that he has the thing no one can believes he has that makes a lot of sense, not just in the movie, but even in today’s world. The Hateful Eight isn’t trying to be political; it just makes some interesting political points.
What holds the film together is the very Tarantino-esque characters, and the great cast that brings them all to life. Of course, Samuel L. Jackson – the only actor in the cast that has worked with Tarantino the most – is great in this and delivers a great monologue-like speech around the beginning of the third act that could potentially send chills down your spine. It also reminds us why the film is called The Hateful Eight. On the other end, Kurt Russell’s John Ruth aka The Hangman doesn’t have a speech that makes us hate or feel awkward, although his mustache will probably make you envious, but the way he treats Daisy goes ranges from threatening to shoot her, despite wanting to hang her, to hitting her if she gets out of line. It’s an odd relationship that – somehow – seems to work once we see them juxtaposed to each other. Hey, speaking of Daisy, Jennifer Jason Leigh is just memorizing to watch. Daisy sometimes just blends into the background as we focus on the other characters, but every time Daisy is in the spotlight, she shines. One scene is particular had me going, which involved her simply sitting with a guitar and singing.
The supporting cast is equally great in what they are given. Walton Goggins is the highlight for me personally. Goggins is always a great supporting character guy and he can do anything that a director throws at him, and he does it here again and has one of the best arcs at the end of the film. Tim Roth, Michael Madsen, and Demian Bichir all have their moments to shine and bring some nice nuances to their roles. Bruce Dern doesn’t really do much until the middle of the film where his arch finally comes into play. Channing Tatum also pops up in a different role than he’s usually known for.
On a technical level, The Hateful Eight is great to look at. The cinematography by Robert Richardson really puts you in Minnie’s Haberdashery, which is a great set, and out in the wintery landscape of Wyoming. Moreover, legendary spaghetti western composer Ennio Morricone score is both tense and a bit haunting, almost The Thing-like. The score is more haunting due to the fact the film is a slow burn through-and-through.
All in all, The Hateful Eight is a slow burn, scene chewing, mystery Western that makes you question every character until the end. The great cast and the characters they play are elevated even more thanks to the secluded and close-quarters environment. If you love Tarantino films, this will be right up your alley, although it can be arguably said that this may not be Tarantino best film, but it still a great one in his filmography.
The Hateful Eight
4.5 out of 5