The spoiler-filled review of Spider-Man: Homecoming is up!
Give it a listen, and if Youtube is too inconvenient for you, the podcast is up on ITunes now right here (id1249582608?mt=2)
The spoiler-filled review of Spider-Man: Homecoming is up!
Give it a listen, and if Youtube is too inconvenient for you, the podcast is up on ITunes now right here (id1249582608?mt=2)
It’s July everybody! The Summer Movie Season is almost over, but it’s not going down without a fight. July has some great movies coming out, especially some anticipated movies for some. So let’s get to it.
Limited Release: A Ghost Story (Drama – A24)
Directed by David Lowery (Ain’t Them Bodies Saints and Pete’s Dragon), in this singular exploration of legacy, love, loss and the enormity of existence, a recently deceased, white-sheeted ghost returns to his suburban home to try to reconnect with his bereft wife. The film stars Casey Affleck and Rooney Mara.
Spider-Man: Homecoming (Action Adventure – Sony Pictures/Marvel Studios/Columbia Pictures/Pascal Pictures)
Peter Parker/Spider-Man (Tom Holland) begins to navigate his newfound identity as the web-slinging superhero. Of course, this marks the first Spider-Man film were our favorite web-slinger is now part of the Marvel Cinematic Universe. The film also stars Robert Downey Jr., Marisa Tomei, Zendaya, Michael Keaton, Jon Favreau, Tony Revolori, Michael Chernus, Bokeem Woodbine, Logan Marshall-Green, Angourie Rice, and Donald Glover.
Limited Release: Lady Macbeth
Based on the novel by Nikolai Leskov titled “Lady Macbeth of the Mtsensk,” a 19th century young bride is sold into marriage to a middle-aged man.
Wish Upon (Horror – Broad Green Pictures, Busted Shark Productions)
A teenage girl (Joey King) discovers a box that carries magic powers and a deadly price for using them. The film looks pretty creepy, but I don’t know if I’m completely sold on it yet. The film also stars Ki Hong Lee, Sherilyn Fenn, Elisabeth Rohm, and Ryan Phillippe.
War for the Planet of the Apes (Action Drama – 20th Century Fox/Chernin Entertainment)
Caesar (Andy Serkis) and the remaining apes are left to deal with humanities latest attack from a dangerous and determined leader known as The Colonel (Woody Harrelson). The film look fantastic, and this being the third chapter it looks like it could be the best one yet. War for the Planet of the Apes also stars Judy Greer, Steve Zahn, Amiah Miller, Terry Notary and Karin Konoval.
Girls Trip (Comedy – Universal Pictures/Will Packer Productions)
When four lifelong friends travel to New Orleans for the annul Essence Festival, sisterhoods are rekindled, wild sides are rediscovered, and there’s enough dancing, drinking, brawling, and romancing to make the Big Easy blush. The film stars Regina Hall, Jada Pinkett Smith, Tiffany Haddish, Deborah Ayorinde, Larenz Tate Kate Walsh and Queen Latifah.
Valerian and the City of a Thousand Planets (Sci-Fi Action Adventure – EuropaCorp/Fundamental Films/Gulf Films)
Based on the French comic by Pierre Christin and directed by Luc Besson, time-traveling agent Valerian (Dane DeHaan) is sent to investigate a galactic empire, along with his partner Laureline (Cara Delevingne). The film also stars Ethan Hawke, Rihanna, Sam Spruell, Rutger Hauer, Clive Owen and the voice of John Goodman.
Dunkirk (Action Drama – Warner Bros./RatPac-Dune Entertainment/Syncopy)
Directed and written by Christopher Nolan, Allied soldiers from Belgium, Britain, Canada and France are surrounded by the German army and evacuated during a fierce battle in World War II. I got to see the special preview during the IMAX screening of Rogue One, and I seriously took a deep breath afterwards because it was that intense. So if the film is anything like that, I think we’re in for a great ride. Dunkirk stars Tom Hardy, Cillian Murphy, Mark Rylance, James D’Arcy, Aneurin Barnard, Jack Lowden, Harry Styles and Kenneth Branagh.
Limited Release: An Inconvenient Sequel: Truth to Power (Documentary – Paramount Pictures, Participant Media, Actual Films)
A decade after An Inconvenient Truth brought climate change into the heart of popular culture comes the follow-up that shows just how close we are to a real energy revolution.
The Emoji Movie (Animation – Sony Pictures Animation, Columbia Pictures)
It’s hard to think that an Emoji movie will have a real plot, but it does. Gene (T.J. Miller), a muli-expressional emoji, sets out on a journey to become a normal emoji. The voice cast includes James Corden, Ilana Glazer, Steven Wright and Patrick Stewart.
Atomic Blonde (Thriller – Focus Features, 87Eleven, Sierra/Affinity, Closed on Mondays Entertainment, Denver and Delilah Productions)
Based on the graphic novel by Antony Johnston, an undercover MI6 agent (Charlize Theron) is sent to Berlin during the Cold War to investigate the murder of a fellow agent and recover a missing list of double agents. The film also stars Sofia Boutella, James McAvoy, John Goodman, Eddie Marsan, James Faulkner and Toby Jones.
What are you looking forward to?
Director: David Ayer
Writer: David Ayer
Cast: Will Smith, Margot Robbie, Joel Kinnaman, Cara Delevingne, Jared Leto, Jai Courtney, Jay Hernandez, Adewale Akinnuoye-Agbaje, Karen Fukuhara, Adam Beach, Scott Eastwood, Common, Jim Parrack, Ike Barinholtz, David Harbour, Viola Davis, and Ben Affleck
Synopsis: A secret government agency recruits imprisoned supervillains to execute dangerous black ops missions in exchange for clemency.
*Reviewer Note: This will be a spoiler free review.*
*Reviewer Note 2: There is a mid-credit scene.*
Here we go again. Warner Bros. released their newest film set within their DC Extended Universe, but this time it follows villains instead of heroes, and it has been making fans and critics butt heads. I won’t bore you with the details, but let’s just say some of it is just crazy. However, Suicide Squad isn’t just free and clear since some of the negativity is warranted, but not all of it. The film itself isn’t all that great, but isn’t terrible either. So let’s get to reviewing the worst heroes ever.
Suicide Squad is set after the events of Batman v Superman: Dawn of Justice, and sees government agent Amanda Waller (Davis) who has an idea to bring together the, as she puts it, “worst of the worst.” The plan is to make a task force called Task Force X, filled with villains like The Man that Never Misses, Deadshot (Smith), Joker’s girlfriend Harley Quinn (Robbie), the monstrous Killer Croc (Akinnuoye-Agbaje), Australian diamond thief Captain Boomerang (Courtney), pyro-kinetic Diablo (Hernandez), master rope man Slipknot (Beach) and June Moone (Delevingne) who is possessed by the witch Enchantress. The idea is that Waller wants a task force to fight off any other meta-humans – a term many comic books fans will know – threat that come their way.
The government, not so sure about Waller’s plan, is suddenly left to go through with it when a supernatural event occurs in Midway City. Considering the task force is filled with villains, Waller and the government have their easy out if things go wrong. To make sure things go smoothly, Waller makes solider Rick Flag (Kinnaman) her man on the ground, with his bodyguard and right-hand woman Katana (Fukuhara) to protect him in case the team gets any ideas – there’s also an explosive implant in the neck. However, when the team finally arrives to Midway City, they soon realize things are way worse than they thought.
Suicide Squad has been highly anticipated since the first teaser that came out last year after Comic Con. But again, with all the craziness that came out before the film’s release like competing cuts and all the early negative reviews, the film went even more under the microscope. I personally wasn’t sold on Suicide Squad for awhile, but as it got closer to the release, I was looking forward to it and hoping it was good. Then I saw the film, and I have to say, it isn’t what I thought it would be. Even with the early negative reception from critics, Suicide Squad was always going to be a risk for the DC Extended Universe. It’s following villains that maybe some casual fans don’t know, it’s expecting you to root for them from the get-go, and it’s following Batman v Superman. Also, no matter what you thought the film was about, we had no idea what to expect.
I did want to like Suicide Squad, and for the most part I liked it more than I thought I would. However, there is no denying the film does have a good chunk of issues. One of them is, unfortunately, an issue that Dawn of Justice had in editing. Thankfully, the film’s editing is better, but not by a lot. Deadshot and Harley Quinn are introduced at the beginning of the film, and then are reintroduced when Waller is making the rundown of who she wants on Task Force X. The introductions to the characters are a bit wonky, as it quickly rundowns what makes them so bad and then either jumps to how they were captured, or gives each other them – expect Slipknot, but come on, that’s not a spoiler – a vignette. I don’t mind the way they did it, but there were probably better ways of introducing the characters.
The pacing for the film is fine as it drives forward with action, expect there’s a random flashback that Harley has that derails the pacing the film had going. The other thing that pretty much kills the thin story, is Waller’s plan for the Suicide Squad, makes no sense. I won’t obviously spoil what her plan is, but once you see the whole scheme of things, you are left wondering what the hell was the point? Combine that with some of the other issues the film has, you start to see that there was some behind-the-scenes juggling going on. It also doesn’t help that film moves from set-piece to set-piece.
Once the Suicide Squad makes it to Midway City, the action kicks in. The action is great to watch, and besides the cast, is one of the best parts of the film. Seeing all these villains comes together and essentially be the good guys, or at least anti-heroes, to take down literally faceless monsters is a sight to watch. I would have liked to see the group go at it themselves, but they just kind of agree to be grouped together. The only ones that really go at it is Deadshot and Flag. Also, it would have been nice to see some of the action scenes that were cut, well any of the scenes really, from the film.
Speaking of the cast, the majority of the cast really works. I’ll admit, I had my doubts about Will Smith playing Deadshot. Not because I don’t like Smith, but because I don’t see Deadshot as a Will Smith character, but boy did he prove me wrong. Of course, Deadshot is played by Will Smith, so you just see Smith, but he’s still great in the role. Margot Robbie is one of the highlights of the film. Although it really is hard to judge considering this is Harley Quinn’s first time on the big screen, but Robbie is really great at Quinn. There were moments where I thought they took it just a notch over, but overall Robbie has set the bare high for any future Harley Quinn actresses.
Viola Davis as Amanda Waller is, arguably, one of the most frightening characters in the whole film. That’s saying something considering what the film is filled with, but you believe Davis as Waller as this cut-throat, no nonsense agent who wants things done her way. The other highlight of the film for me is Jay Hernandez as Diablo. The character doesn’t do too much, but when you find out why it makes sense and makes him probably one of the most well-rounded characters in the film. The problem is that it takes time see what makes him tick and why he is the way he is, and it’s really disappointing.
The other characters really don’t do much. Joel Kinnaman’s Rick Flag is okay, but it’s hard to see him taking command of a bunch of supervillains. Killer Croc, although looks great in the practical make-up, all he does is grunt and snarl at his team. He does speak in the film and it’s pretty humorous when he does, but still. Captain Boomerang is essentially the comedic relief of the film, and while I’m not a fan of Jai Courtney he does a pretty decent job here. Kudos does go to Karen Fukuhara as Katana, because this is Fukuhara’s first film and her Katana has some cool scenes in the film, but her character doesn’t do much in the film either. Cara Delevingne as June Moone/Enchantress is meh We don’t spend any time with June Moone, so we don’t really have any sort of connection to her. When it comes to Enchantress, the best scene is her first scene when she is formally introduced in a room full of government officials. That is saying a lot since she plays a very vital role in the film.
Finally, Jared Leto’s The Joker. I know a lot of people were looking forward to Leto’s Joker from the first photo that was revealed. It also goes without saying that Leto’s Joker was always – no matter what anyone says – going to be judged against other Joker’s that came before him. It’s also unfair that he’s the first Joker after Heath Ledger’s great performance as The Clown Prince. I had my doubts about Leto’s Joker, and I hoped that he’d pull it off, but sadly he didn’t for me. Leto tried to do his own thing, while looking to pay some little homage to the Joker’s before, but it didn’t click for me. His little ticks and nuances came off as a little over-the-top, and ultimately doesn’t really do anything worthwhile in the film. We know now that Leto filmed more scenes as The Joker for the film that were cut – some even appear in the trailers, but not the film – but that isn’t a justification for shoehorning him into the film.
All in all, Suicide Squad isn’t a bad film like some critics are saying, but it isn’t a great film either, and you can see that Warner Bros. did have a hard time deciding what this film was going to be. Smith, Robbie, Hernandez and Davis are the highlights of the huge cast that could have gone wrong. There are some nice surprises in the film as well, but overall, Suicide Squad is really going to be one of those movies you either like or dislike. Personally, I’m indifferent to the film. I liked most of the film, but the issues of the film make the film bit disappointing as a whole because there was potential.
3 out of 5
Directors: Joe and Anthony Russo
Writers: Christopher Markus & Stephen McFeely
Cast: Chris Evans, Robert Downey Jr., Scarlett Johansson, Sebastian Stan, Anthony Mackie, Don Cheadle, Jeremy Renner, Chadwick Boseman, Paul Bettany, Elizabeth Olsen, Paul Rudd, Emily VanCamp, Tom Holland, Daniel Bruhl, Frank Grillo, Martin Freeman, Marisa Tomei, and William Hurt
Synopsis: Political interference in the Avengers’ activities causes a rift between former allies Captain America and Iron Man.
*Reviewer Note: This will be a spoiler free review.*
*Reviewer Note 2: I think it goes without saying, stay for the credits*
After all the buzz, hype, and anticipation, Captain America: Civil War is here! And boy was it worth the wait. The concept is, of course, taken from the popular storyline in the comics that inspires the events in the film, but not a direct adaptation considering Marvel doesn’t own the movie rights to all their characters, and it would be really, really busy. However, that doesn’t change how great Civil War is, and how it handles its busy lineup.
Captain America: Civil War now follows Steve Rogers/Captain America (Evans) with his New Avengers in Falcon (Mackie), Wanda Maximoff/Scarlet Witch (Olsen), and Natasha Romaonoff/Black Widow (Johansson) on a mission in Lagos as they hunt down Crossbones (Grillo) who’s trying to steal something. However, an accident happens that, to the world, is the final straw for The Avengers and causes the UN to create The Sokovia Accords. The Accords is a law that would make The Avengers essentially government agents who will go where they send them, and that’s it. No more Avengers going to a foreign land and acting as our saviors, if they sign, they will go where the UN sends them.
This causes a rift between the team, more specifically, between leaders Captain America and Tony Stark/Iron Man (Downey Jr.). Stark believes the Avengers need to be put in check and the cost of innocent lives has become too high, while Cap thinks that the “safest hands are still our own,” and that the Avengers should be free to go where the danger is instead of others. The argument becomes more of an issue when a deadly attack happens and Bucky/Winter Soldier (Stan) looks to have done it. Cap, of course, jumps at the opportunity to protect his old friend and save him despite the circumstances and the Accords. With all that going on, a mysterious figure in Zemo (Bruhl) appears, and has his own plan in mind.
Despite the crowed feel and look to it, writers Christopher Markus and Stephen McFeely, and directors Joe and Anthony Russo really make Civil War work. Even with the inclusion of two new big characters in T’Challa/Black Panther (Boseman) and Peter Parker/Spider-Man (Holland), they give every character their moment to shine, without making it feel forced or unnecessary. That’s a pretty big achievement considering this isn’t really an Avengers movie, but a Captain America movie.
Not only that, but the concern that many people had when the movie was announced about the Avengers not really having a fight, but just a “disagreement” that would resolve itself by saying “sorry I hit you so hard, man,” is not really there. There are consequences for the actions these characters make and the dynamic has certainly changed among the team, and even the public, just like the events in The Winter Soldier did. Sure there is the quirky back-and-forth between Hawkeye (Renner) and Black Widow during the big brawl, but you kind of suspect that from these two, well, at least I could.
However, here is the big thing McFeely/Marcus and the Russo’s where able to do, that was extremely important for Civil War to work. They were able to make us – the audience – see both sides of the argument. You understand where Tony is coming from and why he decides to sign The Accords, and you can see why Steve doesn’t and chooses to fight them. There is no black and white, there is a lot, and I mean a lot, of grey. Nothing feels forced and everything has its place. Even if you’re Team Cap or Team Iron Man, you can feel yourself being persuaded to switch sides. Neither side is more right than the other, that’s why the film works on the drama and political side of things. It also helps that we’ve come to know the characters. After all these years, you kind of hate that everyone is fighting each other, but that same time, you may not be too surprised. Obviously, the first time we saw Avengers together, they fought each other.
So when it comes to the cast, everyone is on their A-game. Robert Downey Jr.’s Tony Stark is still the same Tony, but he’s more matured and headstrong than we’ve ever seen him before. Evan’s truly is Captain America at this point, if there was ever any doubt, it is going to be squashed after watching this. Chadwick Boseman carries T’Challa/Black Panther which such ease, that you forget for a minute that this is the character’s debut. Daniel Bruhl’s Zemo is likely, and already, being called one of Marvel’s great villains in sometime, which is hard to argue. His reasoning isn’t revealed until the very end, but everything he does up until that point is very slow and when it’s revealed why he’s doing what he is doing, you find it a bit genius, and leads to one most impactful moments of Civil War.
Everyone else, like I said that’s their moments, but this is a Captain America movie, so they don’t completely steal the show. Unless you’re Spider-Man. Tom Holland, who has a descent amount – not too much – screen time is great. You get a good feel for what we’re going to expect in Spider-Man: Homecoming. We should save our judgment for what we think of Holland as the character until we actually watch Homecoming, but so far, I really like what we have so far.
All right, so the big brawl that has been promoted in all the ads was pretty damn great. Matter of fact, all the action in the film is pretty top notch. Not only that, all the action sequences feel and are very personal. I won’t get into why, but watching the film you’ll know why. But the big brawl that happens at the airport is one of the best parts of the whole film, and one of the best action sequences in the Marvel Cinematic Universe. There are a lot of surprises in there as well, which I obviously won’t spoil here, but as a fan, I didn’t think they would go there. However, after the brawl, a lot of steam and momentum gets sucked out of the film, which to me, is the only real misstep of the film.
All in all, Captain America: Civil War is one of the best films that Marvel has done. It also shouldn’t have worked with all its moving parts, but what a tremendous job by everyone involved to make it work, to make it fun, and make it emotionally challenging to watch. There a only a couple of missteps, but overall, I would not hesitant a minute to put Captain America: Civil War on my top five best Marvel films of all time. Maybe, even the top five comic book movies of all time.
Captain America: Civil War
4.5 out of 5
Hello Boys and Girls!
It’s the beginning of the Summer Movie Season!
What better way to start off this run of movies than a great month of films. We got a lot of films to get to, so let’s get to it!
Limited Release: A Bigger Splash
The vacation of famous rock star (Tilda Swinton) and a filmmaker (Matthias Schoenaerts) is disrupted by the expected visit of an old friend (Ralph Fiennes) and his daughter (Dakota Johnson). This creates a whirlwind of jealousy, passion and a dangerous situation for everyone. The film got some buzz on the film festival circuit and with a cast like this, I can imagine why.
Captain America: Civil War (Action Thriller – Walt Disney Studios Motion Pictures/Marvel Studios)
One of the biggest, and arguably best, comic book storylines that Marvel has ever done is hitting the big screen. Civil War sees The Avengers in a rift after an international incident – that may or may not have been caused by Steve Rogers/Captain America’s old friend Bucky Barnes/The Winter Soldiers (Sebastian Stan) – causing the world enlist a law that hinders the actions of “enhanced” people. The law splits the Avengers, one side led by Steve and the other by Tony Stark/Iron Man (Robert Downey Jr.). The film looks damn great and I can’t wait to see how they bring the story to the big screen. Captain America: Civil War also stars Scarlett Johansson, Elizabeth Olsen, Chadwick Boseman, Anthony Mackie, Jeremy Renner, Paul Bettany, Don Cheadle, Frank Grillo, Paul Rudd, Tom Holland, Emily VanCamp, Daniel Bruhl, and William Hurt
Limited Release: Kill Zone 2 (Action)
This one is really more for me. A sequel, and separate story, for the great SPL – or Killzone as it was renamed in America – film, Kill Zone 2 follows an undercover cop Kit, played by Wu Jing, going into prison to catch the mastermind of a crime syndicate (Louis Koo). But when things go wrong in the prison and a riot breaks out, Kit must work with a guard Chai (Tony Jaa), who has his own reasons for being in the prison, to survive and get what they want.
Limited Release: The Lobster (Romance Dramedy)
Colin Farrell stars in a near dystopian future where single people, according to the laws of The City, are taken to The Hotel, where they are obliged to find a romantic partner in forty-five days or are transformed into beasts and sent off into The Woods. The film has already received a mix reaction, mostly positive, in the festival circuit, so now it can find a new audience. Also starring are Rachel Weisz, Ben Whishaw, John C. Reilly, Michael Smiley and Lea Seydoux.
Limited Release: High-Rise (Sci-Fi Action Drama)
Based on the novel by J.G. Ballard, Tom Hiddleston stars as the manager of a tower block where the residents’ life starts to run out of control. The movie has an impressive cast of Jeremy Irons, Sienna Miller, Luke Evans, Elisabeth Moss, Sienna Guillory and James Purefoy.
The Darkness (Horror – Universal Pictures/Blumhouse Productions/Chapter One Films)
A family returns from a Grand Canyon vacation with a supernatural presence in tow. The film stars Kevin Bacon, Radha Mitchell, David Mazouz, Lucy Fry, Matt Walsh, Jennifer Morrison, Parker Mack, Ming-Na Wen, and Paul Reiser. The movie looks pretty damn creepy and could have some great horror moments.
Money Monster (Drama Thriller – Sony Pictures/TriStar Pictures/Village Roadshow Pictures/Smokehouse Pictures/Allegiance Theater)
Kyle (Jack O’Connell) loses all of his family’s money on a bad tip from Lee Gates (George Clooney), a TV personality whose insider tips have made him the money guru of Wall Street. Kyle then holds Lee and his entire show hostage on air threatening to kill Lee is he does not get the stock up 24 and half points before the bell. During the hostage situation sheds light on a possible scandal involving the company in question. The film will undoubtedly, and does already really, have economic ties. Money Monster also stars Julia Roberts, Dominic West, and Giancarlo Esposito.
The Nice Guys (Crime Thriller – Warner Bros./Silver Pictures/Waypoint Entertainment)
Directed by Shane Black – and supposed spiritual sequel to Kiss Kiss Bang Bang – The Nice Gusy follows a private eye (Ryan Gosling) and a “fixer” (Russell Crowe) who are hired by a government officer (Kim Basinger) to track down her daughter who is being tracked down by the mob, who are moving in to L.A in the 1970s. The film looks damn hilarious and I can’t wait to watch this. The film also stars Matt Bomer, Rachele Brooke Smith, Margaret Qualley, Ty Simpkins, and Keith David.
The Angry Birds Movie (Animation – Sony Pictures Animation/Columbia Pictures/Village Roadshow Pictures/LStar Capital/Rovio Entertainment)
Based on the popular mobile app game, The Angry Birds movie follows the angry birds from the game as they are invaded by pigs. The voice cast includes Jason Sudeikis, Danny McBride, Bill Hader, Josh Gad, Maya Rudolph, Jillian Bell, Keegan-Michal Key, Kate McKinnon and Peter Dinklage
Neighbors 2: Sorority Rising (Comedy – Universal Pictures/Good Universe/Point Grey Pictures)
Following the events of the first film, married couple Mac (Seth Rogen) and Kelly (Rose Byrne) finds themselves once again living next to a partying college home, this time it’s a sorority, and Mac and Kelly enlist Teddy (Zac Efron) to help them fight them off. The film also stars Chloe Grace Moretz, Selena Gomez, Kiersey Clemons, Dave Franco, Ike Barinholtz, Carla Gallo, and Lisa Kudrow.
Alice Through the Looking Glass (Fantasy Adventure – Walt Disney Pictures/Roth Films/Tim Burton Productions/Team Todd)
Alice (Mia Wasikowska) returns back to Wonderland, but this time finds it run by Lord of Time (Sacha Baron Cohen), and has turned the time forward turning Wonderland into a lifeless old world. With the help of new friends, Alice must also uncover an evil plot to put the Queen of Hearts (Helena Bonham Carter) back on the throne, and save the Mad Hatter (Johnny Depp). I didn’t watch the first film as it didn’t really interest me too much, but it looks like the film will take some of the same palette as the first film despite Tim Burton only having a producer credit. The cast, both voice and live-action, also include Alan Rickman, Michael Sheen, Anne Hathaway, Rhys Ifans, Stephen Fry, Timothy Spall, and Andrew Scott.
X-Men: Apocalypse (Action Adventure – 20th Century Fox/Marvel Entertainment/TSG Entertainment/Bad Hat Harry Productions/Donners’ Company/Kinberg Genre)
X-Men: Apocalypse will finally bring one of the biggest X-Men villains in history in Apocalypse (played by Oscar Isaac) to the big screen. Director Bryan Singer promises a jam-packed action film that asks a lot of questions and an end to the new trilogy. The film also has some detachers due to Apocalypse’s look, but I for one can’t wait to watch it. Apocalypse will star James McAvoy, Michael Fassbender, Jennifer Lawrence, Nicholas Hoult, Evan Peters, Olivia Munn, Sophie Turner, Tye Sheridan, Kodi Smit-McPhee, Josh Helman, Lucas Till, Alexandra Shipp, Lana Condor, Ben Hardy, Rochelle Okoye, Monique Ganderton, and Rose Byrne.
What are you looking forward to?
Director: Tim Miller
Writers: Rhett Reese and Paul Wernick
Cast: Ryan Reynolds, Ed Skrein, Morena Baccarin, Gina Carano, T.J. Miller, Brianna Hildebrand, Karan Soni, Jed Rees, and Leslie Uggams
Synopsis: A former Special Forces operative turned mercenary is subjected to a rouge experiment that leaves him with accelerated healing powers, adopting the alter ego Deadpool.
*Reviewer Note: This will be a spoiler free review.*
*Reviewer Note 2: There are post-credit scenes*
It’s been a long time, but fans have finally gotten their Deadpool movie, and it doesn’t suck! After the disaster of trying to bring the character to life in X-Men Origins: Wolverine, and after the “leaked” test footage that took the internet by storm, 20th Century Fox listened to the fans and decided to give the Merc with the Mouth a chance. Not only that they gave the film the Rated-R rating the film really needed for the character. Finally, we see the end result and its one that can possibly make every Deadpool fan happy. Cue the review.
Deadpool has an interesting set up in the first act. It acts as an origin story, for those unfamiliar with the character – which is probably a lot of people – and a “love story” between Wade Wilson (Reynolds) and Vanessa (Baccarin). However, the origin and love story are told in a flashback form during the heavily promoted expressway action sequences. It’s done fairly well and in a true Deadpool, and even comic book, way. The first time Wade meets Vanessa is at his favorite bar that is run by his best friend Weasel (Miiler). The two start an immediate relationship, but it comes crashing down when Wade finds out he has a serve case of cancer. This leads to an encounter with a mystery man (Rees) who promises him he can not only cure his cancer, but make him a superhero. Wade eventually goes and encounters Ajax (Skrein) and his right hand woman Angel Dust (Carano), who tell Wade they aren’t just curing him, they are making him a super slave and are putting him through a rigorous experiment
Of course, something goes wrong in the lab and with the experiment and leaves Wade disfigured. Soon after, Wade promises a mission of revenge to find Ajax in hopes that Ajax will fix his disfigurement so he can go back to Vanessa and live their lives in peace. What follows is an action-packed, one-liner dropping comedy antics.
Now, Deadpool definitely won’t be for everyone. It’s brash, over-the-top, some will find it offensive, and with that the humor is something you either go with or just won’t find funny. However, there is no denying that Deadpool is a ton of fun to sit through and watch. Of course, that doesn’t mean its perfect – no film is. Despite the long wait, there are some things that just don’t click in the film, and one of them is something that drives Wade/Deadpool throughout the film: the love story. There’s nothing wrong with Reynolds and Baccarin’s chemistry and most of it is great, but the love story is a bit thin and won’t be the thing you’re talking about walking out.
The other underdeveloped and weak point is the villain. Ed Skrein fares better here than he did in The Transporter Refueled, but his character is only okay and doesn’t really do anything to stick out too much. Same can be said for Gina Carano’s Angel Dust, although she does have a highlight moment near the end of the film, but the character doesn’t do much other than stand next to Ajax and look menacing.
The other supporting cast do well with what they have. Going back to Morena Baccarin, she plays the part well and does the best she can with what she’s given. Leslie Uggams, who plays Blind Al, Deadpool’s roommate is pretty great and her scenes with Wade/Deadpool are damn hilarious and is involved in one of the funniest moments of the film. Briana Hildebrand’s Negasonic Teenage Warhead is pretty cool, but her scenes are limited only when Colossus – voiced by Stefan Kapicic and facial performance by Greg LaSalle – is around. Speaking of Colossus, he is treated so much better here than he was in the X-Men films and actually has more screen time than I thought he would. Finally, T.J. Miller, who I’m not really a big fan of, is great in this, especially when he’s with Reynolds. Any time the two are together, you’ll definitely being laughing.
What makes Deadpool work is Ryan Reynolds. Deadpool I think would have not worked if it wasn’t for Reynolds, his quick wit and perfect comedic timing. Reynolds himself is a huge fan of the character, as are the writers of the film in Rhett Reese and Paul Wernick – both of which also wrote Zombieland and G.I. Joe: Retaliation – and director Tim Miller, which adds a nice added layer to the care that they took to create and bring the character to life on the big screen. The other thing about Reynolds is that he never really lets up. Wade/Deadpool is always talking so the jokes and one-liners are always in full swing. That being said some of the jokes tend to fall flat, but believe me, that’s a rare thing. Deadpool’s humor might be an acquired taste, but I’m sure even non-Deadpool fans or people that are not fans of the humor will find some of the jokes funny. Crass at times, and targets some people, but funny nonetheless.
All that is thanks to the rare comic book movie rating of being Rated-R. I’m not really one to complain about rating or get into a movie rating argument, because honestly for me, it doesn’t matter what a movie is rated as long as it’s good or highly entertaining. However, I did agree with many to say that Deadpool need to be Rated-R to really be a proper adaptation of the character and his wacky – to put it lightly – personality. The personality of Deadpool is also something non-fans will have to get use to, but Deadpool fans will highly appreciate and feels like the character jumped right out of the comic book.
All in all, Deadpool has been a long time coming, and thankfully it’s finally here and is damn great. Right from the opening credits – which are awesome – you know exactly what you’re getting into. Is it perfect? No, but Ryan Reynolds pulls you in and takes you on this crazy ride and a damn enjoyable one at that.
4.5 out of 5
Dir: Josh Trank
Writer(s): Josh Trank, Jeremy Slater, and Simon Kinberg
Cast: Miles Teller, Michael B. Jordan, Kate Mara, Jamie Bell, Toby Kebbell, Tim Blake Nelson and Reg E. Cathey.
Synopsis: Four young outsiders teleport to an alternate and dangerous universe which alters their physical form in shocking ways. The four must learn to harness their new abilities and work together to save Earth from a former friend turned enemy.
*Reviewer Note: This will be a spoiler free review.*
The Fantastic Four aka “Marvel’s First Family” is very beloved by many fans. However, 20th Century Fox has never really been able to nail down the characters. Tim Story’s 2005 film, and its sequel in 2007 were not received well and came off as too goofy and campy. Enter the age of gritty and darker comic book movies and Josh Trank brings his take – sort of – to the Fantastic Four with a movie more connected to science instead of science-fiction, with elements of experiments gone wrong and familiar characters. However, it’s all the behind-the-scenes drama that most people will probably remember from his reboot.
I don’t want to focus on the behind-the-scenes drama because if you walk in to the movie with all that in your head, as much as you want to enjoy the movie for what it is – which you should always do that – it will get to you. However, Trank isn’t completely to blame, at least according to some well place and reliable people. That being said, this review will ONLY focus on the movie and not things that unfortunately happened. I will just say this, Trank and Fox may take the hits, but at the end of day, it’s the fans that lose.
The movie starts off by showing us a young Reed Richards (Owen Judge) building a machine that he believes at the time to only be a teleporter. With the help from a young Ben Grimm (Evan Hannermann), the two pull it off. Up ahead seven years, an older Reed (Teller) and Ben (Bell) try to show off their invention at a science fair only to be disqualified because they think it’s a magic trick. However, Reed and Ben meet Dr. Franklin Storm (Cathey) and his adopted daughter Sue (Mara), who sees Reed’s invention as the last piece of their own project they’ve been doing. Reed gets to go work at the Baxter Institute where he continues his work.
Franklin Storm eventually brings in a resentful former worker and co-founder of the project they bought Reed into do, Victor Von Doom (Kebbell) and Johnny (Jordan) to help finish transporting to another dimension. Seeing that the machine works, and it is possible to travel safely to the alternate dimension, the project takes a bump that they didn’t see coming. So Reed calls Ben so the two, along with Victor and Johnny, can go and see their work for themselves. However, disaster hits as the four try to return and as they try to head back the four – along with Sue by accident – becoming affected with abilities they don’t know and can’t explain.
For all intent-and-purposes, Fantastic Four is an origin story. The characters are new version from what you’ve seen before. In fact, the movie tries to play them as teenagers. Yes, teenagers: Miles Teller, who is 28, and Jamie Bell, who is 29, are treated as that and when we see the “adult” versions of them, they are in a science fair in school. Sue is apparently the same age or maybe older, and Johnny is able to drive – the first time we see him he’s street racing – and tells his father during an encounter later in the movie that he’s in adult. Victor is the most notable adult of the five. The age issue is probably a small thing, and not the worse part of this movie, but it is odd once you think about it.
The nice thing about the film is, for the most part, you know who these characters are. Reed wants his work to mean something and do good for everyone, he’s not doing it for the fame. Sue wants the same thing, but goes about it for own way. Johnny wants to be his own man and doesn’t want to really follow in his father’s footsteps although he could. Victor is driven by ambition and doesn’t want his work to be messed with by anyone, especially the government.
The least developed character at the start is Ben Grimm. The only thing we get from his character is that he comes from a poor income family and gets beaten up by his older brother. Once he gets turned into The Thing he becomes angry, but, he uses his anger. It’s hard to talk about it because I don’t want to get into spoilers, but there is a single shot that connects to what he’s been up to since turning The Thing, that I thought would be a great place to go and have that be a new character trait or something that can change the character that we’ve known for ages. But, no, instead it gets tossed aside and it never mentioned again.
I’ll say this, the first two-thirds of the movie work, even with the middle of the movie being a bit sluggish and unbalanced. Fantastic Four is a filled with action. Instead it brings the focus to the characters and dealing with their newfound abilities. Instead of automatically embracing it, they are actually scarred, especially Ben, who of course gets the worse of it. The film jumps a year after they get their powers and sees them be able to use them. It did irk me that we couldn’t see the actual scenes of them learning how to use their powers because it would have given us an extra layer to attach to, but as is some of the rest of the movie, a missed opportunity.
Now, that’s the first two-thirds, and again, it isn’t that bad as many are saying it is. It’s not perfect. However, the final act of the movie is what really hurts Fantastic Four, so much so that no matter how hard I tried to not think of the behind-the-scenes problems, I thought of them, and you can clearly see some of the problems. Moreover, the final act is way too rushed and kills any sort of potential and monument the movie had. It’s almost a shame to say, because you obviously you want a movie to end strong, but Fantastic Four’s ending feels like they were doing too much in little time.
The cast does okay with what they are given. Miles Teller is pretty reserved here and doesn’t step foot into the typical leadership role until the very end. Kate Mara’s Sue Storm has her very brief moments to shine, but gets a little stronger as the movie goes on. Jaime Bell, again, is one of the most underdeveloped characters as human Ben Grimm and even The Thing. There was some great potential for his character, but they don’t do anything with it. Also, the CGI-d Thing isn’t too bad. It’s probably the best effect the movie has, which is saying something because some of the CGI is a bit wonky in areas.
Michael B. Jordan is okay as Johnny Storm aka The Human Torch. He a certain attitude to him that makes sense when you look at everything that he goes through. Of course, everyone was up in arms when he was cast as Johnny and the question of race came up – along with some disturbing and disgusting comments – but no one batted in eye when Reg E. Cathey was cast as Franklin Storm. Anyway, the stupid argument of race doesn’t even matter at the end since Sue is the one that’s actually adopted. The adoption is bought up about twice, never to full effect, but it almost doesn’t matter. Which brings me to my next point.
The four never really feel like a full fledge team. Instead when they face Doom at the end, it feels like they are just teaming up because Doom is trying to kill everyone on Earth. Even when the movie tries to make it seem like they’ve always been together as a group, it feels forced. Yes, the argument could be made that it is an origin story and this is how they become the team or they haven’t earned the team at this point, but considering Sue and Johnny are supposed to be siblings, and Ben and Reed are suppose to be best childhood friends – although they only have a few scenes together and some don’t even work – the group doesn’t blend well together.
As for Toby Kebbell’s Victor Von Doom aka Dr. Doom, or just Doom, well, let’s just say that it isn’t all that great. Kebbell is a great actor and is finally getting some recognition for that, but wow, did Fox mess this up. I’m even going to say that Victor is a better character than Doom, and Doom has superpowers! Maybe it was because there isn’t enough Doom in the movie, and even his short screentime isn’t the best. I think if his look was different, than the scenes of him using his powers could have been more terrifying. I’m indifferent about the look, only because of the way they went about making the look. Unfortunately, even Kebbell couldn’t save the character.
Reg E. Cathey is highly misused here and no thanks to some weird editing – most likely by Fox when the kicked Trank out of the editing process – is robbed of what could have been a great scene with Jordan before the final act. Tim Blake Nelson plays a greedy government official that chews up any scene he’s in, but the role is wasted on Nelson, who is a great actor, because it really adds nothing, other than have a human antagonist opposite Doom.
All in all, Fantastic Four is not as bad as people and critics are saying. The movie isn’t fantastic (sorry, I had to), but it isn’t terrible either. The final act of the movie does hurt the film a lot because of how rushed it feels and the terrible structure of it. The behind-the-scenes drama coming out does hurt the film a bit, but only because it is extremely noticeable in a lot of places. Also, there are quite a few shots in the trailer that seemed really cool that aren’t even in the movie! So be ready for that. Yes, Fox and Josh Trank will take the hit, but it is us the fans that suffer from all the drama. So is Fantastic Four worth watching? In most cases it is, and then the ending comes around, and then it isn’t.
2.5 out of 5