Mini-Reviews: Snatched and King Arthur: Legend of the Sword

Hey everybody!

Welcome to another edition of Mini-Reviews. Been a while since I’ve done one of these, so please, bare with me. So let’s get to it, shall we?

 

*As always, these will be spoiler free reviews*

 

Snatched

Director: Jonathan Levine

Writer: Katie Dippold

Cast: Amy Schumer, Goldie Hawn, Ike Barinholtz, Wanda Sykes, Joan Cusack, Tom Bateman, Bashir Salahuddin, Oscar Jaenada and Christopher Meloni

Synopsis: When her boyfriend dumps her before their exotic vacation, a young woman persuades her ultra-cautious mother to travel with her to paradise, with unexpected results.

 

Snatched follows Emily (Amy Schumer), who has not only been fired from her job, but also gets dumped by her boyfriend (Randall Park) and has booked a non-refundable trip to Ecuador. This leads her to go to her overly cautious mother, Linda (Goldie Hawn), to go with her especially after discovering an old photo album that showed a younger Linda on adventures. When Linda finally breaks down, the two end up in Ecuador where they meet a pair of tourists Ruth (Wanda Sykes) and her partner Barb (Joan Cusack), who was in the Special Forces. However, Emily connects with a good looking stranger, James (Tom Bateman) who shows her a good time before taking her and Linda to see the rest of the island. The three end up in an accident with Emily and Linda being held captive, and having to find a way to escape.

The film surprisingly works when it completely goes for ridiculous moments, rather than quick-witted humor. In fact, the ridiculous moments actually made the film more bearable for me to watch. I’ve admitted that I’m not the biggest Amy Schumer fan, but I didn’t let that effect the way I watched the film, and with that said, Schumer isn’t even the funniest person in her own movie. Schumer’s Emily could come off as unlikeable and annoying, and I wouldn’t blame you, but her relationship with Goldie Hawn’s Linda is the main focus of the film.

The mother-daughter dynamic starts off almost immediately and isn’t that bad, but the real deeper moments are far apart and actually feel real and not forced. Its arguments you can with our mothers and the resolution isn’t really always there and a quick answer. Schumer and Hawn handle those scenes so perfectly that for just a brief second you forget the comedy aspect of the film.

One of the things that makes Snatched work is the supporting cast, mainly the chemistry and scenes between Ike Barinholtz’s agoraphobic adult son Jeffrey and a State Department official Morgan Russell played by Basir Salahuddin. Anytime the two are on screen, you will be laughing hard – I know I did. Then there’s Christopher Meloni’s character, Roger Simmons, who I won’t spoil, but I’ll just say this – he’s a great and welcome addition to the ridiculous that is this movie. The same can’t be said for Oscar Jaenada, who plays the man in charge that kidnaps Emily and Linda, is wasted in the film, but it isn’t his film to begin with so I can forgive that.

All in all, Snatched works when it’s over-the-top. Not all the jokes work, and even the ones that do are a little iffy. Even though Amy Schumer is the lead in the film, the supporting cast is what makes this movie work on the levels that it does.

Snatched

3 out of 5

 

 

King Arthur: Legend of the Sword

Director: Guy Ritchie

Writers: Guy Ritchie, Lionel Wigram, Joby Harold

Cast: Charlie Hunnam, Astrid Berges-Frisbey, Djimon Hounsou, Jude Law, Aidan Gillen, Kingsley Ben-Adir, Neil Maskell, Tom Wu, Freddie Fox, Craig McGinlay and Eric Bana

Synopsis: Robbed of his birthright, Arthur comes up the hard way in the back alleys of the city. But once he pulls the sword from the stone, he is forced to acknowledge his true legacy – whether he likes it or not.

 

King Arthur: Legend of the Sword starts off with a lengthy opening credits scene showing off Arthur’s father Uther (Eric Bana) facing a powerful Mage attacking his castle. It gives us a tease of the power of the sword Excalibur. After his battle, Uther’s brother Vortigern (Jude Law) plans a coup and kills Arthur’s parents, but not before they were able to send a young Arthur down the river. We jump forward in time and find a now grown up Arthur (Charlie Hunnam), who grew up in a brothel, and with his two friends Wet Stick (Kingsley Ben-Adair) and Back Lack (Neil Maskell) have a good thing going. They protect the girls at the brothel, and take a little bit of money from people on the street. However, when the seas by the castle start to recede, they reveal Excalibur, and Vortigen finds out that the sword has found a new person to wield it and use it against him.

The search wages and eventually Arthur finds his way there. When he pulls the sword from the stone and instantly becomes a target and a legend among the people. Arthur is then saved and works with his father’s old allies in Bedivere (Djimon Hounsou), Goose Fat Bill (Aidan Gillen) and The Mage (Astrid Berges-Frisbey). What follows is Arthur coming to terms with not only learning to use the sword and defeat Vortigern, but become the legend the people think he is.

Legend of the Sword has many things working for it. The Guy Ritchie touch is welcomed to a story we’ve heard, read and seen numerous times. One of the best moments in the film is when Arthur and his friends are recounting a story about a troublesome group and what happened – it’s Guy Ritchie at his finest. In fact, the film works better when it’s not focusing on the mystical side of things. Seeing Arthur as a street-level grounded character was a good way to go with his concept.

That’s not to say some things don’t work. When the film goes all in on the mystical side of things, some of it stumbles. The idea that humans and Mages are at war – said at the beginning of the film – doesn’t really pay off for the rest of the film. Other than Vortigern having some powers and the character The Mage, that part isn’t really brought up again. Even some of Voritgern’s powers that are introduced don’t really make too much sense or are never really developed. Speaking of Vortigern, Jude Law does an okay job, but his character isn’t really all that fleshed out.

When it comes to the rest of the cast, Charlie Hunnam does fair job as Arthur. Obviously, it is a different take on Arthur, and Hunnam’s performance is connected to the sword as it shows him the last moments of his parents, which already keeps him up at night. Also, his chemistry with Ben-Adir’s Wet Stick, Maskell’s Back Lack and Bleu Landau’s Blue (son of Back Lack) works really well. Astrid Berges-Frisbey’s The Mage, keeps her cards close to the vest, but her powers are on full display throughout the film. Djimon Hounsou and Aidan Gillen are there to add a boost to the supporting characters, and do a find job at that.

The third act of the film however, is when Ritchie falls into summer box office territory. It goes completely over-the-top with the special effects and mystical side of things. It also gets a little hard to follow and feels a bit out of place even within the perimeters that film has set for itself.

All in all, King Arthur: Legend of the Sword isn’t all that bad. There’s a lot of good concepts within the film, and although some things don’t really work out or are either underdeveloped or not fleshed out enough, the film never falters too much. Needless to say, this isn’t your parents King Arthur.

King Arthur: Legend of the Sword

3.5 out of 5

May Movie Releases

Hello Boys and Girls!

It’s the beginning of the Summer Movie Season!

What better way to start off this run of movies than a great month of films. We got a lot of films to get to, so let’s get to it!

 

5th

Guardians of the Galaxy Vol. 2 (Sci-Fi Action – Marvel Studios/Walt Disney Studios Motion Pictures)

The Guardians (Zoe Saldana, Dave Bautista, Bradley Cooper and Vin Diesel) must fight to keep their newfound family together as they unravel the mysteries of Peter Quill’s (Chris Pratt) true parentage. Old foes become new allies and fan-favorite character from the classic comics will come to our heroes’ aid as the Marvel cinematic universe continues to expand. The returning cast includes Karen Gillan, Michael Rooker, Nathan Fillion (playing a different character), Sean Gunn, and Glenn Close. The film’s new cast includes Kurt Russell (Quinn’s father, Ego), Sylvester Stallone, Chris Sullivan, Pom Klementieff, and Tommy Flanagan.

 

 

12th

Limited Release: The Wall

Directed by Doug Liman, an American sharpshooter is trapped in a standoff with an Iraqi sniper. The film was suppose to come out in March, but got pushed back to May, but either way it looks great. The Wall looks like a tension-filled drama I can’t wait to see. The film stars Aaron Taylor-Johnson, Laith Nakli and John Cena.

 

 

Lowriders (Drama – Universal Pictures/BH Tilt/High Top Releasing/Imagine Entertainment)

A young street artist in East Los Angeles is caught between his father’s obsession with lowrider car culture, his ex-felon brother and his need for self-expression. The film stars Theo Rossi, Tony Revolori, Eva Longoria, Melissa Benoist, and Demian Bichir.

 

 

Snatched (Comedy – 20th Century Fox/Cherin Entertainment/Feigo Entertainment)

After being dumped by her boyfriend, Emily (Amy Schumer) decides to take a spontaneous trip with her mother (Goldie Hawn) to Ecuador, where they find themselves kidnapped, escaping and having to go on the run. The film stars Christopher Meloni, Oscar Jaenada, Ike Barinholtz, Tom Bateman, and Wanda Sykes.

 

 

King Arthur: Legend of the Sword (Fantasy Adventure – Warner Bros./Village Roadshow Pictures/Wilgram Productions/Safehouse Pictures/Weed Road Pictures)

Directed by Guy Ritchie, the film takes the very Ritchie tone to bringing a new take to the classical character Arthur played by Charlie Hunnam. The film sees Arthur, a street-smart brawler who finds himself drawn into a battle when he takes possession of the sword Excalibur. The film stars Jude Law, Annabelle Wallis, Katie McGrath, Djimon Hounsou, Astrid Berges-Frisbey, Hermione Corfield, Aidan Gillen and Eric Bana.

 

 

19th

Diary of Wimpy Kid: The Long Haul (Family Comedy – 20th Century Fox/Color Force)

Continuing the series based off the books by Jeff Kinney, Greg (Jason Drucker) convinces his family to take a road trip to attend his great grandmother’s 90th birthday as a cover for what he really wants: to attend a nearby gamer convention. Unsurprisingly, things do not go according to plan and the Heffley family antics ensue. The film also stars Charlie Wright, Tom Everett Scott, Owen Asztalos, Carlos Guerrero, and Alicia Silverstone.

 

 

Everything, Everything (Romance Drama – MGM, Alloy Entertainment, Itaca Films)

Based on the novel by Nicola Yoon, a teenager who’s lived a sheltered life because she’s allergic to everything, falls for the boy who moves in next door. The film stars Amandla Stenberg, Nick Robinson, Ana de la Reguera, Taylor Hickson, and Anika Noni Rose.

 

 

Alien: Covenant (Sci-Fi Thriller – 20th Century Fox/Scott Free Productions/TSG Entertainment/Brandywine Productions)

The crew of the colony ship Covenant, bound for a remote planet on the far side of the galaxy, discover what they think is an uncharted paradise, but is actually a dark, dangerous world. When they uncover a threat beyond their imagination, they must attempt a harrowing escape. The film looks like it’s finally an Alien prequel, and bloody. Very, very bloody. The cast includes Michael Fassbender, Katherine Waterston, Billy Crudup, Carmen Ejogo, Demian Bichir, Danny McBride, Callie Hernandez, Noomi Rapace, James Franco, and Guy Pearce.

 

 

25th

Baywatch (Action Comedy – Paramount Pictures/Seven Bucks Productions/The Montecito Picture Company/Cold Spring Pictures/Contrafilm)

Two unlikely prospective lifeguards vie for jobs alongside the buff bodies who patrol a beach in California. Dwayne Johnson, Zac Efron, Alexandra Daddario, Ilfenesh Hadera, Jon Bass, Kelly Rohrbach, Priyanka Chopra, Hannibal Buress, Pamela Anderson, and David Hasselhoff.

 

 

26th

Pirates of the Caribbean: Dead Men Tell No Tales (Action Adventure – Walt Disney Studios Motion Pictures/Jerry Bruckheimer Films/Moving Picture Company)

Captain Jack Sparrow (Johnny Depp) searches for the trident of Poseidon when an old enemy from his past comes to haunt him. The film also stars the returning Orlando Bloom, Geoffrey Rush, Javier Bardem, Brenton Thwaites, Kaya Scodelario, Kevin McNally, Martin Klebba, Stephen Graham, David Wenham, and Paul McCartney.

 

 

What are you looking forward to?

‘Deliver Us from Evil’ Review

deliver_us_from_evil

Dir: Scott Derrickson

Cast: Eric Bana, Edgar Ramirez, Olivia Munn, Chris Coy, Sean Harris, Olivia Horton and Joel McHale

Synopsis: NY police officer Ralph Sarchie investigates a series of crimes. He joins forces with an unconventional priest, schooled in the rituals of exorcism, to combat the possessions that are terrorizing their city.

 

 

*Reviewer Note: This will be a spoiler free review.*

 

 

Based on retired NYPD detective Ralph Sarchie’s memoir “Beware the Night,“ (I have not read the book so I don’t know how faithful it is) Deliver Us From Evil follows Bronx cop Sarchie (Bana) as he investigates a series of grisly and eerie crimes that end up being connected by the supernatural. He eventually crosses paths with a Jesuit priest and exorcist Mendoza (Ramirez). Mendoza tells him that there is two types of evil, and the evil he’s dealing with is one that he should not underestimate. Sarchie however doesn’t believe Mendoza because, of course, everything can be explained. Sarchie also has a hard time believing in religion because he never got anything from it. This leads the two of them to down a dangerous path against a demon.

 

Scott Derrickson (The Exorcism of Emily Rose, Sinister), who has quickly become one of my favorite directors (and will direct Marvel’s Doctor Strange), gives the movie a nice mix of police procedural and supernatural thriller. The police material is great and for the first half of the movie, it’s all cop stuff with some supernatural aspects with the second half following more of the supernatural with some cop stuff. The good thing is that Derrickson does not give too much of the supernatural elements. He teases us throughout the movie but not enough to annoy but enough to keep us interested. That’s one of the things Derrickson does so well in his movies. It’s the slow builds that make the third acts in his movie worthwhile. Like his other films Derrickson manages to evoke gritty imagery and makes New York, more partially, the Bronx a character in itself.

 

The supernatural stuff is more or less of the same we’ve seen in other movies. It’s creepy, disturbing, eerie and sometimes gut-wrenching. But Derrickson already has a knack for directing the genre that it still creeps you out when it unfolds. The demon’s plot, might seem a little “meh” for people but once we find out what’s going on we are already invested in Sarchie’s character and everything else that it (at least to me) didn’t matter.

 

There are some things that might take some people out of it. Obviously for the sake of no spoilers I won’t write them, but considering this is a supernatural/demon/exorcism movie, it hopefully won’t throw people off that much.

 

As for the cast, mostly everyone does a pretty good job. One of the missteps is Olivia Munn’s wife character. It’s nothing against her and her acting but more dealing with her character being underwritten and really having nothing to do expect for two scenes. Surprisingly, and nothing against him because I do like him, Joel McHale gives a nice turn as a badass and Sarchie’s wise-cracking partner who has a thing for knifes.

 

Eric Bana is reliable as ever and plays Sarchie as the audience’s skeptical surrogate. And props to him, and the rest of the cast, for putting on strong New York accents but Bana gets the most props since he’s not even American. Next to Bana, the movie’s other highlight is Edgar Ramirez. Most exorcists in movies tend to be old men whose faith is either tested or being lost but Ramirez’s Mendoza is much more complicated than that. His past isn’t a bright one but it’s that past that makes him keep his life together. He drinks, smokes, checks out girls, and wears a leather jacket, but that doesn’t stop him from knowing what has to be done.

 

A special mention also has to be given to Sean Harris as the man possessed making Sarchie and Mendoza’s life hell (no pun intended). The character could have been laughable or just a character that stands in the shadows. It’s Harris’ intense performance alongside Bana and Ramirez’s that make the demon-battling scenes a little more give. The same is to be said about Olivia Horton’s Jane, which we’ve seen in the promotional material.

 

All in all, Deliver Us from Evil might be a little dull than the other exorcism movies but Derrickson manages to keep us invested with his powerful imagery. Add Bana, Ramirez, and Harris’ performances and it makes the movie a little stronger and much more than an exorcism movie.

 

 

Deliver Us from Evil

4.5 out of 5