My Worst, Disappointing, Least-Like Movies of the Year

It’s the end of the year boys and girls, you know what that means? It’s list time!

I’ll put up my list of “Best/Favorite” movies of the year later, but with all those best and favorite movies I have, I had to sit through some stinkers. Some of these I knew weren’t going to be any good walking in, but I ended up taking the hit anyway. The list ranges all over the place, so don’t think I’m attacking certain movies because it’s easy. I walk into every movie with a clear mind and soaking up the movie for what it’s worth. Good or bad.

The list will have the movies in alphabetical order, just to be fair, and because I really don’t want to go through the trouble anymore of picking a number one because they weren’t good enough to make it on my other list. Like all lists, this is my opinion! So if you don’t agree that’s perfectly fine, and probably justified. Finally, there are other movies that could have gone on the list, but these are the ones that truly stuck out. Alright, let’s get this over with.

 

Dishonorable Mentions

Blackhat (Universal Pictures/Legendary Pictures/Forward Pass)

Hitman: Agent 47 (20th Century Fox/TSG Entertainment/Infinite Frameworks Studios/Fox International Productions)

Hot Tube Time Machine 2 (Paramount Pictures/MGM)

Taken 3 (20th Century Fox/EuropaCorp/Canal+/TSG Entertainment/M6 Films/Cine+)

The Transporter Refueled (EuropaCorp/Fundamental Films/TF1 Films Productions/Belga Films/Canal+)

 

 

Disappointments/Least-Liked/Worst Movies of the Year

Aloha (Sony Pictures/Fox/Columbia Pictures/Vinyl Films)

Cameron Crowe’s latest film was hit with criticism with “white-washing” and keeping the film from critics to review just a couple days before release (not the only film on this list that did that). However, watching the film you can see why they kept it away from critics. Aloha had a great cast of Bradley Cooper, Emma Stone, Rachel McAdams, John Krasinski, and Bill Murray. Sadly, they couldn’t save this. The film tries to have high stakes, but only when it wants to, and it even felt ridiculous at times. Overall, the film was very uneven that at times made the film boring.

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Fantastic Four (Fox/Marvel Entertainment/Marv Films/TSG Entertainment)

This one definitely goes into the disappointing and worst section. 20th Century Fox can’t nail down “Marvel’s First Family,” and it is strike three for them. Of course, it didn’t help that there was so much behind-the-scenes drama between the studio and director Josh Trank, and the troubling reshoots and scenes in the trailer that are nowhere in the film. Despite all that, like I said in my review: The fans lose in this, not Fox or Trank, us because we want to see a good Fantastic Four movie and what we got crap. Started out good, but crap nonetheless.

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Jupiter Ascending (Warner Bros./Village Roadshow Pictures/Dune Entertainment)

I really wanted to like this movie more than I did. There are some great scenes in there, but the film felt way too big for its own good. The Wachowskis seemed like they were doing a lot of world building, but it all felt too condense and rushed with nothing having time to breathe. Dare I say, it probably would have worked better as a mini-series instead of a movie, but that’s just my opinion. The first sign was indeed the release date switch, when they pushed back the release date by a year.

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Maggie (Liongates/Roadside Attractions/Grindstone Entertainment Group/Gold Star Films/Lotus Entertainment/Silver Reel/Gold Star Films/Matt Baer Films)

I wasn’t expecting too much of Maggie, but I walked in open-minded (as always) to watch a different take of the zombie genre. Arnold Schwarzenegger as a father dealing with his daughter, played by Abigail Breslin, being infected with virus that is turning people into zombies was interesting to see. However, Maggie’s slow burn didn’t really do the film any favors as the film felt too slow at times and when something powerful happened it took me a while to actually register it because I had to catch up at times. One thing that made me put the film on the list was the ending. The ending looked like it was going to go down a very powerful route, but instead went out in a whimper, and didn’t take the risk that that film could have really made and where they were potentially hinting at. I will say that Arnold as a father figure was great to see.

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Paranormal Activity: The Ghost Dimension (Paramount Pictures/Blumhouse Productions)

I was a fan and defender of the Paranormal Activity films up until the third installment, and I enjoyed most of the spinoff The Marked Ones, but the series showed signs of losing it during the fourth installment. It seemed like the series just didn’t care anymore, and while it tried to add new things to the series, it just never kicked off the way they probably thought it would. As for The Ghost Dimension, the last of the series, it just didn’t do it for me. The supposed answers we were promised were rushed and lackluster, and the ending was just weak and not a good end to the series at all. The movie felt like just another installment that was setting up the real final installment. Another case of a good series losing it momentum by the end, and overstaying its welcome.

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Paul Blart: Mall Cop 2 (Sony Pictures/Columbia Pictures/Happy Madison Productions)

I didn’t walk in really expecting much from this. I’ll admit, I enjoyed the first Paul Blart: Mall Cop. It had its funny and goofy moments, but it knew what it was and didn’t take itself too seriously. Unfortunately, the sequel did take itself a little bit too seriously for its own good. The jokes fell flat the majority of the time, and to be honest it just wasn’t that good. All the charm and goofiness the first film had was stripped away and replaced with unnecessary fat jokes and lame/awful jokes.

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Point Break (Warner Bros./Alcon Entertainment/DMG Entertainment/Studio Babelsberg)

Despite my slight optimism for remakes in general, Point Break was a shallow and pointless remake that didn’t do much for me – and probably anyone – and while it had it’s very short and brief moments and a great performance with Edgar Ramirez, Point Break failed on all spectrum’s.

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Seventh Son (Universal Pictures/Legendary Pictures)

Seventh Son felt a bit messy. The movie isn’t horrible, but the movie sometimes feels like you’re already familiar with some aspects of the world and it’s a little off-putting at times. One scene in particular threw me off only because they made the scene feel like it was really important, but emotionally it didn’t come out that way because there was no real investment in character involved.

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Terminator Genisys (Paramount Pictures/Skydance Productions)

Terminator Genisys had some potential, Arnold Schwarzenegger came back, after some fans wanted him back, Alan Taylor was directing, and the film was going to add some new things to the timeline that we all know. Then that second trailer came out. You know, the one that gave away what could have been the biggest twist in the series and potentially a great moment to watch onscreen for the first time. Yeah, that one. Knowing that going in really hurt the movie, and despite their being another layer to the twist, it still wasn’t enough to forgive them for spoiling that big plot point in the trailers, TV spots, and posters.

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The Gallows (Warner Bros./New Line Cinema/Blumhouse Productions/Management 360/Tremendum Pictures)

Another addition to the Found Footage horror subgenre was The Gallows, and like some of the films before it: it wasn’t good. Despite some cool and eerie shots in the movie, one of the characters – mainly holding the camera – was annoying to the point that it took me out of the movie. I can handle annoying characters, but holy hell did he reach a whole new level. Moreover, the motivation and reveal of why the events happen ended up making no sense whatsoever and seemed like a last minute thing. The Gallows may be the worst Found Footage movie I’ve seen.

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The Green Inferno (BH Tilt/High Top Releasing/Worldview Entertainment/Dragonfly Entertainment/Sobras International Pictures)

I’m not the biggest Eli Roth fan, but I’ve slightly enjoyed some of his movies in the past, but The Green Inferno was rough to watch, and not in the way it was supposed to be rough to watch. None of the characters were really all that likeable, with the expectation of maybe two, and even the slow burn and waiting for everything to go to hell isn’t worth the wait. Some of the gore is good – that’s what the film is really about anyway – but overall this wasn’t good at all. This is definitely one of the worst films of the year.

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The Lazarus Effect (Lionsgate/Blumhouse Productions/Relativity Studios)

This one had a ton of potential and even had the cast lead by Olivia Wilde and Mark Duplass to back it up. Unfortunately, the potential of the film disappeared once the film became a supernatural slasher-esque film in the last act. The Lazarus Effect had a great premise behind it, but the execution of it lacked power and left the film underwhelming to watch.

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Tomorrowland (Walt Disney Pictures/A113)

This one hurt. I was actually conflicted to put Tomorrowland on this list and not put it as an “Honorable Mention” on my “Favorite/Best” movies of the year. However, that wouldn’t be extremely fair to the other movies. Tomorrowland had ton of potential, had a great team behind the camera and in front of the camera, but ultimately it was the lack of execution and beating over the head theme (which I loved, but sill) that made this probably one of the biggest disappointments, if not the biggest, of the year.

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So, what were your biggest disappointments, worst, or least-liked films of the year?

‘Hitman: Agent 47’ Review

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Dir: Aleksander Bach

Writer(s): Skip Woods and Michael Finch

Cast: Rupert Friend, Hannah Ware, Zachary Quinto, Thomas Kretschmann, and Ciaran Hinds

Synopsis: An assassin teams up with a woman to help her find her father and uncover the mysteries of her ancestry.

 

*Reviewer Note:  This will be a spoiler free review.*

*Reviewer Note 2: There is a mid-credit scene.*

 

Video game movie adaptations have a rough hill to climb. For one, they take away the interactive aspect of it all, and forces you to watch –essentially– an entire cut-scene. The other – which is the main reason – is that they aren’t always very good, in fact, a lot of the time they are downright terrible. The problem with Hollywood is that forget most video games are fun to play and they take away that fun and make the films just a tad more serious than they probably should be. In other cases, it’s the studio or creative team thinking they can create something on their own and use the basic skeleton of the video games, which is often the reason the films fail. In the case of Hitman: Agent 47, the reboot tries to inject some more aspects of the video game, but still fails to bring a descent adaptation, despite two solid leads.

 

Hitman: Agent 47 starts off by telling us what and when the “Agent” program started. The program was to create Agents, genetically modified assassins, but was eventually shut down. However, a corporation called Syndicate International, lead by Le Clerq (Kretschamann), is looking to restart the program and to do so they need the lead scientist of the program, Litvenko (Hinds). They believe they can find him through his daughter, Katia (Ware), who is also looking for him for personal reasons. So they send John Smith (Quinto) to find her and bring her in, but Agent 47 (Friend) is after them as well with his own agenda.

 

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I did enjoy, for the most part, 2007’s Hitman with Timothy Olyphant as Agent 47, but with this being a complete reboot, Showtime’s Homeland’s Rupert Friend takes over the role and I have to say, he’s a little bit better in the role. Agent 47 is a bit of a tough character to crack in the sense that he’s a genetically modified assassin that had all his feelings stripped away from him. It is really all about the actor playing him and the charisma he brings along with his body language and style. You want to feel this guy is going to kill you and isn’t going to stop until that happens. Friend does bring most of that to the table, and for the most part. Friend brings that Terminator-esque vibe at the beginning as he calmly walks toward Katia and John Smith in a train station. However, I should say, in case you didn’t know, Paul Walker was originally intended to star before he sadly passed away.

 

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Probably one of the best cast members is newcomer Hannah Ware. Katia acts in some ways as the surrogate to the audience and the world of Agents. She plays a rather important part to everything going on, and if you have avoid the trailer – since one of them actually gives it away – I won’t spoil it here. But, it’s a pretty nice addition to the potential series, if they continue making them. Her character at one point feels like she’s going through a “tutorial level” with Agent 47 telling her how she has to deal with her surroundings. Ware does thankfully hold her own and gets involved as much as possible in the action.

 

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The villain side unfortunately doesn’t hold up too much. Thomas Kretschmann’s Le Clerq feels like he’s suppose to be main villain, but sends most of his screentime inside his specially designed safety office. That said, Zachary Quinto, who is really a henchman for Le Clerq becomes the primary villain for us. Quinto, who is usually reliable, doesn’t really deliver as the villain here. He doesn’t really do too much, sure he has some pretty intense fight scenes with Friend’s Agent 47, and he has an interesting character trait, but his character just lacks a bit. Ciaran Hinds, who isn’t a villain, gets a small but descent role as Katia’s father and creator for Agent program. Hinds is reliable as always and it’s kind of a shame he didn’t get more screen time since he brings the heart to the movie.

 

So despite the two solid leads in Friend and Ware, Hitman: Agent 47 does have its faults, and unfortunately those faults do take you out of the movie a bit. For one, a lot of the CGI takes you out of it. Some it works, but a lot of the time it just doesn’t look good at all. Sure the movie is low budget, but it shouldn’t have affected the CGI too much. Even some of the action sequences – which were put together by John Wick directors Chad Stahelski and David Leitch – are great to watch, especially the beginning set-piece, but director Aleksander Bach makes some weird editing choices that don’t help the scenes out in any way and even makes them a bit hard to watch.

 

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One little tidbit that I thought could have added to the movie is having more world building. It looked like Fox was setting up for a franchise and there were some great opportunities for Fox to build that up a little more. They tried with a character named Diana (Angelababy), who looks to be Agent 47’s contact, but it was the scene at the end that really tries to build up the world, but by then it is too late.

 

All in all, Hitman: Agent 47 has some problems that take away from the movie a bit, but with its leads in Rupert Friend and Hannah Ware you can overlook them (for the most part). While it’s not the best video game movie adaptation – there’s also some nice nods to the games – it certainly isn’t the worse.

 

Hitman: Agent 47

3 out of 5

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August Movie Releases

Can you believe it’s already August? Seriously, where has the all the time gone geez. Anyway, August is filled some films that could have potential. It’s also the last month of the Summer Movie Season, also known to some as studios’ “dump month”  or just dumping movies they don’t have complete faith in. Let’s hope that it is not the true case.

 

 

7th

Limited Releases: Dark Places & The Diary of a Teenager Girl

 

Ricki and the Flash

Everyone’s favorite Meryl Streep goes a little against type playing a rock-and-roll musician who left home and her family to follow her dreams, but returns home when her daughter’s, played by Mamie Gummer, husband leaves her. I like Meryl Streep as much as the next person, but I feel like I’ve watched the whole movie on the trailer. So maybe avoid the full trailer if you want to watch it. The film also stars Sebastian Stan, Rick Springfield, Audra McDonald, and Kevin Kline.

 

Shaun the Sheep Movie

A stop-motion movie based on TV show of the same name which follows titular character Shaun trying to get some of his friends back to the farm. The adventure leads to Shaun and some of his other sheep friends to the “Big City.” I’ve actually heard of the show in passing but never watched it for myself, but I like stop-motion work so I might give this a shot.

 

The Gift

Jason Bateman, Joel Edgerton and Rebecca Hall star in this mystery thriller as a married couple’s (Bateman and Hall) lives get thrown into a tailspin after an old acquaintance (Edgerton) from the husband’s past brings gifts and starts to act mysteriously around the couple. This one kind of popped out of nowhere for me. The cast is great and I’m interested to see what exactly the mystery is and hoping it’s not too cliché.

 

Fantastic Four

Fox is giving another go at the most popular family in comic book history. The movie is directed by Josh Trank (Chronicle) and is taking the grittier approach from the first look at the trailers. The movie is taking a lot of crap because of the tonal shift, the weird casting, changing Dr. Doom’s name and origin, and the race changing of Johnny Storm/The Human Torch being played by Michael B. Jordan (although I don’t remember anyone giving any flake to Reg E. Cathey for playing Franklin Storm, the father of Johnny and Sue Storm (Kate Mara)). Nonetheless, the movie could end up surprising us, so let’s see what they bring to the table. The film also stars Miler Teller, Jamie Bell, and Toby Kebbell.

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14th

Underdogs

An animated film that is pretty self-explanatory. The film follows Amadeo, a local top Foosball player, as his town is about to be taken over by an old rival. Amadeo challenges his rival to a game of real soccer; the catch is that Amadeo has help from the players in his Foosball table that have come to life. The movie looks okay, I’m not really excited for it too much, but I’m sure it’ll find an audience.  Rupert Grint, Ariana Grande, Nicholas Hoult, Anthony Head, John Leguizamo, and Belle Throne voice the cast.

 

Straight Outta Compton

The biopic about one of the most popular and outspoken groups in music history: N.W.A. The film has been in the works for a few years now, but it wasn’t until recently that it started to pick up steam, and now, we’re finally getting it. The movie is being produced by members Dr. Dre and Ice Cube, so we can expect something close to and maybe some sort of inside look to the group life we didn’t know. The movie also feels a little more personal since Ice Cube’s son is being played by his actual son. The rest of the cast is filled out by only a few familiar faces like Paul Giamatti playing the group’s manager, Jerry Heller, but is filled with most newcomers to the scene like Corey Hawkins (Dr. Dre), Jason Mitchell (Eazy-E), Neil Brown Jr. (Dj Yella), Aldis Hodge (MC Ren), R. Marcos Taylor (Suge Knight) and Alexandra Shipp (Kim).

 

The Man From U.N.C.L.E.

Superman and The Lone Ranger partner up, well at least the actors. The film is based on the show of the same name that ran from the mid 60s about a CIA agent (Henry Cavill) and a KGB operative (Armie Hammer) have to work together to stop an organization from setting off a nuclear weapon. The film is directed by Guy Ritchie and the film does have his style all over it, so let’s hope that The Man from U.N.C.L.E. is good enough especially with the rest of the cast of Alicia Vikander, Elizabeth Debicki, Jared Harris and Hugh Grant.

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21st

American Ultra

Max Landis wrote this film that stars Jesse Eisenberg as a stoner store clerk that actually happens to be a sleeper government agent, but his programming is phased because of all the drugs. Trouble brews when he becomes a target and the government also captures his girlfriend (Kristen Stewart). I’m going to watch the movie, but I’m actually a little tired of seeing Eisenberg playing a stoner-like character. The rest of the cast fills out to Topher grace, Walton Goggins, Connie Britton, John Leguizamo, Tony Hale, and Bill Pullman.

 

Hitman: Agent 47

Fox has decided to reboot their video game adaptation of Hitman. This time the film is called Hitman: Agent 47 which sees the titled agent (played by Rupert Friend) teaming up with a woman to help her find her father, who may have had a hand on creating the program that made him an assassin. I had no problem with the last film – it had its moments – but I will say this reboot looks pretty action-heavy. Friend is from the Showtime show Homeland, which he’s pretty good in and I think he’s going to nail to nail this role. The rest of the cast is Hannah Ware, playing the woman mentioned earlier, Thomas Kretschmann, Emilio Rivera, Ciaran Hinds, and Zachary Quinto.

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28th

Limited Release: Z for Zachariah

The film opened at the Toronto Film Festival to rave reviews and with three strong leads – and possibly the only cast members – I can see why. The film follows three survivors (Margot Robbie, Chiwetel Ejifor and Chris Pine) who are bought together after a disaster wipes out civilization. The film isn’t going to be like most post-apocalyptic films, as the movie looks to be a straightforward drama with some thriller aspects thrown in.  Can’t wait to see it.

 

We Are Your Friends

Zac Efron plays an aspiring DJ who looks to make it in the electronic music (EMD) scene. The trailer doesn’t do too much for me to be honest. It’s not even that I’m not a huge fan of EMD, but the trailer doesn’t make the movie seem that appealing. The rest of the cast is filled out by Emily Ratajokwski, Jon Bernthal, Jonny Weston, Shiloh Fernandez, and Wes Bentley.

 

Sinister 2

The horror sequel will see the urban legend Bughuul return to haunt a new family of a single mother (Shannyn Sossamon) and her two sons. The movie is said to have Bughuul involved more – possibly even more about his history, along with the spirits of his past children victims. The only help they have will be from the returning character of Deputy So & So (James Ransone). I don’t know how I feel about the movie after watching the first trailer. Not because it didn’t look any good, but because it looks like it gave just a tad bit too much away. Although, the last film looked like it gave a tad bit much in the trailers, but it didn’t.

 

Regression

Emma Watson and Ethan Hawke star in this suspense thriller that finds a detective (Hawke) trying to solve a mysterious case that involves a girl (Watson), her family and a possible cult. I didn’t know too much about the movie, but once the trailer came out I was fully on board. The trailer is creepy and it looks like the film will keep us guessing until the very end.

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So, what are you looking forward to?