Justice League Trailer Thoughts

The long-awaited trailer for Justice League came out this weekend, and I’ve been sitting on my reaction to it because, well, the DC Extended Universe hasn’t been the best. This isn’t me being a Marvel fanboy or a DC hater. I liked Man of Steel, and Batman v Superman: Dawn of Justice and Suicide Squad were both disappointments in their own way, and I’m hoping Wonder Woman is great. Justice League on the other hand has a massive uphill battle for me. The movie can’t be okay, fine, good or alright – it has to be great. Because I’ll be honest, if Justice League is another disappointment, bad or god forbid horrible, then I will lose all hope in the DCEU and no longer care about the DC Comics property at Warner Bros.

 

Is that too much? Maybe. But for me as a fan of these characters, and a fan who has been waiting to see them all together on the big screen, that statement couldn’t be any more true. So let’s move on to my thoughts on the trailer shall we.

 

For a teaser trailer, and for fans of the characters/our inner child, the teaser is pretty effective and cool. However, the teaser almost feels like Warner Bros. and DC is trying to pander to those that are starting to lose faith in the films. It’s almost like their saying “See, we put Aquaman on top of the Batmoblie before flying off to fight Parademons! Just like you probably did as a kid!” Okay, let’s get serious.

 

The Humor: Obviously, one of the things that has plagued the DC films is that some people think the films take themselves too seriously, and the films need to inject some humor into them. Of course, the Marvel films are filled with humor, but are also injected with serious moments. The DC films so far have some moments, but to be fair, they are more serious films than their Marvel counterparts. The trailer clearly shows that the film will have humor in it, whether it be dry humor like Bruce telling Barry “I’m rich” or Aquaman’s lines like “it’s on him” or “I dig it” when he sees Batman in full costume. Either way, the humor works on some extent here so points for them.

 

Cyborg: Cyborg has been a much-talked about character in Justice League. I’ve been holding my judgment on him until the film comes out, but the trailer finally shows him off a little more. Honestly, still not sold. The character still looks too CG. Now before everyone gets ready to shout at me. Marvel of course has characters created completed out of CGI, but at least they look better than Cyborg does. He literally just look like floating head at times, and I’m hoping they do some more touch ups in his CG to make him look better because right now, not looking too great for me.

 

The Small Cameos: The teaser actually showed some people I didn’t think we’d see. For one, we see J.K. Simmons’ Jim Gordon, which is one of the most perfect casting calls WB and DC have done. We also get our first – almost – official look at Atlantis with Amber Heard’s Mera getting the highlight. Then there’s Billy Crudup’s Henry Allen in prison. I don’t remember reading he was going to be in the film, but it was a pleasant surprise to see him in the teaser, even if it’s going to be one scene in the film itself. Although this isn’t actually a person, seeing The Crawler in the trailer as Batman rides it up along a wall to save Wonder Woman was kinda cool.

 

The Battle: It’s been revealed that the battle scene we see in the trailer is part of the prologue of the film. It involves the alliance of three armies: The Atlanteans, The Amazons and mankind going up against and stopping one of the invasions by the Parademons and whoever is leading them, whether it’s Darkseid or Steppenwolf is yet to be seen. It also looks like the invasion will continue again with the Justice League having to stop them either here on Earth, or on some version of Apokolips. Also, Mother Boxes will play a role here as well. Hopefully the next trailer helps solve that without spoiling the whole film.

 

The Flash and Aquaman: Almost like Cyborg, I’m not sold on Ezra Miller as The Flash. Miller hasn’t impressed me in anything too much, he’s a fine actor with the right material and his attitude will probably make sense once we see him in action, but he almost looks like the goofy younger brother who finally gets to hangout with his older siblings and do cool stuff with them. When it comes to Aquaman, Jason Momoa is definitely a different pick for the character, but its almost like he’s not playing Aquaman, it felt like he’s playing Jason Momoa playing Aquaman.

Now whether that matters at the end of the day is a different story, but seeing Momoa give that cheer and yelling “yeah” when he jumps on top of the Batmoblie and jumps off to attack Parademons was kind of cool – even though I made fun of it at the beginning.

 

Final Thoughts

Look, inner kid in me liked the trailer, because I mean come on, it’s the freaking Justice League teaming up and fighting on the big screen. Realistic side of me knows we’ve been burned by good looking trailers in the DCEU – and other films too, just to be fair – so I’m not holding my breath for the film. Then again, that’s a trailers job isn’t? Make the movie look appealing and great so that you get out and watch it. Justice League is no different. We all know this movie is going to make a lot of money. Whether it’s the amount of money the studio is ultimately looking for is another question.

 

However, the ultimate question is whether it will good at all. The fate of the DCEU hangs in the balance with this, and at first look I’ll give you what I actually did when I saw the teaser for the first time — sigh.

 

Mini-Review – Underworld: Blood Wars, Sleepless, Patriots Day, Live By Night & The Bye Bye Man

Hey everybody!

Welcome to another edition of Mini-Reviews. This is a longer one than usual, due to me falling behind. So let’s get to it, shall we?

 

*As always, these will be spoiler free reviews*

 

Underworld: Blood Wars

Director: Anna Foerster

Writer: Cory Goodman

Cast: Kate Beckinsale, Theo James, Tobias Menzies, Lara Pulver, James Faulkner, Peter Andersson, Clementine Nicholson, Bradley James, Daisy Head and Charles Dance.

Synopsis: Vampire death dealer, Selene fights to end the eternal war between the Lycan clan and the Vampire faction that betrayed her.

 

The Underworld series started off as an interesting franchise that had some cool mythology and made Kate Beckinsale a big name to those not familiar with her. The sequel came along and was just okay which lead to a prequel for the third film. Then the fourth film came out and things took a turn for the worse. The series had lost its footing and became lost in its attempt to make itself relevant. This now leads us to Underworld: Blood Wars, which is more of the same, but thankfully better than Underworld: Awakening, which isn’t saying much really.

Blood Wars starts off by giving us a bit of a refresher on the series so far – leaving some things out – but also shows that Selene (Kate Beckinsale) is now a fugitive from the remaining vampires and new Lycan leader, Marius (Tobias Menzies), who wants the location of Selene’s daughter. The problem is that even Selene doesn’t know where her daughter is, and with the help of David (Theo James), his father Thomas (Charles Dance), and a vampire council member Semira (Lara Pulver), Selene is brought back into the fold to help deal with Marius.

Like I mentioned, Blood Wars is more of the same from the previous films – stylized action set-pieces, new mythology and characters being introduced and Kate Beckinsale in tight leather kicking-ass. Other than that, the film doesn’t really do anything that feels substantial. Things are brought up that would be considered twists or could have landed bigger if written better or anything the film did actually mattered.

The film is too rushed for its own good. Everything lands too quickly, and the final act of the film just happens. One particular part in the final act does mean something since it’s connected to the beginning of the film, but other than that the final act is structurally not sound.

When it comes to the cast, they all do the best they can with what they are given. Kate Beckinsale is the only real saving grace of the cast since she’s played the part so many times now. Theo James is just as bland as he was in the last film, while Tobias Menzies’ Marius is supposed to be this great Lycan leader, but doesn’t really do anything that frightening – also his cheap two dollar CGI wolf character doesn’t do him any favors. Lara Pulver as Semira could have been a great character if she had more screen time as could have Clementine Nicholson’s Lena, who is part of a new vampire clan, Finally, Charles Dance’s Thomas should have had more time, because you know, its Charles freaking Dance.

All in all, Underworld: Blood Wars is a passable sequel, and a better one than Awakening, but again, that’s not saying much. Things feel like they just happen, and the structure of the film is just off that you can never really feel any sort of enjoyment. One thing that really bothered me is the ending. I obviously don’t want to spoil it, but considering how it ends, it just felt like the whole film was for nothing.

Underworld: Blood Wars

2.5 out of 5

underworld_blood_wars_ver8

 

 

Sleepless

Director: Baran bo Odar

Writer: Andrea Berloff

Cast: Jamie Foxx, Michelle Monaghan, Scoot McNairy, Gabrielle Union, Octavius J. Johnson, T.I., Dermot Mulroney, and David Harbour

Synopsis: A cope with a connection to the criminal underworld scours a nightclub in search of his kidnapped son.

 

A remake of the French film Nuit Blanche, Sleepless takes place mostly in one location and is surprising a little better than I thought it would be, even though I had watched the original film years before.

Sleepless follows Las Vegas officer Vincent Downs (Jaime Foxx), who along with his partner Sean (T.I.) steal a bag of cocaine at the beginning of the film. Little do they know, the cocaine belongs to a crooked casino boss Stanley Rubino (Dermot Mulroney) who is going to sell the drugs to the dangerous Rob Novak (Scott McNairy), the son of a local mob boss. In order to get the drugs back, they kidnap Vincent’s son Thomas (Octavius J. Johnson) and demand he return their product. Of course, things don’t go over smoothly as Internal Affairs agents Jennifer Bryant (Michelle Monaghan) and Doug Dennison (David Harbour) become involved.

Like I mentioned, the film is a little better than I thought it was going to be, but Sleepless does run into some issues throughout. The film doesn’t do Jamie Foxx any favors besides making him look like an action hero. Foxx’s usual charisma is put on the backburner so he can be almost stoic at times, which is a bit of a shame. Although, the result does lead to impressive fight scenes, including a kitchen scene and a highly impressive hotel room fight.

The rest of the cast do their best with what they are given. Scoot McNairy is one of the best underrated and unknown actors around, and while he plays a villain well, they could have done just a little more with him. Michelle Monaghan plays the straight-laced IA agent who has her moments, and after watching this, I hope we see more roles like this from her, and her chemistry with the always reliable David Harbour is spot on. Dermot Mulroney looked like he enjoy playing a slimy villain, Gabrielle Union only has a handful of scenes, so her casting feels wasted and T.I. also has only a few scenes but all of his scenes feel the same when you look back afterwards.

All in all, Sleepless feels a bit hallow at times, but it does have its moments that make the price of admission worth it.

Sleepless

3.5 out of 5

sleepless

 

 

Patriots Day

Director: Peter Berg

Writers: Peter Berg, Matt Cook and Joshua Zetumer

Cast: Mark Wahlberg, John Goodman, Michelle Monaghan, Kevin Bacon, Alex Wolff, Themo Melikidze, Jimmy O. Yang, Rachel Brosnahan, Christopher O’Shea, James Colby, Michael Beach, Vincent Curatola, Jake Picking, Melissa Benoist, and J.K. Simmons

Synopsis: An account of the 2013 Boston Marathon bombing and the aftermath, which includes the city-wide manhunt to find the terrorist responsible.

 

Considering Patriots Day is based off a real event, and one that I’m sure most of us remembering watching on TV as the events unfolded, I’m going to play with the “no spoilers” rule here a bit. The film follows the events at the Boston Marathon and what the first responders and FBI did to find and capture the Tsarnaev brothers.

The film has a lot of players on the board, we mostly follow Boston Police Sergeant Tommy Saunders (Mark Wahlberg), a made up character based on several people, who is at the finish line of the marathon when the first bomb went off. The events bring everyone is like Police Commissioner Ed Davis (John Goodman), Governor Deval Patrick (Michael Beach) and FBI Special Agent Richard DesLauriers (Kevin Bacon) to find Tamerlan Tsarnaev (Themo Melikidze) and his brother Dzhokhar Tsarnaev (Alex Wolff) which involved shutting down all of Boston and lead to a dangerous shootout in Watertown.

Peter Berg really does have a knack for true-story films, Lone Survivor and Deepwater Horizon were great films, and all star Mark Wahlberg, but the thing that makes these films, along with Patriots Day is how he handles the material. Berg treats the events with tremendous respect and never tries to feed the audience a political agenda or lean the audience a certain way. He lets the story tell itself and lets the characters come to life in their own way, even though most of the characters are based on real people. It’s also a credit to the great cast that they are able to do so.

However, with a big cast like this, the film does have a lot of characters to follow that a lot of them don’t get real time to breathe and don’t get the justice they deserve. J.K. Simmons has a small, but good, role as the Watertown sergeant Jeffrey Pugliese, Rachel Brosnahan and Christopher O’Shea play couple Jessica Kensky and Patrick Downes who were close to the first blast sight, Jake Picking plays Officer Sean Collier, who was shot by the brothers, and Jimmy O. Yang plays Dun Meng, who has a dangerous encounter with brothers halfway through the film. Another thing Patriots Day falls into is some pacing issues before the final act of the film, but again, it’s the cast the keep the film together.

Two of the highlights of the film, if that’s what you want to call it considering the nature of the real life events, is the aftermath of the bombing. How Berg moves the camera through the destruction and through the eyes of Tommy is both horrifying and telling on how the first responders probably felt when they helped so many that day. The other is the shootout before Dzhokhar runs and hides in the boat he was later recovered from.

All in all, Patriots Day isn’t an easy film to watch due to the nature of the events and how Berg was able to recreate it. The cast, despite being one person too many, does a tremendous job paying respect to people they were playing and to those affected by the actions that happened that horrible day and what happened afterwards.

Patriots Day

4 out of 5

patriots_day

 

 

Live by Night

Director: Ben Affleck

Writer: Ben Affleck

Cast: Ben Affleck, Chris Messina, Sienna Miller, Elle Fanning, Zoe Saldana, Robert Glenister, Remo Girone, Chris Cooper and Brendan Gleeson

Synopsis: A group of Boston-bred gangsters set up shop in balmy Florida during the Prohibition era, facing off against the competition and the Ku Klux Klan.

 

Based off the novel by Dennis Lehane, Ben Affleck writes and directs what has become a bit of a passion project for him, so it’s a bit odd to see what became of the film. Affleck has shown he’s a great to solid director with films like Gone Baby Gone, The Town and Argo, but Live by Night will be – hopefully – the only blemish on his resume.

Ben Affleck plays Joe Coughlin, a former World War I soldier and son of a police officer (Brendan Gleeson), who returns home and starts to see himself as an outlaw and runs heists throughout Boston. He eventually falls in love with Emma Gould (Sienna Miller), who happens to be the mistress of Irish mob boss Albert White (Robert Glenister). This puts him on the sights on White’s rival, Italian mob boss Maso Pescatore (Remo Girone) who wants Joe to work for him. Joe eventually does and Maso sends him down to Tampa to run his bootlegging operation. Once there, and reunited with his old partner Dion Bartolo (Chris Messina) and they make a nice empire for themselves. That all changes when Joe starts falling in love with Graciela (Zoe Saldana), and struggles to keep his moral code in place.

Live by Night is unfortunately a bit of a mess, which is odd considering Affleck was passionate about getting the film made, and took so long to make. That’s not to say there is some great stuff within the mess, but it is the scattered material that keeps the film from being great. Not only that, the film has a bit too much going on that by the end, it feels like the film is forcing itself to tie-up the loose ends that were introduced beforehand. It’s a bit of a shame too, considering Affleck has shown he can handle himself with great material.

The cast itself is great, but it’s a shame that some characters don’t have time to expand and get developed more. Chris Messina, who is always great with the right material, playing Joe’s right-hand man Dion Bartolo could have used more time onscreen as could Elle Fanning’s character Loretta, the daughter of Tampa sheriff Figgis played by Chris Cooper. Especially considering Fanning is involved in a big subplot. Zoe Saldana also pops in but doesn’t really do much after her initial introduction, and reminding Joe that he doesn’t need to be cruel to do the life he’s involved in. Brendan Gleeson’s glorified cameo suffers just a bit due to him using his natural Scottish accent that makes it a little hard to understand. Sienna Miller’s character could have been an interesting character, but her arc gets cut too soon.

Affleck does okay as the Joe, and even though we follow him throughout the film his moments of doubt and morality being tested are usually rushed to the point that it just feels like Affleck is trying to get to the next scene, which is odd considering the film is over two hours. When it comes to working with his production designer and cinematographer, he works well. Every scenic shot is beautiful to look at, and the sets look amazing.

All in all, Live by Night has some issues that could have been avoided, but sadly they aren’t which hurts the film in the long run. The cast is great, but none of their characters are developed fully or pushed to the wayside to tell Ben Affleck’s Joe story. While the action scenes are top-notch, Live by Night is just a tad underwhelming in the long run, but in no way should change your view on Affleck’s directing ability.

Live by Night

3.5 out of 5

live_by_night_ver2

 

 

The Bye Bye Man

Director: Stacy Title

Writer: Jonathan Penner

Cast: Douglas Smith, Lucien Laviscount, Cressida Bonas, Jenna Kanell, Michael Trucco, Cleo King, Leigh Whannel, Doug Jones, Carrie-Anne Moss and Faye Dunaway

Synopsis: Three friends stumble upon the horrific origins of the Bye Bye Man, a mysterious figure they discover is the root cause of the evil behind man’s most unspeakable acts.

 

It’s a bit of a shame that after the great year horror had last year – finally – a film like this comes along and washes all that away. Apparently based off a story called “The Bridge to Body Island” by Robert Damon Schneck, The Bye Bye Man has an interesting concept that falls apart once the film gets going. That’s only the beginning of this film’s issues.

The film follows three college friends in Elliot (Douglas Smith), his girlfriend Sasha (Cressida Bonas) and their friend John (Lucien Laviscount) who buy and move into an old house off campus. Everyone seems okay at first until Elliot finds an old coin on his nightstand left by the previous owner. He then discovers writing underneath the drawer that says “Don’t Think it, Don’t Say it” and under that are craved words “The Bye Bye Man.” At first he laughs it off, but when the three start experiencing strange things in and out of the house, they soon learn The Bye Bye Man (played by the awesome character actor Doug Jones) is indeed real, and after them.

One of the problems with The Bye Bye Man – one of many – is we don’t get a sense of the characters, and hardly care for them. Elliot is the closet one to actually having a backstory, while Sasha is just the girlfriend who, at the beginning, tries to convince Elliot that what is happening is real, but after Elliot goes along with it, she becomes a bit annoying, and John somewhat disappears for a bit and we really don’t miss him. Jenna Kanell pops in as Sasha’s friend Kim, who is a psychic of sorts and, based off the trailers, is the one that gets killed by the train, which is the highlight of her character.

However, the saving graces of the film – cast wise – is the small roles by Carrie-Anne Moss, Faye Dunaway and Leigh Whannell. Faye Dunaway appears near the end of the film and adds to some backstory of The Bye Bye Man, Carrie-Anne Moss plays a local detective that could have been played by really anyone else, but Moss adds some gravitas to the role. Leigh Whannell plays Larry Redmond a writer that “discovers” The Bye Bye Man and is involved in the best scenes in the film: flashbacks. Finally, Doug Jones does this best he can with what he’s given as the titular character.

All in all, the concept of the film sounds good at first, but once we start seeing what he does and really think about it afterwards, The Bye Bye Man fails to execute on its promise. The characters are bland and are never developed and a muddled story doesn’t help. The Bye Bye Man is almost passable film while watching, but nothing you’ll remember.

The Bye Bye Man

2 out of 5

bye_bye_man

 

Let me know what you think.

January Movie Releases

Happy New Year!!

That’s right, ladies and gentlemen, we have a new year in front of us which means one thing: new movies! Now, January is usually referred to as Hollywood’s “Dump” Month. Meaning they will release movies that they don’t think will perform well or are not confident in. Sometimes that is the case, but sometimes a movie will shine through. January is also filled with expanded releases of movies that came out in December so there is also that to look forward to.

You’ll notice that I will put the companies attached and responsible for releasing the film as well. Just trying something new to expand the page a bit and instead of posters, now you’ll be seeing trailers. I’ll try to update whenever new trailers come out.

 

 

6th

 

Wide Release: Hidden Figures

Based on the book my Margot Lee Shetterly, a team of African-American women provide NASA with important mathematical data needed to launch the program’s first successful space missions. I had the opportunity to watch the film on its limited release late last year, and I have to say it is a fantastic film. Do yourself a favor and go watch this. The film stars Taraji P. Henson, Octavia Spencer, Janelle Monae, Kevin Costner, Jim Parsons, Kirsten Dunst, Mahershala Ali, Aldis Hodge and Glen Powell.

 

Wide Release: A Monster Calls (Fantasy Drama – Focus Features/Participant Media/River Road Entertainment/Apaches Entertainment/La Trini)

Based on a script and book by Patrick Ness, A Monster Calls follows a boy as he seeks the help of a tree monster to cope with his single mom terminal illness. The film stars Liam Neeson as The Monster, Felicity Jones as the Mother, Sigourney Weaver as the Grandmother, Toby Kebbell as Dad, and Lewis MacDougall as the boy and Lily-Rose Aslandogdu as Lily.

 

Underworld: Blood Wars (Action – Screen Gems/Lakeshore Entertainment/Sketch Films)

Selene (Kate Beckinsale) returns to once again try and end the war between the Lycan clan and the Vampire fraction that betrayed her. Blood Wars does look like a step-up from the last film, but I don’t know how the film will actually turn out. The film also stars Theo James, Tobias Menzies, Lara Pulver, and Charles Dance.

 

 

13th

Wide/Expansion Release: Patriots Day

 

Limited Release: The Comedian

A look at the life of an aging insult comic played by Robert De Niro. The film also stars Leslie Mann, Danny DeVito, Cloris Leachman, Harvey Keitel, Eddie Falco and Billy Crystal.

 

Wide Release: Live By Night

Based off the novel of the same name by Dennis Lehane, Ben Affleck writes, directs and stars in this great looking film that is set during the Prohibition and follows Joe Coughlin, the son of a prominent Boston police captain, as he rises through the ranks of the criminal underworld and the trouble he falls into along the way. Besides the film looking great, it has a great cast in Zoe Saldana, Elle Fanning, Sienna Miller, Brendan Gleeson, Chris Sullivan, Anthony Michael Hall, Titus Welliver, Max Casella, Chris Messina, and Chris Cooper.

 

Wide Release: Silence 

Based on the book by Shusaku Endo, Martin Scorsese directs this historic drama set in the seventh century when two Jesuit priests (Andrew Garfield and Adam Driver) face violence and persecution when they travel to Japan to locate their mentor (Liam Neeson) and propagate Catholicism. Based off the trailer the film looks very powerful, and the early word from its limited release has made that statement true. Now tith its wide release, hopefully we’ll get a chance to experience that. Silence also stars Tadanobu Asano, and Ciaran Hinds.

 

The Bye Bye Man (Horror Thriller – STX Entertainment/Intrepid Pictures/Los Angles Media Fund)

An adaptation of the short story “The Bridge to Body Island,” by Robert Damon Schneck, the story centers on three Wisconsin college students in the 1990s, who move into an old house off campus. They unwittingly unleash a supernatural entity known as The Bye Bye Man, who comes to pretty upon them once they discover his name. The friends must try to save each other, all the while keeping The Bye Bye Man’s existence a secret to save others from the same deadly fate. The film looks okay, and a bit cheesy based on the first trailer – at least for me. This is actually the third move for the film as it was set for an October release, then a June release, then a early December release, and now this date.

 

Monster Trucks (Sci-Fi Adventure – Paramount Pictures/Paramount Animation/Nickeldeon Movies)

Another film that was moved three times now, although this one was done to complete post-production, Monster Trucks takes the idea of the popular derby and flips it on its head by making it literal. There are alien monsters that take over trucks and are on the run. Of course humans help them and what follows is some insane looking over-the-top action. Stars Lucas Till, Jane Levy, Rob Lowe, Amy Ryan, Barry Pepper, Samara Weaving, Holt McCallany, Frank Whaley, Thomas Lennon, and Danny Glover.

 

Sleepless (Action Thriller – Open Road Films/FilmNation Entertainment/Vertigo Entertainment/Riverstone Pictures)

A remake of French film Nuit Blanche (which I highly recommend you watch), a cop with a connection to the criminal underworld scours a nightclub in search of his kidnapped son. The film look okay, I was a huge fan of the original film, and this one does look like they’re upping the action, which is fine if the movie turns out good. The film stars Jamie Foxx, Gabrielle Union, Michelle Monaghan, David Harbour, T.I., and Scoot McNairy.

 

20th

Limited Release: The Red Turtle

Produced by the famous Studio Ghibli, the dialogue-less film follows the major life stages of a castaway on a deserted tropical island populated by turtles, crabs and birds.

 

Wide Release: 20th Century Women

 

The Resurrection of Gavin Stone (Family Romance Comedy – High Top Releasing/WWE Studios)

Gavin Stone (Brett Dalton), a washed up former child star, is forced to do community service at a local megachurch and pretends to be Christian so he can land the part of Jesus in their annual Passion Play, only to discover that the most important role of life is far from Hollywood. The film also stars Neil Flynn, Anjelah Johnson-Reyes, Liam Matthews, D.B. Sweeney, and WWE Legend Shawn Michaels.

 

The Founder (Biography Drama – The Weinstein Company/FilmNation Entertainment/The Combine)

Michael Keaton stars in this film that tells the story of McDonald’s founder, Ray Kroc. I don’t think I’ve ever actually thought about the story of McDonald’s and since I’ve seen the trailer, it’s peaked my interest and I’m sure to many others as well. Also, the studio has high hopes as they moved the film from its release date last year in August to prime Oscar contention time. The rest of the cast includes Laura Dern, Patrick Wilson, Linda Cardellini, Nick Offerman, B.J. Novak, and John Carroll Lynch.

 

 

Split (Thriller – Universal Pictures/Blumhouse Productions/Blinding Edge Pictures)

M. Night Shyamalan is back at it. The film stars James McAvoy as Kevin, a man with at least 23 different personalities, is compelled to abduct three teenage girls. As they are held captive, a final personality – “The Beast” – begins to materialize. The film also stars Anya Taylor-Joy, Haley Lu Richardson, Sterling K. Brown and Betty Buckley. Honestly, this doesn’t look that bad. McAvoy looks like he’d nailing the role and it actually looks like a cool and effective thriller.

 

xXx: The Return of Xander Cage (Action Thriller – Paramount Pictures)

Directed by D.J. Caruso (Disturbia, Eagle Eye, I Am Number Four), Xander Cage (Vin Diesel), thought to be dead, is bought back by his handler Augustus Gibbons (Samuel L. Jackson) to lead a team to stop a massive attack. The film also stars Nina Dobrev, Donnie Yen, Ruby Rose, Tony Jaa, Toni Collette, Rory McCann, and Deepika Padukone.

 

27th

A Dog’s Purpose (Dramedy – Universal Pictures/Amblin Entertainment/Walden Media/DreamWorks SKG)

Based on the novel by W. Bruce Cameron and directed by Lasse Hallstrom (What’s Eating Gilbert Grape, Dear John, The Hundred-Foot Journey), the film follows a dog (voiced by Bradley Cooper), who looks to discover his purpose in life over the course of several lifetimes and owners. The film also stars Britt Robertson, Peggy Lipton, John Ortiz, and Dennis Quaid.

 

Bastards (Comedy – Warner Bros./Alcon Entertainment/The Montecito Picture Company/DMG Entertainment)

Upon learning that their mother has been lying to them for years about their allegedly deceased father, two fraternal twin brothers hit the road in order to find him. The film stars Owen Wilson, Ed Helms, Glenn Close, Ving Rhames, Terry Bradshaw, and J.K. Simmons.

 

Resident Evil: The Final Chapter (Screen Gems/Constantin Film International/Capcom Entertainment)

The last installment of the Milla Jovovich and Paul W.S. Anderson Resident Evil series, which could be a good or bad thing, depending on how you feel about the series. The Final Chapter picks ups immediately after the events from the last film and follows Alice (Jovovich) returning to Raccoon City where the Umbrella Corporation is gathering forces for a final strike against the only remaining survivors. The film will bring back Ali Larter as Claire Redfield, Iain Glen as Dr. Alexander Isaacs and Shawn Roberts as Albert Wesker with new cast members Ruby Rose, William Levy, Eoin Macken, and international star Rola.

 

Gold (Drama Thriller – TWC-Dimension/Black Bear Pictures/Living Films/Hwy61)

An unlikely pair venture to the Indonesian jungle in search of gold. The film is giving off a semi-American Hustle vibe and seeing Matthew McConaughey lose himself in the character should be interesting to watch. The film also stars Bryce Dallas Howard, Edgar Ramirez, Toby Kebbell, Rachael Taylor, Corey Stoll, Bruce Greenwood, Bill Camp, and Stacy Keach

 

What are you looking forward to?

Mini-Reviews: Office Christmas Party, Nocturnal Animals, and La La Land

Hey everybody!

Welcome to another edition of Mini-Reviews. This time, it’s more of a mixed than it was last time. So let’s get to it, shall we?

 

*As always, these will be spoiler free reviews*

 

Office Christmas Party

Directors: Josh Gordon and Will Speck

Writers: Justin Malen, Laura Solon, and Dan Mazer

Cast: Jason Bateman, Olivia Munn, T.J. Miller, Jennifer Aniston, Kate McKinnon, Courtney B. Vance, Rob Corddry, Vanessa Bayer, Randall Park, Sam Richardson, Karan Soni, Jamie Chung, Abbey Lee, Da’Vine Joy Randolph, and Jillian Bell.

Synopsis: When his uptight CEO sister threatens to shut down his branch, the branch manager throws an epic Christmas party in order to land a big client and save the day, but the party gets way out of the hand…

 

Tis the season for Christmas films, and what better film than an office Christmas party movie where things go wrong, right? While Office Christmas Party does have some saving moment scattered throughout, the film falls flat on a lot of areas, which is a shame considering the pretty good cast the film fills out.

Office Christmas Party follows a tech company, Zenotech, that is threaten to be shut down by the company CEO Carol (Aniston). However, her brother Clay (Miller), who happens to have had the branch inherited to him by his father, intends to keeping the branch alive at any means. Along with his CTO Josh (Bateman) and programmer Tracy (Munn), Clay thinks they can save the branch by signing a big wig in Walter Davis (B. Vance). Carol seeing it as impossible gives them two days to get it done. Seeing their hopes slips, they decide to throw a massive office Christmas party to impressive him, get the deal and save the branch. Of course, things get out of hand.

The idea of an office Christmas party going crazy isn’t all the exciting, but you would think with a great cast like this, they would be able to conjure something worthwhile and better than average. Unfortunately, the film barely does that and fails to really connect to most of the core characters.

T.J. Miller plays pretty much the same character he’s done before, while Jason Bateman plays the straight-laced character and Kate McKinnon, who plays the head of HR, is a wacky and out-there character that has one big moment to shine. Jennifer Aniston playing the cut-throat CEO seems to a perfect fit for her. The rest of the cast have their moments to shine, but when the film takes time to focus on the main three characters in their respected stories, it fails to get us invested in them.

Bateman’s character goes through a divorce at the beginning of the film, but we don’t really see him affected by it or see his ex-wife. Olivia Munn’s character has her own arc that only serves the plot when it needs to, and there’s an interesting plot point with Jillian Bell that comes out of left field, but doesn’t really go anywhere. Also, seeing Courtney B. Vance break loose is a sight to see.

All in all, Office Christmas Party does have some great laughs scattered throughout, but the film doesn’t really bring anything new to the table.

Office Christmas Party

3 out of 5

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Nocturnal Animals

Director: Tom Ford

Writer: Tom Ford

Cast: Amy Adams, Jake Gyllenhaal, Michael Shannon, Aaron Taylor-Johnson, Isla Fisher, Ellie Bamber, Armie Hammer, Karl Glusman, Michael Sheen, and Laura Linney

Synopsis: An art gallery owner is haunted by her ex-husband’s novel, a violent thriller she interprets as a veiled threat and a symbolic revenge tale.

 

Based on the novel by Austin Wright and directed by former designer Tom Ford, Nocturnal Animals follows Susan Morrow (Amy Adams) is an art dealer, who is not happy with her life, suddenly gets a package from her ex-husband Edward (Jake Gyllenhaal). The package contains a novel he wrote called Nocturnal Animals, which he dedicated to her – and something he once called her. Susan begins to read the book, seeing the lead character of Tony, as Edward, and follows a family driving through middle of nowhere Texas that end up getting attacked by three individuals lead by Ray Marcus (Aaron Taylor-Johnson). Tony manages to get away as his wife and daughter (played by Isla Fisher and Ellie Bamber) are kidnapped and gets help from Officer Bobby Andes (Michael Shannon).

During all this, Susan also starts getting flashbacks of former her life with Edward as her current husband (Armie Hammer) is away on business. There we see how her marriage failed, and we get enthralled in a haunting, tense thriller drama from beginning to end.

It’s not hard to see the parallels between the real-life story of Susan and Edward’s novel, and flows together rather nicely once everything picks up. However, there are some things that get lost in the shuffle. Even though the film is about Amy Adams’ Susan and Edward’s novel, it would have been nice to see more of Armie Hammer’s character fleshed out instead of just being Susan’s husband – they only shared about three scenes together. There is another character that random pops up and is never mentioned ever again, but for the sake of keeping my non-spoiler tag I won’t mention it here.

Despite some of the flaws, Nocturnal Animals is held together by the cast and the gripping novel plotline. Amy Adams is always reliable, and seeing her as this somewhat broken character is something she handles very well. Jake Gyllenhaal’s performance is mostly that of Tony, but watching Tony’s story is arguably the best part of the film. That being said, that also works as a bit of a negative. The fact that the story within a story works more and is more interesting than the “real” story is a bit of a shame, but that could be just me. Going back to the cast, Michael Shannon also continues his string of reliable and great characters with Andes, and Aaron Taylor-Johnson fines a great line of sadistic redneck and playing dumb.

All in all, Nocturnal Animals has all the elements to keep the film entertaining and keep you invested, but most of it relies on the story within the story. It’s not a bad thing overall, but when it parallels to Susan’s story it takes you out just a bit.

Nocturnal Animals

4 out of 5

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La La Land

Director: Damien Chazelle

Writer: Damien Chazelle

Cast: Ryan Gosling, Emma Stone, John Legend, Rosemarie DeWitt, Callie Hernandez, Jessica Rothe, Sonoya Mizuno, Finn Wittrock, and J.K. Simmons

Synopsis: A jazz pianist falls for an aspiring actress in Los Angeles.

 

Damien Chazelle made waves with his last feature film, Whiplash, so people were really looking forward to what he had in store with La La Land. Turns out, it was another great story with great leads, an amazing score, awesome set-pieces and more importantly, a very old timey Hollywood feel.

The film follows Mia (Emma Stone), a struggling actress trying to keep her head above water, and works as a barista on the Warner Bros. studio backlot. She keeps meeting Sebastian (Ryan Gosling), a jazz pianist with dreams of his own: he wants to open his own club. The two eventually end up together and what follows is their relationship as it goes through ups and downs in Hollywood.

La La Land takes a bit to find its tempo – I’m not even sorry for the bad music pun – but once it does, the film instantly becomes a whole new animal. The film does fall into musical territory, just so you know, but the soundtrack and music by Justin Hurwitz works so well that you’ll be nodding your head and trying to sing along with the music. You combine that with the great looking set-designs and you’ll fully embrace the vivid colorful world La La Land brings to the table.

It also helps that Ryan Gosling and Emma Stone are – once again – great as the leads. The two obviously have great chemistry together (this is the third film together), and their leads are likeable dreamers that fall for each other in a nontraditional way, which was nice to see, and seeing their relationship smoothly transition is what makes us emotionally invested in their story from beginning to end. Also, each of them have their own story arcs that don’t need the other to hang get involved in any real way. Mia struggles with her acting on her own, and Sebastian needs to decide on he wants to move forward with his passion. Both storylines feel real, and once we see the resolution it makes sense why they would choose what they do.

All in all, La La Land is a film that feels like an old timey Hollywood film that pays huge homage to the musicals of old, but also enough to set itself apart and pave its own way. Emma Stone and Ryan Gosling carry the film from beginning to end, but it’s the music with the sets – or in many cases, real-life locations – and cinematography that makes the film work on multiple levels. Do yourself a favor and go watch La La Land as soon as you can.

La La Land

4.5 out of 5

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December Movie Releases

It’s December, ladies and gentlemen!

The year is almost over! How has your year been, because it’s been a great year for films, huh? December is also a tough month to set, because this is the big Oscar month, so a lot of films end up getting limited releases, expansion releases, and then wide releases. So if anything is off, it’s because of that. I’ll do my best to get everything where it’s suppose to go, and if not I’ll come back and update the schedule.  So let’s jump right in the films that will close out the year.

Also, Happy Whatever-It-Is-You-Celebrate!

 

2nd

Limited Release: Jackie (Biography Drama – Fox Searchlight Pictures/Why Not Productions/Wild Bunch)

Following the assassination of her husband, First Lady Jacqueline Kennedy (played by Natalie Portman) fights through grief and trauma to regain her faith, console her children and define her husband’s historic legacy. The film has gotten a lot of love at the film festival circuit, and is getting a lot of Oscar buzz. It probably helped that this film has been in the works for a long time too. Jackie also stars Peter Sarsgaard, Greta Gerwig, John Hurt, Billy Crudip, Max Casella, Richard E. Grant, and Caspar Phillipson.

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Limited Release: La La Land (Drama Comedy Musical)

Ryan Gosling and Emma Stone reunite for La La Land which follows a jazz pianist who falls for an aspiring actress in Los Angeles. The film is getting a ton of great reviews from the film festival circuit so this one is one you should keep your eye out for. Also the trailer really gives off the vibe that the film will be a nice tribute to films of old. The film also stars Finn Wittrock, Rosemarie DeWitt, John Legend, Jason Fuchs, Hemky Madera, and J.K. Simmons.

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Incarnate (Horror Thriller – Universal Pictures/Blumhouse Productions/WWE Studios/IM Global/High Top Releasing/Deep Underground Films)

A scientist with the ability to enter the subconscious minds of the possessed must save a young boy from the grips of a demon with powers never seen before, while facing the horrors of his past. The film stars Aaron Eckhart, Carice van Houten, David Mazouz, Emjay Anthony, Matt Nable, and Catalina Sandino Moreno.

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9th

Expanded/Wide Release: Nocturnal Animals

Expanded Release: La La Land

Expanded Release: Jackie

 

 

Office Christmas Party (Comedy – Paramount Pictures/DreamWorks Pictures/Bluegrass Films)

When his uptight CEO sister (Jennifer Aniston) threatens to shut down his branch, the branch manager thrown an epic Christmas party in order to land a big client and save the day, but the party gets way out of hand. The film also stars T.J. Miller, Kate McKinnon, Jason Bateman, Rob Corddry, Olivia Munn, Jillian Bell, Jamie Chung, Abbey Lee, Randall Park, Matt Walsh and Courtney B. Vance.

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16th

Limited Release: The Founder (Biography Drama)

Michael Keaton stars in this film that tells the story of McDonald’s founder, Ray Kroc. I don’t think I’ve ever actually thought about the story of McDonald’s and since I’ve seen the trailer, it’s peaked my interest and I’m sure to many others as well. The rest of the cast includes Laura Dern, Patrick Wilson, Linda Cardellini, Nick Offerman, B.J. Novak, and John Carroll Lynch.

 

 

Collateral Beauty (Drama – New Line Cinema/Village Roadshow Pictures/Overbrook Entertainment/Anonymous Content/Likely Star/PalmStar Media)

An advertising executive encounters three mysterious figures who encourage him to move on from the past. The film looks like it’s going to be a powerhouse with the cast, but the idea does seem odd, and one that you can probably figure out from the trailers. Hopefully the execution works. Will Smith, Kate Winslet, Keira Knightley, Edward Norton, Naomie Harris, Michael Pena, and Helen Mirren star.

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Rogue One: A Star Wars Story (Sci-Fi Adventure –Walt Disney Pictures/Lucasfilm)

Gareth Edwards directs the first spinoff/standalone film of the new set of Star Wars films, which actually takes us back in time as it follows Rebels on a mission to steal plans for the Death Star. Listen, it’s Star Wars, people are going to go watch it. However, the film’s last two trailers were freaking awesome, of course the film however, will have some closer eyes as the “dirty” word in Hollywood has hit the film: reshoots. Nonetheless, the film looks great and more importantly it looks different. The film stars Felicity Jones, Mads Mikkelsen, Alan Tudyk, Ben Mendelsohn, Donnie Yen, Diego Luna, Riz Ahmed, Jonathan Aris, and Forest Whittaker.

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21st

Sing (Animation – Universal Pictures/Illumination Entertainment)

A koala named Buster (Matthew McConaughey) recruits his best friend to help him drum up business for his theater by hosting a singing competition. I don’t know if I’m over talking animal animated film this year, but I’m not getting behind the Sing train. The voice cast also includes Scarlett Johansson, Reese Witherspoon, John C. Reilly, Seth MacFarlane, Taron Egerton, Nick Offerman, Peter Serafinowicz,  and Jennifer Saunders.

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Patriots Day (Lionsgate/CBS Films/Closest to the Hole Productions)

Directed by Peter Berg, the film is an account of Boston Police Commissioner Ed Davis’s (played by John Goodman) actions in the events leading up to the 2013 Boston Marathon bombing and the aftermath, which includes the city-wide manhunt to find the terrorists behind it. Berg has already made a splash this year with Deepwater Horizon with Mark Wahlberg, so I can only think that this will be either as good or just as good. Patriots Day also stars J.K. Simmons, Kevin Bacon, Melissa Benoist, Michelle Monaghan, Alex Wolff, and Rachel Brosnahan.

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Passengers (Sci-Fi Adventure – Sony Pictures/Columbia Pictures/Village Roadshow Pictures/LStar Capital/Original Film/Start Motion Pictures/Company Films)

A spacecraft traveling to a distant colony planet and transporting thousands of people has a malfunction in its sleep chambers. As a result, two passengers (Chris Pratt and Jennifer Lawrence) are awakened 90 years early. Two of the most liked and extremely talented actors in Hollywood are getting together for a film, and one that looks not too bad, I think we looking at a big hit here, don’t you think? Michael Sheen, Laurence Fishburne, and Andy Garcia also star.

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Assassin’s Creed (Action – 20th Century Fox)

Based on the popular video game franchise, Michael Fassbender stars as Callum Lynch, who with the help of revolutionary technology that unlocks his genetic memories, experiences the adventures of his ancestor, Aguilar, in 15th Century Spain. Callum discovers he is descended from a mysterious secret society, The Assassins, and amasses incredible knowledge and skills to take on the oppressive and powerful Templar organization in the present day. Justin Kurzel, who directed the well-received and great film Macbeth, directs and reunites not only with Fassbender but Marion Cotillard as well. The film also stars Jeremy Irons, Brendan Gleeson, Ariane Labed, Mathias Varela, Brian Gleeson, and Michael Kenneth Williams.

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23rd

Limited Release: A Monster Calls (Fantasy Drama – Focus Features/Participant Media/River Road Entertainment/Apaches Entertainment/La Trini)

Based on a script and book by Patrick Ness, A Monster Calls follows a boy as he seeks the help of a tree monster to cope with his single mom terminal illness. The film stars Liam Neeson as The Monster, Felicity Jones as the Mother, Sigourney Weaver as the Grandmother, Toby Kebbell as Dad, and Lewis MacDougall as the boy and Lily-Rose Aslandogdu as Lily. The film looks fantastic and I can’t wait to see how it does. The limited release is due to Focus Features trying to get the film an Oscar run. The film will come out early next year.

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Limited Release: Silence (Drama)

Directed by Martin Scorsese and based off the novel by Shusaku Endo, the film is set in the seventeenth century, where we follow two Jesuit priests that face violence and persecution when they travel to Japan to locate their mentor and propagate Christianity. The film has been looking for a release date and what better date to come out in than in December around Oscar season right? The film stars Liam Neeson, Andrew Garfield, Adam Driver, Shin’ya Tsukamoto and Tadanobu Asano.

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Why Him? (Comedy – 20th Century Fox/Red Hour Films/21 Laps Entertainment)

A dad (Bryan Cranston) forms a bitter rivalry with his daughter’s young rich boyfriend (James Franco). The film looks decently funny, at least we can hope, and seeing Cranston on the big screen is always nice – even if it’s a film like this. The film stars Zoey Deutch, and Megan Mullally.

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25th

Limited Release: 20th Century Women (Comedy Drama)

The story of three women who explore love and freedom in Southern California during the late 1970s. The film stars Annette Bening, Elle Fanning, Greta Gerwig, Alia Shawkat, Laura Wiggins, and Billy Crudup.

 

Limited Release: Paterson (Drama Comedy) 

Set in the present in Paterson, New Jersey, this is a tale about a bus driver and poet, who also happens to be named Paterson (Adam Driver). I saw the trailer for the first time recently, and it looks like a great little indie film that will showcase Adam Driver.

 

Limited Release: Hidden Figures (Drama)

Based on a true story, a team of African-American women provide NASA with important mathematical date needed to launch the program’s first successful space missions. The film stars Taraji P. Henson, Octavia Spencer, Janelle Monae, Kristen Dunst, Jim Parsons, Mahershala Ali, Aldis Hodge, Glen Powell, and Kevin Costner.

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Limited Release: Live By Night

Based off the novel of the same name by Dennis Lehane, Ben Affleck writes, directs and stars in this great looking film that is set during the Prohibition and follows Joe Coughlin, the son of a prominent Boston police captain, as he rises through the ranks of the criminal underworld and the trouble he falls into along the way. Besides the film looking great, it has a great cast in Zoe Saldana, Elle Fanning, Sienna Miller, Brendan Gleeson, Chris Sullivan, Anthony Michael Hall, Titus Welliver, Max Casella, Chris Messina, and Chris Cooper.

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Fences (Drama – Paramount Pictures/Scott Rudin Productions/Bron Studios/MACRO)

Based on the play by August Wilson, and directed by Denzel Washington, Fences follows an African American father who struggles with race relations in the United States while trying to raise his family in the 1950s and coming to terms with the events of his life. The film stars Washington, Viola Davis, Mykelti Williamson, Russell Hornsby and Stephen Henderson.

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So, what are you looking forward to?

‘The Accountant’ Review

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Director: Gavin O’Connor

Writer: Bill Dubuque

Cast: Ben Affleck, Anna Kendrick, J.K. Simmons, Cynthia Addai-Robinson, Jon Bernthal, John Lithgow, and Jeffrey Tambor

Synopsis: As a math savant uncooks the books for a new client, the Treasury Department closes in on his activities and the body count starts to rise.

 

*Reviewer Note: This will be a spoiler free review.*

 

It seems like Hollywood likes giving older actors today their own action thrillers. Liam Neeson had his with Taken, and that seemed to start the trend, and while some of them work, The Accountant is its own animal, and while a lot of the film works, it falls into some, unexpected, pitfalls that makes the film not completely what you were expecting.

The Accountant follows Christian Wolff (Affleck), a small-town CPA with a form of high-functioning autism that makes him, you can say, socially awkward around others. He helps people with their taxes during the day, but at night, he works with shady organizations, gangsters and the cartels. His actions put him on the crosshairs of Treasury Department and Director Raymond King (Simmons), who brings in an analyst Marybeth Medina (Addai-Robinson) to try and find Wolff – who is “in” pictures they have, but don’t show his face.

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During all this, Wolff takes on a new client, a robotics firm, by Lamar Black (Lithgow), who says there is missing money that was found by an accountant in Dana Cummings (Kendrick). Wolff, being excellent in his job, finds out what’s wrong but subsequently puts Dana in danger and is forced to solve the mystery and going up against killers, all lead by a mysterious Braxton (Bernthal).

The Accountant rests of the shoulders of Ben Affleck, and has been shown in the past he is up to the challenge. When the film focuses on Wolff, and the flashbacks as a child with his father played by Robert C. Treveiler, is when the film works. Seeing what Christian goes through as a child and the way his father dealt with his condition flows nicely throughout the film. The other thing that works in the film is when we actually see Christian doing his day job. It surprising to see an action thriller actually make math and accounting look fun, and seeing Christian, and even Dana at one point, being enthusiastic after what he discovers on the first day was fun to watch.

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The film doesn’t go fully into Christian’s autism, and it may not be a full representation of it, but Affleck does bring a likeability and even sympathy to the character. The autism isn’t a disadvantage for him, and even when he’s killing people, it isn’t a way for him to cope – he has his own way of doing so – he does it because it’s part of his job. It a hard trait to pull that off, but Affleck does it well.

The rest of the cast handles themselves well. You would think Anna Kendrick would stick out, and while she does a bit, she hangs in there with Affleck, although her role isn’t as big as you would think. J.K. Simmons is reliable as always, and shares most to all of his screen time with Cynthia Addai-Robinson’s Medina, who does a pretty good job of hunting down Wolff on her own. Jon Bernthal, also always reliable as ever, seems to have fun playing a ruthless killer, although it would have been nice to see more of him in the film. Jeffrey Tambor and John Lithgow have small roles in the film, with Tambor getting really a glorified cameo.

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While the film works on a lot of levels, The Accountant does loses some steam when it takes on a massive exposition dump right before the third act. I won’t go into details about what the scene is about since it delves in spoiler territory, but the scene only works on some levels, and felt like shoehorned in scene that they put in so they make this a potential franchise. I’m not complaining too much, because it would be cool to see Affleck return as this character and go back to this world, but the scene itself – again, only working on some levels – felt a bit shoehorned.

Finally, there are a couple of unexpected revolutions in the film, and maybe some will see coming before they are revealed, or at least you’ll ask the question. The reveal does just kind of happening, and it never fully resolves itself, but again, if they go with a sequel it should be interesting to see how it goes.

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All in all, The Accountant is a worthwhile action thriller that sees Affleck tackling something a little different, and doing a great job at it. The film doesn’t seem like it has a lot going on, and it takes a while for things to really pick up, but when it finally does, The Accountant is a solid action thriller that could lend itself to a sequel.

The Accountant

4 out of 5

‘Terminator Genisys’ Review

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Dir: Alan Taylor

Writer(s): Laeta Kalogridis and Patrick Lussier

Cast: Arnold Schwarzenegger, Jason Clarke, Emilia Clarke, Jai Courtney, J.K. Simmons, Dayo Okeniyl, Byung-hun Lee and Matt Smith

Synopsis: John Connor sends Kyle Reese back in time to protect Sarah Connor, but when he arrives in 1984, nothing is as he expected it to be.

 

 

*Reviewer Note:  This will be a spoiler free review.*

*Reviewer Note 2: There is a brief mid-credits scene*

 

 

Terminator 2: Judgment Day is one of my favorite movies of all time, and dare I say one of the best actions movies ever. Of course I’m not the only person to share that feeling and it’s because of that reason that the Terminator series holds a special place in many people’s hearts. However, after Terminator 2 the series took a bit of stumble with the lackluster Rise of the Machines, and the not reaching its full potential with Salvation, so when it was announced that another installment was coming fans were right to be weary. However, when news that Arnold Schwarzenegger would be returning, some of those fans become a little less weary and curious to what they were going to do.

 

Fast forward – or time travel? – to earlier this year and one of the biggest twist that could have probably happened in the series was ruined in all the marketing. So what happens when you know the big twist to a highly popular series and once-was anticipated movie? You go in and try your best to enjoy it. So, was Terminator Genisys good? Terrible like the majority of film reviewers are putting it? Or something else? Well, bit of everything actually.

 

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Terminator Genisys isn’t just another installment to the series; it acts as a prequel, sequel and reboot. So in case you’re brand new to the series, don’t worry you’ll be thrown into the world that many have enjoyed for years. The movie starts with letting us know the events that led to our downfall: The day Skynet became aware and the day Judgment Day happened. We hear the story of one man that lead a resistance against the machines, and that man was John Connor (Jason Clarke). We see him leading the resistance with his right hand man, Kyle Reese (Courtney) to take down a harvesting farm, which is a cover for a weapon that John knows is there: The time machine.

 

Fans know the story: John sends Kyle back in time to 1984 to protect his mother, Sarah Connor (Emilia Clarke), who is targeted by Skynet as they send back a Terminator model T-800 to kill her before she can give birth to John. However, something happens when Kyle is sent back and it changes the timeline in a dramatic way. When Kyle ends up in 1984, Sarah isn’t a fragile and scared woman instead she is a strong fighter that knows about Terminators and the future. She also has someone that has protected her, a model T-800 Terminator that she happily calls Pops (or named Guardian in the credits). Kyle is of course confused about this and Sarah tells him that everything has changed and that they have been preparing for him. Another problem they have is a new T-1000 (Lee) is there and is hunting them down.

 

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However – again ruined in the marketing – Kyle and Sarah eventually come face-to-face with John himself. The reunion is cut short when Pops shoot John to reveal that John is in fact some sort of new Terminator. Kyle and Sarah make it their mission to not only save the future, but also try figure out what happened to John.

 

Like I mentioned before, the twist of John being a Terminator is a pretty big and nice twist to the series, and it would have been awesome to see it play out on screen for the time first. Instead marketing – and not director Alan Taylor – made the decision to give away the big twist to the movie killing any sort of tension to not only the scene, but for the rest of the movie. Yes, it is commonplace for studios to show off or reveal a few of their key sequences to make sure you go buy a ticket, and some studios have even tricked the audience into going to watch the movie by showing a really cool moment, that just so happens to be the end of the movie. But giving away the “John is some sort of new awesome Terminator” twist really hurt the movie going in.

 

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Also, we’re dealing with time travel. Just know going in that you’re going to deal with three different timelines that thankfully don’t get too murky. At one point, it’s explained by Pops that the timelines have changed and thankfully it doesn’t stop the movie dead. The alternate timeline does change a few things up and it should be interesting to see where they go with things from this point forward. Although at this point I’m not sure how many fans want to stick around after the new “twist.” Yes, there is another twist to the movie that only starts off in the third act and is obviously set up for future sequels. I’m not going to get too into it because it does go into spoiler territory.

 

So let’s go in the cast. Arnold steps right back into the role without fault. Yes, he is older and the movie goes into why that is, but there is a lot more to his character this time around. Like I’ve mentioned, Sarah calls him Pops and his official character name in the credits is Guardian, by that you know a lot of things have changed. On the other side of the coin, Jason Clarke as John Connor/new Terminator – no official name, just his quote that he’s “something more” – has to pull double duty as the John Connor legend, who gives a pretty impressive speech at the start of the movie and has a great relationship with Kyle before he sends him back, and the Terminator, who is like he says “can’t be bargained with.”

 

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Again, the twist would have been really cool to see for the first time while watching the movie, not only because it’s a massive spoiler, but also because it changes the dynamic of the character that we’ve known is the face of resistance against the machines and the mythos of the series. John Connor is no longer the good guy, the man that we root for. Instead he is our primary villain out to kill our heroes and has fallen into become a machine!

 

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As for John’s parents, Jai Courtney – who I’m not a real fan of to be honest – does okay as Kyle Reese. He doesn’t really go beyond anything we’d suspect from his character. Sure he has a standout moment when talking to Sarah early in the movie, but other than that nothing stands out. As for Emilia Clarke’s Sarah Connor, I’ve seen some reviewers say she’s been miscast or doesn’t do anything special for the role, and I don’t think that’s the case to be honest. Clarke is stepping into big shoes yes, but at the same time, this is a different Sarah Connor from the original The Terminator. Instead we get the Terminator 2 Sarah Connor, the one that is ready to fight anything that stands in her way and Clarke holds her own for the most part. She does work better off Arnold than Courtney for the most part and but overall she’s does fine playing the part of badass warrior.

 

J.K. Simmons as a small supporting role that doesn’t really add much to the overall movie, but you can clearly tell his character will have some sort of role in the potential sequels. Sadly, Byung-hun Lee’s T-1000 character doesn’t get a ton of screen time and is underused. Luckily, his part is rather enjoyable but you feel his missing presence throughout the movie.

 

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The action in the movie is actually pretty enjoyable, and there is quite lot more than I suspected. The other thing the movie had that surprised me was humor. It’s not like the movie is cracking jokes every minute, but humor is sprinkled throughout the movie and it makes sense. Of course, the movie has many more references and subtle additions from the previous movies – and yes, even the TV show – that fans can appreciate.

 

One thing that will bother people – even me to some extent – is the movie has a lot of questions that it asks, but never really answers. If they do, they don’t give you the full answer. The movie suffers a bit from setting things up for sequels instead of making the movie stand on its own. Some things make sense, but for the most part, the studio makes sure that they want the audience back for another go-around.

 

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All in all, Terminator Genisys isn’t as terrible as many people out there want you to believe. There are some enjoyable moments scattered throughout and the action is pretty great to watch. The cast work well together for the most part, with Jason Clarke and Arnold being the standout. The movie may act as a prequel, sequel, and reboot, but make no mistake that it is another addition to the series. Let’s hope that fans will want to keep coming back.

 

Terminator Genisys

3 out of 5