‘The Accountant’ Review

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Director: Gavin O’Connor

Writer: Bill Dubuque

Cast: Ben Affleck, Anna Kendrick, J.K. Simmons, Cynthia Addai-Robinson, Jon Bernthal, John Lithgow, and Jeffrey Tambor

Synopsis: As a math savant uncooks the books for a new client, the Treasury Department closes in on his activities and the body count starts to rise.

 

*Reviewer Note: This will be a spoiler free review.*

 

It seems like Hollywood likes giving older actors today their own action thrillers. Liam Neeson had his with Taken, and that seemed to start the trend, and while some of them work, The Accountant is its own animal, and while a lot of the film works, it falls into some, unexpected, pitfalls that makes the film not completely what you were expecting.

The Accountant follows Christian Wolff (Affleck), a small-town CPA with a form of high-functioning autism that makes him, you can say, socially awkward around others. He helps people with their taxes during the day, but at night, he works with shady organizations, gangsters and the cartels. His actions put him on the crosshairs of Treasury Department and Director Raymond King (Simmons), who brings in an analyst Marybeth Medina (Addai-Robinson) to try and find Wolff – who is “in” pictures they have, but don’t show his face.

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During all this, Wolff takes on a new client, a robotics firm, by Lamar Black (Lithgow), who says there is missing money that was found by an accountant in Dana Cummings (Kendrick). Wolff, being excellent in his job, finds out what’s wrong but subsequently puts Dana in danger and is forced to solve the mystery and going up against killers, all lead by a mysterious Braxton (Bernthal).

The Accountant rests of the shoulders of Ben Affleck, and has been shown in the past he is up to the challenge. When the film focuses on Wolff, and the flashbacks as a child with his father played by Robert C. Treveiler, is when the film works. Seeing what Christian goes through as a child and the way his father dealt with his condition flows nicely throughout the film. The other thing that works in the film is when we actually see Christian doing his day job. It surprising to see an action thriller actually make math and accounting look fun, and seeing Christian, and even Dana at one point, being enthusiastic after what he discovers on the first day was fun to watch.

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The film doesn’t go fully into Christian’s autism, and it may not be a full representation of it, but Affleck does bring a likeability and even sympathy to the character. The autism isn’t a disadvantage for him, and even when he’s killing people, it isn’t a way for him to cope – he has his own way of doing so – he does it because it’s part of his job. It a hard trait to pull that off, but Affleck does it well.

The rest of the cast handles themselves well. You would think Anna Kendrick would stick out, and while she does a bit, she hangs in there with Affleck, although her role isn’t as big as you would think. J.K. Simmons is reliable as always, and shares most to all of his screen time with Cynthia Addai-Robinson’s Medina, who does a pretty good job of hunting down Wolff on her own. Jon Bernthal, also always reliable as ever, seems to have fun playing a ruthless killer, although it would have been nice to see more of him in the film. Jeffrey Tambor and John Lithgow have small roles in the film, with Tambor getting really a glorified cameo.

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While the film works on a lot of levels, The Accountant does loses some steam when it takes on a massive exposition dump right before the third act. I won’t go into details about what the scene is about since it delves in spoiler territory, but the scene only works on some levels, and felt like shoehorned in scene that they put in so they make this a potential franchise. I’m not complaining too much, because it would be cool to see Affleck return as this character and go back to this world, but the scene itself – again, only working on some levels – felt a bit shoehorned.

Finally, there are a couple of unexpected revolutions in the film, and maybe some will see coming before they are revealed, or at least you’ll ask the question. The reveal does just kind of happening, and it never fully resolves itself, but again, if they go with a sequel it should be interesting to see how it goes.

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All in all, The Accountant is a worthwhile action thriller that sees Affleck tackling something a little different, and doing a great job at it. The film doesn’t seem like it has a lot going on, and it takes a while for things to really pick up, but when it finally does, The Accountant is a solid action thriller that could lend itself to a sequel.

The Accountant

4 out of 5

‘Interstellar’ Review

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Dir: Christopher Nolan

Cast: Matthew McConaughey, Anne Hathaway, Wes Bentley, Jessica Chastain, Mackenzie Foy, David Gyasi, Casey Affleck, Topher Grace, Ellen Burstyn, John Lithgow, Matt Damon, and Michael Caine

Synopsis: A group of explorers make use of a newly discovered wormhole to surpass the limitations on human space travel and conquer the vast distances involved in an interstellar voyage.

 

 

 

*Reviewer Note:  This will be a spoiler free review*

 

 

Christopher Nolan is back behind the director’s chair and he didn’t take the easy. Nolan decided to tackle doing about a movie about wormhole travel and finding a new home for the human race in a different galaxy. It’s really heavy stuff and maybe a bit too much. Interstellar has some great things about but sometimes the movie should have slowed down to allow us to catch up with some of the scientifically information.

 

Let’s try to put Interstellar in simple terms. Cooper (McConaughey) is a former pilot and engineer who now farms corn, which is Earth’s last sustainable crop. All the other crops have been hit with “The Blight”, which has killed every crop around and has caused massive dust storms. During one of the storms, Cooper’s daughter Murph (Foy) gets a message from her supposed “ghost” trying to talk to her, but it ends being something else. The message eventually leads them to a secret base and find out there is a mission to save humanity and find a new home, in a different galaxy. Cooper eventually joins scientist Amelia Brand (Hathaway), Doyle (Bentley), and Romilly (Gyasi) to travel through a wormhole near Saturn and find their new home.

 

Simple right? Wrong. The major obstacle is the theory of relativity. If they spend too much time in one world it could equal years back on Earth. Time is not on their side, so they have to work fast or their will be no one on Earth left to save.

 

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Young Murph (Mackenzie Foy) and Cooper (Matthew McConaughey)

 

As I mentioned, Interstellar is cramped with a lot of stuff. The world that Nolan has made puts us in an undated future where farmers are the most important job in American and the military is basically no more and replaced with cool looking robots. And I can’t even begin to describe all the science material and theory, but I will say the movie does a great job of making sure you know what’s going on and doesn’t lose you when it starts going on its long exposition.

 

It’s also one of those movies that you should go into not really knowing much about, especially with the final act. The film is a tad long but is engaging enough that you stick with it and want to know if the mission will end well and see where they go. It’s really exciting stuff and could leave you asking questions about the possibility of this happening and what would you do.

 

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Amelia (Anne Hathaway) and Cooper (McConaughey)

 

The acting is great here, which is no surprise since Nolan has a way getting performances from his actors. McConaughey, even though he was a pilot and engineer, his Cooper character is kind of like the everyman in this situation, but he does know what he’s talking about on some occasions. Anne Hathaway gets some standout sequences at the middle of the movie while her father character Michael Caine playing Professor Brand is always great but doesn’t do much here.

 

Mackenzie Foy plays young Murph, and does a tremendous job even though most of her screen time is limited to the first half hour/forty-five minutes of the movie, but she leaves her mark. Jessica Chastain plays the older Murph in the last half of the movie and does pretty well with what she’s given. Older Murph ends up as Professor Brand’s assistant and helps him with his work.

 

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Jessica Chastain as (Older) Murphy

 

The rest of cast is hit-or-miss but feel like they are there so that McConaughey and Hathaway can play off of. Wes Bentley and David Gyasi as the other two scientists chew up scenery as they delve into all the material. John Lithgow plays Cooper’s father-in-law and Topher Grace pops up as Chastain’s helper but doesn’t bring much to the role. Bill Irwin and Josh Stewart voice the two robot helpers that bring some surprising humor to the film in TARS and CASE. Finally, Matt Damon shows up right before the final act as one of the scientists and explores that have done through before Cooper’s team. His character adds an element to the film that will probably make question some of the events of the film and what the whole mission is about.

 

The special effects however are something to see. Nolan and the special effects department really bought their A-game to the film. The overall look of the film is great and the wormhole stuff is unique to see. Even the worlds that are created like world of mountain waves that have been promoted in every ad or the ice world that is seen in the trailers as well, everything feels real and makes the viewing even more enjoyable.

 

All in all, Interstellar isn’t perfect and does lose a bit of steam in the third act, which also might even cause some viewers to tune out and lose them completely. However, overall it is a quality film with great performances and special effects. I happen to see the film in IMAX and I honestly think that is the best way to watch it.

 

 

Interstellar

4.5 out of 5

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