January Movie Releases

Happy New Year!!

That’s right, ladies and gentlemen, we have a new year in front of us which means one thing: new movies! Now, January is usually referred to as Hollywood’s “Dump” Month. Meaning they will release movies that they don’t think will perform well or are not confident in. Sometimes that is the case, but sometimes a movie will shine through. January is also filled with expanded releases of movies that came out in December so there is also that to look forward to.

You’ll notice that I will put the companies attached and responsible for releasing the film as well. Just trying something new to expand the page a bit and instead of posters, now you’ll be seeing trailers. I’ll try to update whenever new trailers come out.

 

 

6th

 

Wide Release: Hidden Figures

Based on the book my Margot Lee Shetterly, a team of African-American women provide NASA with important mathematical data needed to launch the program’s first successful space missions. I had the opportunity to watch the film on its limited release late last year, and I have to say it is a fantastic film. Do yourself a favor and go watch this. The film stars Taraji P. Henson, Octavia Spencer, Janelle Monae, Kevin Costner, Jim Parsons, Kirsten Dunst, Mahershala Ali, Aldis Hodge and Glen Powell.

 

Wide Release: A Monster Calls (Fantasy Drama – Focus Features/Participant Media/River Road Entertainment/Apaches Entertainment/La Trini)

Based on a script and book by Patrick Ness, A Monster Calls follows a boy as he seeks the help of a tree monster to cope with his single mom terminal illness. The film stars Liam Neeson as The Monster, Felicity Jones as the Mother, Sigourney Weaver as the Grandmother, Toby Kebbell as Dad, and Lewis MacDougall as the boy and Lily-Rose Aslandogdu as Lily.

 

Underworld: Blood Wars (Action – Screen Gems/Lakeshore Entertainment/Sketch Films)

Selene (Kate Beckinsale) returns to once again try and end the war between the Lycan clan and the Vampire fraction that betrayed her. Blood Wars does look like a step-up from the last film, but I don’t know how the film will actually turn out. The film also stars Theo James, Tobias Menzies, Lara Pulver, and Charles Dance.

 

 

13th

Wide/Expansion Release: Patriots Day

 

Limited Release: The Comedian

A look at the life of an aging insult comic played by Robert De Niro. The film also stars Leslie Mann, Danny DeVito, Cloris Leachman, Harvey Keitel, Eddie Falco and Billy Crystal.

 

Wide Release: Live By Night

Based off the novel of the same name by Dennis Lehane, Ben Affleck writes, directs and stars in this great looking film that is set during the Prohibition and follows Joe Coughlin, the son of a prominent Boston police captain, as he rises through the ranks of the criminal underworld and the trouble he falls into along the way. Besides the film looking great, it has a great cast in Zoe Saldana, Elle Fanning, Sienna Miller, Brendan Gleeson, Chris Sullivan, Anthony Michael Hall, Titus Welliver, Max Casella, Chris Messina, and Chris Cooper.

 

Wide Release: Silence 

Based on the book by Shusaku Endo, Martin Scorsese directs this historic drama set in the seventh century when two Jesuit priests (Andrew Garfield and Adam Driver) face violence and persecution when they travel to Japan to locate their mentor (Liam Neeson) and propagate Catholicism. Based off the trailer the film looks very powerful, and the early word from its limited release has made that statement true. Now tith its wide release, hopefully we’ll get a chance to experience that. Silence also stars Tadanobu Asano, and Ciaran Hinds.

 

The Bye Bye Man (Horror Thriller – STX Entertainment/Intrepid Pictures/Los Angles Media Fund)

An adaptation of the short story “The Bridge to Body Island,” by Robert Damon Schneck, the story centers on three Wisconsin college students in the 1990s, who move into an old house off campus. They unwittingly unleash a supernatural entity known as The Bye Bye Man, who comes to pretty upon them once they discover his name. The friends must try to save each other, all the while keeping The Bye Bye Man’s existence a secret to save others from the same deadly fate. The film looks okay, and a bit cheesy based on the first trailer – at least for me. This is actually the third move for the film as it was set for an October release, then a June release, then a early December release, and now this date.

 

Monster Trucks (Sci-Fi Adventure – Paramount Pictures/Paramount Animation/Nickeldeon Movies)

Another film that was moved three times now, although this one was done to complete post-production, Monster Trucks takes the idea of the popular derby and flips it on its head by making it literal. There are alien monsters that take over trucks and are on the run. Of course humans help them and what follows is some insane looking over-the-top action. Stars Lucas Till, Jane Levy, Rob Lowe, Amy Ryan, Barry Pepper, Samara Weaving, Holt McCallany, Frank Whaley, Thomas Lennon, and Danny Glover.

 

Sleepless (Action Thriller – Open Road Films/FilmNation Entertainment/Vertigo Entertainment/Riverstone Pictures)

A remake of French film Nuit Blanche (which I highly recommend you watch), a cop with a connection to the criminal underworld scours a nightclub in search of his kidnapped son. The film look okay, I was a huge fan of the original film, and this one does look like they’re upping the action, which is fine if the movie turns out good. The film stars Jamie Foxx, Gabrielle Union, Michelle Monaghan, David Harbour, T.I., and Scoot McNairy.

 

20th

Limited Release: The Red Turtle

Produced by the famous Studio Ghibli, the dialogue-less film follows the major life stages of a castaway on a deserted tropical island populated by turtles, crabs and birds.

 

Wide Release: 20th Century Women

 

The Resurrection of Gavin Stone (Family Romance Comedy – High Top Releasing/WWE Studios)

Gavin Stone (Brett Dalton), a washed up former child star, is forced to do community service at a local megachurch and pretends to be Christian so he can land the part of Jesus in their annual Passion Play, only to discover that the most important role of life is far from Hollywood. The film also stars Neil Flynn, Anjelah Johnson-Reyes, Liam Matthews, D.B. Sweeney, and WWE Legend Shawn Michaels.

 

The Founder (Biography Drama – The Weinstein Company/FilmNation Entertainment/The Combine)

Michael Keaton stars in this film that tells the story of McDonald’s founder, Ray Kroc. I don’t think I’ve ever actually thought about the story of McDonald’s and since I’ve seen the trailer, it’s peaked my interest and I’m sure to many others as well. Also, the studio has high hopes as they moved the film from its release date last year in August to prime Oscar contention time. The rest of the cast includes Laura Dern, Patrick Wilson, Linda Cardellini, Nick Offerman, B.J. Novak, and John Carroll Lynch.

 

 

Split (Thriller – Universal Pictures/Blumhouse Productions/Blinding Edge Pictures)

M. Night Shyamalan is back at it. The film stars James McAvoy as Kevin, a man with at least 23 different personalities, is compelled to abduct three teenage girls. As they are held captive, a final personality – “The Beast” – begins to materialize. The film also stars Anya Taylor-Joy, Haley Lu Richardson, Sterling K. Brown and Betty Buckley. Honestly, this doesn’t look that bad. McAvoy looks like he’d nailing the role and it actually looks like a cool and effective thriller.

 

xXx: The Return of Xander Cage (Action Thriller – Paramount Pictures)

Directed by D.J. Caruso (Disturbia, Eagle Eye, I Am Number Four), Xander Cage (Vin Diesel), thought to be dead, is bought back by his handler Augustus Gibbons (Samuel L. Jackson) to lead a team to stop a massive attack. The film also stars Nina Dobrev, Donnie Yen, Ruby Rose, Tony Jaa, Toni Collette, Rory McCann, and Deepika Padukone.

 

27th

A Dog’s Purpose (Dramedy – Universal Pictures/Amblin Entertainment/Walden Media/DreamWorks SKG)

Based on the novel by W. Bruce Cameron and directed by Lasse Hallstrom (What’s Eating Gilbert Grape, Dear John, The Hundred-Foot Journey), the film follows a dog (voiced by Bradley Cooper), who looks to discover his purpose in life over the course of several lifetimes and owners. The film also stars Britt Robertson, Peggy Lipton, John Ortiz, and Dennis Quaid.

 

Bastards (Comedy – Warner Bros./Alcon Entertainment/The Montecito Picture Company/DMG Entertainment)

Upon learning that their mother has been lying to them for years about their allegedly deceased father, two fraternal twin brothers hit the road in order to find him. The film stars Owen Wilson, Ed Helms, Glenn Close, Ving Rhames, Terry Bradshaw, and J.K. Simmons.

 

Resident Evil: The Final Chapter (Screen Gems/Constantin Film International/Capcom Entertainment)

The last installment of the Milla Jovovich and Paul W.S. Anderson Resident Evil series, which could be a good or bad thing, depending on how you feel about the series. The Final Chapter picks ups immediately after the events from the last film and follows Alice (Jovovich) returning to Raccoon City where the Umbrella Corporation is gathering forces for a final strike against the only remaining survivors. The film will bring back Ali Larter as Claire Redfield, Iain Glen as Dr. Alexander Isaacs and Shawn Roberts as Albert Wesker with new cast members Ruby Rose, William Levy, Eoin Macken, and international star Rola.

 

Gold (Drama Thriller – TWC-Dimension/Black Bear Pictures/Living Films/Hwy61)

An unlikely pair venture to the Indonesian jungle in search of gold. The film is giving off a semi-American Hustle vibe and seeing Matthew McConaughey lose himself in the character should be interesting to watch. The film also stars Bryce Dallas Howard, Edgar Ramirez, Toby Kebbell, Rachael Taylor, Corey Stoll, Bruce Greenwood, Bill Camp, and Stacy Keach

 

What are you looking forward to?

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Mini-Reviews: Jackie, Assassin’s Creed, Hidden Figures, Passengers & Sing

Hey everybody!

Welcome to another edition of Mini-Reviews. So let’s get to it, shall we?

 

*As always, these will be spoiler free reviews*

 

Jackie

Director: Pablo Larrain

Writer: Noah Oppenheim

Cast: Natalie Portman, Peter Sarsgaard, Greta Gerwig, Billy Crudup, John Carroll Lynch, Max Casella, Beth Grant, Richard E. Grant, Caspar Phillipson and John Hurt

Synopsis: Following the assassination of President John F. Kennedy, First Lady Jacqueline Kennedy fights through grief and trauma to regain her faith, console her children, and define her husband’s historic legacy.

 

I’ll admit, I didn’t know too much after Jackie Kennedy before the film, besides of course her being the First Lady, and being the widow of John F. Kennedy, who was assassinated when riding around Dallas. It’s a bit of shame that that’s the only thing most people, probably, know about her. However, here in Jackie, we get to see a glimpse of what she potentially – films based on true stories are already up for interpretation – through after her husband was shot.

The film starts off with a reporter, played by Billy Crudup, coming up to the house in Massachusetts where Jackie (Natalie Portman) is staying. The reporter starts to ask her questions and we flashblack to a couple of different events: her televised tour of the White House in 1961 and the week of the assassination. Through all of it, we see Jackie as she deals with the tour, and after the assassination of her husband, the grief of she is consumed by and how history will remember him.

Jackie is not an easy film to watch, not because it’s not any good, but because the majority of the film is Jackie Kennedy trying to keep herself composed after losing her husband. And I don’t know about most people, but I think some people sometimes forget that Jackie didn’t lose the President of the United States, she lost her husband, and that’s something the film bring up. Jackie lost her husband that just so happens to be the President. It’s a fine line that the film balances pretty well.

Another fine line the film balances is not making Jackie too much of a sympathetic character. The film has no problem making her a flawed person, and if you find her actions odd or even questionable, you’re not alone. The film isn’t there to make Jackie a saint, even though she lost her husband, the things she does make you believable she may be just a bit unstable. But that’s also the beauty of Jackie, Natalie Portman does an impressive job of creating and explore the layers to this public figure that went through it all, and through a very personal tragedy in the public eye. Once you get past the accent, you can really enjoy watching Portman hit every emotion to a tee.

All in all, Jackie rests in the capable hands of Natalie Portman as she brings Jackie Kennedy to life and walks a fine line between sympathetic and flawed that makes the film and character feel real.

Jackie

4.5 out of 5

jackie

 

 

 

Assassin’s Creed

Director: Justin Kurzel

Writers: Michael Lesslie, Adam Cooper and Bill Collage

Cast: Michael Fassbender, Marion Cotillard, Jeremy Irons, Michael Kenneth Williams, Denis Menochet, Ariane Labed, Matias Varela, Callum Turner, Khalid Abdalla, Hovik Keuchkerian, Brendan Gleeson, and Charlotte Rampling

Synopsis: When Callum Lynch explores the memories of his ancestor Aguliar and gains the skills of a Master Assassin, he discovers he is a descendant of the secret Assassin’s society.

 

Based off the highly popular and successful video game series, Assassin’s Creed was many people’s hopes to finally have a good, or at least descent, video game film. Well, while the film has some really cool and great moments, Assassin’s Creed is not the film that will change people’s perspective of the video game films. Also, for fans of the game, the film doesn’t follow a lead character from the games, but does have some big elements – at least from the games that I have played.

The film opens with a crawl of text that sets up the historic storyline and gives us the glimpse of the Assassins and their fight with the Templar. The film then jumps time as we see a young Cal finding his mother killed and his father the prime suspect. We jump again as see Cal (Michael Fassbender) getting executed to only wake up in a mysterious facility owned by Abstergo Industries. It’s there he meets Sofia Rikkin (Marion Cotillard), the daughter of the company’s CEO, played by Jeremy Irons, who runs the Animus project. A device that allows the user to see, feel and experience their ancestor’s life and memoires.

Cal finds out that he’s part of the company’s latest big project to find the Apple of Eden. The idea is the Apple of Eden will eradicate free will. In order to get the artifact they need Cal to get the memories of his 15th Century ancestor in Spain, Aguilar de Nerha, who was the last to have seen the Apple.

The film has a descent set-up, but the problem becomes the film moves too fast for its own good, and doesn’t live any of the characters breath. The first time we meet Cal really is right before he’s executed for a crime of killing someone – we find out later that he may have deserved it, but it felt like a throwaway line – but Cal is just someone walking through the paces. We never really feel connected to Cal in the real-world, which is a bit of a bad sign considering we spend a lot more time in the real-world than the past. Speaking of the past, that’s when we get to see Fassbender shine to the extreme. Aguilar doesn’t need to say much as his presences is enough to tell the story. Next to him is Ariane Labed’s Maria, who unfortunately doesn’t get fleshed out as much as she should, but shines in her small screen time with Aguilar.

The rest of the cast is just okay. Marion Cotillard’s Sofia is there to lead the “science” to the audience and give the feeling that she actually cares about Cal, while Jeremy Irons does the best he can with what he’s given. Brendan Gleeson, Michael Kenneth Williams and Charlotte Rampling are heavily underused in their small roles which is shameful in a lot of ways.

The saving grace in the film is all the past scenes. It also happens to be where most of the action takes place. Combined with the heavy score, the action scenes make the film actually worthwhile, and once they stop, it does take a lot of the air away from you. It could have also helped that all the present/real world scenes fall rather flat and the concept of what they want the Apple of Eden seems rather, to not make it sound harsh, stupid. There’s also the “bleeding effect” concept that is rather cool, but near the end of the film the effect could have used better, especially since it seemed important.

All in all, Assassin’s Creed is a film that has a descent enough set-up, but the overall execution is poorly delivered. The action scenes make up for it, but it would have been better if they spent more time in the past than the present. Things aren’t fleshed out enough and the plan by the villains is rather dumb. Assassin’s Creed won’t change the opinion of video game movie doubters, but it’s serviceable enough.

Assassin’s Creed

3.5 out of 5

assassins_creed_ver2

 

 

Hidden Figures

Director: Theodore Melfi

Writers: Theodore Melfi and Allison Schroeder

Cast: Taraji P. Henson, Octavia Spencer, Janelle Monae, Kevin Costner, Jim Parsons, Kirsten Dunst, Mahershala Ali, Aldis Hodge, and Glen Powell

Synopsis: A team of African-American women provide NASA with important mathematical data needed to launch the program’s first successful space missions.

 

Based on the novel by Margot Lee Shetterly, Hidden Figures is set in the early days of the space race and is also based on a true story. We focus on three African-American women who work for NASA in Katherine (Taraji P. Henson), Dorothy (Octavia Spencer, and Mary (Janelle Monae). Katherine is a brilliant mathematician, Vaughan acts as the supervisor – although she isn’t – over the African-American “Computers” (the African-American women that worked the calculators), and Mary works with the engineers and hangs with the best of them. We follow the three as the space race comes to a head when Russia successfully sent Yuri Gagarin into orbit. Katherine is placed in the special task group to get the math right, Dorothy works to get her girls more important positions and be seen as an equal, while Mary takes the advice and tries to become a certified engineer. Each of them deal with their own hardships and discrimination in a time that was trying to progress.

I’ll be honest, I wasn’t really that excited for Hidden Figures, but I’m glad I went to watch the film. The film is really well done and has great performances by the whole cast that is lead by Henson, and Kevin Costner’s Al Harrison, the supervisor of the program. While the film follows Katherine, Dorothy and Mary, its Katherine that we mostly follow, which is fair considering we see her story at the very beginning of the film. Dorothy has to deal with Kirsten Dunst’s character Vivian Mitchell, and Janelle Moane’s Mary has a great story, but seems to take a backseat to Katherine’s and Dorothy’s arcs. Overall, their stories are an important part in NASA and the space race’s history, but each of them have their own part to play within the film itself.

The film does of course touch heavily on the race issues during the time. It doesn’t tiptoe around the issue too much, and shows how hard people of color, especially women, had during the time. There is a montage that involves Katherine running from building to building that effects her and her work, and while some will see it as heavy-handed or played out, it pays off in full effect later on in one of the most powerful scenes in the film, and one that is carried by Henson.

All in all, Hidden Figures is a great true story that many people may not know too much about. Carried together by its great cast, the film hardly lets up and if you feel yourself get angry over the treatment our main characters feel, I think the film has done its job.

Hidden Figures

4 out of 5

hidden_figures

 

 

Passengers

Director: Morten Tyldum

Writer: Jon Spaihts

Cast: Chris Pratt, Jennifer Lawrence, Michael Sheen, Laurence Fishburne and Andy Garcia

Synopsis: A spacecraft traveling to a distant colony planet and transporting thousands of people has a malfunction in its sleep chambers. As a result, two passengers are awakened 90 years early.

 

When you get two of the biggest and popular stars in Hollywood in Chris Pratt and Jennifer Lawrence, you have to think it has to be great, right? Well, that is the case for Passengers, most of the time. The film follows Jim Preston (Pratt) and Aurora Lane (Lawrence), passengers on the spaceship Avalon that is destined to a new planet to start anew called Homestead II. However, the hibernation pods malfunction and they wake up ninety years too soon. With only a bartender android named Arthur (Michael Sheen), the two eventually develop feelings for one another until the ship starts to malfunction putting everyone still asleep and them in danger.

There is a lot more to Passengers than the marketing lets on, so I’ll keep everything to a minimal in this already mini-review. Like noted before, when Passengers works it really works. Everything is compelling, well-acted and Pratt and Lawrence’s chemistry is spot-on, with each getting their individual big moments. Sheen as Arthur the android bartender brings the comedic relief to the film.

I will admit, it’s a bit hard to talk about the big theme and decision a character makes in the film without spoiling something, but that decision is much better to see for yourself, instead of being spoiled. The decision is something that lingers throughout the film and when its bought up it really is the heart of the film. The good thing is the film doesn’t pick a side on it. It lets the characters really be weighed up it and feels like it lets you decide whether it was right.

The film does falter at times, and that’s when the film takes a plunge. The romance story almost gets too heavy handed in the sci-fi elements, but with Pratt and Lawrence leading the charge it makes it pretty okay.

All in all, Passengers has a good setup that works when it’s in full effect, but when the film slows down too much is when the film takes a dive.

Passengers

3.5 out of 5

passengers

 

 

Sing

Directors: Garth Jennings and Christophe Lourdelet

Writer: Garth Jennings

Voice Cast: Mathew McConaughey, Reese Witherspoon, Seth MacFarlane, Scarlett Johansson, John C. Reilly, Taron Egerton, Tori Kelly, Jennifer Saunders, Jennifer Hudson, Garth Jennings, Nick Kroll, Nick Offerman, Leslie Jones and Rhea Perlman.

Synopsis: A koala named Buster Moon has one final chance to restore his theater to its former glory by producing the world’s greatest singing competition.

 

Illumination Entertainment has been pushing Sing for a while now. The film has been promoted since early this summer, non-stop. This meant that the studio had really high hopes for the film. After seeing the final product, I can somewhat see why, but Sing doesn’t do too much to separate itself from the crowded animated crowd this year.

The film follows Buster Moon (Matthew McConaughey), a koala bear who runs a failing theaters. Desperate to return the theater to its former glory he decides to put an open casting call for a singing competition. The casting call gets more attention than he thought after an error and the auditions bring a bevy of talent to Moon. The ones we follow are overworked housewife Rosita (Reese Witherspoon), rocker Ash (Scarlett Johansson), smooth talker Mike (Seth MacFarlane), showman Gunter (Nick Kroll) and trying to break free from his father’s life of crime Johnny (Taron Egerton).

The film has other characters like a shy elephant in Meena (Tori Kelly), who actually can sing, but is too shy in front of crowds, John C. Reilly as Buster’s best friend Eddie, Jennifer Saunders as Eddie’s rich Grandmother, and director Garth Jennings as Buster’s secretary Miss Crawly.

Like I mentioned, Sing doesn’t really do anything special to separate itself from the other animated films this year with the expectation of having songs you may recognize. The characters are great when they have their individual moments to shine, but it’s nothing we having really seen before.

All in all, Sing has its moments, but compared to the other animated films released this year, it doesn’t really come that close. Filled with some genuinely funny moments, and standout song sequences, Sing is just an okay animated film.

Sing

3 out of 5

sing

‘Midnight Special’ Review

midnight_special

Director: Jeff Nichols

Writer: Jeff Nichols

Cast: Michael Shannon, Joel Edgerton, Jaeden Lieberher, Kirsten Dunst, Adam Driver, Bill Camp, Scott Haze, Paul Sparks, David Jensen, and Sam Shepard

Synopsis: A father and son go on the run after the dad learns his child possesses special powers.

 

*Reviewer Note:  This will be a spoiler free review.*

 

Low budget sci-fi movies have a reputation for being so bad they’re good, or just plain bad. Every once in a while though, a low budget sci-fi film brings something new to the table and are able to stand out amongst the crowd. Even those that bring something new, it’s always a wildcard on what exactly they are going to bring. What director Jeff Nichols brings with Midnight Special is different, but there is still something about the film that keeps it from going above and beyond.

The film starts off by showing us Roy (Shannon) and Lucas (Edgerton) in a motel room watching the news that says a boy, Alton (Lieberher), was kidnapped from his home and that Roy was responsible. However, Alton is in the room, reading a comic book on the floor under a bed sheet with a flashlight while wearing goggles. We also find that that Roy is Alton’s father. The three go on the run and we cut to a ranch that is lead by Calvin Meyer (Shepard) were we find out Roy and Alton were before we see them in the hotel.

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What follows is Roy, Lucas, Alton and eventually Alton’s mother Sarah (Dunst), going on the run to get Alton to a certain location on specific day. The problem is that they have the FBI after them with a NSA agent Paul Sevier helping them track them down, and two ranch heads are on the hunt as well. But why is everyone after Alton? He has powers that no one seems to really understand.

Midnight Special may seem like there’s a lot going on – partially true – but the film’s focal point is all about the relationship between Roy and Alton. Roy will do anything to protect his son and do whatever it takes to get Alton to where he needs to go. The relationship between the two is touching and heartwarming, and is driven by the great and minimal performances by Michael Shannon and Jaeden Lieberher. It also works that they are onscreen for pretty much the majority of the film.

In fact, everyone involved is pretty great in this. Joel Edgerton, who is reliable in everything he does, gets only a couple moments to really shine as his character, but they are great moments at that. Kristen Dunst, who pops in around the middle of the film as Alton’s mother, doesn’t do too much to progress the story other then gives us a little more insight into what is driving Roy. Finally, Adam Driver’s Sevier should be a bit of a highlight for some. His character is the only real character that brings some lightheartedness to the film.

MIDNIGHT SPECIAL

Midnight Special has some great things going on from the cast and it’s impressive and hallowing score, and is pretty fun to watch. But at the same time, Midnight Special keeps its audience at a distance for too long. The slow-burn approach is fine and director Jeff Nichols scatters bits and pieces here and there at the beginning, but at the same time, there isn’t enough there and it leaves the viewer confused and wondering too much what the hell is really going on. Obviously, we don’t want to know everything going in, but, the way information is handled in Midnight Special could take viewers out of it.

All in all, Midnight Special is lead by its great cast, score and direction, but it also may lose some of its viewers by keeping things a bit too close to the vest. There’s nothing wrong with a slow-burn, and thankfully, the film is interesting enough to keep those viewers invested in the characters. Midnight Special may not be for everyone and doesn’t bring too much new to the table, but the character piece that it delivers and brings up is what makes the film so special.

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Midnight Special

4 out of 5