‘Godzilla: King of the Monsters’ Review

Director: Michael Dougherty

Writers: Michael Dougherty & Zach Shields

Cast: Kyle Chandler, Vera Farmiga, Millie Bobby Brown, Ken Watanabe, Ziyi Zhang, Bradley Whitford, Sally Hawkins, Thomas Middleditch, Aisha Hinds, O’Shea Jackson Jr., David Stratharin and Charles Dance

Synopsis: The crypto-zoological agency Monarch faces off against a battery of god-sized monsters, including the mighty Godzilla, who collies with Mothra, Rodan and his ultimate nemesis, the three-headed King Ghidorah.

 

*Reviewer Note: This will be a spoiler free review.*

*Reviewer Note 2: There is a post-credit scene.*

 

The Gareth Edwards-directed Godzilla in 2014 divided many fans over how it handled our beloved giant monster. While many wanted more kaiju action, the slow-build worked for me. So when it was promised that the sequel King of the Monsters would have more giant monster fighting, fans were eager to watch. Then it was announced that we’d be getting three of the most well-known kaiju’s in film history – Rodan, Mothra and King Ghidorah. Needless to say, fans flipped and wanted to see all four of these behemoths go at it on the big screen once more. So, does the massive sequel live up to the hype, or does it trip over its gigantic feet?

Picking up years after the first film, “titans” are on the rise and the organization Monarch is on a tight leash with the government, who wants to kills all the titans, where as Monarch thinks that humans and titans can co-exist. This introduces Dr. Emma Russell (Vera Farmiga), a scientist for Monarch, who has built a device called the ORCA to communicate with the titans somehow. However, after Emma and her daughter Madison (Millie Bobby Brown) are kidnapped by eco-terrorist Jonah Alan (Charles Dance), along with the device, Monarch brings in Emma’s estranged husband Mark (Kyle Chandler), who also has experience with the machine, to track everyone down. This puts everyone on track to go face-to-face with the new taints, Rodan, Mothra and the new three-head beast, King Ghidorah, and the only hope for everyone is Godzilla.

Like I mentioned, King of the Monsters gives fans that were not pleased with the 2014 Godzilla – giants monsters beating the crap out of each other. While the sequel does take its time to show off Godzilla himself, once it does, it doesn’t keep him hidden. It shows him in all his glory as he goes toe-to-toe with Ghidorah on multiple occasions. Mothra and Rodan also have their moments, but talking more about them would get into spoiler territory. Needless to say, seeing all of these three together on the big screen with big-budget effects is truly a sight to see – especially if you see it in IMAX like I did.

It’s when we get to the human characters were things get a little iffy. We get our returning characters like Ken Watanabe’s Dr. Ishiro Serizawa and Sally Hawkins’ Dr. Vivienne Graham (who thankfully gets a little more to do this time around), who help drive the grand scale of everything that is going on, along with new Monarch characters played by Bradley Whitford, Thomas Middleditch and Ziyi Zhang. We also got our military characters in Aisha Hinds and O’Shea Jackson Jr. who provide some help, but they don’t really have anything real substantial to add other than some quips.

The main human story revolves around the Russell family. Although I won’t get too into it, but the reasoning behind some of their actions don’t make too much sense and kind of goes a bit too far. It’s not against the actors, but more of what was given to them. There are also probably too many characters in the movie for its own good, and even though almost all of them have their moments to shine, their moments come right after a monster battle, so the air kind of gets sucked out of the room a bit. There’s also one character that gets quickly introduced that feels more important than it should, but it’s kind of glossed over that I sat there confused for a second that it took me completely out of the movie.

All in all, Godzilla: King of the Monsters delivers on the monster mayhem that fans will love. While the human characters story muddles and slows things down a bit – and some are not used properly – director Michael Dougherty (Trick ‘r Treat, Krampus) keeps everything tight enough for audiences to enjoy. The ending also opens up this universe a lot that should be really interesting if done right.

Godzilla: King of the Monsters

3.5 out of 5

New Podcast Episode: Oscar Picks, Nightwing Film Being Developed, Matt Reeves Directing The Batman & More

It’s been a while since I’ve posted the podcast up here, but here’s a new episode of the podcast with a guest.

Mini-Reviews: Allied & Manchester by the Sea

Hey everybody!

Welcome to another edition of Mini-Reviews. This time, it’s more of a mixed than it was last time. So let’s get to it, shall we?

 

*As always, these will be spoiler free reviews*

 

Allied

Director: Robert Zemeckis

Writer: Steven Knight

Cast: Brad Pitt, Marion Cotillard, Jared Harris, Daniel Betts, Lizzy Caplan, Matthew Goode and Simon McBurney.

Synopsis: In 1942, an intelligence officer in North Africa encounters a female French Resistance fight on a deadly mission behind enemy lines. When they reunite in London, their relationship is tested by the pressure of war.

 

Robert Zemeckis is back with a World War II drama that sees two great actors come together to give the genre a little twist. So it’s a little hard to fathom how Zemeckis was able make a bit of a water-downed film with great performances, but overall the structure of the film really hurts the film.

Allied follows spy Max Vatan (Pitt) who goes undercover in French Morocco in 1942 where he meets with French resistance fighter Marianne Beausejour (Cotillard) to pull off a mission to kill the German ambassador. The two eventually fall in love with each other and move to London where they get married and have a child. However, Max suddenly gets called in by British intelligence and is told that his wife could be a German spy. Not only that, if it is true, Max has to kill her himself. What follows is Max’s quest for answers to something he doesn’t believe.

Allied works on some levels. Pitt and Cotillard are great together and hold their own when need be. However, the first half of the film is much better than the second half. Also, Cotillard has much more to do and is fleshed out a lot more in the first half than the second. Seeing her work her charm against high ranking German officials so they can get close to the ambassador they need to kill was fun to watch, but afterwards it becomes Max’s story on whether or not his wife is a spy and what is he willing to do to prove it’s not true. There’s nothing wrong with it becoming Max’s story, but when it does turn all its attention to him, Cotillard doesn’t really do anything until the final twenty minutes of the film.

The film also loses some of its intensity after the first half of the film. Some of the big tension moments don’t have the sense of level of urgency or intense moment of fear or not knowing, so it doesn’t really help considering this is a spy drama thriller. There are great moments, I don’t want to take away anything from the film on that front, but overall the film lacked a certain push the film needed to push it over the top.

All in all, Allied is a fine film with good performances, but the sudden change of perspective and it lack of focus and intensity like the first half hinders the film from being great.

Allied

3 out of 5

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Manchester by the Sea

Director: Kenneth Lonergan

Writers: Kenneth Lonergan

Cast: Casey Affleck, Lucas Hedges, Michelle Williams, Gretchen Mol, C.J. Wilson, Kyle Chandler and Matthew Broderick

Synopsis: An uncle is forced to take care of his teenage nephew after the boy’s father dies.

 

Manchester by the Sea’s synopsis sounds rather simple, add in the fact that it’s getting a limited release at first will add to people’s decision to maybe pass this up. However, the film has been making a ton of waves on the film festival circuit, and is already getting people predicting this is a huge front runner come Oscar season. Finally watching the film, I can see why. Manchester by the Sea is truly one of the best films of the year, and one that is very human when it comes to dealing with loss and grief.

The film follows Lee Chandler (Affleck), a loner janitor/handyman in Boston who is a bit rude and doesn’t seem interested in anything going on around him. That changes a bit when he gets a phone call saying his brother Joe (coincidently played by Kyle Chandler) has passed away. Lee makes the journey back to the small town of Manchester to settle his brother’s affairs, which also includes dealing with Joe’s teenage son Patrick (Hedges), and Joe’s wish of Lee watching over him. What follows is Lee and Patrick’s story of the both of them dealing with the loss of Joe, and how the deal with their situation as well as Lee dealing with linger thoughts of his own traumatic event.

Like I mentioned before, the synopsis sounds rather simple but there is a lot to unpack in the film, and all of it is worthwhile. The film doesn’t rely on usual character yelling at each other before reaching that peak moment of emotions that they forgive each other and are finally happy. The film feels real, and lets every character go through their own emotions like everyone does. Everyone grieves differently, and the film shows that in its way.

The great thing is that we spend enough time with Lee and Patrick, and get to know them. Casey Affleck continues to show that he can handle great material and isn’t just Ben Affleck’s brother. Affleck as Lee is rather intriguing to watch. A good chunk of Lee’s backstory is told through flashbacks that not only make us understand a bit of where Lee is coming from, but is tremendous effective and dramatic. I’d be surprised if Affleck isn’t at least nominated for Best Actor come Oscar season. However, it’s Affleck’s rapport with young actor Lucas Hedges that carries the middle of the film. Hedges has done some projects like Wes Anderson’s Moonrise Kingdom, and even a small role in The Grand Budapest Hotel, but this really allowed him to break loose and show his range. Don’t be surprised if you start seeing Hedges in a lot more things soon. The rest of the cast fairs well too with Michelle Williams making the most of her small screen time with a powerful performance near the end of the film.

All in all, Manchester by the Sea is one of those films you should experience for yourself. It’s a very real emotional film that is lead by Casey Affleck in one of the best films of the year. All the buzz surrounding the film is completely worth it, and while at times the film may feel aimless, it’s done in a way that actually works.

Manchester by the Sea

4.5 out of 5

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