It’s the end of the year boys and girls, you know what that means? It’s list time!!
There were some great films that came out this year. The list really ranges all over the place, so you’ll see a wide array of titles, and even some surprises. But, of course, this is my list and my opinion so your list might be different, obviously, it is okay.
The list will have the films in alphabetical order, just to be fair, and because I really don’t want to go through the trouble anymore of picking a number one because it would be really tough. First let’s start off with the film that I didn’t get around to watching, whether it’s because I missed out in theaters, or because they were only in theaters in my area for a short time. Also, the list won’t include limited release like Live By Night, A Monster Calls, Patriots Day or Silence since they didn’t open in my area, so I’ll include those in my list of 2017 (assuming they make the list of course). Then we’ll move to the films that just missed the list, surprises of the year, honorable mentions and then the big ones.
Movies I Missed That I Wanted to Watch
Billy Lynn’s Long Halftime Walk
Eye in the Sky
I Saw the Light
Swiss Army Man
The Birth of a Nation
The Light Between Oceans
Just Missed The List
Don’t Think Twice
The Magnificent Seven
Train to Busan
Surprises of the Year
Bad Moms (STX Entertainment/Block Entertainment)
If you told me that Bad Moms would be as funny as it was at the beginning of the year, I’d probably walk away from our conversation. But, I gave Bad Moms a chance and I actually had an enjoyable time watching it. It isn’t perfect, but there are plenty of laughs with a great lead cast in Mila Kunis, Kristen Bell and Kathryn Hahn.
Ouija: Origin of Evil (Universal Pictures/Blumhouse Productions/Platinum Dunes/Hasbro/Allspark Pictures)
I never watched the first Ouija (and I still don’t at this point), so walking into Origin of Evil knowing it was a prequel, I didn’t know what to anticipate. Thankfully, the sequel/prequel really worked, and honestly, worked better as a family drama than it did horror. Although some of the horror moments by Mike Flanagan, who directed films like Oculus and Hush, worked really well and of course it helped that he had a great cast, especially standout and young star Lulu Wilson.
Popstar: Never Stop Never Stopping (Universal Pictures/Party Over Here/The Lonely Island/Apatow Productions)
Popstar was one of those films that I watched the trailer and found out what it was about, I couldn’t see myself watching it. Add the fact that I’m not that big of an Andy Samberg fan, but boy was I wrong. The movie was way more funnier than the trailers, and the mockumentary really adds to the movie as a whole, especially the bee “scene.” I’m okay with being wrong this time around.
Pride and Prejudice and Zombies (Sony Pictures/Screen Gems/Cross Creak Pictures/Head Gear Films/Handsomecharlie Films/QC Entertainment/MadRiver Pictures)
I had actually been looking forward to this for a long time now, and while it wasn’t perfect, I still really enjoyed it more than I thought I would. Pride and Prejudice and Zombies knew what it was and didn’t try to overdo it or be something else.
Storks (Warner Bros. Animation/RatPac-Dune Entertainment/Stoller Global Solutions)
Storks didn’t grab my attention at all until the second trailer came out, and even then I wasn’t completely sold on it. Then I watched it and I was glad I did. I genuinely had a great time watching the film. It had solid jokes that had me laughing for a good while after, and a very touching story with a satisfying ending that I didn’t think it would.
The Shallows (Sony Pictures/Columbia Pictures/Ombra Films/Weimaraner Republic Pictures)
Another film I had no expectation for but ended watching anyway was the Blake Lively-trying-not-to-get-eaten-by-a-shark film. But, The Shallows wasn’t all that bad, in fact, it kind of made me change my mind on Lively as an actress. Granted it was one film, and it had everything to do with the material she was given, but The Shallows hands down is my surprise film of the year that didn’t suck.
10 Cloverfield Lane (Paramount Pictures/Bad Robot/Spectrum Effects)
Considering the title for the film came out of nowhere, many were waiting to see what 10 Cloverfield Lane would bring to the table. Thankfully, it came in the form of a great film than probably most people didn’t anticipate. The third act twist to make it connect to the overall world of Cloverfield and all the online marketing threw a lot of people off, but nothing can take away what this film was able to do, in the short time we had to adjust. 10 Cloverfield Lane is one of the best thrillers of the year.
Christine (The Orchard/Great Point Media/Fresh Jade/BorderLine Films)
Based on a true story I didn’t know before this film, I was still excited to see how they would approach the material. Also, knowing what was going to happen didn’t affect the final product at all. Rebecca Hall is a standout in this and her performance is amazing to watch from beginning to end.
Deepwater Horizon (Lionsgate/Summit Entertainment/Participant Media/Di Bonaventura Pictures/Closest to the Hole Productions/Leverage Entertainment)
Peter Berg feels like he’s become a “based on a true story” director, which is fine if they’re anything like Deepwater Horizon. Whether you think the concept of making a film based on the BP oil spill is a “good” idea, the film was more about the actual workers there. Not only that, the film is heavily emotion that I will not lie, made me tear up.
Doctor Strange (Marvel Studios/Walt Disney Studios Motion Pictures)
Marvel continues its trend of changing the way they make their films and keeping the fans on their feet. Doctor Strange introduced magic to the already well-oiled machine that is the Marvel Cinematic Universe. Filled with trippy, and great, visuals Doctor Strange may not be the best Marvel film, but one that definitely sticks out, and will leave a lasting impression.
Don’t Breathe (Sony Pictures/Screen Gems/Ghost House Pictures/Stage 6 Films/Good Universe)
Fede Alvarez had a lot of eyes on him after he directed the not-as-bad-as-people-thought-it-would-be remake of Evil Dead, and Don’t Breathe was a worthy follow-up. The film was filled with great tension throughout that was helped by the great sound design. Not only that, the film was vastly different from what the trailers made you think you were walking into, which is always nice.
Eddie the Eagle (20th Century Fox/Marv Films/Saville Productions/Studio Babelsberg)
Based on the real life of Eddie the Eagle, Taron Egerton continued to prove that he is one of the best young and upcoming actors working today. Add in the fact that he’s playing a real person whose story was not only a feel-good one, but one that is truly inspirational was great to watch. Also, anytime we get to see Hugh Jackman is a plus, right?
Finding Dory (Walt Disney Pictures/Pixar Animation Studios)
Many, myself included, worried whether a sequel to Finding Nemo was even necessary, but doubting Pixar at this point has been a bad move. Not only was Finding Dory a worthy sequel, it was a ton of fun. The film never tried to be like the previous film, and instead did things differently to tell its story, and thankfully it paid off.
Found Footage 3D
One of the highlights of the Bruce Campbell Horror Film Festival was Found Footage 3D. Keeping true to the title, the film is shot in found footage in 3D, and as terrible as that may sound to some, Found Footage 3D is a lot of fun and worthy to seen. I’ll say this about the film, it’s the Scream of found footage movies.
Ghostbusters (Sony Pictures/Columbia Pictures/Village Roadshow Pictures/LStar Captial/Feigco Entertainment/Pascal Pictures/The Montecito Picture Company)
Yes, I actually enjoyed Ghostbusters. The film didn’t deserve all the hate it got. Was it perfect? No, but it wasn’t terrible either. And yes, the female-led cast actually worked. The film was funny, and the last act – although fell into typical Summer Blockbuster Movie tropes – had some cool things going for it, like ghosts taking over Time Square.
Green Room (A24/Broad Green Pictures/Film Science)
One of the main attractions of Green Room for many I’m sure was seeing the always loveable Patrick Stewart play a terrifying Neo-Nazis leader, and that’s what he did indeed. Also, it later turned out to be one of the last films by Anton Yelchin. With all that said, Green Room did turn out to be much more than those points. While the film had some horror elements, Green Room works better as a survival thriller.
Hacksaw Ridge (Lionsgate/Summit Entertainment/Cross Creak Pictures/Demarest Media/IM Global)
Say what you want about Mel Gibson, and maybe he still deserves it or maybe not, but the man can direct a damn movie! Hacksaw Ridge is a powerful film that, like some films on the list, is based on a true story that maybe not a lot of people knew, and props to Andrew Garfield for bringing not just the character, but the actual man, to life. The war scenes were brutal, sure, but it was Garfield’s performance that really made this movie shine.
Headshot (Infinite Frameworks Studios)
Headshot was the newest film that starred The Raid and The Raid 2 stars Iko Uwais, Julie Estelle and Very Tri Yullisman. The film does lean more on the drama side before the action kicks into overdrive and becomes the martial arts film that the trailers promised.
Here Alone (Vertical Entertainment/Lola’s Productions/Easy Open Productions/Manhattan Productions/Gentile Entertainment Group/Preferred Content)
One of the biggest surprises of the Bruce Campbell Horror Film Festival was not really too much of a horror film, but a thriller drama that follows a woman trying to live her life in a post-apocalyptic landscape. The film sounds simple but it is so much more than the synopsis has you believe. The film surpassed any sort of expectations I had for it, which was none, because I didn’t know anything about it before hand.
Hidden Figures (20th Century Fox/Fox 2000 Pictures/Chernin Entertainment/Levantine Films)
This could have gone in my surprises of the year, but I ended up really liking Hidden Figures a lot more than I had original thought. Along with a story that really happened, I had to include it in my list of films of the year. The film was smart, funny and highly entertaining from beginning to end. Also, the wide release is early January, but I managed to see a “Special Engagement” showing, so I was able to put it on my list for 2016.
Midnight Special (Warner Bros./Tri-State Pictures/RatPac Dune Entertainment)
Another film that I wished more people got to see was this film. Midnight Special may have the backdrop of a sci-fi film, but it really is a story about family and what a father would do for his son. The film is a independent film to the truest point, and even when the sci-fi elements come into play, it never undermines the family drama.
Moonlight (A24/Plan B Entertainment)
There’s something special about Moonlight when watching it. The film’s decision to follow our main character from childhood to adulthood was an interesting move, but also made sense when you remember everything that was shown beforehand. The film’s theme was also something that was handled extremely well, and since the trailer – at least from what I remember – didn’t say or hint at anything about it, I was surprised and floored. Moonlight takes the risk and it pays off.
Pete’s Dragon (Walt Disney Productions)
I had never seen – or at least don’t remember – the original Pete’s Dragon, and I’m kind of glad of that because this iteration is great. It did feel like more of a older crowd film, but there was enough for kids to enjoy and understand. The film also didn’t have a hard time pulling on the heartstrings, and Elliot the Dragon, was worth the price of admission alone.
The Autopsy of Jane Doe (IFC Films/IFC Midnight/IM Global/Impostor Pictures/42)
Directed by Trollhunters director Andre Ovredal, The Autopsy of Jane Doe is one of those films that just came out of nowhere, and one you should see if you get the chance without knowing too much about it. All you need to know is Brian Cox and Emile Hirsch have great chemistry as father and son coroners who have to deal with a mysterious body and creepy as things going down.
The Edge of Seventeen (STX Entertainment/Gracie Films)
This was a film I wasn’t too excited about just based off the premise, but once the cast came together and watching the first trailer, it went to must-watch watch. The Edge of Seventeen is a great coming-of-age film that is lead by Hailee Steinfeld and had a great supporting cast. It wasn’t the best coming-of-age film this year, but one of the best for sure.
The Handmaiden (Amazon Studios/CJ Entertainment/Magnolia Pictures/Moho Film/Yong Film)
Directed by Chan-wook Park, this erotic thriller – to put it lightly – was like nothing I ever thought it would be like. I mean, seriously, like. Nothing. I. Never. Thought. It. Would. Be.
The Witch (A24/Parts and Labor/Rooks Nest Entertainment/Code Red Productions/Mott Street Pictures/Code Red Productions/Maiden Voyage Pictures)
The Witch was one of those films that I couldn’t shake off after watching. That doesn’t happen often, and that’s saying something coming from a guy that watches a lot of films in general. From start to finish, the film grabs you with its unique cinematography, eerie setting, and overall sense of dread.
Zootopia (Walt Disney Pictures/Walt Disney Animation Studios)
After watching Zootopia, I thought, that’s it for animated films this year right? Well, no, but Zootopia is still right there on top of the list. Filled with smart social commentary and a great voice cast, Disney has done it again with their animated films.
Best/Favorite Movies of the Year
Arrival (Paramount Pictures/FilmNation Entertainment/Lava Bear Films/21 Laps Entertainment)
Arrival was one of those films you make you feel comfortable until it hits you with all the emotions it’s gathered up throughout the film. It’s also one of those films that leaves you thinking way after watching the film, and start asking questions about what you would do. It’s a great film that came out of nowhere, and one we need a little more of.
Captain America: Civil War (Walt Disney Studios Motion Pictures/Marvel Studios)
The Civil War story in the comics is unbelievable, so when Marvel announced they were going to put it on the big screen, I was a little hesitant – even though I trust Marvel. So when I watched Civil War, all I could think about was how great they were able to bring their own story into the film, and make it work and make Captain America: Civil War one of the best Marvel films so far.
Carol (The Weinstein Company/Film4/Killer Films/Number 9 Films)
Technically a 2015 film, but considering its wide release rollout – which is when I saw it – wasn’t until 2016, I’m putting Carol here. Of course, it doesn’t really matter where you put this film because it is such a great film. Cate Blanchett and Rooney Mara made these characters and story feel so real that even with the period piece, you can easy see how modern the story is as well.
Deadpool (20th Century Fox/Marvel Enterprises/TSG Entertainment)
Deadpool could also be labeled a Surprise Film of the Year, but let’s face it, Deadpool belongs in a favorite films of the year list. Considering it took so long to get this film made, all the kudos goes to Ryan Reynolds, director Tim Miller, and writers Rhett Reese and Paul Wernick to bring, arguably, one of the most hardest comic book characters to life on the big screen.
Everybody Wants Some!! (Paramount Pictures/Annapurna Pictures/Detour Filmproduction)
Richard Linklater’s spiritual sequel to Dazed and Confused is so relatable to many, it’s kind of weird. We’ve all been there at some point of our lives and Linklater has this ability to find actors that we can relate to and root for it’s almost impossible.
Hell or High Water (CBS Films/Lionsgate/Oddlot Entertainment/Sidney Kimmel Entertainment/Film 44)
Hell or High Water is one of those films you watch and wonder, why didn’t this get a bigger release? It had great performances by the cast all around, the story and cinematography were great, and feel of the film is constant throughout. If you haven’t yet, do yourself a favor and watch this film!
Hunt for the Wilderpeople (The Orchard/Piki Films/Defender Films/Curious Film)
This is one film I didn’t know too much about before going to see it. All I knew was it was getting rave reviews and it was directed by Taika Waititi (What We Do in the Shadows, Flight of the Conchords, Thor: Ragnarok). I loved Hunt for the Wilderpeople, and one of the reason I loved it was because it was so different in its own quirky, weird, fun way.
I Am Not a Serial Killer (IFC Midnight/Fantastic Films/Floodland Pictures/Winterland Pictures/Liquid Noise Films/Level 5 Films)
Having read the novel a few years back, I didn’t even know a movie was being released until it premiered on the film festival circuit. However, I Am Not a Serial Killer is definitely of those rare films that surpasses the source material, and what helped was the casting of Max Records and Christopher Lloyd.
Jackie (Fox Searchlight Pictures/LD Entertainment/Wild Bunch/Why Not Productions/Protozoa Pictures/Bliss Media/Fabula)
Natalie Portman gives an absolutely crushing and great performance as Jackie Kennedy. The film is built and carried by her as we see Portman literally go through every emotion she can go through bringing the former First Lady to life that lost her husband in front of her, who also happened to be the President of the United States in a very public way.
Kubo and the Two Strings (Focus Features/Laika Entertainment)
Laika Entertainment’s fourth film, and for me personally, their best, Kubo and the Two Strings is a beautifully done film with tremendous production design and awesome score. The story at times feels simple, but man did I fall in love with this film.
La La Land (Summit Entertainment/Black Label Media/Marc Platt Productions/Impostor Pictures/Gilbert Films)
I was blown away by La La Land! I didn’t think the film would be as good as people were saying it was, but I’m glad it was. The film was beautifully done and filled with a great and emotional soundtrack that I’ve slowly become addicted too. The fact that is also feels like an old Hollywood film is what makes the film go above the rest.
Manchester by the Sea (Amazon Studios/Roadside Attractions/B Story/Big Indie Pictures/Pearl Street Films/CMP/K Period Media)
Films about grief are common in Hollywood every year, however what makes Manchester by the Sea stick out is that it feels overly real than the rest. There’s no pouring his emotions out by Casey Affleck’s character, and the film shows people go through grief in their own ways. Add on the breakout performance by Lucas Hedges, and the small but powerful performance by Michelle Williams, Manchester by the Sea is one of the best films of the year.
Moana (Walt Disney Pictures/Walt Disney Animation Studios)
Disney Animation continues to bring powerful, emotional and beautifully done films, and it felt like this year was a great year for them. Moana tells a great story through its character, but also its amazing soundtrack, which probably makes sense since they had Lin-Manuel Miranda helping them out.
Rogue One: A Star Wars Story (Lucasfilm/Walt Disney Studios Motion Pictures/Allison Shearmur Productions)
Let’s face it, Rogue One was a huge risk for Lucasfilm. Another prequel? Really, did they learn nothing from the past? Well, we were wrong! Rogue One was not only a great prequel to A New Hope, but a great Star Wars film in general. It brings a whole new level to the franchise, and whether you are a hardcore fan, a moderate fan, and someone who is just starting, Rogue One is a ton of fun, action-packed and filled with great characters.
Sing Street (The Weinstein Company/FilmNation Entertainment/Likely Story/PalmStar Media)
I remember watching the trailer for Sing Street and automatically knew it was going to be something special, and it looked like I was right. Sing Street is one of those films that you may have seen before, but the cast and soundtrack they were able to pull together makes this film not only one of my favorite films of the year, but one of the best films of the year.
Star Trek Beyond (Paramount Pictures/Skydance Productions/Bad Robot/Sneaky Shark/Perfect Storm Entertainment)
Star Trek Beyond is one of those films that I don’t think many people gave a chance because Into Darkness was underwhelming and disappointing. Which is a fair assessment. However, Star Trek Beyond was a better film and a more fun film that was reminiscent of the first film in the rebooted franchise.
The Conjuring 2 (Warner Bros./New Line Cinema/RatPac-Dune Entertainment/Evergreen Media Group/The Safran Company/Atomic Monster)
At this point, I think I’ll follow James Wan anywhere. I don’t know if The Conjuring 2 was better than the first film, but it is a worthy sequel and one that works within the world that Wan created. Not only that, he continues to bring creepy as hell characters to the big screen to fill our nightmares.
The Jungle Book (Walt Disney Pictures/Fairview Entertainment/Moving Picture Company)
Another worthy candidate for Surprise of the Year, The Jungle Book proved you can take an old property and do something new with it, and add to it. Also, the fact that the film only has one real person in it in Neel Sethi, and everything else was done in CGI that looked real in some cases, it’s rather impressive.
The Nice Guys (Warner Bros./Silver Pictures/Waypoint Entertainment/Misty Mountains)
Shane Black’s return to the dark comedy and noir films proved to be a good move with his great film in The Nice Guys. It’s a shame that no one really went out to see it because they missed out on the great chemistry between Ryan Gosling and Russell Crowe.
The Revenant (20th Century Fox/New Regency Pictures/RatPac Entertainment/Anonymous Content/Appian Way)
Like Carol, Alejandro G. Inarritu’s new film was technically a 2015 film, but didn’t get its wide release rollout until 2016, which is when I saw it. Of course, the film earned Leonardo DiCaprio’s first Oscar, but it was also the performances of the other cast members like Tom Hardy and the reunion of Inarritu and cinematographer Emmanuel Lubezki. Also, watching Leo go through the torturous journey is worthy of watching the film.
So that was my year. What are your favorite/best films of the 2016.