‘Baby Driver’ Review

Director: Edgar Wright

Writer: Edgar Wright

Cast: Ansel Elgort, Lily James, Jon Hamm, Jamie Foxx, Eiza Gonzalez, CJ Jones, Jon Bernthal and Kevin Spacey

Synopsis: After being coerced into working for a crime boss, a young getaway drivers himself taking part in a heist doomed to fail.

 

*Reviewer Note: This will be a spoiler free review.*

 

I’m not going to make this a secret – I love Edgar Wright. Every movie he’s done I’ve either loved or thoroughly enjoyed to no end. So when he dropped out of Ant-Man and moved on to Baby Driver, I was both a little upset (I was really looking forward toward his Ant-Man) and excited to see what he was going to do with this. Thankfully, from the very first trailer I was completely in. Then the early reviews and reception came out and everyone was saying how great and awesome it was. However as the release date loomed, and the reception kept getting better and better, I started wondering, is it really that good? Yes, yes it is.

Baby Driver centers on Baby (Ansel Elgort), a skilled, but reluctant getaway driver working off his debut to Doc (Kevin Spacey). However, he’s a not a normal getaway driver, he constantly listens to music to drown out his tinnitus in his ears that was a result from a car accident where he lost his parents as a child, and it’s his inner soundtrack that makes him the best. One day he meets waitress Debora (Lily James), and finally sees a future where he doesn’t have to be a getaway driver. However, as he and Debora get closer, Doc ropes him back into the game on a big job alongside Bats (Jamie Foxx), Buddy (Jon Hamm) and Darling (Eiza Gonzalez). What follows is Baby trying to escape in more ways than one.

Like I mentioned, Baby is constantly listening to music and acts like not only his own personal soundtrack but ours as well, giving us a sense at what Baby is feeling at the certain times. At one point, during Baby’s second job working with Jaime Foxx’s Bats – when he’s introduced – JD (Lanny Joon) and Eddie (played by Flea), Baby restarts a song because the timing in off. The funny thing is that it doesn’t come off as awkward or weird, it comes off as funny and almost necessary. I read somewhere that the film is almost a reverse musical, instead of people bursting out into song, its Baby’s music that pushes the story forward a bit.

I don’t know how people will feel with music almost constantly playing, but Edgar Wright makes it work so well that it is rather impressive. Also, the fact that the music syncs with the action and the choreography to perfection makes the film that much better. Speaking of the action and the choreography, it’s highly impressive what Wright was able to bring out of everyone, and what he’s able to accomplish with all the car stunts is damn cool.

When it comes to the cast, they are also all fantastic. I’m not the biggest fan of Ansel Elgort, but he’s not that bad here as Baby. He’s a man of few words – expect when he’s talking to Debora – and lets his soundtrack and driving do the talking for him. Kevin Spacey chews up every scene he’s in, which isn’t many, but he does leave his impression felt. Jaime Foxx as Bats is, well, crazy and a bit unhinged and does act as the primary villain, although you can argue that they’re all bad guys, expect Baby who’s a reluctant bad guy. Jon Hamm and Eiza Gonzalez play the happy couple of Buddy and Darling, who are crazy about each other and Buddy actually likes Baby and sees something special in him, which plays a bigger factor than you think in the film near the end.

Lily James as Debora is, unfortunately, a little underdeveloped. She does have a story behind her, but it’s only her telling it so it could have helped if we’d see a little more of her. Jon Bernthal isn’t underdeveloped, he’s underused. Bernthal is part of the opening heist of the film, but isn’t seen after that. It’s a bit of a shame, but he’s great in the time that he’s there. CJ Jones also appears as Joseph, Baby’s deaf foster father who wishes Baby would leave the criminal life.

All in all, Baby Driver is a fantastic film with great car chase sequences with an awesome cast and an equally great soundtrack that perfect fits with the action and how Ansel Elgort’s Baby is feeling. Moreover, while Baby Driver isn’t as personal as Edgar Wright’s other films, it is as stylized as them and filled with more action. Do yourself a favor and go watch Baby Driver in the biggest and loudest theater you can find.

Baby Driver

4.5 out of 5

Advertisements

‘Pride and Prejudice and Zombies’ Review

pride_and_prejudice_and_zombies_ver3

Director: Burr Steers

Writer: Burr Steers

Cast: Lily James, Sam Riley, Bella Heathcote, Ellie Bamber, Millie Brady, Suki Waterhouse, Douglas Booth, Sally Philips, Charles Dance, Jack Huston, Matt Smith, and Lena Headey

Synopsis: Jane Austen’s classic tale of the tangled relationships between lovers from different social classes in 19th century England is faced with a new challenge – and army of undead zombies.

 

*Reviewer Note: This will be a spoiler free review.*

*Reviewer Note 2: There is a very short scene in the middle of the credits*

 

Pride and Prejudice and Zombies has had a very troubled and long production. Natalie Portman was originally set to star until she dropped out because of scheduling conflicts – although she stayed on as a producer – and David O. Russell was going to direct until he dropped out due to scheduling conflicts as well. Lily Collins was then going to replace Portman but turned it down, and then the studio landed on Burr Steers to finally direct. What we finally ended up getting was a better than expected adaptation of Seth Grahame-Smith’s take on Jane Austen’s classic story of “Pride and Prejudice.” Of course, one has to get over the concept that zombies are added into a classic novel, and if you can get over that, then you’ll enjoy the film a hell of a lot more.

Just like the original – the Jane Austen story – Pride and Prejudice and Zombies is set in 19th century England and places its focus on Elizabeth Bennet (James) and her sisters: Jane (Heathcote), Lydia (Bamber), Mary (Brady), and Kitty (Waterhouse). Their mother, played by Sally Phillips, is determined to find them wealthy and eligible suitors so they can get married, since once their father dies, they get nothing. Of course, Elizabeth is very independent and headstrong with little to no interest in giving up her swords and martial arts training to be a married woman and to follow the norm of society. However, during all this, zombies – a term they actually use in the film – are overtaking England. This is where changes into the Austen’s story take place and where Grahame-Smith’s take kicks in.

From Left to Right: Ellie Bamber, Bella Heathcote, Lily James, Suki Waterhouse, and Millie Brady

The Bennet Sisters have been trained since they were girls and thanks to their father, played by Charles Dance, were sent to be trained in China, were the “wise” parents send their children to train as opposed to the rich parents who send their children to Japan. Certain families have gone the countryside to hide under their lands which includes the Bennet’s. When Mrs. Bennet finds out a new wealthy suitor in Mr. Bingley (Booth) has arrived from the warfront, they go to a ball where Bingley and Jane fall for each other. At that same party, Elizabeth meets Mr. Darcy (Riley), now a general in the army against the undead. The love story between them starts off as standoffish and trying to up one another every chance they can get. However, when George Wickham, a lieutenant in the army and one that has a past with Darcy comes into town, Elizabeth starts to fall for him, and where the love story starts to take place. Of course, everything comes to head once the story picks up in the final act that leads to an explosive and its own spin on the love story ending.

Sam Riley and Douglas Booth

Again, if you can get past the concept of zombies being injected into the story and the fact that now all the characters know martial arts and fight with swords, then sitting through the movie will be a hell of a lot better. However, Pride and Prejudice and Zombies is a pretty enjoyable and fun movie anyway. Director Burr Steers and Co. do a great job of balancing the different tones of action, horror, and comedy and make them blend together fairly well. The tonal differences could have really hurt the film, but thankfully Steers control the tones and make them work for the film instead of against it.

maxresdefault (1)

That’s not to say that Pride and Prejudice and Zombies isn’t without its faults and missteps. The film is good, but could have been better with some better pacing in the middle of the film and expanding some of the new concepts they bring in that includes a Horsemen of the Apocalypse angle that leads nowhere expect some nice visuals. Some visuals do work, while others fall flat especially an early one in the film, but for some it doesn’t help that some scenes are very poorly lit. The low lighting really makes one particularly scene hard to see anything, which doesn’t help since the scene feels like it’s important scene, but since we can’t see anything, the scene just fails.

Lena Headey

Jack Huston’s Wickham also falls a bit flat, although his story with Darcy is solid, it’s a bit rushed so the emotional impact and feeling fails to grab a huge amount of attention. Also felling underwhelming is Lena Headey’s character Lady Catherine de Bourgh. Heady also has a few scenes in the film, but none of them really stick out too much. It’s a shame really since her character is described as one of the deadliest and most skilled swordswomen in England, which is accompanied with a nice visual, but other than that, the character doesn’t really go anyway.

Riley, Matt Smith and James

As for the rest of the cast, they all do well with the material presented in front of them. Lily James nails Elizabeth Bennet is every way possible, making her easy to root for and a kickass character at that. Sam Riley’s Mr. Darcy is one of the characters you grow to like as he comes off as a bit full of himself, but sees his actions as necessary to protect everyone from the zombie plague. Bella Heathcote’s Jane Bennet gets really the third billing of the movie since her arc with Douglas Booth’s Mr. Bingley is the main arc in the first act of the film, although they both disappear during the middle of the film in order to drawn Elizabeth and Darcy’s arc. The other three sisters are a bit interchangeable unless you remember who’s playing who. Matt Smith, who plays Parson Collins, is a big highlight in every scene he’s in and could easily steal the film for some people.

pride-prejudice-zombies-hands-pointofgeeks

All in all, Pride and Prejudice and Zombies a hell of a lot of fun and more enjoyable than some will give it credit for. While it fails on some levels, like pacing and some underdeveloped scenes, that stop it from being great, everyone involved make the crazy concept worth the watch. If zombie action with a little classic romance is your thing, Pride and Prejudice and Zombies should fill that right up.

Pride and Prejudice and Zombies

4 out of 5