Monthly Rewind – January Movie Releases 2010-2018

Hello, everybody!

I’m starting a new feature here on Movies with Chris called Monthly Rewind! Given that the decade just ended, I figured I do something a little different than a “Best of” or “Favorite of” the Decade list. Instead of naming all of my noteworthy movies, I thought I would look at the movies I’ve seen in the last ten years in those given months and give my thoughts on them all these years later, or just how they have held up.

It’s something new, and potentially, a lot of fun. So join me won’t you? Let’s get started and take a look at January’s past. The only year we won’t do is 2019, given that we just went through all of it. Again, these are movies that I have seen.

If you know something came out during that month, or year, and it’s not on here. It’s a good chance that I haven’t seen it – yes, even after all these years – or I just completely missed it while putting the list together. It’s a lot of movies after all.

Alright, let’s get started with 2010!

 

2010

Daybreakers

The Book of Eli

Legion

Edge of Darkness

Thoughts: It’s rather weird bunch of movies here. The four of these don’t have a lot of staying power with me, and presumably with audiences. Daybreakers, a world where almost everyone is a vampire, still has its fans and it is still an underrated vampire movie starring Ethan Hawke.

The Book of Eli probably still holds some weight because of the twist at the end, plus some of the visuals by directors The Hugh Brothers. And of course seeing Denzel Washington kick some ass.

Legion I think has been forgotten about, even though it got a short-lived sequel TV series on SyFy. At least some of the visuals still work and stick around like Doug Jones’ Ice Cream Man.

Finally, Edge of Darkness, one of the last movies Mel Gibson led, before his public meltdown (also, his first since Signs in 2002), which I don’t think anyone really remembers. I know I barely remember it.

 

2011

The Green Hornet

A Somewhat Gentle Man

Ong-bak 3

The Housemaid

The Mechanic

Ip Man 2

Thoughts: This month actually had two movies I had seen at the Chicago International Film Festival – A Somewhat Gentle Man and The Housemaid. The problem is I can’t remember if it was the year before, or if they played during the festival this year (both got limited releases in theaters this month). As for the other movies;

The Green Hornet was a really bad misfire, even by today’s standards. Of course, the only big highlight anyone remembers about this is Jay Chou’s Kato, and Kato Vision. Since honestly, it probably the only thing people should remember.

Ong-bak 3 is still, to this day, a mess. Tony Jaa had made the biggest name for himself with the first Ong-Bak, and later Tom yum Goong aka The Protector, but it was when Jaa took it upon himself to try and direct and completely different story under the Ong-bak name, and it just didn’t work. It also didn’t help that the movie suffered because Jaa basically suffered a panic attack trying to direct this and part 2, which were suppose to be one movie.

The Mechanic, a remake of the 1972 film, this was at the time when Jason Statham was in those small, independent feel action movies that were mostly forgettable. The Mechanic stills fits that mold, but I think the more surprising thing is that the movie got a sequel, that we’ll talk about later.

Ip Man 2, I mean come on. The Ip Man movies are all known for the impressive fight sequences with Donnie Yen playing the titular character so well.

 

 

2012

Tinker Tailor Soldier Spy

Contraband

Underworld: Awakening

Haywire

The Artist

The Grey

Thoughts: This was a weird January, for me. I remember thinking back then, that this a good January in a while. First, we had two highly divisive films in the spy thriller Tinker Tailor Soldier Spy and The Artist. One was a very slow-burn spy film that many said was too dragged out, while the other went back to the old ways of Hollywood with a black-and-white, silent film, that has sadly been thrown to the wayside.

Contraband was a remake of the Icelandic film, which ironically, its lead star Baltasar Kormakur directed this. It’s probably one of more forgettable Mark Wahlberg-led movies, but also because he had Giovanni Ribisi playing the lead villain as a tough guy gangster. No disrespect to Ribisi, but come on.

Underworld: Awakening, the forth movie in the series, I’m sure it was meant as a way to bring back the franchise after its last film – which was technically a prequel to the first movie – but instead we got, probably, the most forgettable Underworld movie which didn’t do anything new for the series, other than give Kate Beckinsale’s Selene a daughter, who doesn’t even factor into the next movie (and they even recast), and introduce Theo James’ David, who is the most boring character in the series.

Steven Soderbergh’s Haywire was, to me, the start of Hollywood’s more brutal, gritty realistic take on fight scenes. It helped that Soderbergh cast MMA star Gina Carano as the lead, which got her more mainstream attention. The movie itself, slugs on a tad, with an ending that I remember kind of just happens.

Finally, Joe Carnahan’s The Grey, arguably, one of the only real movies that came out in January to have really a true amount of staying power. Anytime someone brings up The Grey it one of two things. One, how great it is or two, we never see Liam Neeson actually fight the Alpha wolf.

 

 

2013

Gangster Squad

Zero Dark Thirty

The Last Stand

Mama

Broken City

Hansel & Gretel: Witch Hunters

Parker

Movie 43

John Dies at the End

Thoughts: I didn’t remember all these movies dropping in January, but here we are. I did manage to see Zero Dark Thirty in its limited release in December, but the wide release was this month.

Oh Gangster Squad, so much potential, and yet, such a disappointment at the end. Tragedy for the release date shift and reshoots aside, it’s hard to see how they wasted such a great cast and story, even to this day. Plus, the movie takes the Hollywood action route instead of the true takedown of Mickey Cohen.

John Dies at the End was one of those genre film festival favorites, which admittedly I watched much later, and I’ll admit, I wasn’t the biggest fan of it. But I can see why it was, and still has, a midnight movie fan base.

Parker, for me, is the most forgettable Jason Statham one-word title films, which had him playing a thief that gets double-crossed and left for dead, only to take a new identity and work with Jennifer Lopez’ character – a real estate agent who wants more of life – who happens to have a connection to Statham’s old crew.

Broken City starred Mark Wahlberg as an ex-cop trying to take down the mayor of his city played by Russell Crowe. I honestly don’t remember anything about this movie. I had to look up what the movie was about to even write that short synopsis.

Hansel & Gretel: Witch Hunters was my guilty pleasure of 2013, and it still kind of is. It knows exactly what it is and doesn’t try to be something different. Plus, you get to stare at Gemma Arterton for an hour-and-a-half.

Mama, the film that brought up It and It Chapter Two director Andy Muschietti, and based off his own creepy short film. I think Mama gets some undeserved bashing – it’s not perfect or even all that great – but it’s definitely worthwhile, even though it does have a couple cheap pop scares.

The Last Stand, which I saw again recently, was highly more enjoyable than I remembered. It has the right amount of seriousness, humor, and quirkiness to Arnold Schwarzenegger getting older.

Then there’s Movie 43….ugh

 

 

2014

Paranormal Activity: The Marked Ones

Her

Inside Llewyn Davis

Lone Survivor

Jack Ryan: Shadow Recruit

Ride Along

I, Frankenstein

Thoughts: Her, Lone Survivor and Inside Llewyn Davis are the wide releases, and I’d say that Her probably has the most staying power over the other two mainly because of relevant it is still till this day. Inside Llewyn Davis does have a loyal fanbase, but I think it’s one of those movies that you don’t pop in regularly.

Ride Along was, arguably, the start of Kevin Hart’s film career stardom. Starring with Ice Cube as future brother-in-laws with Cube playing the hardened, no-nonsense cop, and Hart, a security guard, trying to prove himself. It was funny for the time and the chemistry between Hart and Cube worked, and still works.

I, Frankenstein was one of those movies I was weirdly looking forward to, even though I knew it was going to be bad. Then I watched it, and yeah. It’s not very good. Aaron Eckhart playing Frankenstein’s monster – named Adam – stuck in a war between Gargoyle angels and demons is a bit sloppy and overall things we’ve seen before.

Kenneth Branagh’s Jack Ryan: Shadow Recruit starring Chris Pine was an okay movie then, and an okay movie now. Pine does fine with what he’s given against Branagh’s thick fake Russian accent.

Finally, Paranormal Activity: The Marked Ones, the only real spinoff of the horror franchise (there was a foreign spinoff that isn’t “canon”), it’s also considered a “cousin” film as it follows a Hispanic group of friends dealing with a demonic entity that does end up being connected to the main series. It’s not best Paranormal Activity movie, but definitely one of the better, and underappreciated, movies.

 

 

2015

The Woman in Black 2: Angel of Death

[REC] 4: Apocalypse

Taken 3

Predestination

Inherent Vice

Paddington

Blackhat

Foxcatcher

American Sniper

Red Army

A Most Violent Year

Thoughts: Some more wide releases of limited releases a couple weeks prior in Inherent Vice, American Sniper and A Most Violent Year. American Sniper, still to this day, gets flake, mostly deserved, and that fake baby man. Come on, Eastwood! Inherent Vice is still the weird movie where people don’t really know what’s going on and A Most Violent Year is mostly forgotten, even though it has some great performances by Oscar Isaac and Jessica Chastain. Maybe it will get some more eyes on it as something is in the works to bring it back.

I believe Foxcatcher, was also a limited release gone wide this month. It was the first time we saw Steve Carell in a different light after The Office, and it was the first time I saw Channing Tatum as a real actor. Red Army was a documentary of the Soviet Union’s famed Red Army hockey team, which was very good, even if you aren’t a hockey fan.

The Woman in Black 2: Angel of Death, is probably one of the forgettable movies this month, which is reasonable in my mind considering I really don’t remember anything about the movie. The same can be said for the thriller Blackhat, directed by Michael Mann, which starred Chris Hemsworth as a hacker who gets entangled in a dangerous, potentially worldwide threat. The only thing I truly remember about the movie – besides being a very diverse cast – is the sound going out in my theaters for what was probably the most exciting part of the movie, only for it to come back once the scene ended.

Taken 3 was a weird sequel, and honestly I can’t remember too much about this one either, other than the weird “twist” the movie does out of the blue. [REC] 4: Apocalypse, the final [REC] film, had a great set-up of bringing back original star Manuela Velasco as Angela, and trapping the action in a boat in the middle of the ocean, but the execution was kind of lacking, which is a huge bummer considering how great the series started.

Predestination, based on the short story “All You Zombies” by Robert A. Heinlein, not only brought us the great Sarah Snook, but a weird, twisty sci-fi mystery drama about a multitude of different themes that is definitely worth the rewatch or first-time viewing.

Finally, Paddington, I mean what’s left to say about the loveable Paddington, voiced by Ben Whishaw – originally voiced by Colin Firth, but him and director Paul King agreed they needed to go a different route – and his crazy adventures.

 

 

2016

The Forest

The Revenant

Ride Along 2

13 Hours

Carol

The 5th Wave

The Boy

Ip Man 3

Room

Kung Fu Panda 3

Jane Got a Gun

Thoughts: Weirdly, only three wide release here in The Revenant, which is still the bear basically rag dolls Leonardo DiCaprio that got him an Oscar. Carol, which I don’t hear too much about anymore, but Cate Blanchett and Rooney Mara are fantastic in it, if you haven’t watched it yet, and then there’s Room, which gave us Jacob Tremblay and a fantastic performance by Brie Larson, which fans have turned on because…reasons?

This year might be the “worst” January in the decade to be honest. The Forest and The Boy were the horror films released this month and neither of them really did the job they set out to do. The Forest had the concept of basing it in Japan’s Suicide Forest with Natalie Dormer, while The Boy had Lauren Cohen in what was teased as a “is the doll supernatural or not?” Of course, only one of these is getting a sequel.

The 5th Wave, which was based off a pretty descent YA book, was a complete disappointment for me, personally. Even with the pretty much reliable Chloe Grace Moretz and pre-mega star Maika Monroe, the premise was perfect set-up for them to only make the most bland and boring “action” movie that year.

Speaking of disappointing, the Natalie Portman-led western Jane Got a Gun was most likely a product of behind-the-scenes troubles with original director Lynne Ramsay dropping out literally the first day of filming, and actors swapping in-and-out of lead roles and supporting roles.

Ride Along 2, a couple years after the first movie, brings back Kevin Hart and Ice Cube together moving the action to another city and bringing in Olivia Munn and Benjamin Bratt as the villain. I honestly can’t remember anything about this movie, which seeing how cheap these movies are to make, I’m surprised they didn’t make another one.

Ip Man 3’s main marketing push was having a fight scene between Donnie Yen’s Ip Man versus Mike Tyson’s Frank, and if you saw the movie, you know that the fight only happens once and it isn’t even the end of the movie. The movie itself is a fine action movie, and also introduces Jin Zhang’s Cheung Tin-chi, who got a spinoff movie.

The third and final Kung Fu Panda film came out this month, and brought an end to the movies in a perfect way. Not only did Po find his family and his people, he finally reached the end of his arc of becoming a great fighter.

Finally, 13 Hours, the Michael Bay-directed movie about the U.S. compound in Libya that got attacked, and the security team there defended it. It’s basically the “ill-timed” movie about the attacks in Benghazi. Bay isn’t really that kind of director so the movie was all about the action, and for that, I was thoroughly surprised. The cast is also pretty great with John Krasinski beefing up for the role.

 

 

2017

Hidden Figures

A Monster Calls

Patriots Day

The Founder

Underworld: Blood Wars

Monster Trucks

The Bye Bye Man

Sleepless

Live by Night

xXx: Return of Xander Cage

Split

Resident Evil: The Final Chapter

Thoughts: Four limited releases turned wide this month in Hidden Figures, A Monster Calls, Patriots Day and The FounderA Monster Calls is the one that sticks with me the most because I didn’t expect the movie to hit me as hard as it did. The Founder, the story of Ray Kroc who turned the family owned burger restaurant into what we know now, saw Michael Keaton be a ruthless, ambitious former salesman that made us loathe him. Hidden Figures and Patriots Day, both based on true stories, with Hidden Figures probably being the one of the two that sticks out to more people.

Ben Affleck-directed Live by Night was considered a huge disappointment by all accounts, and lead to some personal problems for Affleck. Speaking of disappointing, especially one that essentially killed a franchise, Underworld: Blood Wars made Selene into, basically, superhero with no real purpose other than “trying” to do something different, but it was a big heap of NOPE.

On that front, Resident Evil: The Final Chapter did end the long running franchise that was more of the same from what we’ve seen, with a twist I’m sure they thought was smart, but really came off as dumb. Monster Trucks was a weird take on the brand, but you know what, if I was a kid, I would have dug the hell out of this. As an adult, it was still an okay family movie.

Sleepless was actually a remake of a VERY good French film Nuit Blanche, which followed the same basic premise of a cop who goes to a nighclub where his son is being kept after a deal gone wrong. The remake was kind of lifeless despite its descent cast of Jamie Foxx, Michelle Monaghan, Scoot McNairy, Dermot Mulroney and David Harbour.

The Bye Bye Man…*sigh*

Honestly, the only thing that got me in for xXx: Return of Xander Cage was that it starred Donnie Yen…that’s it. I mean, yes the movie was as ridiculous as you would think it would be.

Finally, Split came out this month, in what was one of the best surprises of the month and best surprise twist sequels that I can remember. Even before that though, we got an amazing performance by James McAvoy, and it made Anya Taylor-Joy a household name.

 

 

2018

Molly’s Game

The Post

Phantom Thread

I, Tonya

Insidious: The Last Key

Paddington 2

The Commuter

Proud Mary

12 Strong

Den of Thieves

Maze Runner: The Death Cure

Hostiles

Thoughts: Four limited releases this month in Molly’s Game, I Tonya, The Post and Phantom Thread; five if you count Hostiles – which kind of came and went without much fanfare despite a solid performance by Christian Bale. The Post and Molly’s Game have pretty much, at least it feels like, been forgotten. Phantom Thread was Paul Thomas Anderson and Daniel Day-Lewis’ last team-up as this was Day-Lewis’ last film, and what a way to go out. As for I, Tonya, this arguably made Margot Robbie the true household name that she is now, with her portray as Tonya Harding. Plus it gave us Paul Walter Hauser.

This month also gave us Proud Mary, which I thought was a nice homage to 70s action movies, but it failed to really leave an impression. Insidious: The Last Key was the last Insidious movie we got, which acted as an origin story for Lin Shaye’s Elise and a prequel to the very first movie. It’s not the best entry in the series, but at least Shaye got one more ride of the character.

We also got the ending of the Maze Runner movies with the third entry The Death Cure which admittedly was a little too long for its own good, and lacked a certain punch for me. The same could be said about 12 Strong – the certain punch – the based on a true story war film that starred Chris Hemsworth leading a small group of soldiers to stop an attack from the Taliban after 9/11. The movie was more of a character movie than an action film like it was marketed, but seeing Chris Hemsworth, Michael Pena and Michael Shannon play off each other was a nice please.

Now for two movies that were surprisingly good in their own way, The Commuter and Den of Thieves. The Commuter could have easily been another Liam Neeson action thriller that most people forgot about – and maybe this one is too – I happen to watch it again recently and thoroughly enjoyed it again. When it comes to Den of  Thieves, this could have easily been a forgettable action crime thriller with everyone chewing up the scenery. And in some part, it really is, but there was something about the wannabe-Heat to it all that I really liked.

Finally, Paddington 2…again, how can you NOT love these movies!

 

And that’s it everyone. Admittedly, this was a lot. So I’ll probably tone down the lists going forward, especially since this is going up at the end of January. But more importantly, I want to know what you guys think about this. Let me know what your favorite movies in January were?

My Worst, Disappointments and Least-Liked Movies of 2017

It’s the end of the year boys and girls, you know what that means? It’s list time!

I’ll put up my list of “Best/Favorite” movies of the year later, but with all those good/great/awesome movies I have seen, I had to sit through some stinkers unfortunately. Some of these I knew weren’t going to be any good walking in, but I ended up taking the hit anyway. The list ranges all over the place, so don’t think I’m attacking certain movies because it’s easy. I walk into every movie with a clear mind and soaking up the movie for what it’s worth.

The list will have the movies in alphabetical order, just to be fair, and because I really don’t want to go through the trouble anymore of picking a number one because they weren’t good enough to make it on my other list.

Like all lists, this is my opinion! So if you don’t agree that’s perfectly fine and probably justified. Film is subjective, and that’s why I love it. Finally, there are other movies that could have gone on the list, but these are the ones that truly stuck out.

Alright, let’s get this over with.

 

Dishonorable Mentions

Flatliners

Live By Night

Rings

The Bye Bye Man

Underworld: Blood Wars

 

 

Disappointments/Least-Liked/Worst Movies of the Year

Alien: Covenant

Alien: Covenant got a lot of hate that wasn’t all justified. It’s not a great movie, and definitely didn’t live up to the hype the trailers put forward. For me, the movie was good, until it wasn’t. I don’t even mind that the Xenomorphs didn’t really appear until the last act of the movie, what bothered me the most was this movie is jam packed with talent, and many of them have absolutely nothing to do, or aren’t written too well. The only real good part of this new franchise is Michael Fassbender’s David, although Covenant probably has one of the most cringe-worthy lines of the year.

 

A Cure for Wellness

A Cure for Wellness looked like it was going to be this really twisted psychological gothic film directed by Gore Verbinski, but instead it is a film that had some of those elements, but failed to really deliver on them. It was also too long for its own good losing a lot of stream by the middle of the movie.

 

Geostorm

World ending movies are almost always perfect escapism, but eventually they all become one in the same. Geostorm tried something different, concept-wise, but it still failed on a lot levels to make it stick out as its own thing. Also, at one point the movie got a little too ridiculous even for me.

 

Ghost in the Shell

If ever there was a movie that got an enormous amount of hate before it came out that I can remember, it was Ghost in the Shell. The film, arguably, re-started the white-washing controversy in Hollywood, and the film didn’t help matters when they revealed their final twist. Similar to Alien: Covenant for me, this movie was doing okay for itself until that twist, which at that point, it dissolved before your eyes.

 

The Circle

Emma Watson and Tom Hanks in the same movie? With an interesting concept? So, how in the holy hell did this movie end up so bad? The concept fell really flat, and the acting from Watson was cringe-worthy sometimes. Not only that, the movie wasted John Boyega, Karen Gillan – who was probably the best thing in the movie, but she’s not in it enough – and Hanks, who is in the movie for like five minutes because he probably had to pay his mortgage. Even though The Circle was probably asking us some interesting and noteworthy topics for discussion, the movie was so bad I didn’t care.

 

The Dark Tower

The Dark Tower is one of those movies I had read about since I started really following the movie news – all the way back in 2004-2005 – so finally seeing it on the big screen after all the false starts, people being eyed and changing studios was great. Unfortunately, the movie itself wasn’t all that great. The Dark Tower could have used a lot more time to really explain and expand the long history from the books, and let the actions really speak when they happened. Also, for the famous character of The Man in Black, played by Matthew McConaughey, he isn’t really all that menacing enough at least for me.

 

The Mummy

Probably one of the biggest disappointments of the year for me, if I had to pick one. I was really looking forward toward Universal putting their classic monsters back on the big screen in a shared universe. Especially considering Universal was really the first studio to have a shared universe – and me being a fan of that series. The Mummy was mixed bag of many things, Tom Cruise wasn’t likeable at all, they tried a tad too hard to create the universe in one movie, and Sofia Boutella’s Mummy character – being the best thing in the movie – wasn’t in it enough and was dealt with way too easily. We shouldn’t let one bad movie decide the complete fate of a new, and potentially great, shared universe. That said, The Mummy doesn’t help that argument, and from the sounds of it, it looks like the shared universe might be dead.

 

Suburbicon

This one hurt a little. You got a great cast with Matt Damon, Julianne Moore, and Oscar Isaac with a script by the Coen Brothers and George Clooney, who directed it. In the end though, Suburbicon is a huge mess of the film that no one could save. The story is a bit too whacky for its own good, and it kind of comes from nowhere.

 

Transformers: The Last Knight

………….I can’t even come up with something clever. This was SO BAD. Or as I put it when I reviewed it, Transformers: The Last Knight is a steaming pile of combined shits that you only fueled by buying a ticket. Nothing in this movie makes sense, and sometimes it felt like Bay forgot what he directed in the past films.

 

All right, so there are my worst, disappointments, least-liked films of the year. What were some of yours?

Mini-Review – Underworld: Blood Wars, Sleepless, Patriots Day, Live By Night & The Bye Bye Man

Hey everybody!

Welcome to another edition of Mini-Reviews. This is a longer one than usual, due to me falling behind. So let’s get to it, shall we?

 

*As always, these will be spoiler free reviews*

 

Underworld: Blood Wars

Director: Anna Foerster

Writer: Cory Goodman

Cast: Kate Beckinsale, Theo James, Tobias Menzies, Lara Pulver, James Faulkner, Peter Andersson, Clementine Nicholson, Bradley James, Daisy Head and Charles Dance.

Synopsis: Vampire death dealer, Selene fights to end the eternal war between the Lycan clan and the Vampire faction that betrayed her.

 

The Underworld series started off as an interesting franchise that had some cool mythology and made Kate Beckinsale a big name to those not familiar with her. The sequel came along and was just okay which lead to a prequel for the third film. Then the fourth film came out and things took a turn for the worse. The series had lost its footing and became lost in its attempt to make itself relevant. This now leads us to Underworld: Blood Wars, which is more of the same, but thankfully better than Underworld: Awakening, which isn’t saying much really.

Blood Wars starts off by giving us a bit of a refresher on the series so far – leaving some things out – but also shows that Selene (Kate Beckinsale) is now a fugitive from the remaining vampires and new Lycan leader, Marius (Tobias Menzies), who wants the location of Selene’s daughter. The problem is that even Selene doesn’t know where her daughter is, and with the help of David (Theo James), his father Thomas (Charles Dance), and a vampire council member Semira (Lara Pulver), Selene is brought back into the fold to help deal with Marius.

Like I mentioned, Blood Wars is more of the same from the previous films – stylized action set-pieces, new mythology and characters being introduced and Kate Beckinsale in tight leather kicking-ass. Other than that, the film doesn’t really do anything that feels substantial. Things are brought up that would be considered twists or could have landed bigger if written better or anything the film did actually mattered.

The film is too rushed for its own good. Everything lands too quickly, and the final act of the film just happens. One particular part in the final act does mean something since it’s connected to the beginning of the film, but other than that the final act is structurally not sound.

When it comes to the cast, they all do the best they can with what they are given. Kate Beckinsale is the only real saving grace of the cast since she’s played the part so many times now. Theo James is just as bland as he was in the last film, while Tobias Menzies’ Marius is supposed to be this great Lycan leader, but doesn’t really do anything that frightening – also his cheap two dollar CGI wolf character doesn’t do him any favors. Lara Pulver as Semira could have been a great character if she had more screen time as could have Clementine Nicholson’s Lena, who is part of a new vampire clan, Finally, Charles Dance’s Thomas should have had more time, because you know, its Charles freaking Dance.

All in all, Underworld: Blood Wars is a passable sequel, and a better one than Awakening, but again, that’s not saying much. Things feel like they just happen, and the structure of the film is just off that you can never really feel any sort of enjoyment. One thing that really bothered me is the ending. I obviously don’t want to spoil it, but considering how it ends, it just felt like the whole film was for nothing.

Underworld: Blood Wars

2.5 out of 5

underworld_blood_wars_ver8

 

 

Sleepless

Director: Baran bo Odar

Writer: Andrea Berloff

Cast: Jamie Foxx, Michelle Monaghan, Scoot McNairy, Gabrielle Union, Octavius J. Johnson, T.I., Dermot Mulroney, and David Harbour

Synopsis: A cope with a connection to the criminal underworld scours a nightclub in search of his kidnapped son.

 

A remake of the French film Nuit Blanche, Sleepless takes place mostly in one location and is surprising a little better than I thought it would be, even though I had watched the original film years before.

Sleepless follows Las Vegas officer Vincent Downs (Jaime Foxx), who along with his partner Sean (T.I.) steal a bag of cocaine at the beginning of the film. Little do they know, the cocaine belongs to a crooked casino boss Stanley Rubino (Dermot Mulroney) who is going to sell the drugs to the dangerous Rob Novak (Scott McNairy), the son of a local mob boss. In order to get the drugs back, they kidnap Vincent’s son Thomas (Octavius J. Johnson) and demand he return their product. Of course, things don’t go over smoothly as Internal Affairs agents Jennifer Bryant (Michelle Monaghan) and Doug Dennison (David Harbour) become involved.

Like I mentioned, the film is a little better than I thought it was going to be, but Sleepless does run into some issues throughout. The film doesn’t do Jamie Foxx any favors besides making him look like an action hero. Foxx’s usual charisma is put on the backburner so he can be almost stoic at times, which is a bit of a shame. Although, the result does lead to impressive fight scenes, including a kitchen scene and a highly impressive hotel room fight.

The rest of the cast do their best with what they are given. Scoot McNairy is one of the best underrated and unknown actors around, and while he plays a villain well, they could have done just a little more with him. Michelle Monaghan plays the straight-laced IA agent who has her moments, and after watching this, I hope we see more roles like this from her, and her chemistry with the always reliable David Harbour is spot on. Dermot Mulroney looked like he enjoy playing a slimy villain, Gabrielle Union only has a handful of scenes, so her casting feels wasted and T.I. also has only a few scenes but all of his scenes feel the same when you look back afterwards.

All in all, Sleepless feels a bit hallow at times, but it does have its moments that make the price of admission worth it.

Sleepless

3.5 out of 5

sleepless

 

 

Patriots Day

Director: Peter Berg

Writers: Peter Berg, Matt Cook and Joshua Zetumer

Cast: Mark Wahlberg, John Goodman, Michelle Monaghan, Kevin Bacon, Alex Wolff, Themo Melikidze, Jimmy O. Yang, Rachel Brosnahan, Christopher O’Shea, James Colby, Michael Beach, Vincent Curatola, Jake Picking, Melissa Benoist, and J.K. Simmons

Synopsis: An account of the 2013 Boston Marathon bombing and the aftermath, which includes the city-wide manhunt to find the terrorist responsible.

 

Considering Patriots Day is based off a real event, and one that I’m sure most of us remembering watching on TV as the events unfolded, I’m going to play with the “no spoilers” rule here a bit. The film follows the events at the Boston Marathon and what the first responders and FBI did to find and capture the Tsarnaev brothers.

The film has a lot of players on the board, we mostly follow Boston Police Sergeant Tommy Saunders (Mark Wahlberg), a made up character based on several people, who is at the finish line of the marathon when the first bomb went off. The events bring everyone is like Police Commissioner Ed Davis (John Goodman), Governor Deval Patrick (Michael Beach) and FBI Special Agent Richard DesLauriers (Kevin Bacon) to find Tamerlan Tsarnaev (Themo Melikidze) and his brother Dzhokhar Tsarnaev (Alex Wolff) which involved shutting down all of Boston and lead to a dangerous shootout in Watertown.

Peter Berg really does have a knack for true-story films, Lone Survivor and Deepwater Horizon were great films, and all star Mark Wahlberg, but the thing that makes these films, along with Patriots Day is how he handles the material. Berg treats the events with tremendous respect and never tries to feed the audience a political agenda or lean the audience a certain way. He lets the story tell itself and lets the characters come to life in their own way, even though most of the characters are based on real people. It’s also a credit to the great cast that they are able to do so.

However, with a big cast like this, the film does have a lot of characters to follow that a lot of them don’t get real time to breathe and don’t get the justice they deserve. J.K. Simmons has a small, but good, role as the Watertown sergeant Jeffrey Pugliese, Rachel Brosnahan and Christopher O’Shea play couple Jessica Kensky and Patrick Downes who were close to the first blast sight, Jake Picking plays Officer Sean Collier, who was shot by the brothers, and Jimmy O. Yang plays Dun Meng, who has a dangerous encounter with brothers halfway through the film. Another thing Patriots Day falls into is some pacing issues before the final act of the film, but again, it’s the cast the keep the film together.

Two of the highlights of the film, if that’s what you want to call it considering the nature of the real life events, is the aftermath of the bombing. How Berg moves the camera through the destruction and through the eyes of Tommy is both horrifying and telling on how the first responders probably felt when they helped so many that day. The other is the shootout before Dzhokhar runs and hides in the boat he was later recovered from.

All in all, Patriots Day isn’t an easy film to watch due to the nature of the events and how Berg was able to recreate it. The cast, despite being one person too many, does a tremendous job paying respect to people they were playing and to those affected by the actions that happened that horrible day and what happened afterwards.

Patriots Day

4 out of 5

patriots_day

 

 

Live by Night

Director: Ben Affleck

Writer: Ben Affleck

Cast: Ben Affleck, Chris Messina, Sienna Miller, Elle Fanning, Zoe Saldana, Robert Glenister, Remo Girone, Chris Cooper and Brendan Gleeson

Synopsis: A group of Boston-bred gangsters set up shop in balmy Florida during the Prohibition era, facing off against the competition and the Ku Klux Klan.

 

Based off the novel by Dennis Lehane, Ben Affleck writes and directs what has become a bit of a passion project for him, so it’s a bit odd to see what became of the film. Affleck has shown he’s a great to solid director with films like Gone Baby Gone, The Town and Argo, but Live by Night will be – hopefully – the only blemish on his resume.

Ben Affleck plays Joe Coughlin, a former World War I soldier and son of a police officer (Brendan Gleeson), who returns home and starts to see himself as an outlaw and runs heists throughout Boston. He eventually falls in love with Emma Gould (Sienna Miller), who happens to be the mistress of Irish mob boss Albert White (Robert Glenister). This puts him on the sights on White’s rival, Italian mob boss Maso Pescatore (Remo Girone) who wants Joe to work for him. Joe eventually does and Maso sends him down to Tampa to run his bootlegging operation. Once there, and reunited with his old partner Dion Bartolo (Chris Messina) and they make a nice empire for themselves. That all changes when Joe starts falling in love with Graciela (Zoe Saldana), and struggles to keep his moral code in place.

Live by Night is unfortunately a bit of a mess, which is odd considering Affleck was passionate about getting the film made, and took so long to make. That’s not to say there is some great stuff within the mess, but it is the scattered material that keeps the film from being great. Not only that, the film has a bit too much going on that by the end, it feels like the film is forcing itself to tie-up the loose ends that were introduced beforehand. It’s a bit of a shame too, considering Affleck has shown he can handle himself with great material.

The cast itself is great, but it’s a shame that some characters don’t have time to expand and get developed more. Chris Messina, who is always great with the right material, playing Joe’s right-hand man Dion Bartolo could have used more time onscreen as could Elle Fanning’s character Loretta, the daughter of Tampa sheriff Figgis played by Chris Cooper. Especially considering Fanning is involved in a big subplot. Zoe Saldana also pops in but doesn’t really do much after her initial introduction, and reminding Joe that he doesn’t need to be cruel to do the life he’s involved in. Brendan Gleeson’s glorified cameo suffers just a bit due to him using his natural Scottish accent that makes it a little hard to understand. Sienna Miller’s character could have been an interesting character, but her arc gets cut too soon.

Affleck does okay as the Joe, and even though we follow him throughout the film his moments of doubt and morality being tested are usually rushed to the point that it just feels like Affleck is trying to get to the next scene, which is odd considering the film is over two hours. When it comes to working with his production designer and cinematographer, he works well. Every scenic shot is beautiful to look at, and the sets look amazing.

All in all, Live by Night has some issues that could have been avoided, but sadly they aren’t which hurts the film in the long run. The cast is great, but none of their characters are developed fully or pushed to the wayside to tell Ben Affleck’s Joe story. While the action scenes are top-notch, Live by Night is just a tad underwhelming in the long run, but in no way should change your view on Affleck’s directing ability.

Live by Night

3.5 out of 5

live_by_night_ver2

 

 

The Bye Bye Man

Director: Stacy Title

Writer: Jonathan Penner

Cast: Douglas Smith, Lucien Laviscount, Cressida Bonas, Jenna Kanell, Michael Trucco, Cleo King, Leigh Whannel, Doug Jones, Carrie-Anne Moss and Faye Dunaway

Synopsis: Three friends stumble upon the horrific origins of the Bye Bye Man, a mysterious figure they discover is the root cause of the evil behind man’s most unspeakable acts.

 

It’s a bit of a shame that after the great year horror had last year – finally – a film like this comes along and washes all that away. Apparently based off a story called “The Bridge to Body Island” by Robert Damon Schneck, The Bye Bye Man has an interesting concept that falls apart once the film gets going. That’s only the beginning of this film’s issues.

The film follows three college friends in Elliot (Douglas Smith), his girlfriend Sasha (Cressida Bonas) and their friend John (Lucien Laviscount) who buy and move into an old house off campus. Everyone seems okay at first until Elliot finds an old coin on his nightstand left by the previous owner. He then discovers writing underneath the drawer that says “Don’t Think it, Don’t Say it” and under that are craved words “The Bye Bye Man.” At first he laughs it off, but when the three start experiencing strange things in and out of the house, they soon learn The Bye Bye Man (played by the awesome character actor Doug Jones) is indeed real, and after them.

One of the problems with The Bye Bye Man – one of many – is we don’t get a sense of the characters, and hardly care for them. Elliot is the closet one to actually having a backstory, while Sasha is just the girlfriend who, at the beginning, tries to convince Elliot that what is happening is real, but after Elliot goes along with it, she becomes a bit annoying, and John somewhat disappears for a bit and we really don’t miss him. Jenna Kanell pops in as Sasha’s friend Kim, who is a psychic of sorts and, based off the trailers, is the one that gets killed by the train, which is the highlight of her character.

However, the saving graces of the film – cast wise – is the small roles by Carrie-Anne Moss, Faye Dunaway and Leigh Whannell. Faye Dunaway appears near the end of the film and adds to some backstory of The Bye Bye Man, Carrie-Anne Moss plays a local detective that could have been played by really anyone else, but Moss adds some gravitas to the role. Leigh Whannell plays Larry Redmond a writer that “discovers” The Bye Bye Man and is involved in the best scenes in the film: flashbacks. Finally, Doug Jones does this best he can with what he’s given as the titular character.

All in all, the concept of the film sounds good at first, but once we start seeing what he does and really think about it afterwards, The Bye Bye Man fails to execute on its promise. The characters are bland and are never developed and a muddled story doesn’t help. The Bye Bye Man is almost passable film while watching, but nothing you’ll remember.

The Bye Bye Man

2 out of 5

bye_bye_man

 

Let me know what you think.

January Movie Releases

Happy New Year!!

That’s right, ladies and gentlemen, we have a new year in front of us which means one thing: new movies! Now, January is usually referred to as Hollywood’s “Dump” Month. Meaning they will release movies that they don’t think will perform well or are not confident in. Sometimes that is the case, but sometimes a movie will shine through. January is also filled with expanded releases of movies that came out in December so there is also that to look forward to.

You’ll notice that I will put the companies attached and responsible for releasing the film as well. Just trying something new to expand the page a bit and instead of posters, now you’ll be seeing trailers. I’ll try to update whenever new trailers come out.

 

 

6th

 

Wide Release: Hidden Figures

Based on the book my Margot Lee Shetterly, a team of African-American women provide NASA with important mathematical data needed to launch the program’s first successful space missions. I had the opportunity to watch the film on its limited release late last year, and I have to say it is a fantastic film. Do yourself a favor and go watch this. The film stars Taraji P. Henson, Octavia Spencer, Janelle Monae, Kevin Costner, Jim Parsons, Kirsten Dunst, Mahershala Ali, Aldis Hodge and Glen Powell.

 

Wide Release: A Monster Calls (Fantasy Drama – Focus Features/Participant Media/River Road Entertainment/Apaches Entertainment/La Trini)

Based on a script and book by Patrick Ness, A Monster Calls follows a boy as he seeks the help of a tree monster to cope with his single mom terminal illness. The film stars Liam Neeson as The Monster, Felicity Jones as the Mother, Sigourney Weaver as the Grandmother, Toby Kebbell as Dad, and Lewis MacDougall as the boy and Lily-Rose Aslandogdu as Lily.

 

Underworld: Blood Wars (Action – Screen Gems/Lakeshore Entertainment/Sketch Films)

Selene (Kate Beckinsale) returns to once again try and end the war between the Lycan clan and the Vampire fraction that betrayed her. Blood Wars does look like a step-up from the last film, but I don’t know how the film will actually turn out. The film also stars Theo James, Tobias Menzies, Lara Pulver, and Charles Dance.

 

 

13th

Wide/Expansion Release: Patriots Day

 

Limited Release: The Comedian

A look at the life of an aging insult comic played by Robert De Niro. The film also stars Leslie Mann, Danny DeVito, Cloris Leachman, Harvey Keitel, Eddie Falco and Billy Crystal.

 

Wide Release: Live By Night

Based off the novel of the same name by Dennis Lehane, Ben Affleck writes, directs and stars in this great looking film that is set during the Prohibition and follows Joe Coughlin, the son of a prominent Boston police captain, as he rises through the ranks of the criminal underworld and the trouble he falls into along the way. Besides the film looking great, it has a great cast in Zoe Saldana, Elle Fanning, Sienna Miller, Brendan Gleeson, Chris Sullivan, Anthony Michael Hall, Titus Welliver, Max Casella, Chris Messina, and Chris Cooper.

 

Wide Release: Silence 

Based on the book by Shusaku Endo, Martin Scorsese directs this historic drama set in the seventh century when two Jesuit priests (Andrew Garfield and Adam Driver) face violence and persecution when they travel to Japan to locate their mentor (Liam Neeson) and propagate Catholicism. Based off the trailer the film looks very powerful, and the early word from its limited release has made that statement true. Now tith its wide release, hopefully we’ll get a chance to experience that. Silence also stars Tadanobu Asano, and Ciaran Hinds.

 

The Bye Bye Man (Horror Thriller – STX Entertainment/Intrepid Pictures/Los Angles Media Fund)

An adaptation of the short story “The Bridge to Body Island,” by Robert Damon Schneck, the story centers on three Wisconsin college students in the 1990s, who move into an old house off campus. They unwittingly unleash a supernatural entity known as The Bye Bye Man, who comes to pretty upon them once they discover his name. The friends must try to save each other, all the while keeping The Bye Bye Man’s existence a secret to save others from the same deadly fate. The film looks okay, and a bit cheesy based on the first trailer – at least for me. This is actually the third move for the film as it was set for an October release, then a June release, then a early December release, and now this date.

 

Monster Trucks (Sci-Fi Adventure – Paramount Pictures/Paramount Animation/Nickeldeon Movies)

Another film that was moved three times now, although this one was done to complete post-production, Monster Trucks takes the idea of the popular derby and flips it on its head by making it literal. There are alien monsters that take over trucks and are on the run. Of course humans help them and what follows is some insane looking over-the-top action. Stars Lucas Till, Jane Levy, Rob Lowe, Amy Ryan, Barry Pepper, Samara Weaving, Holt McCallany, Frank Whaley, Thomas Lennon, and Danny Glover.

 

Sleepless (Action Thriller – Open Road Films/FilmNation Entertainment/Vertigo Entertainment/Riverstone Pictures)

A remake of French film Nuit Blanche (which I highly recommend you watch), a cop with a connection to the criminal underworld scours a nightclub in search of his kidnapped son. The film look okay, I was a huge fan of the original film, and this one does look like they’re upping the action, which is fine if the movie turns out good. The film stars Jamie Foxx, Gabrielle Union, Michelle Monaghan, David Harbour, T.I., and Scoot McNairy.

 

20th

Limited Release: The Red Turtle

Produced by the famous Studio Ghibli, the dialogue-less film follows the major life stages of a castaway on a deserted tropical island populated by turtles, crabs and birds.

 

Wide Release: 20th Century Women

 

The Resurrection of Gavin Stone (Family Romance Comedy – High Top Releasing/WWE Studios)

Gavin Stone (Brett Dalton), a washed up former child star, is forced to do community service at a local megachurch and pretends to be Christian so he can land the part of Jesus in their annual Passion Play, only to discover that the most important role of life is far from Hollywood. The film also stars Neil Flynn, Anjelah Johnson-Reyes, Liam Matthews, D.B. Sweeney, and WWE Legend Shawn Michaels.

 

The Founder (Biography Drama – The Weinstein Company/FilmNation Entertainment/The Combine)

Michael Keaton stars in this film that tells the story of McDonald’s founder, Ray Kroc. I don’t think I’ve ever actually thought about the story of McDonald’s and since I’ve seen the trailer, it’s peaked my interest and I’m sure to many others as well. Also, the studio has high hopes as they moved the film from its release date last year in August to prime Oscar contention time. The rest of the cast includes Laura Dern, Patrick Wilson, Linda Cardellini, Nick Offerman, B.J. Novak, and John Carroll Lynch.

 

 

Split (Thriller – Universal Pictures/Blumhouse Productions/Blinding Edge Pictures)

M. Night Shyamalan is back at it. The film stars James McAvoy as Kevin, a man with at least 23 different personalities, is compelled to abduct three teenage girls. As they are held captive, a final personality – “The Beast” – begins to materialize. The film also stars Anya Taylor-Joy, Haley Lu Richardson, Sterling K. Brown and Betty Buckley. Honestly, this doesn’t look that bad. McAvoy looks like he’d nailing the role and it actually looks like a cool and effective thriller.

 

xXx: The Return of Xander Cage (Action Thriller – Paramount Pictures)

Directed by D.J. Caruso (Disturbia, Eagle Eye, I Am Number Four), Xander Cage (Vin Diesel), thought to be dead, is bought back by his handler Augustus Gibbons (Samuel L. Jackson) to lead a team to stop a massive attack. The film also stars Nina Dobrev, Donnie Yen, Ruby Rose, Tony Jaa, Toni Collette, Rory McCann, and Deepika Padukone.

 

27th

A Dog’s Purpose (Dramedy – Universal Pictures/Amblin Entertainment/Walden Media/DreamWorks SKG)

Based on the novel by W. Bruce Cameron and directed by Lasse Hallstrom (What’s Eating Gilbert Grape, Dear John, The Hundred-Foot Journey), the film follows a dog (voiced by Bradley Cooper), who looks to discover his purpose in life over the course of several lifetimes and owners. The film also stars Britt Robertson, Peggy Lipton, John Ortiz, and Dennis Quaid.

 

Bastards (Comedy – Warner Bros./Alcon Entertainment/The Montecito Picture Company/DMG Entertainment)

Upon learning that their mother has been lying to them for years about their allegedly deceased father, two fraternal twin brothers hit the road in order to find him. The film stars Owen Wilson, Ed Helms, Glenn Close, Ving Rhames, Terry Bradshaw, and J.K. Simmons.

 

Resident Evil: The Final Chapter (Screen Gems/Constantin Film International/Capcom Entertainment)

The last installment of the Milla Jovovich and Paul W.S. Anderson Resident Evil series, which could be a good or bad thing, depending on how you feel about the series. The Final Chapter picks ups immediately after the events from the last film and follows Alice (Jovovich) returning to Raccoon City where the Umbrella Corporation is gathering forces for a final strike against the only remaining survivors. The film will bring back Ali Larter as Claire Redfield, Iain Glen as Dr. Alexander Isaacs and Shawn Roberts as Albert Wesker with new cast members Ruby Rose, William Levy, Eoin Macken, and international star Rola.

 

Gold (Drama Thriller – TWC-Dimension/Black Bear Pictures/Living Films/Hwy61)

An unlikely pair venture to the Indonesian jungle in search of gold. The film is giving off a semi-American Hustle vibe and seeing Matthew McConaughey lose himself in the character should be interesting to watch. The film also stars Bryce Dallas Howard, Edgar Ramirez, Toby Kebbell, Rachael Taylor, Corey Stoll, Bruce Greenwood, Bill Camp, and Stacy Keach

 

What are you looking forward to?

December Movie Releases

It’s December, ladies and gentlemen!

The year is almost over! How has your year been, because it’s been a great year for films, huh? December is also a tough month to set, because this is the big Oscar month, so a lot of films end up getting limited releases, expansion releases, and then wide releases. So if anything is off, it’s because of that. I’ll do my best to get everything where it’s suppose to go, and if not I’ll come back and update the schedule.  So let’s jump right in the films that will close out the year.

Also, Happy Whatever-It-Is-You-Celebrate!

 

2nd

Limited Release: Jackie (Biography Drama – Fox Searchlight Pictures/Why Not Productions/Wild Bunch)

Following the assassination of her husband, First Lady Jacqueline Kennedy (played by Natalie Portman) fights through grief and trauma to regain her faith, console her children and define her husband’s historic legacy. The film has gotten a lot of love at the film festival circuit, and is getting a lot of Oscar buzz. It probably helped that this film has been in the works for a long time too. Jackie also stars Peter Sarsgaard, Greta Gerwig, John Hurt, Billy Crudip, Max Casella, Richard E. Grant, and Caspar Phillipson.

jackie

 

Limited Release: La La Land (Drama Comedy Musical)

Ryan Gosling and Emma Stone reunite for La La Land which follows a jazz pianist who falls for an aspiring actress in Los Angeles. The film is getting a ton of great reviews from the film festival circuit so this one is one you should keep your eye out for. Also the trailer really gives off the vibe that the film will be a nice tribute to films of old. The film also stars Finn Wittrock, Rosemarie DeWitt, John Legend, Jason Fuchs, Hemky Madera, and J.K. Simmons.

la_la_land_ver3

 

Incarnate (Horror Thriller – Universal Pictures/Blumhouse Productions/WWE Studios/IM Global/High Top Releasing/Deep Underground Films)

A scientist with the ability to enter the subconscious minds of the possessed must save a young boy from the grips of a demon with powers never seen before, while facing the horrors of his past. The film stars Aaron Eckhart, Carice van Houten, David Mazouz, Emjay Anthony, Matt Nable, and Catalina Sandino Moreno.

incarnate

 

 

9th

Expanded/Wide Release: Nocturnal Animals

Expanded Release: La La Land

Expanded Release: Jackie

 

 

Office Christmas Party (Comedy – Paramount Pictures/DreamWorks Pictures/Bluegrass Films)

When his uptight CEO sister (Jennifer Aniston) threatens to shut down his branch, the branch manager thrown an epic Christmas party in order to land a big client and save the day, but the party gets way out of hand. The film also stars T.J. Miller, Kate McKinnon, Jason Bateman, Rob Corddry, Olivia Munn, Jillian Bell, Jamie Chung, Abbey Lee, Randall Park, Matt Walsh and Courtney B. Vance.

office_christmas_party

 

16th

Limited Release: The Founder (Biography Drama)

Michael Keaton stars in this film that tells the story of McDonald’s founder, Ray Kroc. I don’t think I’ve ever actually thought about the story of McDonald’s and since I’ve seen the trailer, it’s peaked my interest and I’m sure to many others as well. The rest of the cast includes Laura Dern, Patrick Wilson, Linda Cardellini, Nick Offerman, B.J. Novak, and John Carroll Lynch.

 

 

Collateral Beauty (Drama – New Line Cinema/Village Roadshow Pictures/Overbrook Entertainment/Anonymous Content/Likely Star/PalmStar Media)

An advertising executive encounters three mysterious figures who encourage him to move on from the past. The film looks like it’s going to be a powerhouse with the cast, but the idea does seem odd, and one that you can probably figure out from the trailers. Hopefully the execution works. Will Smith, Kate Winslet, Keira Knightley, Edward Norton, Naomie Harris, Michael Pena, and Helen Mirren star.

collateral_beauty_ver2

 

Rogue One: A Star Wars Story (Sci-Fi Adventure –Walt Disney Pictures/Lucasfilm)

Gareth Edwards directs the first spinoff/standalone film of the new set of Star Wars films, which actually takes us back in time as it follows Rebels on a mission to steal plans for the Death Star. Listen, it’s Star Wars, people are going to go watch it. However, the film’s last two trailers were freaking awesome, of course the film however, will have some closer eyes as the “dirty” word in Hollywood has hit the film: reshoots. Nonetheless, the film looks great and more importantly it looks different. The film stars Felicity Jones, Mads Mikkelsen, Alan Tudyk, Ben Mendelsohn, Donnie Yen, Diego Luna, Riz Ahmed, Jonathan Aris, and Forest Whittaker.

rogue_one_a_star_wars_story_ver5

 

21st

Sing (Animation – Universal Pictures/Illumination Entertainment)

A koala named Buster (Matthew McConaughey) recruits his best friend to help him drum up business for his theater by hosting a singing competition. I don’t know if I’m over talking animal animated film this year, but I’m not getting behind the Sing train. The voice cast also includes Scarlett Johansson, Reese Witherspoon, John C. Reilly, Seth MacFarlane, Taron Egerton, Nick Offerman, Peter Serafinowicz,  and Jennifer Saunders.

sing

 

Patriots Day (Lionsgate/CBS Films/Closest to the Hole Productions)

Directed by Peter Berg, the film is an account of Boston Police Commissioner Ed Davis’s (played by John Goodman) actions in the events leading up to the 2013 Boston Marathon bombing and the aftermath, which includes the city-wide manhunt to find the terrorists behind it. Berg has already made a splash this year with Deepwater Horizon with Mark Wahlberg, so I can only think that this will be either as good or just as good. Patriots Day also stars J.K. Simmons, Kevin Bacon, Melissa Benoist, Michelle Monaghan, Alex Wolff, and Rachel Brosnahan.

patriots_day

 

Passengers (Sci-Fi Adventure – Sony Pictures/Columbia Pictures/Village Roadshow Pictures/LStar Capital/Original Film/Start Motion Pictures/Company Films)

A spacecraft traveling to a distant colony planet and transporting thousands of people has a malfunction in its sleep chambers. As a result, two passengers (Chris Pratt and Jennifer Lawrence) are awakened 90 years early. Two of the most liked and extremely talented actors in Hollywood are getting together for a film, and one that looks not too bad, I think we looking at a big hit here, don’t you think? Michael Sheen, Laurence Fishburne, and Andy Garcia also star.

passengers

 

Assassin’s Creed (Action – 20th Century Fox)

Based on the popular video game franchise, Michael Fassbender stars as Callum Lynch, who with the help of revolutionary technology that unlocks his genetic memories, experiences the adventures of his ancestor, Aguilar, in 15th Century Spain. Callum discovers he is descended from a mysterious secret society, The Assassins, and amasses incredible knowledge and skills to take on the oppressive and powerful Templar organization in the present day. Justin Kurzel, who directed the well-received and great film Macbeth, directs and reunites not only with Fassbender but Marion Cotillard as well. The film also stars Jeremy Irons, Brendan Gleeson, Ariane Labed, Mathias Varela, Brian Gleeson, and Michael Kenneth Williams.

assassins_creed_ver2

 

 

23rd

Limited Release: A Monster Calls (Fantasy Drama – Focus Features/Participant Media/River Road Entertainment/Apaches Entertainment/La Trini)

Based on a script and book by Patrick Ness, A Monster Calls follows a boy as he seeks the help of a tree monster to cope with his single mom terminal illness. The film stars Liam Neeson as The Monster, Felicity Jones as the Mother, Sigourney Weaver as the Grandmother, Toby Kebbell as Dad, and Lewis MacDougall as the boy and Lily-Rose Aslandogdu as Lily. The film looks fantastic and I can’t wait to see how it does. The limited release is due to Focus Features trying to get the film an Oscar run. The film will come out early next year.

monster_calls_ver2

 

Limited Release: Silence (Drama)

Directed by Martin Scorsese and based off the novel by Shusaku Endo, the film is set in the seventeenth century, where we follow two Jesuit priests that face violence and persecution when they travel to Japan to locate their mentor and propagate Christianity. The film has been looking for a release date and what better date to come out in than in December around Oscar season right? The film stars Liam Neeson, Andrew Garfield, Adam Driver, Shin’ya Tsukamoto and Tadanobu Asano.

silence

 

Why Him? (Comedy – 20th Century Fox/Red Hour Films/21 Laps Entertainment)

A dad (Bryan Cranston) forms a bitter rivalry with his daughter’s young rich boyfriend (James Franco). The film looks decently funny, at least we can hope, and seeing Cranston on the big screen is always nice – even if it’s a film like this. The film stars Zoey Deutch, and Megan Mullally.

why_him

 

25th

Limited Release: 20th Century Women (Comedy Drama)

The story of three women who explore love and freedom in Southern California during the late 1970s. The film stars Annette Bening, Elle Fanning, Greta Gerwig, Alia Shawkat, Laura Wiggins, and Billy Crudup.

 

Limited Release: Paterson (Drama Comedy) 

Set in the present in Paterson, New Jersey, this is a tale about a bus driver and poet, who also happens to be named Paterson (Adam Driver). I saw the trailer for the first time recently, and it looks like a great little indie film that will showcase Adam Driver.

 

Limited Release: Hidden Figures (Drama)

Based on a true story, a team of African-American women provide NASA with important mathematical date needed to launch the program’s first successful space missions. The film stars Taraji P. Henson, Octavia Spencer, Janelle Monae, Kristen Dunst, Jim Parsons, Mahershala Ali, Aldis Hodge, Glen Powell, and Kevin Costner.

hidden_figures

 

Limited Release: Live By Night

Based off the novel of the same name by Dennis Lehane, Ben Affleck writes, directs and stars in this great looking film that is set during the Prohibition and follows Joe Coughlin, the son of a prominent Boston police captain, as he rises through the ranks of the criminal underworld and the trouble he falls into along the way. Besides the film looking great, it has a great cast in Zoe Saldana, Elle Fanning, Sienna Miller, Brendan Gleeson, Chris Sullivan, Anthony Michael Hall, Titus Welliver, Max Casella, Chris Messina, and Chris Cooper.

live_by_night

 

Fences (Drama – Paramount Pictures/Scott Rudin Productions/Bron Studios/MACRO)

Based on the play by August Wilson, and directed by Denzel Washington, Fences follows an African American father who struggles with race relations in the United States while trying to raise his family in the 1950s and coming to terms with the events of his life. The film stars Washington, Viola Davis, Mykelti Williamson, Russell Hornsby and Stephen Henderson.

fences

 

So, what are you looking forward to?

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