New Podcast – Deadpool 2 & Jurassic World: Fallen Kingdom Trailers, Steven Spielberg Eyes DC Movie & More

The Movie Pit Podcast is up!

It’s a little later than usual. Okay, a lot later than usual, but these last few days have been pretty tough, so I apologize that that. BUT, there was a lot great movie news items this week.

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My Best/Favorite Movies of 2015

I held out to put my list for a few films and I had yet to see that would have – and did – make it. So, forgive me for putting out the list late.

So, there were some great films that came out this year. The list really ranges all over the place, so you’ll see a wide array of titles, and even some surprises. But, of course, this is my list and my opinion so your list might be different, obviously, it is okay.

The list will have the films in alphabetical order, just to be fair, and because I really don’t want to go through the trouble anymore of picking a number one because it would be really tough. First let’s start off with the film that I didn’t get around to watching, whether it’s because I missed out when it was in theaters, or because they were only in theaters in my area for a short time, or because they were on a very limited release (I’m looking at you The Reverent) then we’ll move to the films that just missed the list, honorable mentions and then the big one.

 

Movies I Missed That I Wanted to Watch

A Girl Walks Home Along At Night

Amy

Anomalisa

Beasts of No Nation

Black Sea

Carol

Daddy’s Home

Faults

Goodnight Mommy

Kumiko, The Treasure Hunter

Mistress America

REC 4: Apocalypse

Selma

Slow West

Still Alice

The Walk

The Babadook

Trumbo

Turbo Kid

While We’re Young

Z for Zachariah

 

Just Missed The List

American Ultra (PalmStar Media/Circle of Confusion/Lionsgate/The Bridge Finance Company/Likely Story/FilmNation Entertainment)

Bridge of Spies (Dreamworks/Amblin Entertainment/Fox 2000 Pictures/Participant Media/Reliance Entertainment/TSG Entertainment/Marc Platt Productions)

Chappie (Sony Pictures/Columbia Pictures/Media Rights Capital/Simon Kinberg Productions/LStar Capital)

In the Heart of the Sea (Warner Bros./Village Roadshow Pictures/Imagine Entertainment/Spring Creek Productions)

Joy (Fox 2000/Annapurna Pictures/Davis Entertainment/TSG Entertainment)

Krampus (Universal Pictures/Legendary Pictures)

Legend (Universal Pictures/Cross Creek Picures/Working Title Films)

Maze Runner: The Scorch Trails (20th Century Fox/TSG Entertainment/Temple Hill Entertainment)

Run All Night (Warner Bros./RatPac-Dune Entertainment/Vertigo Entertainment)

Southpaw (The Weinstein Company/Escape Artists/Fuqua Films/Riche Productions)

Trainwreck (Universal Pictures/Apatow Productions/Denstu)

The Good Dinosaur (Disney Pictures/Pixar Animation Studios)

The Night Before (Sony Pictures/Columbia Pictures/LStar Capital/Point Grey Pictures/Good Universe)

Victoria (Adopt Films/Radical Media/MonkeyBoy/Deutschfilm/Westdeutscher Rundunk)

 

 

Honorable Mentions

[Wild (Fox Searchlight/Pacific Standard)]

Wild is technically a 2014 film, but I didn’t watch until after I put out my list and the second week of January, but it’s such a great film to not mention on a best of lists.

 

A Most Violent Year (A24/Participant Media/Before The Door Pictures/FilmNation Entertainment)

Two of the best working today in Oscar Isaac and Jessica Chastain led this drama that is a one of those films that simply relies on the actors delivering and that is what A Most Violent Year does.

 

American Sniper (Warner Bros./Village Roadshow/RatPac-Dune Entertainment)

Clint Eastwood directed and Bradley Cooper-led film about the true story, well depending on who you ask, about one of most deadly snipers in Navy SEAL history Chris Kyle. The film is put on the shoulders of Cooper who handles it perfectly.

 

Black Mass (Warner Bros./RatPac-Dune Entertainment/Cross Creek Pictures/Free State Pictures/Head Gear Films)

While the film was just okay, it’s the performances that elevated the film enough for me to make Black Mass enough to pop in the list. Even if you didn’t like the film, you have to give credit to the awesome performance by Johnny Depp as James “Whitey” Bulger and Joel Edgerton.

 

Crimson Peak (Universal Pictures/Legendary Pictures)

Being a huge fan of Guillermo del Toro, I was looking forward to watching Crimson Peak especially knowing how del Toro put into the film. Actually making Allerdale Hall and making actually come to life is what made Crimson Peak work so well.

 

Focus (Warner Bros./RatPac-Dune Entertainment/Zaftig Films/Kramer & Sigman Films)

Focus was rather surprising to me. The trailers really didn’t do too much for me and I thought the film looked rather boring to be honest. But, let this be a lesson boys and girls, sometimes a good or descent movie can have a crappy trailer. I did love the first half much more than the second half, especially with a standout scene that involves an unrecognizable BD Wong.

 

Goosebumps (Sony Pictures/Sony Pictures Animation/Village Roadshow Pictures/Columbia Pictures/LStar Capital/Original Film/Scholastic Entertainment)

I wasn’t really expecting much from Goosebumps, but I was highly surprised to how good it was and how much I thoroughly enjoyed it. It wasn’t just a fun family movie, it was just a fun movie all around.

 

Inherent Vice (Warner Bros./IAC Films/Ghoulardi Film Company/KVH Media Group)

Paul Thomas Anderson adapted Thomas Pynchon’s novel of the same name and it was, well, interesting. The crime comedy drama gave some standout performances by Joaquin Phoenix, Josh Brolin, and Katherine Waterston, but it is rather interesting story and how it plays out is all over the place.

 

It Follows (RADiUS-TWC/Animal Kingdom/Northern Lights Films/Two Flints)

I’d only heard some good things about It Follows before I actually watched the movie, and it is one of the rare cases that I didn’t watch the trailer and went in completely blind, so to speak, and I’m glad I did. It Follows felt like an old-school horror film that relied more on playing with your senses and paranoia than with gore and cheap thrills.

 

Pixels (Sony Pictures/Columbia Pictures/Happy Madison Productions/1492 Pictures/China Film Co.)

I know, I can’t believe it either, but Pixels was damn enjoyable. I didn’t think I would like it to be honest, and while it wasn’t perfect and some things felt forced or just didn’t work (like some casting), Pixels was filled with great stuff and the heavily promoted Pac-Man chase was much more fun to experience as a whole sequences. Also, I was surprised by how the special effects worked and they didn’t cut corners.

 

Spotlight (Open Road Films/Participant Media/Anonymous Content)

Focusing of The Boston Globe when they uncovered the huge scandal of child molestation and the cover-up by the Catholic Church in Boston, the film was jam-packed with a great cast and equally great performances by the cast that highlighted by Mark Ruffalo, Michael Keaton, Brian d’Arcy James and Stanley Tucci. There was something so simple about the film, yet so special to experience.

 

Straight Outta Compton (Universal Pictures/Legendary Pictures/New Line Cinema/Cube Vision/Circle of Confusion)

Straight Outta Compton surprised a lot of people and rightfully so as the film came out a lot better than what people were suspecting. Filled with great performances by Corey Hawkins as Dr. Dre, O’Shea Jackson Jr. playing his father Ice Cube, Paul Giamatti as Jerry Heller, and the standout in Jason Mitchell as Eazy-E, the film is easily one of the best of the year, but honestly was a bit too long for my own liking, and I’m the last person to complain about a film’s length.

 

The Gift (STX Entertainment/Blumhouse Productions/Blue-Tongue Films/Huayi Brothers Media)

Joel Edgerton steps behind the camera for this one, making his feature directorial debut, but also playing one of three main characters in the film. The Gift may be one of the overlooked films of the year, but the film does have some great moments of suspense and mystery and an ending that I didn’t see coming.

 

Sicario (Lionsgate/Black Label Media/Thunder Road Pictures)

Director Denis Villeneuve and cinematographer Roger Deakins put together this great tense, dark and unapologetic film about the war on drugs on the border between the U.S and Mexico. However, the standout in Sicario was definitely Benicio Del Toro.

 

Spectre (Columbia Pictures/MGM/Eon Productions/B24/Danjaq)

In what could be Daniel Craig’s last James Bond film, and director Sam Mendes’ last one as well, Spectre has a lot of things working for it, but it did fail to really capitalize on what Skyfall did before it.

 

Steve Jobs (Universal Pictures/Legendary/Scott Rudin Productions/The Mark Gordon Company)

Danny Boyle directed this interestingly laid out biopic about former Apple CEO Steve Jobs, played by Michael Fassbender. The film is blocked off in three different parts, set right before the launch presentations of three different products Jobs was a part of (none of which were the IPhone’s and IPods by the way). While the film lost some steam by the end, the performances made the film worthwhile, especially a standout scene between Fassbender and Jeff Daniels in the middle of the film.

 

The Big Short (Paramount Pictures/Regency Enterprises/Plan B Entertainment)

Tackling the housing and financial crisis in 2005 to 2007, The Big Short is filled with great performances by its ensemble cast and directed by Adam McKay – yes, that Adam McKay – the film really puts you in there. Sometimes, it gets a little too technical that you feel like you’re going crazy and lost, but that’s kind of the point.

 

The Man from U.N.C.L.E. (Warner Bros./RatPac-Dune Entertainment/Wilgram Productions/Davis Entertainment)

The Man from U.N.C.L.E. could have been a movie that got lost at the wayside, and while some will say that’s true, Guy Ritchie’s spy film worked on a lot of levels for me. It had some great and funny moments and the opening action scene and last chase scene were great fun to watch along with the performances by Henry Cavill, Armie Hammer, and Alicia Vikander.

 

 

Best/Favorite Movies of the Year

Ant-Man (Marvel Studios/Walt Disney Motion Pictures)

Ant-Man has gone through a lot. Originally it was going to be part of Marvel’s Phase 1, but got pushed back until now. Then it took a big hit in losing long-time attached director and fan in Edgar Wright. However, Peyton Reed and the cast were able to still bring a great Marvel film to the fans.

 

Avengers: Age of Ultron (Marvel Studios/Walt Disney Studios)

Even I can admit that Age of Ultron wasn’t perfect, but there was still a ton of to be had with the massive sequel. Joss Whedon was able to keep most of the craziness from going off the rails and let’s face it, Age of Ultron was probably one of the most comic book-y movies we’ve seen.

 

Brooklyn (Fox Searchlight Pictures/Wildgaze Films/Parallel Film Productions/Irish Film Board/Item 7)

A great film – also based on a novel – that tells the story of an Irish immigrant played by Saoirse Ronan that comes to America and finds love and a new life, but her past and love for her former home comes back to her, which leaves her to make a decision to accept her new life, or old one. I ended up loving this film more than I thought I would. It’s a beautiful story and told in such a way that anybody can connect with it.

 

Creed (Warner Bros./New Line Cinema/MGM/Chartoff-Winkler Productions)

Michael B. Jordan and Sylvester Stallone’s performances in Creed are one of the best aspects of the film. The film wasn’t a cheap way to get to make more films with Rocky Balboa, the film was treated with respect to the films that came before, but was also a great standalone film.

 

Dope (Open Road Films/Forest Whitaker’s Significant Productions/IamOTHER Entertainment/Revolt Films)

I didn’t really expect much from Dope, but I was pleasantly surprised by how well handled the film was and the great performance by breakout star, Shameik Moore. It’s one of films that keeps you on your feet with comedy and big dramatic moments.

 

Ex Machina (A24/Universal Pictures/DNA Films/Film4)

Alex Garland, the writer of films like 28 Days Later, Sunshine, and Dredd, finally steps behind the camera and what a way to make his debut. Garland tackled A.I. in a different take and the way they approach the story and theme was great to see unravel. Plus, Ex Machina has great performances by Domhnall Gleeson and Oscar Isaac, but an even better one by a standout performance (maybe of the year) by Alicia Vikander.

 

Furious 7 (Universal Pictures/Original Film/Media Rights Capital/One Race Film, Dentsu/Original Film)

James Wan stepped into some big shoes replacing Justin Lin, and while mostly known for his horror films, Wan completely fit into the world. Furious 7 also had some troubles along the way and felt more powerful for some with of course the death of Paul Walker during production. The film paid nice tribute to Walker and the character at the end of the film.

 

Inside Out (Walt Disney Pictures/Pixar Animation Studios)

Damn you, Pixar! How is it that one studio has their hands on all of your pulses and always find a way to make us either cry or tear up? I haven’t decided where Inside Out falls on my favorite Pixar films list, but it’s definitely up there. I mean, they made a movie about feelings. FEELINGS!

 

Jurassic World (Universal Pictures/Legendary Pictures/Amblin Entertainment)

Let’s face it, this probably shouldn’t have worked, and while some will think that it didn’t, I thought Jurassic World worked at just the right amount of levels for me to thoroughly enjoy it. Also, what’s not to love about seeing giant dinosaurs back on the big screen?

 

Kingsman: The Secret Service (20th Century Fox/Marv Films/TSG Entertainment/Cloudy Productions)

Kingsman: The Secret Service is definitely one of the biggest surprises of the year, and probably surpassed many people’s preconceived notions of the film. I mean any movie that can make Colin Firth into a badass spy should work right? Also Sofia Boutella’s Gazelle was probably one of the coolest villains of the year. But for me, what made Kingsman a standout was the awesome and chaotic church fight scene. Seriously, that scene was a thing of beauty.

 

Macbeth (The Weinstein Company/DMC Film/See-Saw Films)

Michael Fassbender and Marion Cotillard absolutely nail down the performances of arguably one of the most well-known literary figures and plays. Justin Kurzel brings a fresh, dark, gritty, and visually compelling adaptation and different approach to William Shakespeare’s play. Macbeth is one of those films that probably won’t grab you at first, but hits you very later on.

 

Mad Max: Fury Road (Warner Bros./Village Roadshow Pictures/Kennedy Miller Productions)

What a lovely day, indeed! Mad Max: Fury Road was essentially one long chase scene and while it did slow down a bit – rightly so – I freaking loved every minute of it. The impressive action sequences, the score, and the two main leads of Hardy as Max and Charlize Theron’s Imperator Furiosa. Definitely one of the best films of the year and probably one of, if not, the best action film of the year.

 

Me and Earl and the Dying Girl (Fox Searchlight Pictures/Indian Paintbrush)

Based on the novel of the same name, Me and Earl and the Dying Girl is a film that hit me hard. I loved the book and I loved what they did in the film. They were able to recreate some of humor and managed to keep the spirit of the novel, but also do their own thing which was great to watch. It’s definitely one of the best dramas of the year.

 

Mission: Impossible – Rogue Nation (Paramount Pictures/Bad Robot/Skydance Productions/TC Productions)

2015 was a good year for spy films, and Mission: Impossible – Rogue Nation may have been one of the best of the year. Like the Fast & Furious films, it’s a little hard to believe that the Mission: Impossible films keep getting better with every passing installment. Tom Cruise still feels like he’s on top of his game and with a standout performance by Rebecca Ferguson, Rogue Nation ups the ante on the series.

 

Room (A24/Element Pictures/No Trace Camping/Film4)

Room might be one of the best dramas of the year and one that came out of nowhere. Two of the best performances of the year go to stars Brie Larson and Jacob Tremblay, who give heartbreaking and heartwarming performances in a film that isn’t always easy to watch. Do yourself a favor and watch this as soon as possible.

 

Spy (20th Century Fox/Feigco Entertainment/Chernin Entertainment)

Melissa McCarthy had some misfires going on there, but thankfully she came back to form with Paul Feig – of all people – with this awesome take on the spy genre. Melissa McCarthy is as funny as ever and Jason Statham gives a gut-busting performance

 

Star Wars: The Force Awakens (Walt Disney Studios/Lucasfilm/Bad Robot/Truenorth Productions)

Out of all the movies that came out this year, this one was the most unpredictable. It could have been great or it could have been bad. Thankfully, J.J. Abrams put on a hell of a movie that makes a great addition to the Star Wars franchise. The new characters were great, the movie was a ton of fun to watch, and more importantly it was just fun.

 

The Final Girls (Stage 6 Films/Groundswell Productions/Vertical Entertainment/Ulterior Productions)

I honestly didn’t think I would have loved The Final Girls as much as I did. I thought the meta horror comedy would have some great moments, and while it does, it was the other big story in the film between Max (Taissa Farmiga) and Nancy/Amanda (Malin Akerman) that really stuck out and got to me. I didn’t imagine that I’d get emotionally invested in a horror comedy, but lo and behold I did.

 

The Peanuts Movie (20th Century Fox/Blue Sky Studios/Feigco Entertainment)

Yet another film that probably shouldn’t have worked and people had their preconceived notions on it, but The Peanuts Movie was damn enjoyable. Sure it wasn’t done in the traditional style that we all know and love, but the film didn’t add any pop culture references or pop songs. It stayed true to its roots and reminded you why you love Charlie Brown and the whole Peanuts gang.

 

The Hateful Eight (The Weinstein Company)

While the final product is still a little iffy for me, one of the reason The Hateful Eight is on the list is for the characters, setting, and production design. The cabin – Minnie’s Haberdashery – was a great looking aspect to the film and just a confined space for all these characters that it elevated the film much more. As for the characters, Kurt Russell, Samuel L. Jackson, Jennifer Jason Leigh and Walton Goggins are the highlights of the film that keep the slow burn mystery drama film in tact.

 

The Martian (20th Century Fox/Scott Free Productions/Genre Films/Mid Atlantic Films)

Based on the novel of the same name, The Martian was every bit as good as the novel, and maybe even more. Matt Damon is tremendous as the lead and Ridley Scott was able to make us feel like we were really on Mars and we can really sense the dread that Damon’s Mark Watney felt, but there was also beauty behind everything that was being filmed.

 

So what are some of your favorite films of 2015?

Here’s to another great year in films!

‘Mad Max: Fury Road’ Review

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Dir: George Miller

Writer(s): George Miller, Brendan McCarthy, and Nick Lathouris

Cast: Tom Hardy, Charlize Theron, Nicholas Hoult, Hugh Keays-Bryne, Zoe Kravitz, Rosie Huntington-Whiteley, Riley Keough, Abbey Lee, Courtney Eaton, Nathan Jones and Megan Gale

Synopsis: In a stark desert landscape where humanity is broken, two rebels just might be able to restore order: Max, a man of action and of few words, and Furiosa, a woman of action who is looking to make it back to her childhood homeland.

 

 

*Reviewer Note:  This will be a spoiler free review.*

 

 

Director George Miller has returned to the wasteland of the “Mad World” he created back in 1981. Now, some odd thirty years later, Miller has bought back the character of Max Rockatansky and his surroundings of crazy-named characters, barren landscapes, insane looking cars, and yes, awesome car chases. But, does this new Mad Max hold its own or does it crumble under the hype? Well, it’s a lovely day!

 

Mad Max: Fury Road isn’t necessarily a remake, reboot or sequel. It does have a nice “Easter Eggs” to the previous movies that fans will notice, including during the opening narration by Max (Hardy) telling us who he is and what the world has become. Really, even if you aren’t a Mad Max fan or never seen the other films, it kind of doesn’t matter. Even without the Easter Eggs, Miller gives the audience enough material to make your own conclusions or flat out shows us, what this world has become. You will have no problem entering the world of the mad.

 

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When it comes to the story of the movie, it is rather simple: Its one long car chase. The chase starts when Imperator Furiosa (Theron), a war lieutenant, leads a group of Immortan Joe’s (Keays-Byrne) War Boys, young pale-looking men who are deathly loyal to Joe, to a supposed oil and ammo run but ends up taking a detour. It’s after Joe finds out that Furiosa is on the detour that he realizes his “Wives” are missing. The Wives, who are five women that Joe uses to breed, are actually in Furiosa’s rig and decides to go out with this army to get back his “property.”

 

On the way to get back The Wives, one of the War Boys, Nux (Hoult) happens to have Max with him and they chase down the rig into the heavy promoted sand storm, which is even better than the promos. Of course, Max and Furiosa eventually cross paths and the two work together to get to safety.

 

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Mad Max: Fury Road is very unapologetic. It doesn’t care if you think it’s weird or over the top, even though it is for the most part. Miller and his crew have done an amazing job of really creating a world that has come and gone, and what is in its place it. There’s very little hope in this bleak and dry world. The world is now filled with killers and survivors, and you better be one or the other, because there is no more for a middle ground.

 

One of the best parts of Fury Road, isn’t just the action (I’ll get to that in a minute), but the cinematography. The film looks beautiful and there are constantly great looking shots that just add to the film even more. Add to that the amount of great detail the costume department spent on making these characters, especially Immortan Joe, look both; great, creepy, and even resourceful. Even better, and thankfully, Miller avoids CGI for a good chuck of the film and leaves all the awe-struck moments to real car crashes and explosions.

 

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But, all of these won’t be worth looking at it, if it weren’t for the characters. Tom Hardy plays a pretty good Max. He’s haunted by his past which is heavily touched on at the beginning and sporadically throughout the film. He’s a man of a few words and let’s his action do the talking. Seriously, Max might have the movie named after him, but he leaves a great chuck of the dialogue for his fellow runaways and is even masked for a good amount of time. It’s almost fair to say that Hardy is a supporting character in the movie and the real star is Charlize Theron’s Imperator Furiosa.

 

Theron’s Furiosa is a not only a badass fighting woman, but a vulnerable one too. It goes to show you that Theron has a ton of range and can play both the vulnerable and kick-ass characters, that also happens to have one real arm. And yes, arguably, she is the lead character in the movie. We get to know as much of her backstory, surprising without heavy exposition, just through her actions and the way she treats her mission.

 

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I didn’t want to address this in the review, but considering it’s become an issue with not just Theron’s character, but the other female characters in the movie, I’m going to address it. The “Feminist Agenda” in Mad Max: Fury Road is stupid! People outside of Hollywood have wanted more strong female characters and when they finally get more than one, they bitch about and call it a Feminist Agenda, seriously? I know not everyone is calling it this, but the fact out of the things you can complain about in the movie, you choose to call an installment in a film series about awesome looking car chases and ridiculous names, a Feminist movie? Get a life! Also does no one remember Virginia Hey’s Road Warrior character? Hell even Tina Turner’s Aunty Entity was a pretty strong female character in Beyond Thunderdome.

 

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Anyway, let’s talk about The Wives – Toast the Knowing (Kravitz), The Splendid Angharad (Huntington-Whitely), Capable (Keough), The Dag (Lee) and Cheedo the Fragile (Eaton). Or as Immortan Joe would call them, his “property,” even though they would you hit and tell you they aren’t property to anyone. Each of them has their own personalities, but you only really get to know Toast, Splendid and Capable. The Dag and Cheedo have their brief moment to shine, but otherwise sit back on the action.

 

Hug Keays-Bryne’s Immortan Joe treats himself like a god or prophet in some sense. His War Boys are loyal because Joe promises them he’ll take them to Valhalla when they die. Keays-Bryne should be a familiar face – although you actually don’t really see his face in this – to the Mad Max world, he played the villain Toecutter in the first movie, but they have no connection in this film so don’t worry about that. Just like his crazy outfit, Immortan Joe is crazy, and ruthless.

 

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Nicholas Hoult plays Nux, the War Boy, looking to prove himself not just to Joe, but to himself and others that he can be a legend. There are other great crazy characters like you’d suspect in the movie like this, people with crazy names like Rictus Erectus (Nathan Jones) or more straightforward, The People Eater (John Howard) and The Bullet Farmer (Richard Carter). They all add to the world that is long and gone and it fully shows.

 

While the movie might be one long big car chase, the film does slow down a bit to let the characters breath a bit, but pretty much to give us, the audience a breather too. Seriously after the first rig chase, I took a deep breath and the rest of the auditorium took one too and even laughed, but a good laugh not a “this is a terrible laugh.” However, I will say during those scenes, it does slow the movie down. It’s not so much of a bad thing to be honest, but considering how much we sit through during an action sequence, the slowed down bits takes you out a bit. However, during those scenes Theron and Hardy bring their characters more to life, so I really can’t complain too much.

 

All in all, Mad Max: Fury Road is a hell of a lot of fun. I do highly recommend multiple views, only because you’re sure to miss a few some awesome shots, or just viewing them all over again. Tom Hardy and Charlize Theron, more so Theron, keep the film going on the story and actor side of things. More importantly, George Miller brings Mad Max: Fury Road back to the things we love most about the series, awesome car chases and destruction.

 

 

Mad Max: Fury Road

4 out of 5

May Movie Releases

Hello Boys and Girls!

 

It’s the beginning of the Summer Movie Season!

What better way to start off this run of movies than a great month of films. We got a lot of films to get to, so let’s get to it!

 

 

1st

Limited Release: Far from the Madding Crowd

Based on the novel by Thomas Hardy, the film stars Carey Mulligan as Bathsheba Everdene, who attracts three different suitors played by Matthias Schoenaerts, Tom Sturridge, and Michael Sheen. The film also stars Jessica Barden, Bardley Hall and Juno Temple.

 

Avengers: Age of Ultron

I mean come on, it’s the sequel  to one of the biggest superhero team-up movies ever! The cast keeps getting bigger and better. I, for one, am excited about watching this (more than once).

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8th

Limited Release: Maggie

Arnold Schwarzenegger stars as a father trying to protect his daughter, played by Abigail Breslin, for as long as he can before she dies of a slow disease that is slowly turning her to a zombie. The trailer shows that Arnold is going to be diving into his dramatic chops, and people that have already seen it are saying it is a great character piece.

 

Hot Pursuit

Reese Witherspoon stars as a by-the-book cop who tries to protect a widow of a drug boss from killers all across Texas. I have to say, for me, this is a weird pairing and the movie doesn’t really seem like anything new to the action/comedy genre.

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15th

Limited Release: Good Kill

Ethan Hawke stars as a man that begins to question the ethics of his job as a drone pilot. The films also stars January Jones, Zoe Kravitz, Bruce Greenwood and Jake Abel

 

Pitch Perfect 2

The sequel to the surprise hit comes back and it looks like it is going to be better than ever. Not only that, but, producer and star from the first film Elizabeth Banks will take the helm and director the sequel. I didn’t see the first film so I can’t say am going to see this one just yet.

 

Mad Max: Fury Road

George Miller returns to the world of the Mad with his new installment/reboot Mad Max: Fury Road. Tom Hardy plays the new Max and is joined by Charlize Theron, Nicholas Hoult, Rosie Huntington-Whiteley, Zoe Kravitz and original Mad Max star Hugh Keays-Byrne playing a new character. That and the trailers make the new movie look bad-shit crazy.

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22nd

Poltergeist

A remake of the original cult-classic is coming to the big screens again. The remake actually looks like it could be kind of fun, then again, I’m one that doesn’t mind remakes unless they are done right and do their own thing. The film stars Sam Rockwell, Rosemarie DeWitt, and Jared Harris.

 

Tomorrowland

Brad Bird is bringing a mysterious take to what looks like a coming of age story with sci-fi elements and George Clooney. No I’m just kidding, but seriously we know very little about this new film that brings three people together to help save a world called Tomorrowland. The film also stars Britt Robertson, Hugh Laurie, and Kathryn Hahn.

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29th

Aloha

Cameron Crowe directs  this new film that stars Bradley Cooper, a celebrated military contractor who returns to the site of his triumph and re-connects with a lost love, while falling for a hard-charginig Air Force watchdog assigned to him. The women that Cooper’s character is falling for are Emma Stone and Rachel McAdams. The film also stars, John Krasinski, Alec Baldwin, Danny McBride, Jay Baruchel, and Bill Murray.

 

San Andreas

Dwayne “The Rock” Johnson vs. Big Earthquake. Okay, maybe he’s not physically fighting the earthquake, but you can’t pass on something like that. Anyway, Johnson does play a rescue-chopper pilot who goes on a dangerous journey to rescue his estranged daughter played by Alexandra Daddario. The film also stars Carla Gugino, Ioan Gruffudd, Kylie Minogue, Colton Haynes and Paul Giamatti.

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