Spoiler-Filled Review of ‘Transformers: The Last Knight’

I spoil review Transformers: The Last Knight on another addition of The Movie Pit Podcast, and it doesn’t go well. I do swear and yell a lot, so you have been warned. Also, check out the link below because the podcast is now on Itunes!

 

Podcast Itunes Link  – https://itunes.apple.com/us/podcast/the-movie-pit-podcast/id1249582608?mt=2

 

‘Transformers: The Last Knight’ Review

Director: Michael Bay

Writers: Art Marcum, Matt Holloway and Ken Nolan

Cast: Mark Wahlberg, Laura Haddock, Josh Duhamel, Isabela Moner, Jerrod Carmichael, Santiago Cabrera, Tony Hale, John Turturro and Anthony Hopkins

Voice Cast: Peter Cullen, Frank Welker, Erik Aadhal, John Goodman, Ken Watanabe, Omar Sy, John DiMaggio and Jim Carter

Synopsis: Humans and Transformers are at war, Optimus Prime is gone. The key to saving our future lies buried in the secrets of the past in the hidden history of Transformers on Earth.

 

*Reviewer Note: This will be a spoiler free review.*

*Reviewer Note 2: There is a post-credit scene.*

 

Five, count them, five Transformers movie directed by Michael Bay have now cursed us been released, and I still can’t figure out why none of them have been any good. Sure, the first movie was okay, but since then the series has gone downhill. The lack of story, and really any sense of direction, make these movies really hard to follow, root for and really enjoy overall, yet, there are fans out there. The Last Knight, which is Michael Bay “last” movie in the series, is another entry of all style and no real substance.

The movie starts off on a somewhat good note setting it during The Dark Ages as King Arthur and his army in a midst of battle as they wait for Merlin, played by Stanley Tucci, who has already discovered the Transformers and pleads with them to help Arthur and his army. They do and give Merlin a staff, this beings the secret history and long place for the Transformers. We then cut 1600 years later and see Optimus Prime (Peter Cullen) floating in space aimlessly only to get sucked into his broken home planet of Cyberton. There he meets Quintessa (Gemma Chan), who says he is the “Prime of Life” and tells Optimus he can have his home world back, but only if Earth is destroyed because of its hidden secret (spoiler territory which I won’t get into).

Then there is, of course, the human characters. We first meet teenager Izabella (Isabela Moner) who has her own Transfomers and is living in the fallen section of Chicago after the events of Dark of the Moon. She gets rescued by Cade Yeager (Mark Wahlberg), now a fugitive from the government and famous for helping the Autbots that are still around, who now operates a junk yard where Autobots Bumblebee, Hound (John Goodman), Drift (Ken Watanabe), Crosshairs (John DiMaggio) and the Dinobots – the only scene we see them in – are hiding from new agency in TRF, who are hunting down Transformers and killing them.

Cade gets involved in the bigger scheme of things when he comes across a medallion that attracts the attention of Megatron (Frank Welker) and Sir Edmund Burton (Anthony Hopkins). Burton brings together Cade – with the help of his own Transformer butler Cogman (Jim Carter) – and an Oxford professor Vivian Wembley (Laura Haddock) who is an important part of not only the medallion’s history, but why Cyberton is coming to Earth. We also have Optimus Prime acting unlike himself.

So, as you can see Transformers: The Last Knight has a lot – A LOT – going on, and that makes it an even bigger mess than it already is. The problem, well at least one of them, is that The Last Knight is adding too much mythology and lore way to late in the game. Also, some of it doesn’t make any sense. We see in the trailers that the Transformers have been on Earth longer than we thought. They also been there for big events like World War II – which of course was never mentioned in the films, especially with Bumblebee, who gets his own little flashback scene attacking a Nazi headquarters. Which when you think about, if the Transformers were helping the Allies during the war, shouldn’t it have ended quicker?

It’s almost like the film is insulting us that they think we can’t remember anything from the previous movies. Because you know, Stanley Tucci was in the last film, but is only seen here are Merlin during the Dark Ages segment in the movie. Even the Dinobots, and even mini-Dinobots introduced here, which were made to be a big deal in the last movie film, are not even a factor here. Also, if the world didn’t completely known about Transformers before the events of the first movie, how come we see paintings of King Arthur with the three-headed Transformer behind him in Oxford? It’s just dumb how these movies just throw something for the sack of story and plot, logic and proper storytelling be damned.

Yeah, I know. You don’t watch a Transformers movie for its story and plot; you watch it for its action scenes. Look, even I’ll admit, the series so far has had some pretty descent and great action sequences, but that only takes you so far, and eventually it just becomes noise and incoherent action. It also says a lot that the best action piece in this movie is the fight that’s been promoted heavy in Bumblebee taking on Optimus Prime, and even with that said, we pretty much see almost most of it in the trailers and TV spots.

The real problem is that Transformers shouldn’t be this bad. It’s actually hurts to even think about how bad these movies are. The human characters aren’t interesting enough, cringe-worthy humor and stupid – and I mean take you out of the movie stupid – puns, and once again, stereotypical/slightly racist robots that serve no purpose other than trying to get a laugh or connect with a young audience. Seriously, there are Decepticons here that get introduced similar to a scene ripped right out of Suicide Squad, which could have been fun but the Decepticons and Megatron do absolutely NOTHING in this movie. Are they in it? Yes, but do they serve a purpose? No. Not even close, but you forget they’re in this because they disappear for half an hour or longer. Also, the introduction of Hot Rod (voiced by Omar Sy) is wasted here as he doesn’t really serve a real purpose other than having another fan favorite Autobot and showing off his power of slowing down time.

But going back to the humans, Wahlberg looks like he’s at least trying in some scenes, but this could be his last movie. Laura Haddock comes off as snobby when she’s teaching her students, and while her family history is important to the film, that fact that she doesn’t know it makes no sense since it’s pretty much her job. Josh Duhamel comes back as Lennox from the first three movies, and honestly, doesn’t do much – so his character remains the same. Isabela Moner as Izabella plays the tough teenager wants to help the Autobots, but while her character plays a big role in the first act, her character just doesn’t matter for the rest of the movie. Finally, Anthony Hopkins – poor, poor Anthony Hopkins. Hopkins at least adds some star power to the film and rambles on for long periods of time giving off five minute exposition’s dumps. His role is suppose to feel important, but sometimes it just sounds like an old man rambling, which is a shame considering its Hopkins. He also has a dumb sub-plot with the returning John Turturro that goes on for far too long.

So let’s get to Optimus Prime, who has been the center of the promotional material since he goes “evil.” He also disappears once he gets saved from space. Optimus spends the first half of the movie – where he has about ten minutes (if that) screen time – with Quintessa and is gone for the whole second half of the film to finally appear in the final act to have that fight – and yes – become good again. Is that a spoiler? Come on, we all know he wasn’t going to stay evil.

All in all, Transformers: The Last Knight is more or less of the same thing from the other movies. If you’re a fan, you may like it, but if you’re like me, The Last Knight may finally be the last straw. Its one thing to make a bad Transformers movie, it’s another thing to continue to make them thinking they’re good. The adding of mythology and lore does not do the movie any favors as it’s already bloated enough with nonsense action. However, you know what the biggest problem is? Despite it being the last Michael Bay movie – maybe – he can’t help himself from adding a post-credit scene to story he won’t – potentially – be involved in anymore. If Bay truly wanted to leave the series, he would have left the new director enough room to do their own story and thing. But no. Finally, let’s face it, I can sit here and write “this movie is a steaming pile of combined shits that you only fuel by buying a ticket,” but The Last Knight will still make a crap ton of money.

Transformers: The Last Knight

2 out of 5

Mini-Review – Underworld: Blood Wars, Sleepless, Patriots Day, Live By Night & The Bye Bye Man

Hey everybody!

Welcome to another edition of Mini-Reviews. This is a longer one than usual, due to me falling behind. So let’s get to it, shall we?

 

*As always, these will be spoiler free reviews*

 

Underworld: Blood Wars

Director: Anna Foerster

Writer: Cory Goodman

Cast: Kate Beckinsale, Theo James, Tobias Menzies, Lara Pulver, James Faulkner, Peter Andersson, Clementine Nicholson, Bradley James, Daisy Head and Charles Dance.

Synopsis: Vampire death dealer, Selene fights to end the eternal war between the Lycan clan and the Vampire faction that betrayed her.

 

The Underworld series started off as an interesting franchise that had some cool mythology and made Kate Beckinsale a big name to those not familiar with her. The sequel came along and was just okay which lead to a prequel for the third film. Then the fourth film came out and things took a turn for the worse. The series had lost its footing and became lost in its attempt to make itself relevant. This now leads us to Underworld: Blood Wars, which is more of the same, but thankfully better than Underworld: Awakening, which isn’t saying much really.

Blood Wars starts off by giving us a bit of a refresher on the series so far – leaving some things out – but also shows that Selene (Kate Beckinsale) is now a fugitive from the remaining vampires and new Lycan leader, Marius (Tobias Menzies), who wants the location of Selene’s daughter. The problem is that even Selene doesn’t know where her daughter is, and with the help of David (Theo James), his father Thomas (Charles Dance), and a vampire council member Semira (Lara Pulver), Selene is brought back into the fold to help deal with Marius.

Like I mentioned, Blood Wars is more of the same from the previous films – stylized action set-pieces, new mythology and characters being introduced and Kate Beckinsale in tight leather kicking-ass. Other than that, the film doesn’t really do anything that feels substantial. Things are brought up that would be considered twists or could have landed bigger if written better or anything the film did actually mattered.

The film is too rushed for its own good. Everything lands too quickly, and the final act of the film just happens. One particular part in the final act does mean something since it’s connected to the beginning of the film, but other than that the final act is structurally not sound.

When it comes to the cast, they all do the best they can with what they are given. Kate Beckinsale is the only real saving grace of the cast since she’s played the part so many times now. Theo James is just as bland as he was in the last film, while Tobias Menzies’ Marius is supposed to be this great Lycan leader, but doesn’t really do anything that frightening – also his cheap two dollar CGI wolf character doesn’t do him any favors. Lara Pulver as Semira could have been a great character if she had more screen time as could have Clementine Nicholson’s Lena, who is part of a new vampire clan, Finally, Charles Dance’s Thomas should have had more time, because you know, its Charles freaking Dance.

All in all, Underworld: Blood Wars is a passable sequel, and a better one than Awakening, but again, that’s not saying much. Things feel like they just happen, and the structure of the film is just off that you can never really feel any sort of enjoyment. One thing that really bothered me is the ending. I obviously don’t want to spoil it, but considering how it ends, it just felt like the whole film was for nothing.

Underworld: Blood Wars

2.5 out of 5

underworld_blood_wars_ver8

 

 

Sleepless

Director: Baran bo Odar

Writer: Andrea Berloff

Cast: Jamie Foxx, Michelle Monaghan, Scoot McNairy, Gabrielle Union, Octavius J. Johnson, T.I., Dermot Mulroney, and David Harbour

Synopsis: A cope with a connection to the criminal underworld scours a nightclub in search of his kidnapped son.

 

A remake of the French film Nuit Blanche, Sleepless takes place mostly in one location and is surprising a little better than I thought it would be, even though I had watched the original film years before.

Sleepless follows Las Vegas officer Vincent Downs (Jaime Foxx), who along with his partner Sean (T.I.) steal a bag of cocaine at the beginning of the film. Little do they know, the cocaine belongs to a crooked casino boss Stanley Rubino (Dermot Mulroney) who is going to sell the drugs to the dangerous Rob Novak (Scott McNairy), the son of a local mob boss. In order to get the drugs back, they kidnap Vincent’s son Thomas (Octavius J. Johnson) and demand he return their product. Of course, things don’t go over smoothly as Internal Affairs agents Jennifer Bryant (Michelle Monaghan) and Doug Dennison (David Harbour) become involved.

Like I mentioned, the film is a little better than I thought it was going to be, but Sleepless does run into some issues throughout. The film doesn’t do Jamie Foxx any favors besides making him look like an action hero. Foxx’s usual charisma is put on the backburner so he can be almost stoic at times, which is a bit of a shame. Although, the result does lead to impressive fight scenes, including a kitchen scene and a highly impressive hotel room fight.

The rest of the cast do their best with what they are given. Scoot McNairy is one of the best underrated and unknown actors around, and while he plays a villain well, they could have done just a little more with him. Michelle Monaghan plays the straight-laced IA agent who has her moments, and after watching this, I hope we see more roles like this from her, and her chemistry with the always reliable David Harbour is spot on. Dermot Mulroney looked like he enjoy playing a slimy villain, Gabrielle Union only has a handful of scenes, so her casting feels wasted and T.I. also has only a few scenes but all of his scenes feel the same when you look back afterwards.

All in all, Sleepless feels a bit hallow at times, but it does have its moments that make the price of admission worth it.

Sleepless

3.5 out of 5

sleepless

 

 

Patriots Day

Director: Peter Berg

Writers: Peter Berg, Matt Cook and Joshua Zetumer

Cast: Mark Wahlberg, John Goodman, Michelle Monaghan, Kevin Bacon, Alex Wolff, Themo Melikidze, Jimmy O. Yang, Rachel Brosnahan, Christopher O’Shea, James Colby, Michael Beach, Vincent Curatola, Jake Picking, Melissa Benoist, and J.K. Simmons

Synopsis: An account of the 2013 Boston Marathon bombing and the aftermath, which includes the city-wide manhunt to find the terrorist responsible.

 

Considering Patriots Day is based off a real event, and one that I’m sure most of us remembering watching on TV as the events unfolded, I’m going to play with the “no spoilers” rule here a bit. The film follows the events at the Boston Marathon and what the first responders and FBI did to find and capture the Tsarnaev brothers.

The film has a lot of players on the board, we mostly follow Boston Police Sergeant Tommy Saunders (Mark Wahlberg), a made up character based on several people, who is at the finish line of the marathon when the first bomb went off. The events bring everyone is like Police Commissioner Ed Davis (John Goodman), Governor Deval Patrick (Michael Beach) and FBI Special Agent Richard DesLauriers (Kevin Bacon) to find Tamerlan Tsarnaev (Themo Melikidze) and his brother Dzhokhar Tsarnaev (Alex Wolff) which involved shutting down all of Boston and lead to a dangerous shootout in Watertown.

Peter Berg really does have a knack for true-story films, Lone Survivor and Deepwater Horizon were great films, and all star Mark Wahlberg, but the thing that makes these films, along with Patriots Day is how he handles the material. Berg treats the events with tremendous respect and never tries to feed the audience a political agenda or lean the audience a certain way. He lets the story tell itself and lets the characters come to life in their own way, even though most of the characters are based on real people. It’s also a credit to the great cast that they are able to do so.

However, with a big cast like this, the film does have a lot of characters to follow that a lot of them don’t get real time to breathe and don’t get the justice they deserve. J.K. Simmons has a small, but good, role as the Watertown sergeant Jeffrey Pugliese, Rachel Brosnahan and Christopher O’Shea play couple Jessica Kensky and Patrick Downes who were close to the first blast sight, Jake Picking plays Officer Sean Collier, who was shot by the brothers, and Jimmy O. Yang plays Dun Meng, who has a dangerous encounter with brothers halfway through the film. Another thing Patriots Day falls into is some pacing issues before the final act of the film, but again, it’s the cast the keep the film together.

Two of the highlights of the film, if that’s what you want to call it considering the nature of the real life events, is the aftermath of the bombing. How Berg moves the camera through the destruction and through the eyes of Tommy is both horrifying and telling on how the first responders probably felt when they helped so many that day. The other is the shootout before Dzhokhar runs and hides in the boat he was later recovered from.

All in all, Patriots Day isn’t an easy film to watch due to the nature of the events and how Berg was able to recreate it. The cast, despite being one person too many, does a tremendous job paying respect to people they were playing and to those affected by the actions that happened that horrible day and what happened afterwards.

Patriots Day

4 out of 5

patriots_day

 

 

Live by Night

Director: Ben Affleck

Writer: Ben Affleck

Cast: Ben Affleck, Chris Messina, Sienna Miller, Elle Fanning, Zoe Saldana, Robert Glenister, Remo Girone, Chris Cooper and Brendan Gleeson

Synopsis: A group of Boston-bred gangsters set up shop in balmy Florida during the Prohibition era, facing off against the competition and the Ku Klux Klan.

 

Based off the novel by Dennis Lehane, Ben Affleck writes and directs what has become a bit of a passion project for him, so it’s a bit odd to see what became of the film. Affleck has shown he’s a great to solid director with films like Gone Baby Gone, The Town and Argo, but Live by Night will be – hopefully – the only blemish on his resume.

Ben Affleck plays Joe Coughlin, a former World War I soldier and son of a police officer (Brendan Gleeson), who returns home and starts to see himself as an outlaw and runs heists throughout Boston. He eventually falls in love with Emma Gould (Sienna Miller), who happens to be the mistress of Irish mob boss Albert White (Robert Glenister). This puts him on the sights on White’s rival, Italian mob boss Maso Pescatore (Remo Girone) who wants Joe to work for him. Joe eventually does and Maso sends him down to Tampa to run his bootlegging operation. Once there, and reunited with his old partner Dion Bartolo (Chris Messina) and they make a nice empire for themselves. That all changes when Joe starts falling in love with Graciela (Zoe Saldana), and struggles to keep his moral code in place.

Live by Night is unfortunately a bit of a mess, which is odd considering Affleck was passionate about getting the film made, and took so long to make. That’s not to say there is some great stuff within the mess, but it is the scattered material that keeps the film from being great. Not only that, the film has a bit too much going on that by the end, it feels like the film is forcing itself to tie-up the loose ends that were introduced beforehand. It’s a bit of a shame too, considering Affleck has shown he can handle himself with great material.

The cast itself is great, but it’s a shame that some characters don’t have time to expand and get developed more. Chris Messina, who is always great with the right material, playing Joe’s right-hand man Dion Bartolo could have used more time onscreen as could Elle Fanning’s character Loretta, the daughter of Tampa sheriff Figgis played by Chris Cooper. Especially considering Fanning is involved in a big subplot. Zoe Saldana also pops in but doesn’t really do much after her initial introduction, and reminding Joe that he doesn’t need to be cruel to do the life he’s involved in. Brendan Gleeson’s glorified cameo suffers just a bit due to him using his natural Scottish accent that makes it a little hard to understand. Sienna Miller’s character could have been an interesting character, but her arc gets cut too soon.

Affleck does okay as the Joe, and even though we follow him throughout the film his moments of doubt and morality being tested are usually rushed to the point that it just feels like Affleck is trying to get to the next scene, which is odd considering the film is over two hours. When it comes to working with his production designer and cinematographer, he works well. Every scenic shot is beautiful to look at, and the sets look amazing.

All in all, Live by Night has some issues that could have been avoided, but sadly they aren’t which hurts the film in the long run. The cast is great, but none of their characters are developed fully or pushed to the wayside to tell Ben Affleck’s Joe story. While the action scenes are top-notch, Live by Night is just a tad underwhelming in the long run, but in no way should change your view on Affleck’s directing ability.

Live by Night

3.5 out of 5

live_by_night_ver2

 

 

The Bye Bye Man

Director: Stacy Title

Writer: Jonathan Penner

Cast: Douglas Smith, Lucien Laviscount, Cressida Bonas, Jenna Kanell, Michael Trucco, Cleo King, Leigh Whannel, Doug Jones, Carrie-Anne Moss and Faye Dunaway

Synopsis: Three friends stumble upon the horrific origins of the Bye Bye Man, a mysterious figure they discover is the root cause of the evil behind man’s most unspeakable acts.

 

It’s a bit of a shame that after the great year horror had last year – finally – a film like this comes along and washes all that away. Apparently based off a story called “The Bridge to Body Island” by Robert Damon Schneck, The Bye Bye Man has an interesting concept that falls apart once the film gets going. That’s only the beginning of this film’s issues.

The film follows three college friends in Elliot (Douglas Smith), his girlfriend Sasha (Cressida Bonas) and their friend John (Lucien Laviscount) who buy and move into an old house off campus. Everyone seems okay at first until Elliot finds an old coin on his nightstand left by the previous owner. He then discovers writing underneath the drawer that says “Don’t Think it, Don’t Say it” and under that are craved words “The Bye Bye Man.” At first he laughs it off, but when the three start experiencing strange things in and out of the house, they soon learn The Bye Bye Man (played by the awesome character actor Doug Jones) is indeed real, and after them.

One of the problems with The Bye Bye Man – one of many – is we don’t get a sense of the characters, and hardly care for them. Elliot is the closet one to actually having a backstory, while Sasha is just the girlfriend who, at the beginning, tries to convince Elliot that what is happening is real, but after Elliot goes along with it, she becomes a bit annoying, and John somewhat disappears for a bit and we really don’t miss him. Jenna Kanell pops in as Sasha’s friend Kim, who is a psychic of sorts and, based off the trailers, is the one that gets killed by the train, which is the highlight of her character.

However, the saving graces of the film – cast wise – is the small roles by Carrie-Anne Moss, Faye Dunaway and Leigh Whannell. Faye Dunaway appears near the end of the film and adds to some backstory of The Bye Bye Man, Carrie-Anne Moss plays a local detective that could have been played by really anyone else, but Moss adds some gravitas to the role. Leigh Whannell plays Larry Redmond a writer that “discovers” The Bye Bye Man and is involved in the best scenes in the film: flashbacks. Finally, Doug Jones does this best he can with what he’s given as the titular character.

All in all, the concept of the film sounds good at first, but once we start seeing what he does and really think about it afterwards, The Bye Bye Man fails to execute on its promise. The characters are bland and are never developed and a muddled story doesn’t help. The Bye Bye Man is almost passable film while watching, but nothing you’ll remember.

The Bye Bye Man

2 out of 5

bye_bye_man

 

Let me know what you think.

January Movie Releases

Happy New Year!!

That’s right, ladies and gentlemen, we have a new year in front of us which means one thing: new movies! Now, January is usually referred to as Hollywood’s “Dump” Month. Meaning they will release movies that they don’t think will perform well or are not confident in. Sometimes that is the case, but sometimes a movie will shine through. January is also filled with expanded releases of movies that came out in December so there is also that to look forward to.

You’ll notice that I will put the companies attached and responsible for releasing the film as well. Just trying something new to expand the page a bit and instead of posters, now you’ll be seeing trailers. I’ll try to update whenever new trailers come out.

 

 

6th

 

Wide Release: Hidden Figures

Based on the book my Margot Lee Shetterly, a team of African-American women provide NASA with important mathematical data needed to launch the program’s first successful space missions. I had the opportunity to watch the film on its limited release late last year, and I have to say it is a fantastic film. Do yourself a favor and go watch this. The film stars Taraji P. Henson, Octavia Spencer, Janelle Monae, Kevin Costner, Jim Parsons, Kirsten Dunst, Mahershala Ali, Aldis Hodge and Glen Powell.

 

Wide Release: A Monster Calls (Fantasy Drama – Focus Features/Participant Media/River Road Entertainment/Apaches Entertainment/La Trini)

Based on a script and book by Patrick Ness, A Monster Calls follows a boy as he seeks the help of a tree monster to cope with his single mom terminal illness. The film stars Liam Neeson as The Monster, Felicity Jones as the Mother, Sigourney Weaver as the Grandmother, Toby Kebbell as Dad, and Lewis MacDougall as the boy and Lily-Rose Aslandogdu as Lily.

 

Underworld: Blood Wars (Action – Screen Gems/Lakeshore Entertainment/Sketch Films)

Selene (Kate Beckinsale) returns to once again try and end the war between the Lycan clan and the Vampire fraction that betrayed her. Blood Wars does look like a step-up from the last film, but I don’t know how the film will actually turn out. The film also stars Theo James, Tobias Menzies, Lara Pulver, and Charles Dance.

 

 

13th

Wide/Expansion Release: Patriots Day

 

Limited Release: The Comedian

A look at the life of an aging insult comic played by Robert De Niro. The film also stars Leslie Mann, Danny DeVito, Cloris Leachman, Harvey Keitel, Eddie Falco and Billy Crystal.

 

Wide Release: Live By Night

Based off the novel of the same name by Dennis Lehane, Ben Affleck writes, directs and stars in this great looking film that is set during the Prohibition and follows Joe Coughlin, the son of a prominent Boston police captain, as he rises through the ranks of the criminal underworld and the trouble he falls into along the way. Besides the film looking great, it has a great cast in Zoe Saldana, Elle Fanning, Sienna Miller, Brendan Gleeson, Chris Sullivan, Anthony Michael Hall, Titus Welliver, Max Casella, Chris Messina, and Chris Cooper.

 

Wide Release: Silence 

Based on the book by Shusaku Endo, Martin Scorsese directs this historic drama set in the seventh century when two Jesuit priests (Andrew Garfield and Adam Driver) face violence and persecution when they travel to Japan to locate their mentor (Liam Neeson) and propagate Catholicism. Based off the trailer the film looks very powerful, and the early word from its limited release has made that statement true. Now tith its wide release, hopefully we’ll get a chance to experience that. Silence also stars Tadanobu Asano, and Ciaran Hinds.

 

The Bye Bye Man (Horror Thriller – STX Entertainment/Intrepid Pictures/Los Angles Media Fund)

An adaptation of the short story “The Bridge to Body Island,” by Robert Damon Schneck, the story centers on three Wisconsin college students in the 1990s, who move into an old house off campus. They unwittingly unleash a supernatural entity known as The Bye Bye Man, who comes to pretty upon them once they discover his name. The friends must try to save each other, all the while keeping The Bye Bye Man’s existence a secret to save others from the same deadly fate. The film looks okay, and a bit cheesy based on the first trailer – at least for me. This is actually the third move for the film as it was set for an October release, then a June release, then a early December release, and now this date.

 

Monster Trucks (Sci-Fi Adventure – Paramount Pictures/Paramount Animation/Nickeldeon Movies)

Another film that was moved three times now, although this one was done to complete post-production, Monster Trucks takes the idea of the popular derby and flips it on its head by making it literal. There are alien monsters that take over trucks and are on the run. Of course humans help them and what follows is some insane looking over-the-top action. Stars Lucas Till, Jane Levy, Rob Lowe, Amy Ryan, Barry Pepper, Samara Weaving, Holt McCallany, Frank Whaley, Thomas Lennon, and Danny Glover.

 

Sleepless (Action Thriller – Open Road Films/FilmNation Entertainment/Vertigo Entertainment/Riverstone Pictures)

A remake of French film Nuit Blanche (which I highly recommend you watch), a cop with a connection to the criminal underworld scours a nightclub in search of his kidnapped son. The film look okay, I was a huge fan of the original film, and this one does look like they’re upping the action, which is fine if the movie turns out good. The film stars Jamie Foxx, Gabrielle Union, Michelle Monaghan, David Harbour, T.I., and Scoot McNairy.

 

20th

Limited Release: The Red Turtle

Produced by the famous Studio Ghibli, the dialogue-less film follows the major life stages of a castaway on a deserted tropical island populated by turtles, crabs and birds.

 

Wide Release: 20th Century Women

 

The Resurrection of Gavin Stone (Family Romance Comedy – High Top Releasing/WWE Studios)

Gavin Stone (Brett Dalton), a washed up former child star, is forced to do community service at a local megachurch and pretends to be Christian so he can land the part of Jesus in their annual Passion Play, only to discover that the most important role of life is far from Hollywood. The film also stars Neil Flynn, Anjelah Johnson-Reyes, Liam Matthews, D.B. Sweeney, and WWE Legend Shawn Michaels.

 

The Founder (Biography Drama – The Weinstein Company/FilmNation Entertainment/The Combine)

Michael Keaton stars in this film that tells the story of McDonald’s founder, Ray Kroc. I don’t think I’ve ever actually thought about the story of McDonald’s and since I’ve seen the trailer, it’s peaked my interest and I’m sure to many others as well. Also, the studio has high hopes as they moved the film from its release date last year in August to prime Oscar contention time. The rest of the cast includes Laura Dern, Patrick Wilson, Linda Cardellini, Nick Offerman, B.J. Novak, and John Carroll Lynch.

 

 

Split (Thriller – Universal Pictures/Blumhouse Productions/Blinding Edge Pictures)

M. Night Shyamalan is back at it. The film stars James McAvoy as Kevin, a man with at least 23 different personalities, is compelled to abduct three teenage girls. As they are held captive, a final personality – “The Beast” – begins to materialize. The film also stars Anya Taylor-Joy, Haley Lu Richardson, Sterling K. Brown and Betty Buckley. Honestly, this doesn’t look that bad. McAvoy looks like he’d nailing the role and it actually looks like a cool and effective thriller.

 

xXx: The Return of Xander Cage (Action Thriller – Paramount Pictures)

Directed by D.J. Caruso (Disturbia, Eagle Eye, I Am Number Four), Xander Cage (Vin Diesel), thought to be dead, is bought back by his handler Augustus Gibbons (Samuel L. Jackson) to lead a team to stop a massive attack. The film also stars Nina Dobrev, Donnie Yen, Ruby Rose, Tony Jaa, Toni Collette, Rory McCann, and Deepika Padukone.

 

27th

A Dog’s Purpose (Dramedy – Universal Pictures/Amblin Entertainment/Walden Media/DreamWorks SKG)

Based on the novel by W. Bruce Cameron and directed by Lasse Hallstrom (What’s Eating Gilbert Grape, Dear John, The Hundred-Foot Journey), the film follows a dog (voiced by Bradley Cooper), who looks to discover his purpose in life over the course of several lifetimes and owners. The film also stars Britt Robertson, Peggy Lipton, John Ortiz, and Dennis Quaid.

 

Bastards (Comedy – Warner Bros./Alcon Entertainment/The Montecito Picture Company/DMG Entertainment)

Upon learning that their mother has been lying to them for years about their allegedly deceased father, two fraternal twin brothers hit the road in order to find him. The film stars Owen Wilson, Ed Helms, Glenn Close, Ving Rhames, Terry Bradshaw, and J.K. Simmons.

 

Resident Evil: The Final Chapter (Screen Gems/Constantin Film International/Capcom Entertainment)

The last installment of the Milla Jovovich and Paul W.S. Anderson Resident Evil series, which could be a good or bad thing, depending on how you feel about the series. The Final Chapter picks ups immediately after the events from the last film and follows Alice (Jovovich) returning to Raccoon City where the Umbrella Corporation is gathering forces for a final strike against the only remaining survivors. The film will bring back Ali Larter as Claire Redfield, Iain Glen as Dr. Alexander Isaacs and Shawn Roberts as Albert Wesker with new cast members Ruby Rose, William Levy, Eoin Macken, and international star Rola.

 

Gold (Drama Thriller – TWC-Dimension/Black Bear Pictures/Living Films/Hwy61)

An unlikely pair venture to the Indonesian jungle in search of gold. The film is giving off a semi-American Hustle vibe and seeing Matthew McConaughey lose himself in the character should be interesting to watch. The film also stars Bryce Dallas Howard, Edgar Ramirez, Toby Kebbell, Rachael Taylor, Corey Stoll, Bruce Greenwood, Bill Camp, and Stacy Keach

 

What are you looking forward to?

December Movie Releases

It’s December, ladies and gentlemen!

The year is almost over! How has your year been, because it’s been a great year for films, huh? December is also a tough month to set, because this is the big Oscar month, so a lot of films end up getting limited releases, expansion releases, and then wide releases. So if anything is off, it’s because of that. I’ll do my best to get everything where it’s suppose to go, and if not I’ll come back and update the schedule.  So let’s jump right in the films that will close out the year.

Also, Happy Whatever-It-Is-You-Celebrate!

 

2nd

Limited Release: Jackie (Biography Drama – Fox Searchlight Pictures/Why Not Productions/Wild Bunch)

Following the assassination of her husband, First Lady Jacqueline Kennedy (played by Natalie Portman) fights through grief and trauma to regain her faith, console her children and define her husband’s historic legacy. The film has gotten a lot of love at the film festival circuit, and is getting a lot of Oscar buzz. It probably helped that this film has been in the works for a long time too. Jackie also stars Peter Sarsgaard, Greta Gerwig, John Hurt, Billy Crudip, Max Casella, Richard E. Grant, and Caspar Phillipson.

jackie

 

Limited Release: La La Land (Drama Comedy Musical)

Ryan Gosling and Emma Stone reunite for La La Land which follows a jazz pianist who falls for an aspiring actress in Los Angeles. The film is getting a ton of great reviews from the film festival circuit so this one is one you should keep your eye out for. Also the trailer really gives off the vibe that the film will be a nice tribute to films of old. The film also stars Finn Wittrock, Rosemarie DeWitt, John Legend, Jason Fuchs, Hemky Madera, and J.K. Simmons.

la_la_land_ver3

 

Incarnate (Horror Thriller – Universal Pictures/Blumhouse Productions/WWE Studios/IM Global/High Top Releasing/Deep Underground Films)

A scientist with the ability to enter the subconscious minds of the possessed must save a young boy from the grips of a demon with powers never seen before, while facing the horrors of his past. The film stars Aaron Eckhart, Carice van Houten, David Mazouz, Emjay Anthony, Matt Nable, and Catalina Sandino Moreno.

incarnate

 

 

9th

Expanded/Wide Release: Nocturnal Animals

Expanded Release: La La Land

Expanded Release: Jackie

 

 

Office Christmas Party (Comedy – Paramount Pictures/DreamWorks Pictures/Bluegrass Films)

When his uptight CEO sister (Jennifer Aniston) threatens to shut down his branch, the branch manager thrown an epic Christmas party in order to land a big client and save the day, but the party gets way out of hand. The film also stars T.J. Miller, Kate McKinnon, Jason Bateman, Rob Corddry, Olivia Munn, Jillian Bell, Jamie Chung, Abbey Lee, Randall Park, Matt Walsh and Courtney B. Vance.

office_christmas_party

 

16th

Limited Release: The Founder (Biography Drama)

Michael Keaton stars in this film that tells the story of McDonald’s founder, Ray Kroc. I don’t think I’ve ever actually thought about the story of McDonald’s and since I’ve seen the trailer, it’s peaked my interest and I’m sure to many others as well. The rest of the cast includes Laura Dern, Patrick Wilson, Linda Cardellini, Nick Offerman, B.J. Novak, and John Carroll Lynch.

 

 

Collateral Beauty (Drama – New Line Cinema/Village Roadshow Pictures/Overbrook Entertainment/Anonymous Content/Likely Star/PalmStar Media)

An advertising executive encounters three mysterious figures who encourage him to move on from the past. The film looks like it’s going to be a powerhouse with the cast, but the idea does seem odd, and one that you can probably figure out from the trailers. Hopefully the execution works. Will Smith, Kate Winslet, Keira Knightley, Edward Norton, Naomie Harris, Michael Pena, and Helen Mirren star.

collateral_beauty_ver2

 

Rogue One: A Star Wars Story (Sci-Fi Adventure –Walt Disney Pictures/Lucasfilm)

Gareth Edwards directs the first spinoff/standalone film of the new set of Star Wars films, which actually takes us back in time as it follows Rebels on a mission to steal plans for the Death Star. Listen, it’s Star Wars, people are going to go watch it. However, the film’s last two trailers were freaking awesome, of course the film however, will have some closer eyes as the “dirty” word in Hollywood has hit the film: reshoots. Nonetheless, the film looks great and more importantly it looks different. The film stars Felicity Jones, Mads Mikkelsen, Alan Tudyk, Ben Mendelsohn, Donnie Yen, Diego Luna, Riz Ahmed, Jonathan Aris, and Forest Whittaker.

rogue_one_a_star_wars_story_ver5

 

21st

Sing (Animation – Universal Pictures/Illumination Entertainment)

A koala named Buster (Matthew McConaughey) recruits his best friend to help him drum up business for his theater by hosting a singing competition. I don’t know if I’m over talking animal animated film this year, but I’m not getting behind the Sing train. The voice cast also includes Scarlett Johansson, Reese Witherspoon, John C. Reilly, Seth MacFarlane, Taron Egerton, Nick Offerman, Peter Serafinowicz,  and Jennifer Saunders.

sing

 

Patriots Day (Lionsgate/CBS Films/Closest to the Hole Productions)

Directed by Peter Berg, the film is an account of Boston Police Commissioner Ed Davis’s (played by John Goodman) actions in the events leading up to the 2013 Boston Marathon bombing and the aftermath, which includes the city-wide manhunt to find the terrorists behind it. Berg has already made a splash this year with Deepwater Horizon with Mark Wahlberg, so I can only think that this will be either as good or just as good. Patriots Day also stars J.K. Simmons, Kevin Bacon, Melissa Benoist, Michelle Monaghan, Alex Wolff, and Rachel Brosnahan.

patriots_day

 

Passengers (Sci-Fi Adventure – Sony Pictures/Columbia Pictures/Village Roadshow Pictures/LStar Capital/Original Film/Start Motion Pictures/Company Films)

A spacecraft traveling to a distant colony planet and transporting thousands of people has a malfunction in its sleep chambers. As a result, two passengers (Chris Pratt and Jennifer Lawrence) are awakened 90 years early. Two of the most liked and extremely talented actors in Hollywood are getting together for a film, and one that looks not too bad, I think we looking at a big hit here, don’t you think? Michael Sheen, Laurence Fishburne, and Andy Garcia also star.

passengers

 

Assassin’s Creed (Action – 20th Century Fox)

Based on the popular video game franchise, Michael Fassbender stars as Callum Lynch, who with the help of revolutionary technology that unlocks his genetic memories, experiences the adventures of his ancestor, Aguilar, in 15th Century Spain. Callum discovers he is descended from a mysterious secret society, The Assassins, and amasses incredible knowledge and skills to take on the oppressive and powerful Templar organization in the present day. Justin Kurzel, who directed the well-received and great film Macbeth, directs and reunites not only with Fassbender but Marion Cotillard as well. The film also stars Jeremy Irons, Brendan Gleeson, Ariane Labed, Mathias Varela, Brian Gleeson, and Michael Kenneth Williams.

assassins_creed_ver2

 

 

23rd

Limited Release: A Monster Calls (Fantasy Drama – Focus Features/Participant Media/River Road Entertainment/Apaches Entertainment/La Trini)

Based on a script and book by Patrick Ness, A Monster Calls follows a boy as he seeks the help of a tree monster to cope with his single mom terminal illness. The film stars Liam Neeson as The Monster, Felicity Jones as the Mother, Sigourney Weaver as the Grandmother, Toby Kebbell as Dad, and Lewis MacDougall as the boy and Lily-Rose Aslandogdu as Lily. The film looks fantastic and I can’t wait to see how it does. The limited release is due to Focus Features trying to get the film an Oscar run. The film will come out early next year.

monster_calls_ver2

 

Limited Release: Silence (Drama)

Directed by Martin Scorsese and based off the novel by Shusaku Endo, the film is set in the seventeenth century, where we follow two Jesuit priests that face violence and persecution when they travel to Japan to locate their mentor and propagate Christianity. The film has been looking for a release date and what better date to come out in than in December around Oscar season right? The film stars Liam Neeson, Andrew Garfield, Adam Driver, Shin’ya Tsukamoto and Tadanobu Asano.

silence

 

Why Him? (Comedy – 20th Century Fox/Red Hour Films/21 Laps Entertainment)

A dad (Bryan Cranston) forms a bitter rivalry with his daughter’s young rich boyfriend (James Franco). The film looks decently funny, at least we can hope, and seeing Cranston on the big screen is always nice – even if it’s a film like this. The film stars Zoey Deutch, and Megan Mullally.

why_him

 

25th

Limited Release: 20th Century Women (Comedy Drama)

The story of three women who explore love and freedom in Southern California during the late 1970s. The film stars Annette Bening, Elle Fanning, Greta Gerwig, Alia Shawkat, Laura Wiggins, and Billy Crudup.

 

Limited Release: Paterson (Drama Comedy) 

Set in the present in Paterson, New Jersey, this is a tale about a bus driver and poet, who also happens to be named Paterson (Adam Driver). I saw the trailer for the first time recently, and it looks like a great little indie film that will showcase Adam Driver.

 

Limited Release: Hidden Figures (Drama)

Based on a true story, a team of African-American women provide NASA with important mathematical date needed to launch the program’s first successful space missions. The film stars Taraji P. Henson, Octavia Spencer, Janelle Monae, Kristen Dunst, Jim Parsons, Mahershala Ali, Aldis Hodge, Glen Powell, and Kevin Costner.

hidden_figures

 

Limited Release: Live By Night

Based off the novel of the same name by Dennis Lehane, Ben Affleck writes, directs and stars in this great looking film that is set during the Prohibition and follows Joe Coughlin, the son of a prominent Boston police captain, as he rises through the ranks of the criminal underworld and the trouble he falls into along the way. Besides the film looking great, it has a great cast in Zoe Saldana, Elle Fanning, Sienna Miller, Brendan Gleeson, Chris Sullivan, Anthony Michael Hall, Titus Welliver, Max Casella, Chris Messina, and Chris Cooper.

live_by_night

 

Fences (Drama – Paramount Pictures/Scott Rudin Productions/Bron Studios/MACRO)

Based on the play by August Wilson, and directed by Denzel Washington, Fences follows an African American father who struggles with race relations in the United States while trying to raise his family in the 1950s and coming to terms with the events of his life. The film stars Washington, Viola Davis, Mykelti Williamson, Russell Hornsby and Stephen Henderson.

fences

 

So, what are you looking forward to?

Mini-Reviews: Masterminds, Deepwater Horizon, Storks, & The Girl on the Train

Hey everybody!

Welcome to the third edition of Mini-Reviews. This time, it’s more of a mixed than it was last time. So let’s get to it, shall we?

 

*As always, these will be spoiler free reviews*

 

Masterminds

Director: Jared Hess

Writers: Chris Bowman, Hubbel Palmer, and Emily Spivey

Cast: Zach Galifianakis, Kristen Wiig, Owen Wilson, Jason Sudeikis, Kate McKinnon, Leslie Jones, Mary Elizabeth Ellis, Ken Marino, and Jon Daly

Synopsis: A guard at an armored car company in the Southern U.S. organizes on of the biggest bank heists in American history. Based on the October 1997 Loomis Fargo robbery.

 

Yes, Masterminds is based on a true story. Of course, I’m sure the film takes some liberties, but for the most part the film tells the story of David Ghantt (Galifianakis), an armored car guard at Loomis Fargo who wants to do more in his life. He gets the chance when his co-worker Kelly (Wiig), under orders of the town small-town criminal Steve (Wilson), convinces him to rob Loomis Fargo. David, of course does it thinking he has a chance with Kelly, even though he’s engaged to Jandice (McKinnon). The good news is that David gets it done and is convinced to go down to Mexico to hide out, the bad news is that the FBI is on to him and Steve wants to cut loose ends.

Masterminds was set to come out two years ago, until it got pushed back to this year, and even then its release was in question thanks to Relativity Media’s bankruptcy. It also didn’t help that the film had a pretty descent cast, so it’s a shame that after all this, the film didn’t turn out as good as it could have been. I will say it does seem hard to make a comedy based on a true story, since you can’t really force funny moments in true stories, but if you have the right cast I assume you could. Masterminds is sadly not one of those.

I will say I’m not a huge fan of Zach Galifianakis, but he does okay here as a somewhat lovable and gullible David, who gets fooled into robbing $17 million. Kristen Wiig is reliable as always, and is arguably the heart of the film. Owen Wilson has his small moments, but doesn’t stand out as much as Jason Sudeikis’ hitman character Mike McKinney. His part of the film is rather odd, and at times will probably make you cringe-laugh, but he goes all in for this. Kate McKinnon and Leslie Jones are put on the backburner for the most part. Jones plays a detective for the FBI hunting down David, while McKinnon plays David’s soon-to-be wife Jandice as an odd and cliché trailer park women, who has only one big moment.

All in all, Masterminds is a wasted opportunity to let all these great comedic actors to cut loose. There are some genuine funny moments in the film, but overall Masterminds fails to really connect, and make you laugh the way I think they thought it would.

Masterminds

2.5 out of 5

masterminds_ver8

 

 

Deepwater Horizon

Director: Peter Berg

Writers: Matthew Michael Carnahan and Matthew Sand

Cast: Mark Wahlberg, Kurt Russell, Kate Hudson, Douglas M. Griffin, James DuMont, Joe Chrest, Gina Rodriguez, J.D Evermore, Ethan Suplee, Dylan O’Brien and John Malkovich

Synopsis: A dramatization of the April 2010 disaster when the offshore drilling rig, Deepwater Horizon, exploded and created the worst oil spill in U.S. history.

 

Peter Berg has become a “based on a true story” film master. Friday Night Lights, Lone Survivor, the upcoming Patriots Day – based on the Boston Marathon bombing – and this. Berg has a way to really make the people in those films more important than the event itself sometimes, and Deepwater Horizon is another prime example of that. Not only that, he makes the film feel like a horror film at times, which is what the people onboard the actual rig probably felt like they were in on that fateful day.

The film mostly follows the Deepwater Horizon rig’s chief electrical technician Mike Williams (Wahlberg) and installation manager Jimmy Harrell (Russell) or Captain Jimmy as the crew calls him, on the day they arrive on the Deepwater Horizon along with a few BP company men and control room operator Andrea Fleytas (Rodriguez). However, when they arrive they find out that BP management, lead by Donald Vidrine (Malkovich) on the rig, want the crew to start drilling right away because they are behind schedule. Of course, Mike and Jimmy aren’t having any of it because the safety of the crew is at risk, Mike lets them know that the rig isn’t running at one-hundred percent, but Vidrine pushes them and they start drilling. What follows is the Deepwater Horizon suffering massive failure and an explosion that sets the rig up in flames. The crew then tries to survive and escape the rig at all costs.

Berg does a great job of setting everything up. He even goes into the technical side of things even though he probably knows not all the audience is going to know what the hell they’re talking about – we can get the gist considering we know what happens and they make it sound pretty bad. We also get a descent sense of these characters, so when the rig goes up in flames we care for these characters. And while most films would tip-toe around the situation, Berg tackles it head-on and does lay some – arguably all – of the blame on BP for forcing the rig workers to keep going.

The other great thing Berg does is make us, essentially, part of the crew. When the Deepwater Horizon goes up in flames, you can feel the horror that these men went through. This isn’t your typical escapist disaster film, this was a man-made disaster that isn’t filled with your typical Hollywood hero. Wahlberg or Russell don’t make big speech to comfort everyone, they get hurt and are equally affected by the rig explosion like everyone else. 11 men lost their lives that night, and the way Berg makes the event look, it’s almost hard to believe that not more people died.

The cast holds their own. Wahlberg gives one of his finest performances to date, and one that pays off at the end. I know Wahlberg may make people think of the film a certain way, but when he’s given the right material with a great director like Berg, he always turns in a great performance. Russell is as reliable as ever, Gina Rodriguez and Dylan O’Brien have their moments, but are scattered throughout the film and only really pick up during the events of the explosion. Finally, Malkovich seems to be enjoying himself playing a sleazy BP official, and while maybe that’s not how the real life Vidrine was, it does give us the general idea of greed and not caring about the consequences.

All in all, Deepwater Horizon is a very effective thriller that sometimes feels like a horror movie. Peter Berg knows exactly what to show and what kind of story he wants to tell, and instead of focusing on the oil spill – which got the most attention in the news – this highlights the people actually onboard the rig. I’ll even admit that by the end of this film, I was in tears. Something not a lot of films can make me do, and make me admit.

Deepwater Horizon

4.5 out of 5

deepwater_horizon

 

 

Storks

Director: Nicholas Stoller and Doug Sweetland

Writer: Nicholas Stoller

Voice Cast: Andy Samberg, Katie Crown, Kelsey Grammer, Anton Starkman, Ty Burrell, Jennifer Aniston, Keegan-Michael Key, Jordan Peele, Stephen Kramer Glickman and Danny Trejo

Synopsis: Storks have moved on from delivering babies to packages. But when an order for a baby appears, the best delivery stork must scramble to fix the error by delivering the baby.

 

I didn’t really expect anything from Storks when I first read about it. However, that all changed when I watched the film, because I really liked Storks. The film follows Junior (Samberg), who works at Cornerstore.com which is where storks now deliver packages instead of babies because delivering babies became too much of a problem. Junior is not in line for a promotion from his boss Hunter (Grammer), but before he can take the position he has to do one thing: fire the only human worker at Cornerstone, Tulip (Crown). Junior doesn’t really do so and instead puts her in a building by herself.

However, that only complicates matters as Tulip gets a letter from Nate Gardner (Starkman) who wants a sibling, and accidentally makes one. Junior already thinking he’d be in trouble with Hunter decides to deliver the baby on his own with Tulip tagging along. Of course, a grand adventure ensues.

I had a lot of fun with this movie more than I thought I would. The film never loses steam and the jokes are top notch, so much so that I was still smiling or laughing way after they were delivered. The stories are also very touching. On one end you have the human story of Nate, an only child, who wants a sibling to play with because his parents (voiced by Burrell and Aniston) are always busy with their real estate business. On the other end you have the two stories of Junior wanting to be more than a delivery man, and Tulip trying to find her own place in the world, and wanting to really help. The two stories perfectly blend together near the end that makes the finale all the more touching and heartwarming.

The rest of the voice cast is filled with Keegan-Michael Key and Jordan Peele playing Alpha and Beta Wolf, who are one of the many highlights of the film, and Danny Trejo as Jasper, a stork that comes into play in the second half of the film. Finally, another highlight of the film is Stephen Kramer Glickman as Pigeon Toady, who will leave you laughing for sure.

All in all, Storks is a ton of fun that takes a while to bring its core theme out, but the ride is so much fun that it doesn’t matter. Storks will leave you laughing out loud and leave you wanting a bit more.

Storks

4.5 out of 5

storks_ver11

 

 

The Girl on the Train

Director: Tate Taylor

Writer: Erin Cressida Wilson

Cast: Emily Blunt, Haley Bennett, Rebecca Ferguson, Justin Theroux, Luke Evans, Edgar Ramirez, Laura Prepon, Allison Janney and Lisa Kudrow

Synopsis: A divorcee becomes entangled in a missing persons investigation that promises to send shockwaves throughout her life.

 

Based on the popular and one of the fast-selling novels of all time by Paula Hawkins, The Girl on the Train is being labeled as the possible next Gone Girl. A comparison that doesn’t really help any film since Gone Girl was vastly different animal that some people haven’t seen before. While the film does show shades of that, The Girl on the Train is a completely different animal altogether that is a less effective thriller and drama than Gone Girl.

The Girl on the Train follows alcoholic and divorced Rachel (Blunt) who rides the train every morning. During her rides, she always stops and spots the house of a couple who she doesn’t know but pretends to give them names and jobs. However, one day the woman, Megan (Bennett), ends up going missing and the day she did she noticed Megan with another man. What follows is Rachel trying to figure out what happened to a woman she’s made an unnatural connection to, but her obsession also becomes a problem for her ex-husband Tom (Theroux) and his new wife Anna (Ferguson), who she has been harassing them.

Going more into detail will probably lead me into spoiler territory which is something that I obviously don’t want to do. The film does jump back in time – a few months – so we get enough scenes with Haley Bennett’s Megan before she goes missing. The film also spends some time with Rebecca Ferguson’s Anna, who shines more near the end of the film than in the beginning. All that said though, this movie belongs to Emily Blunt. I’m okay with saying Blunt is one of the best actresses working today, and this film proves it. The rest of the cast, while they have their moments, kind of fall to the wayside. Edgar Ramirez and Laura Prepon are underutilized, especially Prepon, and Allison Janney, while her character was meant to only be small, would have been nice to see more of her.

The characters are probably going to make some people not like the film. There are times when you probably want to go into the screen and smack one of them around, which is what makes the film a little more relatable – to the characters anyway. It also helps that these characters are in the thriller genre, so their actions will make us question where they fall in line to the case. Although, there are times when the film gets bogged down in its own drama.

All in all, The Girl on the Train is held together by Emily Blunt’s great performance, along with Haley Bennett. The film gets bogged down a bit by its own drama, and while some things from the book don’t carry over, they make up for it by telling their own story. The Girl on the Train isn’t the next Gone Girl, but its effective while watching.

The Girl on the Train

3.5 out of 5

girl_on_the_train_ver2