‘Fast & Furious Presents: Hobbs & Shaw’ Review

Director: David Leitch

Writers: Chris Morgan and Drew Pearce

Cast: Dwayne Johnson, Jason Statham, Idris Elba, Vanessa Kirby, Eiza Gonzalez, Eddie Marsan, Cliff Curtis, Lori Pelenise Tuisano and Helen Mirren

Synopsis: Lawman Luke Hobbs and outcast Deckard Shaw form an unlikely alliance when a cyber-genetically enhanced villain threatens the future of humanity.

 

*Reviewer Note: This will be a spoiler free review.*

*Reviewer Note 2: There are multiple post-credit scenes.*

 

A spinoff movie from the Fast & Furious franchise was always going to happen, it was just a question of when. Back when Fast Five came out, rumblings began to give new addition of the franchise, Dwayne Johnson’s DSS agent Luke Hobbs one, but Universal Pictures never pulled the trigger – admittedly, Johnson became a very busy man afterwards. Fast forward to the drama behind The Fate of the Furious, Universal finally gave Hobbs his movie…and they brought along Jason Statham’s Deckard Shaw along too – due to the studio liking the chemistry between the two on set.

So now we have two of the biggest action stars in Hollywood in a spinoff of one of the biggest and profitable franchises today, and how do you top that? Get the guy that directed the first John Wick, Atomic Blonde and Deadpool 2, David Leitch. Then make it a buddy action comedy, with some sci-fi elements, some laughable insults and, since this is still a movie in the Fast & Furious universe, family.

Hobbs & Shaw has a pretty basic setup, Deckard’s sister, Hattie (Vanessa Kirby), an MI6 agent, and her team try to retrieve a deadly virus codename “Snowflake,” but run into a huge problem in Brixton (Idris Elba), a technology-enhanced agent (read: Black Superman) for a shadow organization that want the virus for nefarious reasons. Hattie ends up injecting herself to get the virus away from Brixton. In the process, she is then labeled a traitor and has to go on the run.

We then jumped forward to seeing Hobbs (Dwayne Johnson) and Shaw (Jason Statham) finding out about the virus going missing, and the two eventually find out they have to work together – something neither of them want to do. However, they have to put their difference aside, somewhat, when Deckard finds out that Hattie is involved, and that the virus will kill her in three days. It becomes a race to the clock to find a way to get the virus out of Hattie, while also on the run from Brixton.

 

Hobbs & Shaw really is its own thing. There is really no mention to the main series, so you don’t necessarily have to have previous knowledge of the main series, but it would help just a tad. The main focus of the movie is to bring out Hobbs and Shaw’s backstory. Obviously on Shaw’s side, we are introduced to Kirby’s Hattie, who is more than capable of taking care of herself, and yes, Helen Mirren’s mother – named Queenie – returns for about five minutes of screen time.

As for Johnson’s Hobbs, he gets to go home, as the trailers point out. We’re introduced to the Hobbs family, which isn’t the best kind of a relationship, and Hobbs’ daughter Sam returns (played by a different actress in Eliana Sua). The dynamic of the Hobbs family adds another layer to Hobbs, but at the end of the day, it really comes down to how the potential franchise of Hobbs & Shaw goes – Johnson isn’t coming back for Fast & Furious 9 – and if they propel that dynamic in the future.

 

But of course people are going to see Hobbs & Shaw for the action, and oh boy, is there a lot of action in this. While the Fast & Furious movies do go a little over-the-top with the stunts – okay, a lot, whatever – Hobbs & Shaw continues that trend, but now with a sci-fi-ish twist with Brixton (he literally has a bike that COMES TO HIM!). The action also has a nice added touch since you got Leitch behind the camera. Is it the best action in the series? Not really, but it’s damn enjoyable to watch happen when it does.

If the action doesn’t do it for you, then maybe the great chemistry between Johnson and Statham will do it for you. It’s mostly the two throwing jabs at each other, and while some don’t land completely, others should get a genuine laugh out of you, or at least make you laugh cringe. Either way, anytime the two are on screen together, and throwing barbs, you’re in for a good time. That said, I would love to see Johnson and Statham team up again, outside the Fast & Furious franchise.

The rest of the cast have their moments. I mentioned Kirby holds her own as Hattie Shaw, and Mirren is only in it for a bit, but she clearly having fun with the role. So let’s talk about Idris Elba as Brixton. Elba is also clearly having fun playing the villain with superhuman strength and some other technological enhancements. While the whole thing is kind of, admittedly, goofy, Hobbs & Shaw knows what it is, so it fits the world we’re watching. Eiza Gonzalez pops in as Madame M, but she doesn’t really add anything despite how they introduce her, Eddie Marsan has a small role as the scientist that created the “Snowflake” virus, Lori Pelenise Tulsano plays Sefina, Hobbs’ mother who could be a scene stealer for some, and Cliff Curtis plays Jonah, who I wish had some more to do.

While I thoroughly enjoyed Hobbs & Shaw, I’ll admit the movie is just a tad bit too long for its own good. Some of it comes from the surprise cameos the movie was able to pull off, and while the cameos are cool and pretty funny, they kind of overstay their welcome and drag the scenes out.  There is also an element that the movie really should have capitalized on, which is when Hobbs and Shaw basically become wanted men, but the movie pretty much ignores all that which is kind of a shame.

All in all, Hobbs & Shaw is a lot of fun, whether you’re going for the action or for the chemistry/insult-fest between Dwayne Johnson and Jason Statham, or even for “Black Superman” himself Idris Elba, the movie has a little something for everyone.

 

Fast & Furious Presents: Hobbs & Shaw

3.5 out of 5

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‘Spider-Man: Far from Home’ Review

Director: Jon Watts

Writers: Chris McKenna and Erik Sommers

Cast: Tom Holland, Jake Gyllenhaal, Samuel L. Jackson, Jon Favreau, Zendaya, Jacob Batalon, Angourie Rice, Tony Revolori, Cobie Smulders and Marisa Tomei

Synopsis: Following the events of Avengers: Endgame, Spider-Man must step up to take on new threats in a world that has changed forever.

*Reviewer Note: This will be a spoiler free review.*

*Reviewer Note 2: There are TWO post-credit scenes.*

 

How do you follow one of the most comic book-y movies of all time that spanned over a decade and over twenty movies? That was the challenge Marvel Studios and Sony Pictures had in front of them when putting together Spider-Man: Far from Home. Not only did they have to follow Avengers: Endgame, but also make a proper sequel to Spider-Man: Homecoming that wasn’t just Spider-Man/Peter Parker having to move on from saving the entire universe with The Avengers and his now deceased mentor/father-figure Tony Stark. So did they pull it off? Yes. Yes they did.

Set months after the events of Avengers: Endgame, Peter Parker (Tom Holland) is eager to take a break from the superhero gig, and go on his European school vacation with his friends and tell MJ (Zendaya) how he feels about her. Of course, being a superhero and an Avenger now, that isn’t easy. Unbeknownst to Peter and the public, elemental monsters – The Elementials – start to wreck havoc across the globe, which leads him to be recruited by Nick Fury (Samuel L. Jackson) to help fight the threat alongside Quentin Beck (Jake Gyllenhaal), a hero who claims he’s from another dimension, and has first hand experiencing fighting these monsters. Peter now has to handle fighting giant monsters while on vacation and having the responsibility of being the potential new Tony Stark/Iron Man.

One of the troubles of reviewing Far from Home is a good chunk of the great scenes and moments are all spoilers, so I’ll tread lightly going forward. That said, one of the best story elements about these new Spider-Man movies is director Jon Watts and writers Chris McKenna and Erik Sommers really have a firm grasp about what makes Peter Parker just that Peter Parker. Peter is still a teenager, and despite being a teenager with superhero abilities, he wants to be that, but is constantly told he needs to step up and be a superhero/Avenger. It’s not that Peter is being ungrateful or that he is ungrateful, he loves being Spider-Man, and wants to help people, but he is still a teenager and wants to hang out with his friends, tell the girl he likes that he likes her and just be normal for five minutes.

The other great thing about the sequel is that it keeps its charm, humor and heart from Homecoming. Holland and Zendaya, who has a lot more to do this time around, have great chemistry together, and pretty perfectly recreate that awkwardness you’d have when you’re around your crush. It’s also nice to see the balance between the more serious moments, like Peter questioning himself, and humorous moments, mostly between Peter and his classmates, are mostly tight enough.

The rest of the cast have their moments, but one of the big highlights is Jake Gyllenhaal’s Quentin Beck aka Mysterio. Gyllenhaal is obviously having a lot of fun with the role, and whether or not you know anything about the character from the comics, you’ll enjoy what they do with Mysterio here.

All in all, Spider-Man: Far from Home is a ton of fun, and does a lot with what they have. It thankfully doesn’t feel bloated or overstuff, and while it does have its lull moments, the cast and balance of tones keep the film together. Finally, in true Marvel fashion, the post-credit scenes change the Marvel Cinematic Universe going forward. It will be interesting to see Marvel goes forward with it, and also how it changes the story of Spider-Man. Either way, Far from Home is highly enjoyable and should be watched on the biggest screen you can find it.

Spider-Man: Far from Home

4.5 out of 5

‘Pokemon Detective Pikachu’ Review

Director: Rob Letterman

Writers: Dan Hernandez, Benji Samit, Derek Connolly and Rob Letterman

Cast: Ryan Reynolds (voice), Justice Smith, Kathryn Newton, Chris Geere, Rita Ora, Ken Watanabe and Bill Nighy

Synopsis: In a world where people collect Pokemon to do battle, a boy comes across an intelligent talking Pikachu who seeks to be a detective.

*Reviewer Note: This will be a spoiler free review.*

 

I, like many my age – no matter how bad you want to deny it – grew up watching and playing Pokemon. It’s something that, somehow, has remained in nerd culture through new generations and fans still bringing it up. If it wasn’t apparent, when Pokemon GO came out, the thing spread like wildfire and was a craze that I think people wouldn’t happened (do people still play it? Serious question, not bashing). It was because of the GO craze, Warner Bros. and Legendary decided to jump on it and announce they were developing a Pokemon movie, and they were choosing to do the Detective Pikachu route.

I’ll be honest; I wasn’t fully onboard with the idea at first. I thought Hollywood would bastardize one of my childhood favorites with another crappy CGI/live-action hybrid movie that would probably water down what made the property so good and memorable. Then the trailers came out and I was fully onboard. So, did Pokemon Detective Pikachu live up to the expectations the studio put out? Or does the video game curse continue?

Pokemon Detective Pikachu follows Tim Goodman (Justice Smith), a once aspiring Pokemon trainer, who suddenly gets a call informing him that his estranged detective father has been killed in a car crash. While going through his father’s apartment, he runs into a talking Pikachu (voiced by Ryan Reynolds), who claims to be his father’s Pokemon partner, but can’t remember anything since he has amnesia, expect one thing – Tim’s father isn’t dead, but only missing.

The two decide to embark on a journey to find out what happened to Tim’s father, who was on the verge of breaking something huge. Along the way, they helped by Lucy Stevens (Kathryn Newton), an intern at the big news corporation, who has a nose for a good story, who also has her Pokemon, Psyduck, with her at all times. What follows is Pokemon shenanigans, world building, and a mystery buddy-cop film.

Detective Pikachu’s staying power is going to be interesting to see. On one hand, the movie is jam packed with Easter Eggs for the hardcore fans, to the point that you may need to watch it twice to catch some of them. On the other, non-fans will maybe have at least a little bit of a hard time with the world they are thrown into. Because, director Rob Letterman wastes no time filling the screen with Pokemon. Once we get pass the cold opening and Tim’s introduction, which shows him trying to catch a Cubone after being forced by a friend, we go straight into Ryme City.

Ryme City is the creation of Bill Nighy’s Howard Clifford, a city where Pokemon and humans coexist together. The Pokemon fill the city streets and hold jobs like everyone else. It’s here where most of the Pokemon are shown, and I’m sure fans will have a field day trying to name them all. It’s also not filled with generation one Pokemon, there were Pokemon there I didn’t even know or recognize. Dare I say, it’s almost Who Framed Roger Rabbit-esque in its story and format, and Blade Runner in terms of visual look for the first half of the movie.

All that said, Detective Pikachu can’t just thrive on the Pokemon, it is trying to tell a story. Smith’s Tim is charismatic enough to push the story along and his chemistry with Reynolds’ voiced Pikachu keeps the movie going until the credits roll. Newton’s Lucy is a hard buy at first, as her character seems to be pulled from the old noir films – which the film does try to be for the most part – but then becomes the ambitious news reporter, even though she’s really an unpaid intern, by trying to break the case along with Tim, Pikachu and her Psyduck.

Of course, the highlight of the cast and the movie is Ryan Reynolds as the talking Pikachu. Reynolds is always reliable for witty, crisp delivered one-liners, and he brings that with Pikachu, and while he’s not foul-mouthed like Deadpool – although Reynolds said there are R-rated outtakes enough a movie – Reynolds’ Pikachu genuinely funny. Plus, the chemistry he has time Smith, despite the live-action and human interaction differences, is fantastic.

All the fun aside, Detective Pikachu does have some faults that keep it from being a good movie to a great movie. The movie’s story gets a little too ridiculous for its own good in the third act, and despite some cool Pokemon action, it doesn’t really justify the direction of the story, although you might be able to guess where it was headed at some point. Of course, there is the big one – do you need to know anything about Pokemon to enjoy the movie? Sort of. Knowing little things about the world could be helpful in some moments and situations while watching the events unfold, but not knowing them should affect your enjoyment.

Then there are the tonal shifts. The first ten, fifteen minutes of the movie is pretty much a drama with Tim dealing with the loss of his father, but then Pikachu is introduced and the movie becomes a comedy. But then Tim’s story comes back and the movie stops everything to have a drama beat, and then go right back to comedy. It’s not necessarily a bad thing, but the movie missteps on balancing the two sometimes. To get a little nit-picky, despite the amazing designs of the all the Pokemon, and how amazingly truthful they are, there some times with they look just a tad bit wonky, again, nit-picky.

All in all, Pokemon Detective Pikachu is a fun entertaining movie that you’ll enjoy whether or not you know anything about the Pokemon lore or franchise. The story is a little flimsy by the end, but it’s the core cast of Justice Smith’s Tim, Kathryn Newton’s Lucy and Ryan Reynolds’ Pikachu that will keep you invested from beginning to end. Pika Pika.

Pokemon Detective Pikachu

4 out of 5

‘Captain Marvel’ Review

Directors: Anna Boden and Ryan Fleck

Writers: Anna Boden, Ryan Fleck and Geneva Robertson-Dworet

Cast: Brie Larson, Samuel L. Jackson, Ben Mendelsohn, Lashana Lynch, Clark Gregg, Gemma Chan, Djimon Hounsou, Rune Temte, Algenis Perez-Soto, Jude Law and Annette Bening

Synopsis: Carol Danvers becomes one of the universe’s most powerful heroes when Earth is caught in the middle of a galactic war between two alien races.

*Reviewer Note: This will be a spoiler free review. There are also two post-credit scenes.*

 

Marvel’s twenty-first film in their ever expanding Marvel Cinematic Universe finally has their first female-led superhero film. Not only that, it is a prequel to the whole MCU showing the events before we met Robert Downey Jr.’s Tony Stark in Iron Man, the MCU’s first film – although timeline wise, Captain America is still the first (for now), but let’s move pass that. So how does the pseudo-origin story of Captain Marvel fair? Let’s find out.

Captain Marvel follows “Vers” (Brie Larson), a member of the Kree Starforce, whose main purpose is to stop the shape-shifting alien race Skrulls, who they are in war with. While on a mission to recover someone with important information with her team, led by mentor Yon-Rogg (Jude Law), they’re ambushed and Vers is eventually set crash lading to Earth in 1995. On the run from the Skrull leader Talos (Ben Mendelsohn), Vers teams up with a young Nick Fury (Samuel L. Jackson) to search for Dr. Wendy Lawson (Annette Bening) a scientist whose work could end the Kree-Skrull war, but also holds the key to Vers’ past – a past she can’t remember since being on the Kree home plant Hala for six years.

Captain Marvel is interesting on a lot of fronts because on one end, the movie is an origin film for the character, who some people may not know. On top of that, Captain Marvel’s origin and history has changed every now and then, and the movie takes bits from the top main three origins of the character. On the other end, “Vers” already has her powers and knows how to use them, so the story just dives right into the action. That said, there are things that could have been touched on a little more in Vers’ story once she finds out who she really is. There is where the movie falls into some pitfalls and essentially makes Carol Danvers a somewhat less interesting person. It’s not Brie Larson’s fault, it’s the script that doesn’t really let the moments breathe the way it should.

Speaking of Larson, she handles this massive role with ease. Larson brings the right amount of everything a scene and the role requires. She’s equal parts funny, quick-witted and take no crap attitude, but also has enough believability to her that we’re rooting for you until the end. Her chemistry with some of the cast also keeps the movie going, more specifically, with Samuel L. Jackson’s Nick Fury. The two bounce off each other extremely well, and it’s with Fury that Carol Danvers comes out, but it’s through other characters that we find out who she is, and not herself finding out who she is. That said, I do want to mention that the de-aging effect used on Jackson – and Clark Gregg’s returning Agent Coulson – is particularly seamless, that it’s damn impressive and it never really falters. Which unfortunately can’t be said for the end of the movie where some of the CGI looks a little too wonky, but I’ll take that as inexperience from directors Anna Boden and Ryan Fleck, who have mostly done low to mid-budget independent movies.

The only other character that Larson really bounces off of is Lashana Lynch’s Maria Rambeau, Carol’s best friend from her days in Air Force, who has a daughter that also tells Carol who she was before she disappeared from Earth and ended up with the Kree. The rest of the supporting cast is fine, but a lot of them don’t get enough screen time although Captain Marvel belongs to Brie Larson. Jude Law’s Yon-Rogg isn’t in the movie enough to really grasp an idea about him, while Ben Mendelsohn’s Skrull leader Talos has a lot more to do with the story than you think, and also touches on a big comic storyline. Annette Bening’s Doctor character also plays a huge role in the movie, but it’s basically a long cameo.

Speaking of cameos, Lee Pace’s Ronan returns in a nothing role, along with Djimon Hounsou’s Korath. Sure Korath is in the Starfleet Force, but the whole team doesn’t really do too much, which is shame since this could have been a cool new team to have set up in the universe. It’s also a waste of Gemma Chan’s Minn-Erva.

Of course, Captain Marvel has had its outcry of blind negatively lately from people who can’t take seeing a female superhero on screen in her own movie. Or because they think the movie will pass along a feminist message. Honestly, either one is really dumb especially considering that the character of Carol Danvers/Captain Marvel is very interesting and has some great comic stories. If you honestly give in to these ideas, then how about you actually watch the movie first to form an articulate and meaningful contribution. Is there a message? Probably, and yeah, but it’s not like it takes away from the movie or stops and says “LOOK AT THIS MESSAGE OOO.”

All in all, Captain Marvel is another good addition to the Marvel Cinematic Universe. Brie Larson owns the role of Carol Danvers/Captain Marvel, and her chemistry with the seamless de-aged Samuel L. Jackson’s Nick Fury keeps the movie up and running. Yes, the movie has flaws, but not enough to really say the movie is bad or the worst movie in the Cinematic Universe. Also, Goose the cat.

Captain Marvel

4 out of 5

‘Fighting with My Family’ Review

Director: Stephen Merchant

Writer: Stephen Merchant

Cast: Florence Pugh, Jack Lowden, Vince Vaughn, Nick Frost, Lena Headey and Dwayne Johnson

Synopsis: A former wrestler and his family make a living performing at small venues around the country while his kids dream of joining World Wrestling Entertainment

*Reviewer Note: This will be a spoiler free review.*

 

Based on the true story of WWE superstar Paige, real name Saraya-Jade Bevis, Stephen Merchant and producer Dwayne “The Rock” Johnson took inspiration from Paige’s real life and the documentary series about Paige’s family to make Fighting with My Family. Being a wrestling nerd myself, I have been looking forward to this since it was announced, and hearing the good word of mouth, I was fully ready to really enjoy the film. That said, whether or not you know Paige’s story or not, you’ll walk out appreciating the journey.

The film follows Saraya (Florence Pugh) and her brother Zak (Jack Lowden) Knight who have been training as professional wrestlers since they were kids by their wrestling parents Ricky (Nick Frost) and Julia (Lena Headey). Their dream? Going to the WWE, and eventually they get a call to try-out for them, and head to WWE’s developmental program, NXT. However, when Saraya is chosen over Zak, Saraya goes to Orlando to begin her training and Zak has to stay behind to figure out what do now that his dream can no longer be achieved. Paige’s underdog story then begins through trials and tribulations.

Fighting with My Family has your basic underdog sports formula we’ve seen before, expect this time it’s done through pro wrestling. Paige wrestles – pun intended – with being different around the other potential contenders, dealing with the drama with her brother and eventually reaching the dream she wanted in the grandest way possible. This isn’t necessarily a negative toward the film, considering it is what you expect in this kind of story, but it is just a bit of a shame that Merchant went the formulaic route.

That goes double considering Paige’s story is much more than what we get onscreen. Again, being a wrestling nerd and knowing her story, it was a shame to see some things taken out or completely ignored. Of course, that’s not to say that everything in the movie is a lie. It is still Saraya’s story, but having her just be dropped into the crazy world of the WWE is far from what happened.

Regardless of all that, Fighting with My Family is still very good, and most of that comes from the cast. Merchant puts the weight of the movie squarely on Pugh’s shoulders and she carries it with ease. She’s able to bring everything the story requires from the drama, to the humor to even some for the ring work she was allowed to do. Jack Lowden as Zak is equally great, and the chemistry he and Pugh have is fantastic, and makes the two easily believable and easy to root for that we become almost immediately invested in both of their journeys.

Supporting role wise, I wish we had seen a little more of both Nick Frost and Lena Headey. They’re in it enough for the story the film is trying to tell, but still having those two in your movie, and not having them in it a little more is a bit of a bummer. Vince Vaughn’s Hutch Morgan – a combination of different people like Norman Smiley, Dr. Tom Prichard and Bill DeMott, at least according to Paige – balances the line between a hard-nosed, nonsense coach and giving Saraya enough to motivate her, but still being a hardass. Finally, for those worried that Dwayne Johnson would overtake the film, don’t worry, he’s only in about three or four scenes, and we’ve seen most of them in the trailers and TV ads.

All in all, Fighting with My Family is an underdog story we’ve seen before but in a different sport that most people have either fallen out of love with or still follow to this day. That said, Stephen Merchant’s direction and balance of drama and humor is spot on, plus the cast keep you invested from start to finish.

Fighting with My Family

3.5 out of 5

‘Glass’ Review

Director:  M. Night Shyamalan

Writer: M. Night Shyamalan

Cast: James McAvoy, Bruce Willis, Samuel L. Jackson, Anya Taylor-Joy, Sarah Paulson, Spencer Treat Clark and Charlayne Woodard

Synopsis: Security guard David Dunn uses his supernatural abilities to track Kevin Wendell Crumb, a disturbed man who has twenty-four personalities.

 

*Reviewer Note: This will be a spoiler free review.*

 

The name M. Night Shyamalan for a while was a laughing stock. After breaking into the scene with The Sixth Sense, Unbreakable, and Signs, the director’s fanbase started to turn on him after films like The Village – which I didn’t personally mind – Lady in the Water, and, of course, the coup de grace to his career was the combination of The Happening and The Last Airbender. I’m not even going to mention After Earth – because do you remember After Earth? Does anyone?

Anyway, Shyamalan slowly came back with the still underrated The Visit, but then really returned to form with Split, which is true Shyamalan fashion, had the twist ending that no one saw coming – the whole movie was connected to Unbreakable. The long awaited sequel that everyone wanted was finally real, and when Split turned out to be a hit, Shyamalan went on to finish the trilogy he had wanted to create since Unbreakable’s release. Glass is a sequel nineteen years in the making, but was the wait worth it? Does Glass live up to the expectations Split left us with? Let’s dig in shall we?

Glass follows David Dunn (Bruce Willis), the only survivor of a deadly train crash fifteen years prior, which left him with super-strength and led him down the path of becoming the vigilante named The Overseer, all with the help of his son, Joseph (Spencer Treat Clark). After seeing the devastation left by Kevin Wendell Crumb aka The Horde (James McAvoy), David manages to track Kevin and faces off with The Beast until the two are taken in by the police and the mysterious Dr. Ellie Staple (Sarah Paulson). Dr. Staple sends them to a psychiatric facility with the goal being to convince them that their super-human abilities are all in their heads.

However, unbeknownst to David at first, Elijah Price aka Mr. Glass (Samuel L. Jackson) has been a patient of the facility since the end of Unbreakable, and when he learns of his new neighbors, a plan starts to go into motion.

Much like Unbreakable, Shyamalan keeps Glass as grounded as possible, well, as grounded as you can get with super-powered individuals. Buildings aren’t falling over, there are no over-the-top action scenes, although the brawls between David and The Beast look hard-hitting, and the characters feel real. In fact, Paulson’s Ellie Staple drives the point that David, Kevin and Elijah are just normal people and are “sick.” For the most part, it actually sounds somewhat believable, but it just falls a tad flat and too smart for its own good.

When it comes to the cast, James McAvoy steals the movie, continuing his amazing performances from Split. He actually gets to play around with the characters a little more this time around, and having Bruce Willis and Samuel L. Jackson to play off of this time around adds a lot more to his performance. Willis thankfully doesn’t phone it in as the returning David Dunn, but it somehow feels like he’s underused. Then there’s Jackson’s Elijah. Despite the name of the movie being Glass, Jackson is heavily underused until the third act of the movie, and even then, it’s still mostly McAvoy’s show. It is a bit of shame to see that happen, especially considering how the movie ends.

The supporting cast have only a few moments to shine, with Spencer Treat Clark’s Joseph and Anya Taylor-Joy’s Casey getting the better of it. In fact, I’ll say that Taylor-Joy’s Casey has one of the better, if not the best scene in the movie, where she comes face-to-face with Kevin again. The two have great chemistry together, and it actually has a pay-off toward the end of the movie, which I really appreciated. It was also nice to see Charlayne Woodard return as Mrs. Price, but she doesn’t really have anything to do, other than a couple brief scenes with Jackson’s Elijah. Finally, Sarah Paulson’s Ellie Staple gets to shine along the main cast, and her presence does throw a wrench in everything.

Going back to the ending though, this is a spoiler-free review so I won’t spoil anything, but Shyamalan couldn’t help himself to put not just one twist in here. The problem with one of the twists is that, despite the concept of surprise twists, it literally comes from out of nowhere with no real context and no real lead-in. Shyamalan just throws it in to connect to his other twist, that has divided audiences already, and if you haven’t watched it, will divide you too.

It also doesn’t help that Glass is a bit sluggish throughout its runtime. The second act in particular is pretty slow paced, that when everything breaks down in the much promoted encounter between David and The Beast in front of the facility, we’re pumped to see what will happen. Unfortunately, for me, I honestly don’t know how to feel about the whole third act. It’s a bit too messy for me, and with all the hype and the exceeded expectations that Split led into Glass, it’s a shame that Shyamalan went down this road.

All in all, Glass had some great potential, and despite its saving grace performance by James McAvoy, Shyamalan’s surprise connected universe movie is a mess. Is Glass a bad movie? No, I don’t think so. Is it a frustrating movie? I would say yes, yes it is. Needless to say, the choice is ultimately yours on how you view the ending, and whether it fits into everything that was built up to it.

Glass

3 out of 5

‘Halloween’ Review

Director: David Gordon Green

Writers: David Gordon Green, Danny McBride & Jeff Fradley

Cast: Jamie Lee Curtis, Andi Matichak, Judy Greer, James Jude Courtney, Rhian Rees, Jefferson Hall, Toby Huss, Virginia Gardener, Dylan Arnold, Miles Robbins, Drew Scheid, Jibrail Nantambu, Haluk Bilginer, Nick Castle and Will Patton

Synopsis: Laurie Strode comes to her final confrontation with Michael Myers, the masked figure who has haunted her since she narrowly escaped his killing spree on Halloween night four decades ago.

 

*Reviewer Note: This will be a spoiler free review.*

 

In 1978, legendary director John Carpenter gave us one of the best horror movies in Halloween, and gave us one of the most iconic characters in film, even to this day, in The Shape aka Michael Myers. It’s a real testament to the movie and Carpenter for what it and he was able to do with Halloween, especially considering the movie wasn’t a big studio movie, but rather an independent movie. Halloween was made on the cheap, and yet, it has had a tremendous staying power over the years that can’t be explained.

Sadly, not all the movies in the franchise have been great. Carpenter never really wanted Halloween to become a franchise, but he was asked to write a sequel with Debra Hill – who also co-wrote the first movie. He ended up making it a family affair when he made Myers and Jamie Lee Curtis’ Laurie Strode siblings. Halloween II was then suppose to end the Myers character, but Hollywood wanted more. We got a different Halloween story with Season of the Witch, but audiences wanted more Myers, and that’s what they got, and that’s where things got bad. Going from continuing the family affair, adding a supernatural cult, bringing back Laurie Strode as it ignored the cult storyline, to remaking them with Rob Zombie, Halloween has come a long way to get back to this point.

That’s why many were surprised and curious to see what horror production banner Blumhouse would do with the property, especially since Jason Blum was able to get John Carpenter back to the franchise. The biggest question mark was who they got to direct, David Gordon Green, and co-write, Danny McBride. However, their idea was said to be okayed by the man himself, Mr. John Carpenter. This new Halloween is a sequel to Carpenter’s first movie, and will ignore everything after it. So, is the wait worth it? Or is Halloween an over-hyped sequel?

Forty years after the events of Halloween, Laurie Strode (Jamie Lee Curtis) has waited for the day that Michael Myers aka The Shape (played by original actor Nick Castle and James Jude Courtney) would escape custody after being caught for the murder of her friends on Halloween night. The movie starts off with podcasters Aaron (Jefferson Hall) and Dana (Rhian Rees) visiting Michael the day before he’s to be transferred to serve the rest of this time. From there they visit Laurie, who has become a recluse, who lives in the middle of nowhere, and has modified her house for a potential attack.

It’s there that we learn what Laurie has been doing since that fateful night. We learn that she’s been married twice, and had her daughter, Karen (Judy Greer) taken from her at the age of twelve. The two have an estranged relationship, but it’s Laurie’s granddaughter, Allyson (newcomer Andi Matichak), who tries to keep some kind of relationship with her. However, almost everyone sees her as a basket case, and no one wants to hear about Michael Myers anymore. Unfortunately for them, Michael Myers does escape, and comes back to Haddonfield to continue his murderous ways.

I have a very special place in my heart for John Carpenter’s Halloween, mainly because it was the first horror movie I ever watched. Not only that, I still to this day, get chills when I hear that iconic theme music. So needless to say, I was looking forward to this and seeing what McBride and Gordon Green would bring to the table that made Carpenter come back after all these years. Turns out, it was still a family affair after all.

Halloween does a great job establishing the relationship of this broken family. Jamie Lee Curtis does a hell of a job playing Laurie again. Gone is the woman who was a victim and dragging herself away from her attacker. In her place is a strong and ready survivor who prayed everyday that Michael would break out so she could kill him. That doesn’t mean that she’s cold and heartless, no, we see the effects that night had on her, and how her actions affected the relationships around her. The relationship between her and Greer’s Karen doesn’t have too much screen time, but it has enough to make its point, and make you care for them by the time the third act rolls around. Then there’s Matichak’s Allyson, who I wished had a little more do to. Sure her character is almost a mirror image of Laurie from the first movie, but for the most part, she acts as the middle-woman between her mother and grandmother.

The rest of the supporting cast is hit-and-miss. Toby Huss plays Allyson’s father Ray, who comes off as the awkwardly funny day/comic relief, which is welcomed especially considering the rest of the movie is pretty heavy. Rees and Hall as the podcasters serve their roles well, but don’t really standout too much. Virginia Gardner, Dylan Arnold and Drew Scheid play friends of Allyson, but the only one that really stands out to me is Gardner’s Vicky, who ends up babysitting Jibrail Nantambu’s Julian in one of the better comic relief scenes in the movie.

We have the always reliable Will Patton playing Officer Hawkins, whose character was apparently there when they took Michael Myers to prison after the events of the first movie. Unfortunately, the movie doesn’t really do too much with that, and even when it does it feels like an afterthought or is too rushed. Finally, we have James Jude Courtney playing The Shape/Michael Myers – Castle only plays Michael in one scene – and he does a tremendous job. This Michael is everything that John Carpenter wanted him to be, pure evil. Michael Myers shows no remorse in this movie, and some of the kills some might find borderline over-the-top, but for you gore fans, there is a plenty for you to like.

Now, not everything is good. The one real misstep in the movie is an out of nowhere twist that really makes no damn sense. In a way, it meant to get Michael where he’s suppose to be to confront Laurie, but it happens so out of the blue and with no real build-up that it slows the movie down and takes you out of everything that happened. There also the subplot, or lack thereof, of Allyson and her boyfriend played by Dylan Arnold, that again, feels like it happens only to get her alone and run for the third act. Speaking of the confrontation – this isn’t a bad part of the movie – it is a long, tension-filled sequence that is brutal and well worth the wait.

All in all, Halloween is a worthwhile sequel, and the first proper sequel – besides Halloween II – to John Carpenter’s classic horror film. Jamie Lee Curtis returning as Laurie Strode is both powerful and vulnerable, The Shape/Michael Myers is scary again and the score in the film, done by Carpenter, his son and Daniel A. Davies is amazing and totally fits into this new movie. Of course, the movie will be probably divide some fans, but for me, I really enjoyed what they did and I can’t wait to see what they do after this.  Also, for those worried about McBride’s humor being too much for the movie, don’t worry, it’s not all entirely there.

Halloween

4 out of 5