‘Avengers: Endgame’ Spoiler Review/Thoughts

Directors: Anthony and Joe Russo

Writers: Christopher Markus and Stephen McFeely

Cast: Everybody…I’m not writing them all out.

Synopsis: After the devastating events of Avengers: Infinity War, the universe is in ruins. With the help of remaining allies, the Avengers assemble once more in order to undo Thanos’ actions and restore order to the universe.

*Reviewer Note: This post WILL HAVE SPOILERS. It won’t be a full-blown review, but will have review elements. This is more of a free-flown thought post about everything. If it feels disjointed, I’m sorry.*

 

11 years and twenty-two movies has all led to this. Marvel and the Russo brothers have impressively weaved everything together for their endgame. From the moment we saw Samuel L. Jackson’s Nick Fury coming out of the shadows to tell Robert Downey Jr.’s Tony Stark that he’s now part of a bigger world, fans have been eager to see where all this was going to lead. Whether you were a comic book fan or not, Marvel and everyone involved behind-the-scenes made sure to make you, and keep you, invested in these characters, and make you care for these characters from beginning to end. In this case, keep you and make you invested in their final journey – well, at least for a few of them.

Avengers: Endgame will probably surprise some people. Because despite being a “comic book movie,” the first act of the movie – after the first ten minutes – is more of a drama, and one that focus of loss. We’re not use to seeing heroes lose, and even if they do, their turnaround happens later on. Instead, Antony and Joe Russo have the characters dealing with their losses and trying to on, but as Chris Evan’s Steve Rogers says, “most people move, but we don’t.” It’s not just a line, we see it on Scarlett Johansson’s Natasha as she’s trying to make sure the world doesn’t go completely lawless, and looks like she’s become a Nick Fury-esque leader, but the weight of it has gotten to her, especially when she hears about Jeremy Renner’s Clint has been doing since “The Snap” (I know it’s called something else, but we’re calling it The Snap).

Speaking of Clint, the movie opens with him dealing with The Snap all by himself, and it  almost makes sense why he would go down the road he’s chosen – for the comic book fans, they never all him Ronin. Then he has to deal with losing Natasha to get the Soul Stone – which I’ll get to in a little bit. Clint takes the punches and keeps going, and while it’s easy to hate or rag on the character, Clint is a valuable member of The Avengers, and it’s shown here as he’s basically the test dummy for going into the Quantum Realm, and getting the new Gauntlet into the playing field at the end.

Others who have great drama moments is Paul Rudd’s Scott Lang, who escapes the Quantum Realm when the machine – I forgot the name – is turned on (by the rat?) and he comes out in a post-Snap world. He walks the streets of San Francisco seeing the aftermath and the slow realization of what happened, and the horror of seeing him searching for his daughter Cassie’s name, only to see his own name. Plus, yes, the reunion of him and Cassie is, probably, the first tear-jearking scene of the movie – for me.

Then there’s Chris Hemsworth’s Thor, oh I’m sorry, I mean FAT Thor. The effects of losing everything, and thinking it was his fault, because he didn’t aim for the head, is played throughout the film and it makes sense. Everything Thor has been through in the franchise has lead to him being one of the strongest Avengers, even if it’s said for laughs half the time, so having him be that close to end all of it and failing all the same is going to take its toll. Although, playing what essentially is PTSD a little bit jokey is questionable, it make sense that Thor would be the way he is. That said, I also love this scenes with Rene Russo’s returning Frigga.

Finally, we have Tony and Steve. The two still have some heat at the beginning due to the events of Civil War, but when the chips are down they know they need each other. Tony, and Karen Gillan’s Nebula, being rescued from space by Brie Larson’s Captain Marvel was expected, but seeing Tony with muscle loss and calling out Steve at the beginning is hard to watch. We’ve seen Tony in situations that he can get out of or even manage to barely get out of, but seeing Tony like this – a broken man – is something we’ve never really seen before, and it’s so effective, which makes his arc by the end

As for Steve, his ending just makes sense. Steve going back to the past to return the Infinity Stones, and then staying there to become old with Haley Atwell’s Peggy Carter is the ending that almost every fan wanted. Steve was always a man out of time, and the constant reminders of Peggy throughout the whole Captain America series, and here in Endgame it made sense he would stay and live his life with the love of his life. It also puts Chris Evans out of his contract, and a fitting end at that.

Now, let’s get to some of the grips. Because despite what some non-comic book fans think, we fans can be critical of the movies – well some of us. One of the main things everyone was talking about was the length of the movie. In many ways, it didn’t matter in the end because the movie doesn’t really feel long at all. The pacing, for the most part, is great. Endgame does slow down a bit when it comes to small scenes like when Thanos finds out about Nebula, and some of the double Nebula and Gamora scenes kind of slow things down, but other than, the pacing is fine.

Arguably, you can say Endgame returns to Marvel’s villain “problem.” Josh Brolin’s Thanos screen time is reduced tremendously from Infinity War, resulting in him not even appearing until about halfway, maybe even little more than halfway, through the movie. Granted, Infinity War was really a Thanos story, and Endgame was more about our heroes dealing with he’s done and trying to reverse it with their “Time Heist” it still would have been nice to get a little more Thanos – even if it was the past Thanos.

Now, let’s talk about fan service. Some will probably see Avengers: Endgame as huge fan service, and you know what, in some regard, yes Avengers: Endgame has a lot of fan service. But, the way I see the fan service in the film is that it’s done right. It’s not too heavy handed, which is saying something since the final battle scene is basically the most comic booky thing you can ever see or imagine a comic book movie doing. That said, the final battle scene is everything these movies have been building up to if you really think about it, so I can’t really blame the movie or call it real fan service if this was the direction they were going to go with.

Yes, the final battle scene, even leading up to it, had moments fans have been waiting for. Captain America lifting Mjolnir and using it, every major hero you can think of showing up for the battle – even having all the women team up – and Captain America finally saying “Avengers Assemble.” That said, is that a bad thing? Does it take away from your enjoyment of the film? To go extreme, should it not have been in the movie at all? Sometimes fandoms can be a fickle thing.

Finally, the time travel. Look, time travel in movies is always a tricky thing, and once you start explaining it, someone else is going to come in and tell you how you’re wrong. Does the changes they made affect the timeline? Yeah, probably. Does it matter for your enjoyment of the future films? Probably not, unless they bring it up. It’s not really a pass we should give the film, but I think for this, I’m going to let it pass because “Back to the Future is bullshit.”

All in all, Avengers: Endgame was, to me, a perfect sendoff and end to a franchise that’s been going strong – with a few stumbles sure – for over eleven years and twenty-plus films. Character arcs were wrapped up, hints of future in the franchise and emotional moments all over the place.

Avengers: Endgame

4 out of 5

‘Ant-Man and the Wasp’ Review

Director: Peyton Reed

Writers: Chris McKenna, Erik Sommers, Andrew Barrer, Gabriel Ferrari and Paul Rudd

Cast: Paul Rudd, Evangeline Lilly, Michael Pena, Hannah John-Kamen, Walton Goggins, Randall Park, David Dastmalchian, Tip ‘T.I.’ Harris, Judy Greer, Bobby Cannavale, Abby Ryder Fortson, Laurence Fishburne, Michael Douglas and Michelle Pfeiffer

Synopsis: As Scott Lang balances being both a Super Hero and a father, Hope van Dyne and Dr. Hank Pym present an urgent new mission that finds the Ant-Man fighting alongside The Wasp to uncover secrets from their past.

 

*Reviewer Note: This will be a spoiler free review. There is also a mid-credit and post-credit scene.*

 

The twentieth movie in the Marvel Cinematic Universe, Ant-Man and the Wasp, is a nice change of pace from the shattering conclusion of Avengers: Infinity War. The sequel not only doesn’t take itself too seriously, it’s a low stakes movie that is a hell of a lot of fun.

The movie follows Scott Lang/Ant-Man (Paul Rudd), who has been on house arrest for two years after the events of Captain America: Civil War. He’s also been cut off by Hope van Dyne (Evangeline Lilly) and Hank Pym (Michael Douglas) after going off to fight without telling them. The daughter-father duo are also trying to find Hope’s mother Janet van Dyne (Michelle Pfeiffer) and bring her back from the Quantum Realm, which is realized more after an incident with Scott.

What follows is Hope and Hank getting Scott to help them get Janet out, but also dealing with the mysterious Ghost (Hannah John-Kamen), who tries to steal a vital piece of technology, and a black market businessman Sonny Burch (Walton Goggins) trying to profit off Pym’s technology.

Ant-Man and the Wasp is a bit all over the place. We have the main plot which is trying to rescue Janet from the Quantum Realm, which is connected to Ghost’s arc and Burch. We have Scott’s story of almost ending his house arrest, with pesky FBI agent Jimmy Woo (Randall Park), and trying to still prove he can be a good dad to his adorable daughter Cassie (Abby Ryder Fortson). Then you have random high jinks with some sight gags or Luis (Michael Pena) doing what made him so popular in the first movie.

Everyone is also on the top of their game here. Paul Rudd continues to bring his trademark charisma and excellent timing. Evangeline Lilly thankfully has a lot more to do here, and seeing her play The Wasp is a ton of fun to watch. Also, watching her and Michael Douglas’ Hank Pym trying to rescue Janet leads to one of the more emotional moments – there are quite a few – of the movie. Pena’s Luis is once again a scene-stealer, but he has some competition in Abby Ryder-Fortson’s Cassie.

We then have the new cast members starring with villain Sonny Burch, played by the always reliable Walton Goggins. The character could have easily been one-note, but Goggins just adds something to the character. Ghost played by Hannah John-Kamen does have a more rounded out story than you would think, and she’s played excellently by John-Kamen (who plays one of the leads in the SYFY channel show Killjoys, which I highly recommend). Randall Park has a small role as Agent Woo, but he plays it up with Rudd, and the two have great chemistry.

Finally, the two big additions to the MCU are Dr. Bill Foster, played by Laurence Fishburne, who hopefully we get to see more of, because he doesn’t get too much to do here, but it’s a nice addition for comic book fans. Then we have Michelle Pfeiffer has Janet Van Dyne aka the original Wasp, who sadly isn’t in the movie a lot, even though she plays an important part to the story. Regardless of that, her scenes are where most of the emotional core comes from, and the scenes she does have were great to watch.

All in all, Ant-Man and the Wasp is a hell of a lot of fun, and thoroughly enjoyable from beginning to end. It’s a more self-contained story, even though the events of Civil War are brought up, which helps the movie and the audience breathe a little bit. The action is beefed up, and cast is on top of their game. If you want to have a fun time at the theater, Ant-Man and the Wasp is your movie.

Ant-Man and the Wasp

4.5 out of 5

‘Captain America: Civil War’ Review

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Directors: Joe and Anthony Russo

Writers: Christopher Markus & Stephen McFeely

Cast: Chris Evans, Robert Downey Jr., Scarlett Johansson, Sebastian Stan, Anthony Mackie, Don Cheadle, Jeremy Renner, Chadwick Boseman, Paul Bettany, Elizabeth Olsen, Paul Rudd, Emily VanCamp, Tom Holland, Daniel Bruhl, Frank Grillo, Martin Freeman, Marisa Tomei, and William Hurt

Synopsis: Political interference in the Avengers’ activities causes a rift between former allies Captain America and Iron Man.

 

*Reviewer Note: This will be a spoiler free review.*

*Reviewer Note 2: I think it goes without saying, stay for the credits*

 

After all the buzz, hype, and anticipation, Captain America: Civil War is here! And boy was it worth the wait. The concept is, of course, taken from the popular storyline in the comics that inspires the events in the film, but not a direct adaptation considering Marvel doesn’t own the movie rights to all their characters, and it would be really, really busy. However, that doesn’t change how great Civil War is, and how it handles its busy lineup.

Captain America: Civil War now follows Steve Rogers/Captain America (Evans) with his New Avengers in Falcon (Mackie), Wanda Maximoff/Scarlet Witch (Olsen), and Natasha Romaonoff/Black Widow (Johansson) on a mission in Lagos as they hunt down Crossbones (Grillo) who’s trying to steal something. However, an accident happens that, to the world, is the final straw for The Avengers and causes the UN to create The Sokovia Accords. The Accords is a law that would make The Avengers essentially government agents who will go where they send them, and that’s it. No more Avengers going to a foreign land and acting as our saviors, if they sign, they will go where the UN sends them.

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This causes a rift between the team, more specifically, between leaders Captain America and Tony Stark/Iron Man (Downey Jr.). Stark believes the Avengers need to be put in check and the cost of innocent lives has become too high, while Cap thinks that the “safest hands are still our own,” and that the Avengers should be free to go where the danger is instead of others. The argument becomes more of an issue when a deadly attack happens and Bucky/Winter Soldier (Stan) looks to have done it. Cap, of course, jumps at the opportunity to protect his old friend and save him despite the circumstances and the Accords. With all that going on, a mysterious figure in Zemo (Bruhl) appears, and has his own plan in mind.

Despite the crowed feel and look to it, writers Christopher Markus and Stephen McFeely, and directors Joe and Anthony Russo really make Civil War work. Even with the inclusion of two new big characters in T’Challa/Black Panther (Boseman) and Peter Parker/Spider-Man (Holland), they give every character their moment to shine, without making it feel forced or unnecessary. That’s a pretty big achievement considering this isn’t really an Avengers movie, but a Captain America movie.

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“Hey everyone”

Not only that, but the concern that many people had when the movie was announced about the Avengers not really having a fight, but just a “disagreement” that would resolve itself by saying “sorry I hit you so hard, man,” is not really there. There are consequences for the actions these characters make and the dynamic has certainly changed among the team, and even the public, just like the events in The Winter Soldier did. Sure there is the quirky back-and-forth between Hawkeye (Renner) and Black Widow during the big brawl, but you kind of suspect that from these two, well, at least I could.

However, here is the big thing McFeely/Marcus and the Russo’s where able to do, that was extremely important for Civil War to work. They were able to make us – the audience – see both sides of the argument. You understand where Tony is coming from and why he decides to sign The Accords, and you can see why Steve doesn’t and chooses to fight them. There is no black and white, there is a lot, and I mean a lot, of grey. Nothing feels forced and everything has its place. Even if you’re Team Cap or Team Iron Man, you can feel yourself being persuaded to switch sides. Neither side is more right than the other, that’s why the film works on the drama and political side of things. It also helps that we’ve come to know the characters. After all these years, you kind of hate that everyone is fighting each other, but that same time, you may not be too surprised. Obviously, the first time we saw Avengers together, they fought each other.

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So when it comes to the cast, everyone is on their A-game. Robert Downey Jr.’s Tony Stark is still the same Tony, but he’s more matured and headstrong than we’ve ever seen him before. Evan’s truly is Captain America at this point, if there was ever any doubt, it is going to be squashed after watching this. Chadwick Boseman carries T’Challa/Black Panther which such ease, that you forget for a minute that this is the character’s debut. Daniel Bruhl’s Zemo is likely, and already, being called one of Marvel’s great villains in sometime, which is hard to argue. His reasoning isn’t revealed until the very end, but everything he does up until that point is very slow and when it’s revealed why he’s doing what he is doing, you find it a bit genius, and leads to one most impactful moments of Civil War.

Everyone else, like I said that’s their moments, but this is a Captain America movie, so they don’t completely steal the show. Unless you’re Spider-Man. Tom Holland, who has a descent amount – not too much – screen time is great. You get a good feel for what we’re going to expect in Spider-Man: Homecoming. We should save our judgment for what we think of Holland as the character until we actually watch Homecoming, but so far, I really like what we have so far.

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All right, so the big brawl that has been promoted in all the ads was pretty damn great. Matter of fact, all the action in the film is pretty top notch. Not only that, all the action sequences feel and are very personal. I won’t get into why, but watching the film you’ll know why. But the big brawl that happens at the airport is one of the best parts of the whole film, and one of the best action sequences in the Marvel Cinematic Universe. There are a lot of surprises in there as well, which I obviously won’t spoil here, but as a fan, I didn’t think they would go there. However, after the brawl, a lot of steam and momentum gets sucked out of the film, which to me, is the only real misstep of the film.

All in all, Captain America: Civil War is one of the best films that Marvel has done. It also shouldn’t have worked with all its moving parts, but what a tremendous job by everyone involved to make it work, to make it fun, and make it emotionally challenging to watch. There a only a couple of missteps, but overall, I would not hesitant a minute to put Captain America: Civil War on my top five best Marvel films of all time. Maybe, even the top five comic book movies of all time.

Missing Spider-Man of course

Missing Spider-Man of course

Captain America: Civil War

4.5 out of 5

‘Ant-Man’ Review

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Dir: Peyton Reed

Writer(s): Edgar Wright, Joe Cornish, Adam McKay, & Paul Rudd

Cast: Paul Rudd, Michael Douglas, Evangeline Lilly, Corey Stoll, Michael Pena, David Dastmalchian, T.I., Bobby Cannavale, Judy Greer, Abby Ryder Fortson, Hayley Atwell, and John Slattery

Synopsis: Armed with a super-suit with the astonishing ability to shrink in scale but increase in strength, con-man Scott Land must embrace his inner hero and help his mentor, Dr. Hank Pym, plan and pull off a heist that will save the world.

*Reviewer Note:  This will be a spoiler free review.*

*Reviewer Note 2: There are two post-credit scenes*

Marvel finally released Ant-Man. Yes, Marvel has been working on an Ant-Man film for years now. For those that don’t know, Ant-Man was one of the first films announced back at Comic Con during the very first Iron Man movie. Edgar Wright was attached and working on it for so long, and of course, the big thing was that Wright left due to creative reasons, which is why Peyton Reed came onboard. Thankfully – and rightfully – Marvel kept some of the story details from Wright and Joe Cornish’s script. So, does this long awaited movie work? Or do we feel the delay in the final product? Let’s shrink and see what’s inside.

Ant-Man starts off rather interestingly in that it starts off in the past with a young Hank Pym – played by Michael Douglas in the best looking “de-aging” effect I’ve ever seen – coming into the board of what was once S.H.I.E.L.D and says he’s leaving, for reasons that I won’t obviously get into because of spoilers. The movie then jumps ahead to the present to show Scott Lang (Rudd) getting out of prison after serving serious time after he hacked into his old job’s network to right a wrong. He reunites with his old cellmate Luis (Pena) and tells him about a job, but Scott doesn’t want to do it.

Scott wants to turn a new leaf and go clean so he can be a better father to his daughter, Cassie (the damn adorable Abby Ryder Fortson). It turns out to be harder when his ex-wife, played by Judy Greer, wants him to be a better person and her new husband (Cannavale) is a cop that doesn’t like Scott too much. Scott being an ex-con has a hard time finding a new job and turns to Luis, who says he has an “easy job” for Scott and their crew –Dave (T.I.) and Kurt (Dastmalchian)– little do they know, the easy job happens to be connected to Hank Pym.

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Meanwhile, Hank is dealing with his mentor Darren Cross (Stoll), who has taken over his company and is on the brink of breaking his tech to create the Yellowjacket suit. To make matters worse his estranged daughter Hope (Lilly) is by his side. Or at least it would seem that way. While Hope and Hank don’t get along, they know that if Darren succeeds in getting his suit working, it could cause total chaos. The two work together with Scott, although Hope at first doesn’t believe in him, to help Scott learn how to use the Ant-Man suit and stop Darren at all costs.

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I know that’s pretty vague and comic book fans will probably read over that and say why aren’t telling us everything. Here’s the thing. Ant-Man is a pretty much lesser known property. Yes, there are fans out there, but to the “mainstream” audiences Ant-Man is at the very bottom of list. One of the things that I liked about the movie is that is works a bit as an origin story, but also a passing of the torch story. In the comics, Hank Pym is the original Ant-Man and the mantle of the character has been passed on to others, with Scott Lang being one of them. Here, we see Scott Lang not only becoming the Ant-Man, but also go through a journey that takes him from low-level criminal to a man looking to do good by his daughter and become a hero. I guess you can also call Ant-Man a bit of a redemption story, although it more about Scott finding redemption in the eyes of his ex-wife – in terms that he can be a good father and has left the past behind him.

But it doesn’t start off that way. Ant-Man starts off and keeps the beats of a heist film. Hank and Hope want Scott to go in and “steal some shit.” You have the crew each with their own unique skill set and quirk. They lay out the plan and have to overcome an unexpected obstacle during the plan. More importantly, they all have their part to play and they look after each other. However, it’s not the perfect heist film, and some of the other aspects and themes overpower the heist film arch that you sometimes forget that is one the main points of the movie.

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However, if I was going to let you guys know what to expect from Ant-Man is, and you can probably tell from reading so far, is that this is different kind of Marvel movie. The movie is set within the Marvel Cinematic Universe – with an Avenger showing up in what is easily one of the best scenes in the movie – and makes a reference to the future of the MCU. But, director Peyton Reed, who deserves a hell of a lot of credit for pulling this off, does manage to make this movie a smaller (pun intended) movie. Yes, the action sequences are awesome – more on that in a moment – but the people of the movie are what stands out. The relationships they all have with each other matter and play a role in not just the movie, but with who they are and what they will become.

Now the action in the movie is pretty damn cool. The first time we see Scott use the suit is a pretty great wild ride. But it’s when Scott starts to learn how to use the suit and is able to communicate with the ants is when it becomes even better. There is one highlight for me when Scott is dodging bullets and it sounds like he’s in war zone. Honestly, anything with the ants was great. I almost don’t want to give anything away just so you can enjoy it yourself. But, I will say the heavily promoted Thomas the Train Engine sequence is fun to watch. It’s not just the action that great, it’s the humor. I didn’t think I would laugh as much as I did, but I did. The great thing is that Ant-Man isn’t cracking jokes every second, as one would assume since Peyton Reed is known as a comedy director. The humor comes naturally and doesn’t feel forced.

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However, Ant-Man wouldn’t work without its cast. Rudd is likeable and someone you can root for in the movie. Michael Douglas doesn’t phone it in but brings some levity to Hank Pym, a man that is dealt with a lot and finally has a chance of his own redemption. Evangeline Lilly’s Hope van Dyne is pretty feisty and her relationship with Douglas’ Hank is one of – if not –the emotional core of Ant-Man. The supporting cast of T.I., David Dastmalchian and Michael Pena was fantastic and Pena is easily the scene stealer of the movie. Seriously, Pena is a highly underrated actor and if people didn’t know about him before, they will now.

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As for Cory Stoll’s Darren Cross/Yellowjacket, Stoll does the best he can with what he has. It’s been said by many that with exception of Loki, Marvel’s movie villains don’t work or are lackluster. Personally, they are only half right. Marvel nailed it when they casted Tom Hiddleston as Loki. Stoll, however, isn’t a close second, but is pretty unnerving in his own way. There is one scene, early on, that shows you who Darren is and how far he is willing to go to get what he wants. His motivation and actions are somewhat clear, but Darren is more of threat and menacing before he puts on the Yellowjacket suit. Don’t get me wrong, if I saw someone in the Yellowjacket suit and using it, I’d run in the opposite direction as fast as I could. But by the end, Yellowjacket is just there for Ant-Man get fight.

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All in all, Ant-Man is a different kind of Marvel movie. Instead of the jam-packed action – there are some of those in here – we get a more grounded and human story with great relationships. Ant-Man won’t be for everybody, but it shouldn’t take away how great and different it is, especially after all the trouble it took to get it made.

Ant-Man

4.5 out of 5

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