‘Hotel Artemis’ Review

Director: Drew Pearce

Writer: Drew Pearce

Cast: Jodie Foster, Sterling K. Brown, Sofia Boutella, Dave Bautista, Charlie Day, Brian Tyree Henry, Jenny Slate, Zachary Quinto and Jeff Goldblum

Synopsis: Set in riot-turn, near-future Los Angeles, ‘Hotel Artemis’ follows the Nurse, who runs a secret, members-only emergency room for criminals.

 

*Reviewer Note: This will be a spoiler free review.*

 

Hotel Artemis, the directorial debut of Iron Man 3 co-writer Drew Pearce, has been on my radar since it was announced. Sure the movie drew comparisons to John Wick right off the bat, so the question was what was the movie going to do to stand out? Well, Hotel Artemis does do enough to make it stand on its own, but unlike its spiritual counterpart – for the lack of a better phrase – Hotel Artemis would rather build up the tension for a grand finale.

Set in Los Angeles in 2028, the city is rioting over the lack of water, but during all of that, two brothers (Sterling K. Brown and Brian Tyree Henry) pull off a bank heist that doesn’t go as planned. After Henry’s character gets injured, Brown’s character takes him to the Hotel Artemis, a secret, members-only emergency room for criminals to go to get patched up and lay low. There, they met The Nurse (Jodie Foster), who runs the establishment with her head of security, Everest (Dave Bautista). The Nurse gives everyone there nicknames according to their rooms; Brown gets Waikiki, while Henry gets Honolulu.

As Waikiki’s brother gets patched up, we meet other occupants of Hotel Artemis in a loud and foul-mouthed businessman Acapulco (Charlie Day), the French assassin Nice (Sofia Boutella), and a cop played by Jenny Slate. Things look to be going smoothly until The Wolf King (Jeff Goldblum) enters the picture, and things go to hell pretty fast from there.

While the trailers and TV spots focus on the action in Hotel Artemis, you’ll be surprised – maybe disappointed if you were absolutely looking for that – that Pearce shows a lot of restraint and keeps the action to a minimal until the very end. What Pearce does instead is build up these characters and world before unleashing the action scenes, which is actually kind of refreshing.

Also, the fact that Pearce was able to get a cast like this on his first feature is quite the coup. Everyone nails their roles to a tee. Jodie Foster, despite being behind-the-camera for years now, reminds us why she was such a great actress. The Nurse is the most fleshed out character out of everyone, reaching every emotion available, and while he’s not as colorful as other characters like Day’s Acapulco, her character doesn’t lend to that anyway.

Sterling K. Brown’s Waikiki is a man with a plan for everything, and more level-head than anyone involved including his mess-up for a brother. Sofia Boutella’s Nice is arguably the most dangerous of them all, and has a history with Waikiki that sadly doesn’t play out the way Pearce probably intended it when he wrote the script. Dave Bautista’s Everest is what you’d expect from a Dave Bautista role by now, and that’s okay in my book. Charlie Day looks to be having some fun with his role, but it doesn’t quite click for me. Finally, Jeff Goldblum’s The Wolf King, the man that runs L.A., is really nothing more, sadly, than a glorified cameo. And while his short time on screen is great, it does lead to some important events for the rest of the movie.

Another thing that sets Hotel Artemis apart from other similar movies – yes it does have some sequel bait/world building – is the impressive production design by Ramsey Avery. We are told by The Nurse, that she has worked for the Artemis for twenty-two years. The halls and rooms look old, but some way they look like a room you’d find in nice hotel. Combine that with the cinematography by Chung-hoon Chung, who did It, and you got yourself a great looking movie.

All in all, Hotel Artemis is a solid action thriller that’s worth your time. What Drew Pearce was able to do with his familiar concept, and what he was able to get from his impressive cast for his first feature is impressive. Despite promotion making you think the movie is a shoot ‘em up action thriller, Hotel Artemis takes you down another road that is actually worth it. With a slow build for a big finale, great character development and fleshed out characters, and great production design and cinematography, Hotel Artemis is something to check it out, and something I wouldn’t mind seeing a sequel to.

Hotel Artemis

3.5 out of 5

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‘Solo: A Star Wars Story’ Review

Director: Ron Howard

Writers: Lawrence Kasdan and Jonathan Kasdan

Cast: Alden Ehrenreich, Joonas Suotamo, Woody Harrelson, Emilia Clarke, Donald Glover, Phoebe Waller-Bridge, Thandie Newton and Paul Bettany

Synopsis: During an adventure into a dark criminal underworld, Han Solo meets his future copilot Chewbacca and encounters Lando Calrissian years before joining the Rebellion.

 

*Reviewer Note: This will be a spoiler free review.*

 

Solo: A Star Wars Story has had a troubled production to say the least. Phil Lord and Chris Miller, the duo behind the Jump Street movies and The LEGO Movie, were set to direct the movie and were almost finished with three weeks left. However, constant clashes with Lucasfilm head Kathleen Kennedy and writer Lawrence Kasdan throughout production finally hit a tipping point and they were fired, and replaced with Ron Howard. Then more reports came out, but I’ll let you search those on your own.

All that being said, the main question everyone had – after, Do we really need a Han Solo origin movie? – is whether or not Solo was going to be any good? Well, that all depends on whether or not you want to have some fun with the movie.

Solo opens on the planet Corellia, where we see Han (Alden Ehrenreich) getting into some trouble as he and Qi’ra (Emilia Clarke) try to get of the planet. Of course, they get separated, and Han swears to make it back, rescue her and live their lives far, far away. Cut years later, we see Han teaming up with a crew led by Tobias Beckett (Woody Harrelson) to steal some a valuable mineral for a criminal boss named Dryden Vos (Paul Bettany). The job eventually has them cross paths with Chewbacca (Joonas Suotamo), the charming and suave Lando Calrissian (Donald Glover) with his droid L3-37 (Phoebe Waller-Bridge), and a rival gang.

I have mixed feelings about Solo, I did not, not like it, but I also didn’t fully like it either. Against all odds, Solo is entertaining once you get pass the slow first act where it finally gets going and the action is picked up. Of course, it’s a prequel, so the sense of danger needs to be put on the backburner for the most part, like every other prequel out there, but at least the Kasdans tried to do some things to keep you on your feet.

When you look at it though, the movie rests on the shoulders of Alden Ehrenreich as young Han Solo, and surprisingly, he does a pretty decent job. Ehrenreich is relativity new to Hollywood as he broke onto the scene with now forgotten Beautiful Creatures, and had small roles in Stoker, Blue Jasmine and finally the Coen Brothers film Hail, Caesar! which won him the role here. I really have nothing bad to say about his performance, Ehrenreich has the charm and the devil-may-care attitude you would expect from Han Solo.

Then there’s the much anticipated portray of young Lando Calrissian by Donald Glover, and yes, he’s great as Lando. Glover, to no surprise, brings a cool and confident attitude to Lando, and the clash of styles between Lando and Han is great to watch. Although, if you pay attention enough, it does at times sound like Glover is trying his best Bill Dee Williams impression. The other highlight of the cast is that of Phoebe Waller-Bridge’s droid, L3-37. Droids always play a part in the Star Wars franchise, and most of the time it’s for comedy or a helping the main characters in a time of crisis. L3-37 definitely fits the bill here, but there’s something else with her character here, that I’m interested in seeing how people react to it.

The rest of the cast doesn’t leave too much of an impression sadly. Woody Harrelson’s Beckett is simply a man at the end of run as a criminal looking for that last big job. Paul Bettany’s Dryden is a lackluster villain, who is said to be vicious and deadly, and while one scene proves that and Bettany does his best with what he’s given, Dryden is rather forgettable in the pantheon of Star Wars villains.

Then there’s Emilia Clarke’s Qi’ra, who for me, is an oddity. The relationship between her and Han is believable enough for the movie, but there’s more to her character that we find out near the end of the movie that kind of comes out of nowhere. Obviously, this is a spoiler-free review, but where they leave her character along with Han is both curious, and for me, a bit frustrating.

Speaking of frustrating, as much as I was surprised by the movie’s entertainment value, Solo: A Star Wars Story is a tad frustrating when it comes other things it brings to the table. Again, removing the “is this movie really necessary?” from the table, Solo brings things we’ve heard about to the big screen, like the card game between Han and Lando, but for me the famous Kessel Run leaves a lot, and for me I mean a lot, to be desired. Moreover, the movie leaves some things too open for sequels for my liking, and yeah I know, sequels were bound to happen because it’s Star Wars, but I just couldn’t get behind it. Especially with that cameo that came out of nowhere.

All in all, Solo: A Star Wars Story is an entertaining movie once it really gets going. If you had any problems with The Last Jedi, you shouldn’t for Solo. Is a perfect or great movie? Not really. Will you be happy with the final outcome? Probably.

Solo: A Star Wars Story

3.5 out of 5

August Movie Releases

Can you believe it’s already August? Seriously, where has the all the time gone geez. Anyway, August is filled some films that could have potential. It’s also the last month of the Summer Movie Season, also known to some as studios’ “dump month.”  Let’s hope that it is not the true case.

 

4th

Expansion Release: An Inconvenient Sequel: Truth to Power

 

Limited Release: Wind River

Taylor Sheridan (Sicario, Hell or High Water) writes and makes his directorial debut here which follows an FBI agent (Elizabeth Olsen) teaming with a town’s veteran game tracker (Jeremy Renner) to investigate a murder that occurred on a Native American reservation. The film looks pretty great to be honest and seeing Sheridan make his directorial debut with great leads is going to – hoping – be great to watch. The film also stars Jon Bernthal, Gil Birmingham, Martin Sensmeier and Julia Jones.

 

Kidnap (Thriller – Aviron Pictures, Well Go USA Entertainment, Di Bonaventura Pictures, Gold Star Films)

A mother, played by Halle Berry, stops at nothing to recover her kidnapped son. This was supposed to come out last year, but got shelved after Relativity Media and got picked up some by another studio. It also doesn’t help that the movie doesn’t look all that great, but you never know. The film stars Sage Correa, Dana Gourrier, Christopher Berry and Lew Temple.

 

Detroit (Drama Thriller – Annapurna Pictures, MGM, First Light Production, Page 1)

Amidst the chaos of the Detroit Rebellion, with the city under curfew and as the Michigan National Guard patrolled the streets, three young African American men were murdered at the Algiers Motel. The film is directed by Kathryn Bigelow and written by Mark Boal, the duo already have The Hurt Locker and Zero Dark Thirty under their belts and are now tackling this story set against the backdrop of the famous Detroit Riots. It looks absolutely great and has a great cast lead by John Boyega. Detroit also stars Will Poulter, Jacob Latimore, Jason Mitchell, Kaitlyn Dever, Jack Reynor, Algee Smith, Ben O’Toole, John Krasinski and Anthony Mackie.

 

The Dark Tower (Sci-Fi Fantasy – Sony Pictures/Media Rights Capital/Imagine Entertainment)

Based on the Stephen King stories, The Dark Tower follows Gunslinger Roland Deschain (Idris Elba), who roams an Old West-like landscape in search of the Dark Tower, in hopes that reaching it will preserve his dying world. This puts him at odds with The Man in Black (Matthew McConaughey. This movie has been in the works for so long, I’m happy to finally see this get made, and more importantly it doesn’t look that bad. The Dark Tower also stars Tom Taylor, Abbey Lee, Katheryn Winnick, Jackie Earle Haley, Fran Kranz and Dennis Haysbert.

 

11th

Limited Release: The Only Living Boy in New York 

Directed by Marc Webb, adrift in New York City, a recent college graduate’s life is upended by his father’s mistress. The film stars Callum Turner, Kiersey Clemons, Kate Beckinsale, Jeff Bridges, and Pierce Brosnan.

 

Limited Release: Ingrid Goes West

Ingrid (Aubrey Plaza) is an unhinged social media stalker who takes a liking to Taylor Sloane (Elizaebth Olsen), a life influencer, who looks to live the perfect life. Ingrid moves to L.A to try and become friends with Taylor, but eventually – like always – takes things too far. The film also stars O’Shea Jackson Jr., Wyatt Russell and Pom Klementieff.

 

Limited Release: Good Time

A bank robber (Robert Pattinson) finds himself unable to evade those who are looking for him. The film is by A24, who has been on a tear lately, and sees Pattinson’s character also trying to save his brother from being kept in prison. The film also stars Ben Safdie, Barkhad Abdi, and Jennifer Jason Leigh.

 

The Nut Job 2: Nutty by Nature (Animation – Open Road Films, ToonBox Entertainment, Shanghai Hoongman, Gulfstream Pictures)

Following the events of the first film, Surly and his friends must stop Oakton City’s mayor from destroying their home to make way for a dysfunctional amusement park. The voice cast includes Will Arnett, Katherine Heigl, Maya Rudolph, Jackie Chan, Isabela Moner, Peter Stormare, Bobby Cannavale, Gabriel Iglesias, Jeff Dunham and Bobby Moynihan.

 

The Glass Castle (Drama – Lionsgate, Netter Productions)

Based on the memoir by Jeannette Walls, the film follows a young girl who comes of age in a dysfunctional family of nonconformist nomads with a mother who’s an eccentric artist and an alcoholic father who would stir the children’s imagination with hope as a distraction to their poverty. The film has a great cast of Brie Larson, Naomi Watts, Sarah Snook, Max Greenfield and Woody Harrelson.

 

Annabelle: Creation (Horror – New Line Cinema, Atomic Monster)

Several years after the tragic death of their little girl, a dollmaker and his wife welcome a nun and several girls from a shuttered orphanage into their home, soon becoming the target of the dollmaker’s possessed creation, Annabelle. Directed by David F. Sandberg, who did the impressive Light’s Out, the film is a prequel to the first Annabelle, which of course itself a prequel/spinoff of The Conjuring. The film stars Miranda Otto, Stephanie Sigman, Anthony LaPaglia, Lulu Wilson, Adam Bartley, Alicia Vela-Bailey, Philippa Coulthard, Javier Botet, and Mark Bramhall. I was lucky enough to see an advanced screening late last month, and I really liked it. The film just never lets you go. I highly recommend.

 

18th

The Hitman’s Bodyguard (Action Comedy – Lionsgate/Nu Image / Millennium Films/Skydance Productions/Campbell Grobman Films)

The world’s top bodyguard (Ryan Reynolds) gets a new client, a hit man (Samuel L. Jackson) who must testify at the International Court of Justice. They must put their differences aside and work together to make it to the trial on time. I like to call this the quintessential Samuel L. Jackson movie given the red-band trailers have Jackson yelling “mother fucker” for most of it. The film also stars Salma Hayek, Elodie Yung, Joaquim de Almeida, and Gary Oldman.

 

Logan Lucky (Comedy – Bleecker Street Media, Fingerprint Releasing, Trans-Radial Pictures, Free Association)

Two brothers (Adam Driver and Channing Tatum) attempt to pull off a heist during a NASCAR race in North Carolina. Steven Soderbergh returns to the big screen after his semi-retirement with this great looking comedy heist film including to wacky characters like Daniel Craig’s Joe Bang and a one armed Adam Driver. The film also stars Katherine Waterston, Riley Keough, Sebastian Stan, Katie Holmes, Jack Quaid, Seth MacFarlane and Hilary Swank

 

25th

Tulip Fever (Romance Drama – The Weinstein Company, Worldview Entertainment, Ruby Films)

Based on Deborah Moggach’s novel, an artist falls for a young married woman while he’s commissioned to paint her portrait during the Tulip mania of 17th century Amsterdam. The film has been moved around so many times now, let’s hope it finally sticks. The film also has a nice cast of Alicia Vikander, Cara Delevingne, Holliday Grainger, Dane DeHaan, Christoph Waltz, Zach Galifianakis, Kevin McKidd, Jack O’Connell, Tom Hollander, David Harewood, and Judi Dench.

 

Crown Heights (Drama – Amazon Studios, Black Maple Films, Washington Square Films, Iam21 Entertainment)

When Colin Warner (Lakeith Stanfield) is wrongfully convicted of murder, his best friend Carl King (Nnamdi Asomugha) devotes his life to proving Colin’s innocence. The film also stars Bill Camp and Nestor Carbonell.

 

All Saints (Drama – Columbia Pictures, Affirm Films)

Based on the true story of a salesman-turned-pastor Michael Spurlock (John Corbett), the tiny church he was ordered to shut down, and a group of refugees from Southeast Asia. Together, they risked everything to plant seeds for a future that might just save them all.

 

Birth of the Dragon (Action – WWE Studios, BH Tilt, Groundswell Productions)

Set against the backdrop of 1960s San Francisco, the film is a modern take on the classic movies that Bruce Lee was known for. It takes its inspiration from the epic and still controversial showdown between and up-and-coming Bruce Lee (Philip Ng) and kung fu master Wong Jack Man (Yu Xia) – a battle that gave birth to a legend.

 

Leap! (Animation – The Weinstein Company, Quad Productions, Caramel Film, Main Journey)

Originally a French film, an orphan girl (voiced by Elle Fanning) dreams of becoming a ballerina and flees her rural Brittany for Paris, where she passes for someone else and accedes to the position of pupil at the Grand Opera House. It looks like foreign animated films with an American voice cast is starting to become a trend, but for me, Leap! doesn’t look all that great. The dubbed voice cast also includes Dane DeHaan, Maddie Ziegler and Carly Rae Jepsen.

 

So, what are you looking forward to?

July Movie Releases

Hello!

It’s July everybody! The Summer Movie Season is almost over, but it’s not going down without a fight. July has some great movies coming out, especially some anticipated movies for some. So let’s get to it.

 

7th

Limited Release: A Ghost Story (Drama – A24)

Directed by David Lowery (Ain’t Them Bodies Saints and Pete’s Dragon), in this singular exploration of legacy, love, loss and the enormity of existence, a recently deceased, white-sheeted ghost returns to his suburban home to try to reconnect with his bereft wife. The film stars Casey Affleck and Rooney Mara.

 

Spider-Man: Homecoming (Action Adventure – Sony Pictures/Marvel Studios/Columbia Pictures/Pascal Pictures)

Peter Parker/Spider-Man (Tom Holland) begins to navigate his newfound identity as the web-slinging superhero. Of course, this marks the first Spider-Man film were our favorite web-slinger is now part of the Marvel Cinematic Universe. The film also stars Robert Downey Jr., Marisa Tomei, Zendaya, Michael Keaton, Jon Favreau, Tony Revolori, Michael Chernus, Bokeem Woodbine, Logan Marshall-Green, Angourie Rice, and Donald Glover.

 

14th

Limited Release: Lady Macbeth

Based on the novel by Nikolai Leskov titled “Lady Macbeth of the Mtsensk,” a 19th century young bride is sold into marriage to a middle-aged man.

 

Wish Upon (Horror – Broad Green Pictures, Busted Shark Productions)

A teenage girl (Joey King) discovers a box that carries magic powers and a deadly price for using them. The film looks pretty creepy, but I don’t know if I’m completely sold on it yet. The film also stars Ki Hong Lee, Sherilyn Fenn, Elisabeth Rohm, and Ryan Phillippe.

 

War for the Planet of the Apes (Action Drama – 20th Century Fox/Chernin Entertainment)

Caesar (Andy Serkis) and the remaining apes are left to deal with humanities latest attack from a dangerous and determined leader known as The Colonel (Woody Harrelson). The film look fantastic, and this being the third chapter it looks like it could be the best one yet. War for the Planet of the Apes also stars Judy Greer, Steve Zahn, Amiah Miller, Terry Notary and Karin Konoval.

 

21st

Girls Trip (Comedy – Universal Pictures/Will Packer Productions)

When four lifelong friends travel to New Orleans for the annul Essence Festival, sisterhoods are rekindled, wild sides are rediscovered, and there’s enough dancing, drinking, brawling, and romancing to make the Big Easy blush. The film stars Regina Hall, Jada Pinkett Smith, Tiffany Haddish, Deborah Ayorinde, Larenz Tate Kate Walsh and Queen Latifah.

 

Valerian and the City of a Thousand Planets (Sci-Fi Action Adventure – EuropaCorp/Fundamental Films/Gulf Films)

Based on the French comic by Pierre Christin and directed by Luc Besson, time-traveling agent Valerian (Dane DeHaan) is sent to investigate a galactic empire, along with his partner Laureline (Cara Delevingne). The film also stars Ethan Hawke, Rihanna, Sam Spruell, Rutger Hauer, Clive Owen and the voice of John Goodman.

 

Dunkirk (Action Drama – Warner Bros./RatPac-Dune Entertainment/Syncopy)

Directed and written by Christopher Nolan, Allied soldiers from Belgium, Britain, Canada and France are surrounded by the German army and evacuated during a fierce battle in World War II. I got to see the special preview during the IMAX screening of Rogue One, and I seriously took a deep breath afterwards because it was that intense. So if the film is anything like that, I think we’re in for a great ride. Dunkirk stars Tom Hardy, Cillian Murphy, Mark Rylance, James D’Arcy, Aneurin Barnard, Jack Lowden, Harry Styles and Kenneth Branagh.

 

28th

Limited Release: An Inconvenient Sequel: Truth to Power (Documentary – Paramount Pictures, Participant Media, Actual Films)

A decade after An Inconvenient Truth brought climate change into the heart of popular culture comes the follow-up that shows just how close we are to a real energy revolution.

 

The Emoji Movie (Animation – Sony Pictures Animation, Columbia Pictures)

It’s hard to think that an Emoji movie will have a real plot, but it does. Gene (T.J. Miller), a muli-expressional emoji, sets out on a journey to become a normal emoji. The voice cast includes James Corden, Ilana Glazer, Steven Wright and Patrick Stewart.

 

Atomic Blonde (Thriller – Focus Features, 87Eleven, Sierra/Affinity, Closed on Mondays Entertainment, Denver and Delilah Productions)

Based on the graphic novel by Antony Johnston, an undercover MI6 agent (Charlize Theron) is sent to Berlin during the Cold War to investigate the murder of a fellow agent and recover a missing list of double agents. The film also stars Sofia Boutella, James McAvoy, John Goodman, Eddie Marsan, James Faulkner and Toby Jones.

 

What are you looking forward to?

Spoiler Review Preview for The Movie Pit Podcast

The Movie Pit Podcast Spoiler Reviews is a new feature to The Movie Pit Podcast umbrella, where I – and eventually others (hopefully) – will do SPOILER-filled reviews to some of the bigger films that have been released. I’ve already done spoiler-filled reviews for Snatched, King Arthur: Legend of the Sword, Captain Underpants: The First Epic Movie, Wonder Woman, It Comes At Night and The Mummy. While I won’t be reviewing every film I see, I will do a good chunk of them – again, hopefully. So here I’ll be giving you a brief preview of what I’ll be reviewing and give a little bit of my hopes for the films.

I do want to mention that limited release films, aka indie films, are not included on the list due to, well, their limited release schedule. However, I will review some of the indie/limited released movies I do watch.

Finally, you can see the list only runs until the end of August. I’ll do another list for the rest of the year when we get to that point. Of course, this won’t affect the written non-spoiler reviews, as they will come out as well.

 

The Rest of June

Confirmed Reviews:

Transformers: The Last Knight

To be honest, I’m not looking forward toward The Last Knight. At this point, I couldn’t care less about Transformers anymore. This is a shame, because these movies should have been good, but instead they have transformed (no pun intended) into utter nonsense that I can’t bare with anymore. To be honest, the only reason I continue to torture myself with these movies is because I feel like I have to, and because my sister still loves these movies and drags us out to watch them. Finally, let’s face it, I started a podcast reviewing big films – I’ll torture myself for you guys.

 

Baby Driver

I love Edgar Wright. Everything he’s done I’ve either liked or loved, and Baby Driver looks like a different beast although, with Wright’s signature touch. It also has an incredible cast, looks damn good, and has been getting nothing but awesome reviews from fans – and celebrities – lucky enough to watch it already.

 

Potential Reviews

Despicable Me 3

The House

 

 

July

Confirmed Reviews

Spider-Man: Homecoming

Let’s face it, this was always going to get reviewed. Spider-Man became an instant with his short appearance in Captain America: Civil War, but now we get to see him in his own film and stretch his legs out a bit more with the character. I like Tom Holland, so far, as Peter Parker/Spider-Man, and the fact that we get to see Michael Keaton play the villain – Vulture – is pretty damn awesome and worth the price of the ticket alone.

 

War for the Planets of the Apes

I’ve really enjoyed the two rebooted Planet of the Apes’ films. I think what Andy Serkis has done with Caesar is nothing short of incredible and I can’t wait to see what the potential last chapter of his story has in store for us.

 

Dunkirk

Christopher Nolan is back with this war drama that jumped to my must-watch list when I saw five minutes of the film in front of the IMAX screening of Rogue One. Everything about this movie, based on a real event, looks tension-filled, dramatic and an all around great film. You really can’t go wrong with Nolan.

 

Atomic Blonde

I was already looking forward toward Atomic Blonde when the cast came together. However, what sold me on the film was that first trailer that showed Charlize Theron kicking everyone’s ass John Wick style – the film is directed by one of the John Wick directors David Leitch. Oh, were you expecting me to write more? Well, I won’t, because that’s it. I want to see Theron kick people’s asses John Wick style.

 

Potential Reviews

Wish Upon

Valerian and the City of a Thousand Planets

 

 

August

Confirmed Reviews

The Dark Tower

This has been a project I’ve always read about on the movie news cycle since I started keeping up with the movies news (circa 2005). So finally seeing it become a real thing is great, and with a great lead in Idris Elba and Matthew McConaughey playing the villain, The Man in Black, I can’t wait to finally see The Dark Tower on the big screen.

 

Detroit

Kathryn Bigelow returns to the big screen and is tackling the notorious Detroit Riots. Although the film itself won’t be about the actual riots, it does set interconnected stories during those dangerous days.

 

Annabelle: Creation

While Annabelle lacked a certain punch, the sequel – which is a prequel – looks like it will make up for that. The film will see the titled creation of the Annabelle doll as it begins to terrorize a family and children from an orphanage. Oh, and the trailer is scary as shit.

 

The Hitman’s Bodyguard

The quintessential Samuel L. Jackson movie where it seems like he’ll be saying “mother fucker” every two seconds, this looks pretty damn hilarious. And you can’t go wrong with Jackson and Ryan Reynolds together.

 

Logan Lucky

Steven Soderbergh returns to the big screen with this pretty funny looking heist film. I’m sure seeing Daniel Craig play this goofball will be worth the price of admission alone.

 

Potential Reviews

The Glass Castle

Kidnap

 

So what are you looking forward toward the most this month?

‘Rough Night’ Review

Director: Lucia Aniello

Writers: Lucia Aniello and Paul W. Downs

Cast: Scarlett Johansson, Jillian Bell, Zoe Kravitz, Ilana Glazer, Kate McKinnon, Paul W. Downs, Ryan Cooper, Colton Haynes, Ty Burrell and Demi Moore

Synopsis: Things go terribly wrong for a group of girlfriends who hire male stripper for a bachelorette party in Miami.

 

*Reviewer Note: This will be a spoiler free review.*

*Reviewer Note 2: There are two post-credit scenes.*

 

Rough Night takes the crazy bachelor party and turns it on its head by having the ladies take center stage, and having them deal with the madness. Of course the film isn’t the first to do this, but the movie does try to make the concept its own. So let’s take a look at the craziness that is Rough Night, and what happens when five women try to get rid of a dead body.

The movie opens with during the last college year of four friends, Jess (Scarlett Johansson), Alice (Jillian Bell), Blair (Zoe Kravitz) and Frankie (Ilana Glazer). They make a promise that they will always be friends no matter what. We skip ahead ten years and find out that Jess is running for State Senator and is about to get married to Peter (Paul W. Downs). Alice, now a school teacher, plans Jess a bachelorette party in Miami with Blair, who’s going through a divorce and custody battle, and Frankie, an activist. When they arrive in Miami, Jess’ Australian friend Pippa (Kate McKinnon) joins in the fun as well. The women end up in a club, where Frankie scores some cocaine, and after doing it they go back to a guest house they rented and order a stripper.

After the stripper arrives, Alice accidentally kills him while jumping on him causing the chair he’s on to fall back and hit his head on the ledge to the fireplace. After the women freak out that they killed someone, especially Alice, they spend the rest of the night trying to cover up the accidental murder, but as complications arise, they find out that’s its a lot harder than they thought. Meanwhile, Peter races to Miami after getting a confusing call from Jess earlier in the film, after they accidentally killed the stripper.

The film is honestly not that bad. The gender-switch is a welcomed aspect and the ladies absolutely nail their performances. We get a real sense of who these characters are and they all have more than one moment to shine. And even though they did accidentally kill someone, we never feel like they should go down for the crime, we actually kind of root for them – maybe because the frantic pace of the jokes keeps the film moving forward. It also helps that we cut to Peter on his journey trying to get to Miami as fast as possible, where he gets into his own misadventures, which are also pretty funny, but this is the women’s show.

The movie does introduce some random and weird characters like Ty Burrell and Demi Moore as a couple that lives next door, which are very sexual and hit on the women – more on Kravitz’s Blair. They don’t really add anything to the film other than some comedy bits, but even then it’s not as great as Peter’s story. However, I will say the way the situation resolves itself is a bit wonky, but I can’t think of how they would have done that which makes sense.

All in all, Rough Night is a pretty descent comedy, especially for first time director Lucia Aniello from Comedy Central Broad City fame. The pace is very steady and brisk, and with the cast being spot on, Rough Night is much more than what the trailers and TV spots have you believe.

Rough Night

3 out of 5

‘It Comes at Night’ Review

Director: Trey Edward Schults

Writers: Trey Edward Schults

Cast: Joel Edgerton, Kelvin Harrison Jr., Carmen Ejogo, Christopher Abbott and Riley Keough

Synopsis: Secure within a desolate home as an unnatural threat terrorizes the world, a man has established a tenuous domestic order with his wife and son, but this will soon be put to test when a desperate young family arrives seeking refuge.

 

*Reviewer Note: This will be a spoiler free review.*

 

A24 is back at it with the horror-thriller and unnerving game with It Comes at Night. Although the trailers make the film seem like a bonafide horror film, It Comes at Night is much more than that, and leaves you sitting there wondering not just you’re watching, but just how you are going to cope with what you experienced.

The film follows the family of father, Paul (Joel Edgerton), wife Sarah (Carmen Ejogo) and son Travis (Kelvin Harrison Jr.), who secure themselves in a house in the woods from an unknown disease that has struck. The family does what they can to protect themselves: wear gas masks and gloves in case they come into contact with the infected, board up all the windows of the house, keep the red door closed and never – ever – go out at night. One day they come into contact with Will (Christopher Abbot), who says he has a family tucked away. Paul eventually, even though he does it reluctantly, goes with Will to get his family so all of them can be together. At first everything is fine, but soon tensions arise when things start to happen.

It Comes at Night works best when the paranoia is at its peak. The film mostly takes place inside the house, which immediately adds the tension because the house is almost always completely dark. It also doesn’t help that the film has multiple tracking shots into darkness that finally get illuminated at the last second, leaving you wondering if something is going to pop out? Will someone be standing in the corner? Or will it be nothing just leaving you on the edge of your seat?

However, even with the horror and post-apocalyptic aspects the film has, It Comes at Night also works as a family drama. The film opens with a death and Edgerton’s Paul makes it known to Travis, Will and through some of his actions, he’ll do whatever it takes to protect his family. Edgerton is also fantastic in this, as he pays the role with the utmost subtly but is a force when it comes to the quiet moments. Abbot’s Will also has some moments to shine and put his protective father mindset around the end of the film. These actions make you think, what would you do in that situation?

However, one of highlights of the cast is Kelvin Harrison Jr.’s Travis. He acts a little bit like a surrogate for us, even though he’s already in the thick of it. He also plays an important part of the film that I don’t want to get into too much, but it involves one of the more imaginative and tension-filled moments of the film. Unfortunately, Riley Keough’s Kim, Will’s wife, and Carmen Ejogo’s Sarah don’t get enough screen time to really get to know them too much, especially Keough, although she is involved in one of the more disturbing scenes.

All in all, It Comes at Night is a slow-burn kind of film, and while the marketing doesn’t do the film justice, it does make up for it by leaving you wonder where the film will go and how far it will too. Be ready to be just a bit depressed once this film ends.

It Comes At Night

4 out of 5