Worst/Disappointing/Least-Liked Movies of the 2016

It’s the end of the year boys and girls, you know what that means? It’s list time!

I’ll put up my list of “Best/Favorite” movies of the year later, but with all those good/great/awesome movies I have, I had to sit through some stinkers unfortunately. Some of these I knew weren’t going to be any good walking in, but I ended up taking the hit anyway. The list ranges all over the place so don’t think I’m attacking certain movies because it’s easy. I walk into every movie with a clear mind and soaking up the movie for what it’s worth.

The list will have the movies in alphabetical order, just to be fair, and because I really don’t want to go through the trouble anymore of picking a number one because they weren’t good enough to make it on my other list. Like all lists, this is my opinion! So if you don’t agree that’s perfectly fine and probably justified. Film is subjective, and that’s why I love it.

Finally, there are other movies that could have gone on the list, but these are the ones that truly stuck out. Alright, let’s get this over with.

 

Dishonorable Mentions

Ben-Hur

Masterminds

Siren

 

 

Disappointments/Least-Liked/Worst Movies of the Year

Anitbirth (IFC Midnight/Traverse Media/Hideaway Pictures)

This is one of the many films I watched at the Bruce Campbell Horror Film Festival in August, and having heard nothing about the film or even watching a trailer, I didn’t know what was coming. I probably should have watched the trailer, because I didn’t like this movie. At all! I didn’t feel anything for the characters, and the story felt like it was going nowhere. The ending, oh man the ending, it literally came out of nowhere, and while the ending would have been shocking if the story hadn’t been bad, it didn’t help matters whatsoever. I know I said I wouldn’t label too many of the films, but this is easily one of my worst films of the year. Maybe the worst.

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Batman v Superman: Dawn of Justice (Warner Bros./RatPac-Dune Entertainment/Atlas Entertainment/DC Entertainment)

This one may take the cake for the biggest disappointment of the year. Despite finally bringing two of the biggest comic book characters on the big screen for the first time, the film was filled with poor editing decisions along with being too crowed for its own good. Zack Snyder said the film was cut severely, but that shouldn’t mean a movie should suffer. While seeing Batman and Superman duke it out was nice to finally see on the big screen, it wasn’t enough to pick this movie up. Also, it doesn’t matter – I mean it does – but why would I sit through a movie again that’s longer to see the difference(talking about that “Extended Cut” on Blu-Ray).

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Blair Witch (Lionsgate/Veritgo Entertainment/Snoot Entertainment/Room 101)

What we all thought was just another found footage movie called The Woods actually ended up being a surprise sequel to The Blair Witch Project. The film was directed by Adam Wingard (You’re Next, The Guest) and his usual writing partner Simon Barrett –the previously films mentioned – and that had me from the very beginning. I’m a huge fan of those two, and when it was announced that the film was really Blair Witch, I was both hesitant and excited. Taking into account the film was riding high in praise it was getting in early screening, the end result was a mixed bag – being mostly negative. While the film tried to connect to the spirit of the first film, including revving up the finale, it just didn’t have that same connection the first film made. Some parts were interesting, but at the end of the day, I don’t think it was executed well.

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Gods of Egypt (Lionsgate/Summit Entertainment/Mystery Clock Cinema/Thunder Road Pictures)

Gods of Egypt was one of those movies I was excited to watch when it was announced, and when the cast came together with director Alex Proyas, I thought this has to be good, right? Turns out, I was wrong. Very, very wrong. Filled with very questionable (to put it very lightly) CGI throughout, the film felt more like a glorified SyFy Channel movie than it did a big budget Hollywood movie. It didn’t help that despite the pretty good cast, they couldn’t save this either. Dumb fun popcorn film at its finest, but still COME ON!

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Independence Day: Resurgence (20th Century Fox)

Oh boy, this was…ugh. The sequel was something many fans have been wanting for a long time, and I’m sure Resurgence destroyed any hope of getting a worthy sequel. The film had its moments, but only a few to be honest. It just was bad. I mean, I could point out the things I didn’t like with this movie or what was wrong, but that’s too much to write. Also, the more I thought about the film afterward – even know as I’m writing this – I can feel myself getting angry.

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The 5th Wave (Sony Pictures/Columbia Pictures/GK Films/LStar Capital/Material Pictures)

Based on the book by Ricky Yancy, The 5th Wave had a good set-up and source material to set it just a tad apart from the other young adult novel adaptation out there. I read the first book way before the film came out and was looking forward to seeing what they were going to do with this. Unfortunately, the film was bland, and felt way too generic for its own good. It never felt like anything was really happening even when it was, and one of its supposed standout twist moments involving a character reveal was to dark to see what was going on. A big disappointment considering what the book had to offer.

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The Neon Demon (Amazon Studios/Broad Green Pictures/Bold Films/Vendian Entertainment/Space Rocket Nation)

Oh, Nicolas Winding Refn. For me, Refn is a hit-or-miss director for the films I’ve seen. I really liked Bronson and Drive, but Valhalla Rising I couldn’t even finish, and I’ve heard nothing but bad things from Only God Forgives. When it came to The Neon Demon, I didn’t know what to anticipate, and even while I was watching it, I thought, what the hell am I watching? So The Neon Demon wasn’t even a disappointment, least-liked or bad movie, it just was a movie I watched that had its very Refn-esque moments, and some what the hell did I just watch moments.

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Triple 9 (Open Road Films/Anonymous Content/Worldview Entertainment/MadRiver Pictures)

Triple 9 had a lot of good things going for it with an amazing cast and a great director in John Hillcoat (The Road). So it’s a shame that the film ended up being a bit of a disappointment. The film had some great potential, and while the film does live up to some of it, it didn’t capitalize on what the film promised or what it could have been.

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Suicide Squad (Warner Bros./DC Entertainment/RatPac-Dune Entertainment/Atlas Entertainment/Lin Pictures)

If Batman v Superman: Dawn of Justice was a disappointment, Suicide Squad just added to it. I didn’t get on the hate train like a lot of other people did. I liked most of it, and I thought some parts worked, but I couldn’t get over all the missteps the film had to make it good or even great. To even say it was better than Dawn of Justice (the theater cut) isn’t even saying that much either. I didn’t hate Suicide Squad, and while I had more fun watching this than Dawn of Justice, I can’t honestly say I loved it either. Also, Jared Leto’s Joker: ugh.

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Warcraft (Universal Pictures/Legendary Pictures/Blizzard Entertainment/Atlas Entertainment)

I never played the games myself, but I knew how big the game was to some people. I also knew this film was in the works for a long time – Sam Raimi was originally attached to direct for a while – so finally seeing this on the big screen was a big deal. Unfortunately, for me, the movie didn’t click for me. The film at times felt too much like it was catering to the fans then casual or non-game fans, which is something I always thought the film shouldn’t have done. I didn’t dislike Warcraft, some of it was pretty good, but overall, the film felt jumbled at times and I had a hard time connecting to some of the characters.

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All right, so there are my worst, disappointments, least-liked films of the year. What were some of yours?

Be on the lookout for my other lists coming out soon.

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Favorite/Standout Cinematography, Action/Fight Sequences, Score/Soundtrack, Visual Effects & Trailers of 2016

This is a continuation of my Favorite/Standouts of the Year, this time focusing more on the genre side of things with my favorite fights/action sequences, cinematography, score/soundtrack, visual effects and trailers.

 

Fight/Action Sequence

Assassin’s Creed: Run Through the City

Assassin’s Creed’s best moments where set in the past, and a majority of them were action sequences. The standout sequences was the run through the city that involves Aguilar (Michael Fassbender) and Maria (Ariane Labed) on the run from Ojeda (Hovik Keuchkerian) and his men. Along with small fights in tight quarters or on rooftops, the scene may be the best scene in the whole film.

 

Captain America: Civil War: Airport Battle & Captain America/Winter Soldier vs. Iron Man

Okay, this is a copout since this these are most of the action sequences, but let’s face it, Civil War, was filled with great action sequences. Of course, the biggest highlight was the Airport Battle that was unbelievably nerdy. The second big fight is Captain America and The Winter Soldier vs. Iron Man in a fight that is much more personal that I think anyone could have imagined being in a comic book film.

 

Deadpool: Deadpool Takes Out Convoy

While the scene is just a modified version of the “leaked” footage that came out the year before, the convoy sequence stood out to me because it happens in such a confined space and it still allows Ryan Reynolds to give us very Deadpool like lines.

 

Doctor Strange: The Ancient One vs. Kaecilius/Zealots & Strange vs. Kaecilius and Zealots

The fight scenes in Doctor Strange brought a new style to fight scenes in the Marvel Cinematic Universe: Magic. Not only that, that opening fight scenes between The Ancient One and the Zealots and Kaecilius showed the MCU isn’t scared of going a more martial arts route.

 

Ip Man 3 – Ip Man vs. Frank & Ip Man vs. Cheung Tin-chi

The Donnie Yen Ip-Man films are always filled with great fight scenes and Ip-Man 3 was no different. The two standout fights for me was the heavily promoted fight with Mike Tyson – who plays a mob boss named Frank – and the final fight between Ip Man and Cheung Tin-chi (Jin Zhang). The fight with Frank is actually good, and while arguably a stunt fight (they could have easily casted someone else), it doesn’t disappoint too much. As for the final fight with Cheung Tin-chi, this one was building almost from the beginning of the film, and when it finally happens, you can totally feel the emotion behind every punch and movement they make.

 

Moana: Moana and Maui Escape Kakamora

Another animated sequence that stood out to me was this Mad Max: Fury Road-inspired chase scene in Moana. Right down to the beating drums, and weirdly dressed Kakamora’s, the chase was something I’m sure George Miller would be proud of.

 

Rogue One: Chirrut Imwe vs. Stormtroppers, Final Battle, Vadar Boards

I’d be surprised if this doesn’t end up on other peoples lists. Personally, seeing Donnie Yen mess up some Stormtroopers was awesome. However, the final battle on Scarif was what the film was building up to, and it did not disappoint. Finally, the Vadar scene. I won’t give it away too much if you haven’t seen it, but wow!

 

Storks: Junior and Tulip vs. The Penguins

Animated “fight/action” sequences usually involve comedy and aren’t really taken seriously, and you know what? Sometimes that’s okay. Storks did that with their fight scenes that involves are heroes, Junior and Tulip, going up against penguins. What makes it standout – besides the homage to Aliens – all of it happens as they try to make the least amount of noise possible so they don’t wake up the baby.

 

The Revenant – Opening Ambush

The opening ambush scene was really something to watch unfold. The cinematography by Emmanuel Lubezki is done in the classic Lubezki trope in that it’s done in shot continuous take. Not only that, it happens very fast and is so chaotic, that it makes it a standout scene.

 

X-Men: Apocalypse: Quicksilver’s Rescue & Wolverine Breaks Free

While Quicksilver’s Rescue was awesome to watch, seeing Hugh Jackman unleashed a bit of Berserker Rage on Stryker’s men was an even more awesome sight to see. Especially knowing that Jackman is on his way out the door as Wolverine/Logan

 

 

Honorable Mention

Batman v Superman: Dawn of Justice: Batman vs. Knyazev’s Men

Deadpool: Deadpool vs. Ajax (Finale)

Ghostbusters: Ghostbusters vs. Times Square Ghosts

Hacksaw Ridge: First Attack

Headshot: Ishmael vs. Tano & Ishmael vs. Lee

Kill Zone 2: Chatchai vs. Kit (Prison Riot) & Chatchai/Kit vs. Ko Hung aka The Warden

Miss Peregrine’s Home for Peculiar Children: Skeletons vs. Hollows

Star Trek Beyond: Enterprise Takeover

Suicide Squad: Suicide Squad/Katana/Rick Flag’s Unit vs. Monsters (Streets)

The Magnificent Seven: Finale Shootout

Warcraft: Durotan vs. Gul’dan

 

 

Cinematography

Emmanuel Lubezki – The Revenant

Emmanuel Lubezki has already made himself a well-known name amongst cinematographers, so it came as no surprise that his work in The Revenant was amazing and beautiful to watch.

 

Jarin Blaschke – The Witch

I’ve never heard of Jarin Blaschke, but I will be on the lookout for whatever he does next because his work in The Witch was equal parts creepy, eerie and gut-wrenching scary as hell. I’m not usually a fan of quotes in movie trailers, but the quote in the trailers that basically said it feels like something you shouldn’t be watching it completely true.

 

Linus Sandgren – La La Land

La La Land feels like an ultimate homage to old timey Hollywood films right down to cinematography during the musical sections of the film. Also, the fact that they used real location around Los Angeles is an added bonus (says the man from outside Chicago).

 

Pedro Luque – Don’t Breathe

One of the reasons that Don’t Breathe worked – at least for me – is the look of it all. The creepy house with the overall dark look made the film a more effective horror thriller. Pedro Luque really had a great eye for it all, and lets add the surprisingly good blackout sequences using night vision to show the pure terror of our main characters was great.

 

Zach Kuperstein – The Eyes of My Mother

The Eyes of My Mother is probably one of the creepiest films cinematography-wise. The film is shot in black and white, and for some reason, it made it a hell of a lot more creepier. It makes you imagine what the colors would look like, but even its nature shots and more distributing shots, the film is still beautiful to look at.

 

 

Honorable Mentions

Bradford Young – Arrival

Don Burgess – The Conjuring 2

Marc Spicer – Lights Out

Natasha Braier – The Neon Demon

Pasha Kapinos/Vsevolod Kaptur/Fedor Lyass – Hardcore Henry

Roman Osin – The Autopsy of Jane Doe

Stephane Fontaine – Jackie

 

 

Score/Soundtrack

Dario Marianelli – Kubo and the Two Strings

Kubo and the Two Strings is already a great film, but one of the main reasons is because of the music. The music connects to theme they’re going for, and Regina Spektor’s cover of “My Guitar Gently Weeps” is beautiful.

 

Justin Hurwitz – La La Land

Easily one of, if not, the best soundtracks of the year, La La Land’s soundtrack is as vivid as the set-pieces it plays over. You can easily be addict to the soundtrack, I know I was, because as soon as I walked out of the theater I bought the soundtrack.

 

Mark Korven – The Witch

The Witch is already eerily creepy with its cinematography, but add on the music that was created by Mark Korven, you have yourself an all around horror film of nightmares.

 

Opetaia Foa’i, Mark Mancina, and Lin-Manuel Miranda – Moana

Come on, let’s face it – you’ve been singing songs from Moana since you’ve seen it, right? Okay then.

 

Musical Department in Sing Street 

Sing Street doesn’t have one specific person attached for the music. Some were covers, but Drive it Like You Stole It, is one of the best new songs of the year.

 

Honorable Mentions

Hans Zimmer and Junkie XL – Batman Batman v Superman: Dawn of Justice

Johann Johannsson – Arrival

Lukasz Pawel Buda/Samuel Scott/Conrad Wedde – Hunt for the Wilderpeople

Ryuichi Sakamoto, Carsten Nicolai, and Bryce Dessner – The Revenant

 

 

Visual Effects

Doctor Strange

Marvel introduced us to the magical realm and other dimensions, and I don’t know if anyone other than Scott Derrickson could have introduced us to that. The visuals were just amazing to see, even with the Inception-style effects, that aren’t as dominate as you would think, the visuals made Doctor Strange a standout Marvel film.

 

The Jungle Book

The Jungle Book is a film that probably should have failed, but it didn’t – at all. The film is bursting with phenomenal visuals, that even after you find out that almost everything was created with visuals, you watch wondering, was that real? Honestly, The Jungle Book was arguably some of the best CGI we’ve ever seen.

 

 

Honorable Mentions

Fantastic Beasts and Where to Find Them

Ghostbusters

Pete’s Dragon

The BFG

 

 

Trailers

Captain America: Civil War Trailer 2

 

Guardians of the Galaxy Vol. 2

 

 

Free Fire

 

 

Kong: Skull Island

 

 

Logan

 

 

War for the Planet of the Apes

 

 

Wonder Woman Comic Con

 

 

Honorable Mentions

Get Out

First Official ‘Suicide Squad’ Trailer

The Birth of a Nation Teaser

First Sausage Party Trailer

 

So that’s it ladies and gentlemen.

What are some of your favorites, and be on the lookout for the big lists next week!