‘Avengers: Endgame’ Spoiler Review/Thoughts

Directors: Anthony and Joe Russo

Writers: Christopher Markus and Stephen McFeely

Cast: Everybody…I’m not writing them all out.

Synopsis: After the devastating events of Avengers: Infinity War, the universe is in ruins. With the help of remaining allies, the Avengers assemble once more in order to undo Thanos’ actions and restore order to the universe.

*Reviewer Note: This post WILL HAVE SPOILERS. It won’t be a full-blown review, but will have review elements. This is more of a free-flown thought post about everything. If it feels disjointed, I’m sorry.*

 

11 years and twenty-two movies has all led to this. Marvel and the Russo brothers have impressively weaved everything together for their endgame. From the moment we saw Samuel L. Jackson’s Nick Fury coming out of the shadows to tell Robert Downey Jr.’s Tony Stark that he’s now part of a bigger world, fans have been eager to see where all this was going to lead. Whether you were a comic book fan or not, Marvel and everyone involved behind-the-scenes made sure to make you, and keep you, invested in these characters, and make you care for these characters from beginning to end. In this case, keep you and make you invested in their final journey – well, at least for a few of them.

Avengers: Endgame will probably surprise some people. Because despite being a “comic book movie,” the first act of the movie – after the first ten minutes – is more of a drama, and one that focus of loss. We’re not use to seeing heroes lose, and even if they do, their turnaround happens later on. Instead, Antony and Joe Russo have the characters dealing with their losses and trying to on, but as Chris Evan’s Steve Rogers says, “most people move, but we don’t.” It’s not just a line, we see it on Scarlett Johansson’s Natasha as she’s trying to make sure the world doesn’t go completely lawless, and looks like she’s become a Nick Fury-esque leader, but the weight of it has gotten to her, especially when she hears about Jeremy Renner’s Clint has been doing since “The Snap” (I know it’s called something else, but we’re calling it The Snap).

Speaking of Clint, the movie opens with him dealing with The Snap all by himself, and it  almost makes sense why he would go down the road he’s chosen – for the comic book fans, they never all him Ronin. Then he has to deal with losing Natasha to get the Soul Stone – which I’ll get to in a little bit. Clint takes the punches and keeps going, and while it’s easy to hate or rag on the character, Clint is a valuable member of The Avengers, and it’s shown here as he’s basically the test dummy for going into the Quantum Realm, and getting the new Gauntlet into the playing field at the end.

Others who have great drama moments is Paul Rudd’s Scott Lang, who escapes the Quantum Realm when the machine – I forgot the name – is turned on (by the rat?) and he comes out in a post-Snap world. He walks the streets of San Francisco seeing the aftermath and the slow realization of what happened, and the horror of seeing him searching for his daughter Cassie’s name, only to see his own name. Plus, yes, the reunion of him and Cassie is, probably, the first tear-jearking scene of the movie – for me.

Then there’s Chris Hemsworth’s Thor, oh I’m sorry, I mean FAT Thor. The effects of losing everything, and thinking it was his fault, because he didn’t aim for the head, is played throughout the film and it makes sense. Everything Thor has been through in the franchise has lead to him being one of the strongest Avengers, even if it’s said for laughs half the time, so having him be that close to end all of it and failing all the same is going to take its toll. Although, playing what essentially is PTSD a little bit jokey is questionable, it make sense that Thor would be the way he is. That said, I also love this scenes with Rene Russo’s returning Frigga.

Finally, we have Tony and Steve. The two still have some heat at the beginning due to the events of Civil War, but when the chips are down they know they need each other. Tony, and Karen Gillan’s Nebula, being rescued from space by Brie Larson’s Captain Marvel was expected, but seeing Tony with muscle loss and calling out Steve at the beginning is hard to watch. We’ve seen Tony in situations that he can get out of or even manage to barely get out of, but seeing Tony like this – a broken man – is something we’ve never really seen before, and it’s so effective, which makes his arc by the end

As for Steve, his ending just makes sense. Steve going back to the past to return the Infinity Stones, and then staying there to become old with Haley Atwell’s Peggy Carter is the ending that almost every fan wanted. Steve was always a man out of time, and the constant reminders of Peggy throughout the whole Captain America series, and here in Endgame it made sense he would stay and live his life with the love of his life. It also puts Chris Evans out of his contract, and a fitting end at that.

Now, let’s get to some of the grips. Because despite what some non-comic book fans think, we fans can be critical of the movies – well some of us. One of the main things everyone was talking about was the length of the movie. In many ways, it didn’t matter in the end because the movie doesn’t really feel long at all. The pacing, for the most part, is great. Endgame does slow down a bit when it comes to small scenes like when Thanos finds out about Nebula, and some of the double Nebula and Gamora scenes kind of slow things down, but other than, the pacing is fine.

Arguably, you can say Endgame returns to Marvel’s villain “problem.” Josh Brolin’s Thanos screen time is reduced tremendously from Infinity War, resulting in him not even appearing until about halfway, maybe even little more than halfway, through the movie. Granted, Infinity War was really a Thanos story, and Endgame was more about our heroes dealing with he’s done and trying to reverse it with their “Time Heist” it still would have been nice to get a little more Thanos – even if it was the past Thanos.

Now, let’s talk about fan service. Some will probably see Avengers: Endgame as huge fan service, and you know what, in some regard, yes Avengers: Endgame has a lot of fan service. But, the way I see the fan service in the film is that it’s done right. It’s not too heavy handed, which is saying something since the final battle scene is basically the most comic booky thing you can ever see or imagine a comic book movie doing. That said, the final battle scene is everything these movies have been building up to if you really think about it, so I can’t really blame the movie or call it real fan service if this was the direction they were going to go with.

Yes, the final battle scene, even leading up to it, had moments fans have been waiting for. Captain America lifting Mjolnir and using it, every major hero you can think of showing up for the battle – even having all the women team up – and Captain America finally saying “Avengers Assemble.” That said, is that a bad thing? Does it take away from your enjoyment of the film? To go extreme, should it not have been in the movie at all? Sometimes fandoms can be a fickle thing.

Finally, the time travel. Look, time travel in movies is always a tricky thing, and once you start explaining it, someone else is going to come in and tell you how you’re wrong. Does the changes they made affect the timeline? Yeah, probably. Does it matter for your enjoyment of the future films? Probably not, unless they bring it up. It’s not really a pass we should give the film, but I think for this, I’m going to let it pass because “Back to the Future is bullshit.”

All in all, Avengers: Endgame was, to me, a perfect sendoff and end to a franchise that’s been going strong – with a few stumbles sure – for over eleven years and twenty-plus films. Character arcs were wrapped up, hints of future in the franchise and emotional moments all over the place.

Avengers: Endgame

4 out of 5

‘Ant-Man and the Wasp’ Review

Director: Peyton Reed

Writers: Chris McKenna, Erik Sommers, Andrew Barrer, Gabriel Ferrari and Paul Rudd

Cast: Paul Rudd, Evangeline Lilly, Michael Pena, Hannah John-Kamen, Walton Goggins, Randall Park, David Dastmalchian, Tip ‘T.I.’ Harris, Judy Greer, Bobby Cannavale, Abby Ryder Fortson, Laurence Fishburne, Michael Douglas and Michelle Pfeiffer

Synopsis: As Scott Lang balances being both a Super Hero and a father, Hope van Dyne and Dr. Hank Pym present an urgent new mission that finds the Ant-Man fighting alongside The Wasp to uncover secrets from their past.

 

*Reviewer Note: This will be a spoiler free review. There is also a mid-credit and post-credit scene.*

 

The twentieth movie in the Marvel Cinematic Universe, Ant-Man and the Wasp, is a nice change of pace from the shattering conclusion of Avengers: Infinity War. The sequel not only doesn’t take itself too seriously, it’s a low stakes movie that is a hell of a lot of fun.

The movie follows Scott Lang/Ant-Man (Paul Rudd), who has been on house arrest for two years after the events of Captain America: Civil War. He’s also been cut off by Hope van Dyne (Evangeline Lilly) and Hank Pym (Michael Douglas) after going off to fight without telling them. The daughter-father duo are also trying to find Hope’s mother Janet van Dyne (Michelle Pfeiffer) and bring her back from the Quantum Realm, which is realized more after an incident with Scott.

What follows is Hope and Hank getting Scott to help them get Janet out, but also dealing with the mysterious Ghost (Hannah John-Kamen), who tries to steal a vital piece of technology, and a black market businessman Sonny Burch (Walton Goggins) trying to profit off Pym’s technology.

Ant-Man and the Wasp is a bit all over the place. We have the main plot which is trying to rescue Janet from the Quantum Realm, which is connected to Ghost’s arc and Burch. We have Scott’s story of almost ending his house arrest, with pesky FBI agent Jimmy Woo (Randall Park), and trying to still prove he can be a good dad to his adorable daughter Cassie (Abby Ryder Fortson). Then you have random high jinks with some sight gags or Luis (Michael Pena) doing what made him so popular in the first movie.

Everyone is also on the top of their game here. Paul Rudd continues to bring his trademark charisma and excellent timing. Evangeline Lilly thankfully has a lot more to do here, and seeing her play The Wasp is a ton of fun to watch. Also, watching her and Michael Douglas’ Hank Pym trying to rescue Janet leads to one of the more emotional moments – there are quite a few – of the movie. Pena’s Luis is once again a scene-stealer, but he has some competition in Abby Ryder-Fortson’s Cassie.

We then have the new cast members starring with villain Sonny Burch, played by the always reliable Walton Goggins. The character could have easily been one-note, but Goggins just adds something to the character. Ghost played by Hannah John-Kamen does have a more rounded out story than you would think, and she’s played excellently by John-Kamen (who plays one of the leads in the SYFY channel show Killjoys, which I highly recommend). Randall Park has a small role as Agent Woo, but he plays it up with Rudd, and the two have great chemistry.

Finally, the two big additions to the MCU are Dr. Bill Foster, played by Laurence Fishburne, who hopefully we get to see more of, because he doesn’t get too much to do here, but it’s a nice addition for comic book fans. Then we have Michelle Pfeiffer has Janet Van Dyne aka the original Wasp, who sadly isn’t in the movie a lot, even though she plays an important part to the story. Regardless of that, her scenes are where most of the emotional core comes from, and the scenes she does have were great to watch.

All in all, Ant-Man and the Wasp is a hell of a lot of fun, and thoroughly enjoyable from beginning to end. It’s a more self-contained story, even though the events of Civil War are brought up, which helps the movie and the audience breathe a little bit. The action is beefed up, and cast is on top of their game. If you want to have a fun time at the theater, Ant-Man and the Wasp is your movie.

Ant-Man and the Wasp

4.5 out of 5