Worst/Disappointing/Least-Liked Movies of the 2016

It’s the end of the year boys and girls, you know what that means? It’s list time!

I’ll put up my list of “Best/Favorite” movies of the year later, but with all those good/great/awesome movies I have, I had to sit through some stinkers unfortunately. Some of these I knew weren’t going to be any good walking in, but I ended up taking the hit anyway. The list ranges all over the place so don’t think I’m attacking certain movies because it’s easy. I walk into every movie with a clear mind and soaking up the movie for what it’s worth.

The list will have the movies in alphabetical order, just to be fair, and because I really don’t want to go through the trouble anymore of picking a number one because they weren’t good enough to make it on my other list. Like all lists, this is my opinion! So if you don’t agree that’s perfectly fine and probably justified. Film is subjective, and that’s why I love it.

Finally, there are other movies that could have gone on the list, but these are the ones that truly stuck out. Alright, let’s get this over with.

 

Dishonorable Mentions

Ben-Hur

Masterminds

Siren

 

 

Disappointments/Least-Liked/Worst Movies of the Year

Anitbirth (IFC Midnight/Traverse Media/Hideaway Pictures)

This is one of the many films I watched at the Bruce Campbell Horror Film Festival in August, and having heard nothing about the film or even watching a trailer, I didn’t know what was coming. I probably should have watched the trailer, because I didn’t like this movie. At all! I didn’t feel anything for the characters, and the story felt like it was going nowhere. The ending, oh man the ending, it literally came out of nowhere, and while the ending would have been shocking if the story hadn’t been bad, it didn’t help matters whatsoever. I know I said I wouldn’t label too many of the films, but this is easily one of my worst films of the year. Maybe the worst.

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Batman v Superman: Dawn of Justice (Warner Bros./RatPac-Dune Entertainment/Atlas Entertainment/DC Entertainment)

This one may take the cake for the biggest disappointment of the year. Despite finally bringing two of the biggest comic book characters on the big screen for the first time, the film was filled with poor editing decisions along with being too crowed for its own good. Zack Snyder said the film was cut severely, but that shouldn’t mean a movie should suffer. While seeing Batman and Superman duke it out was nice to finally see on the big screen, it wasn’t enough to pick this movie up. Also, it doesn’t matter – I mean it does – but why would I sit through a movie again that’s longer to see the difference(talking about that “Extended Cut” on Blu-Ray).

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Blair Witch (Lionsgate/Veritgo Entertainment/Snoot Entertainment/Room 101)

What we all thought was just another found footage movie called The Woods actually ended up being a surprise sequel to The Blair Witch Project. The film was directed by Adam Wingard (You’re Next, The Guest) and his usual writing partner Simon Barrett –the previously films mentioned – and that had me from the very beginning. I’m a huge fan of those two, and when it was announced that the film was really Blair Witch, I was both hesitant and excited. Taking into account the film was riding high in praise it was getting in early screening, the end result was a mixed bag – being mostly negative. While the film tried to connect to the spirit of the first film, including revving up the finale, it just didn’t have that same connection the first film made. Some parts were interesting, but at the end of the day, I don’t think it was executed well.

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Gods of Egypt (Lionsgate/Summit Entertainment/Mystery Clock Cinema/Thunder Road Pictures)

Gods of Egypt was one of those movies I was excited to watch when it was announced, and when the cast came together with director Alex Proyas, I thought this has to be good, right? Turns out, I was wrong. Very, very wrong. Filled with very questionable (to put it very lightly) CGI throughout, the film felt more like a glorified SyFy Channel movie than it did a big budget Hollywood movie. It didn’t help that despite the pretty good cast, they couldn’t save this either. Dumb fun popcorn film at its finest, but still COME ON!

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Independence Day: Resurgence (20th Century Fox)

Oh boy, this was…ugh. The sequel was something many fans have been wanting for a long time, and I’m sure Resurgence destroyed any hope of getting a worthy sequel. The film had its moments, but only a few to be honest. It just was bad. I mean, I could point out the things I didn’t like with this movie or what was wrong, but that’s too much to write. Also, the more I thought about the film afterward – even know as I’m writing this – I can feel myself getting angry.

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The 5th Wave (Sony Pictures/Columbia Pictures/GK Films/LStar Capital/Material Pictures)

Based on the book by Ricky Yancy, The 5th Wave had a good set-up and source material to set it just a tad apart from the other young adult novel adaptation out there. I read the first book way before the film came out and was looking forward to seeing what they were going to do with this. Unfortunately, the film was bland, and felt way too generic for its own good. It never felt like anything was really happening even when it was, and one of its supposed standout twist moments involving a character reveal was to dark to see what was going on. A big disappointment considering what the book had to offer.

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The Neon Demon (Amazon Studios/Broad Green Pictures/Bold Films/Vendian Entertainment/Space Rocket Nation)

Oh, Nicolas Winding Refn. For me, Refn is a hit-or-miss director for the films I’ve seen. I really liked Bronson and Drive, but Valhalla Rising I couldn’t even finish, and I’ve heard nothing but bad things from Only God Forgives. When it came to The Neon Demon, I didn’t know what to anticipate, and even while I was watching it, I thought, what the hell am I watching? So The Neon Demon wasn’t even a disappointment, least-liked or bad movie, it just was a movie I watched that had its very Refn-esque moments, and some what the hell did I just watch moments.

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Triple 9 (Open Road Films/Anonymous Content/Worldview Entertainment/MadRiver Pictures)

Triple 9 had a lot of good things going for it with an amazing cast and a great director in John Hillcoat (The Road). So it’s a shame that the film ended up being a bit of a disappointment. The film had some great potential, and while the film does live up to some of it, it didn’t capitalize on what the film promised or what it could have been.

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Suicide Squad (Warner Bros./DC Entertainment/RatPac-Dune Entertainment/Atlas Entertainment/Lin Pictures)

If Batman v Superman: Dawn of Justice was a disappointment, Suicide Squad just added to it. I didn’t get on the hate train like a lot of other people did. I liked most of it, and I thought some parts worked, but I couldn’t get over all the missteps the film had to make it good or even great. To even say it was better than Dawn of Justice (the theater cut) isn’t even saying that much either. I didn’t hate Suicide Squad, and while I had more fun watching this than Dawn of Justice, I can’t honestly say I loved it either. Also, Jared Leto’s Joker: ugh.

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Warcraft (Universal Pictures/Legendary Pictures/Blizzard Entertainment/Atlas Entertainment)

I never played the games myself, but I knew how big the game was to some people. I also knew this film was in the works for a long time – Sam Raimi was originally attached to direct for a while – so finally seeing this on the big screen was a big deal. Unfortunately, for me, the movie didn’t click for me. The film at times felt too much like it was catering to the fans then casual or non-game fans, which is something I always thought the film shouldn’t have done. I didn’t dislike Warcraft, some of it was pretty good, but overall, the film felt jumbled at times and I had a hard time connecting to some of the characters.

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All right, so there are my worst, disappointments, least-liked films of the year. What were some of yours?

Be on the lookout for my other lists coming out soon.

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Favorite/Standout Cinematography, Action/Fight Sequences, Score/Soundtrack, Visual Effects & Trailers of 2016

This is a continuation of my Favorite/Standouts of the Year, this time focusing more on the genre side of things with my favorite fights/action sequences, cinematography, score/soundtrack, visual effects and trailers.

 

Fight/Action Sequence

Assassin’s Creed: Run Through the City

Assassin’s Creed’s best moments where set in the past, and a majority of them were action sequences. The standout sequences was the run through the city that involves Aguilar (Michael Fassbender) and Maria (Ariane Labed) on the run from Ojeda (Hovik Keuchkerian) and his men. Along with small fights in tight quarters or on rooftops, the scene may be the best scene in the whole film.

 

Captain America: Civil War: Airport Battle & Captain America/Winter Soldier vs. Iron Man

Okay, this is a copout since this these are most of the action sequences, but let’s face it, Civil War, was filled with great action sequences. Of course, the biggest highlight was the Airport Battle that was unbelievably nerdy. The second big fight is Captain America and The Winter Soldier vs. Iron Man in a fight that is much more personal that I think anyone could have imagined being in a comic book film.

 

Deadpool: Deadpool Takes Out Convoy

While the scene is just a modified version of the “leaked” footage that came out the year before, the convoy sequence stood out to me because it happens in such a confined space and it still allows Ryan Reynolds to give us very Deadpool like lines.

 

Doctor Strange: The Ancient One vs. Kaecilius/Zealots & Strange vs. Kaecilius and Zealots

The fight scenes in Doctor Strange brought a new style to fight scenes in the Marvel Cinematic Universe: Magic. Not only that, that opening fight scenes between The Ancient One and the Zealots and Kaecilius showed the MCU isn’t scared of going a more martial arts route.

 

Ip Man 3 – Ip Man vs. Frank & Ip Man vs. Cheung Tin-chi

The Donnie Yen Ip-Man films are always filled with great fight scenes and Ip-Man 3 was no different. The two standout fights for me was the heavily promoted fight with Mike Tyson – who plays a mob boss named Frank – and the final fight between Ip Man and Cheung Tin-chi (Jin Zhang). The fight with Frank is actually good, and while arguably a stunt fight (they could have easily casted someone else), it doesn’t disappoint too much. As for the final fight with Cheung Tin-chi, this one was building almost from the beginning of the film, and when it finally happens, you can totally feel the emotion behind every punch and movement they make.

 

Moana: Moana and Maui Escape Kakamora

Another animated sequence that stood out to me was this Mad Max: Fury Road-inspired chase scene in Moana. Right down to the beating drums, and weirdly dressed Kakamora’s, the chase was something I’m sure George Miller would be proud of.

 

Rogue One: Chirrut Imwe vs. Stormtroppers, Final Battle, Vadar Boards

I’d be surprised if this doesn’t end up on other peoples lists. Personally, seeing Donnie Yen mess up some Stormtroopers was awesome. However, the final battle on Scarif was what the film was building up to, and it did not disappoint. Finally, the Vadar scene. I won’t give it away too much if you haven’t seen it, but wow!

 

Storks: Junior and Tulip vs. The Penguins

Animated “fight/action” sequences usually involve comedy and aren’t really taken seriously, and you know what? Sometimes that’s okay. Storks did that with their fight scenes that involves are heroes, Junior and Tulip, going up against penguins. What makes it standout – besides the homage to Aliens – all of it happens as they try to make the least amount of noise possible so they don’t wake up the baby.

 

The Revenant – Opening Ambush

The opening ambush scene was really something to watch unfold. The cinematography by Emmanuel Lubezki is done in the classic Lubezki trope in that it’s done in shot continuous take. Not only that, it happens very fast and is so chaotic, that it makes it a standout scene.

 

X-Men: Apocalypse: Quicksilver’s Rescue & Wolverine Breaks Free

While Quicksilver’s Rescue was awesome to watch, seeing Hugh Jackman unleashed a bit of Berserker Rage on Stryker’s men was an even more awesome sight to see. Especially knowing that Jackman is on his way out the door as Wolverine/Logan

 

 

Honorable Mention

Batman v Superman: Dawn of Justice: Batman vs. Knyazev’s Men

Deadpool: Deadpool vs. Ajax (Finale)

Ghostbusters: Ghostbusters vs. Times Square Ghosts

Hacksaw Ridge: First Attack

Headshot: Ishmael vs. Tano & Ishmael vs. Lee

Kill Zone 2: Chatchai vs. Kit (Prison Riot) & Chatchai/Kit vs. Ko Hung aka The Warden

Miss Peregrine’s Home for Peculiar Children: Skeletons vs. Hollows

Star Trek Beyond: Enterprise Takeover

Suicide Squad: Suicide Squad/Katana/Rick Flag’s Unit vs. Monsters (Streets)

The Magnificent Seven: Finale Shootout

Warcraft: Durotan vs. Gul’dan

 

 

Cinematography

Emmanuel Lubezki – The Revenant

Emmanuel Lubezki has already made himself a well-known name amongst cinematographers, so it came as no surprise that his work in The Revenant was amazing and beautiful to watch.

 

Jarin Blaschke – The Witch

I’ve never heard of Jarin Blaschke, but I will be on the lookout for whatever he does next because his work in The Witch was equal parts creepy, eerie and gut-wrenching scary as hell. I’m not usually a fan of quotes in movie trailers, but the quote in the trailers that basically said it feels like something you shouldn’t be watching it completely true.

 

Linus Sandgren – La La Land

La La Land feels like an ultimate homage to old timey Hollywood films right down to cinematography during the musical sections of the film. Also, the fact that they used real location around Los Angeles is an added bonus (says the man from outside Chicago).

 

Pedro Luque – Don’t Breathe

One of the reasons that Don’t Breathe worked – at least for me – is the look of it all. The creepy house with the overall dark look made the film a more effective horror thriller. Pedro Luque really had a great eye for it all, and lets add the surprisingly good blackout sequences using night vision to show the pure terror of our main characters was great.

 

Zach Kuperstein – The Eyes of My Mother

The Eyes of My Mother is probably one of the creepiest films cinematography-wise. The film is shot in black and white, and for some reason, it made it a hell of a lot more creepier. It makes you imagine what the colors would look like, but even its nature shots and more distributing shots, the film is still beautiful to look at.

 

 

Honorable Mentions

Bradford Young – Arrival

Don Burgess – The Conjuring 2

Marc Spicer – Lights Out

Natasha Braier – The Neon Demon

Pasha Kapinos/Vsevolod Kaptur/Fedor Lyass – Hardcore Henry

Roman Osin – The Autopsy of Jane Doe

Stephane Fontaine – Jackie

 

 

Score/Soundtrack

Dario Marianelli – Kubo and the Two Strings

Kubo and the Two Strings is already a great film, but one of the main reasons is because of the music. The music connects to theme they’re going for, and Regina Spektor’s cover of “My Guitar Gently Weeps” is beautiful.

 

Justin Hurwitz – La La Land

Easily one of, if not, the best soundtracks of the year, La La Land’s soundtrack is as vivid as the set-pieces it plays over. You can easily be addict to the soundtrack, I know I was, because as soon as I walked out of the theater I bought the soundtrack.

 

Mark Korven – The Witch

The Witch is already eerily creepy with its cinematography, but add on the music that was created by Mark Korven, you have yourself an all around horror film of nightmares.

 

Opetaia Foa’i, Mark Mancina, and Lin-Manuel Miranda – Moana

Come on, let’s face it – you’ve been singing songs from Moana since you’ve seen it, right? Okay then.

 

Musical Department in Sing Street 

Sing Street doesn’t have one specific person attached for the music. Some were covers, but Drive it Like You Stole It, is one of the best new songs of the year.

 

Honorable Mentions

Hans Zimmer and Junkie XL – Batman Batman v Superman: Dawn of Justice

Johann Johannsson – Arrival

Lukasz Pawel Buda/Samuel Scott/Conrad Wedde – Hunt for the Wilderpeople

Ryuichi Sakamoto, Carsten Nicolai, and Bryce Dessner – The Revenant

 

 

Visual Effects

Doctor Strange

Marvel introduced us to the magical realm and other dimensions, and I don’t know if anyone other than Scott Derrickson could have introduced us to that. The visuals were just amazing to see, even with the Inception-style effects, that aren’t as dominate as you would think, the visuals made Doctor Strange a standout Marvel film.

 

The Jungle Book

The Jungle Book is a film that probably should have failed, but it didn’t – at all. The film is bursting with phenomenal visuals, that even after you find out that almost everything was created with visuals, you watch wondering, was that real? Honestly, The Jungle Book was arguably some of the best CGI we’ve ever seen.

 

 

Honorable Mentions

Fantastic Beasts and Where to Find Them

Ghostbusters

Pete’s Dragon

The BFG

 

 

Trailers

Captain America: Civil War Trailer 2

 

Guardians of the Galaxy Vol. 2

 

 

Free Fire

 

 

Kong: Skull Island

 

 

Logan

 

 

War for the Planet of the Apes

 

 

Wonder Woman Comic Con

 

 

Honorable Mentions

Get Out

First Official ‘Suicide Squad’ Trailer

The Birth of a Nation Teaser

First Sausage Party Trailer

 

So that’s it ladies and gentlemen.

What are some of your favorites, and be on the lookout for the big lists next week!

‘Warcraft’ Review

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Director: Duncan Jones

Writers: Duncan Jones and Charles Leavitt

Cast: Travis Fimmel, Paula Patton, Ben Foster, Dominic Cooper, Toby Kebbell, Ben Schnetzer, Robert Kazinsky, Clancy Brown, Daniel Wu, Ruth Negga, Anna Galvin, Callum Keith Rennie, Burkely Duffield, and Ryan Robbins.

Synopsis: The peaceful realm of Azeroth stands on the brink of war as its civilization faces a fearsome race of invaders: orc warriors fleeing their dying home to colonize another. As a portal opens to connect the two worlds, one army faces destruction and the other faces extinction. From opposing sides, two heroes are set on a collision course that will decide the fate of their family, their people, and their home.

 

*Reviewer Note: This will be a spoiler free review.*

 

Before I start, I should be noted to everyone: I have never played World of Warcraft. So everything in this review is purely based on what is in the film. I know very little to nothing at all of the games, so I don’t want anyone out there reading this that has played the games to curse me out because I got something wrong.

The film starts by showing us the world of the orcs, which is dying, and a dark mage Gul’dan (Wu), who uses the powerful dark magic called The Fel, has opened a portal to the world of Azeroth. However, the magic and portal isn’t strong enough to bring through all the orcs, so horde lead by Gul’dan, Blackhand (Brown), Durotan (Kebbell), Orgrim (Kazinksy), and others go through to capture humans. The reason being is that Gul’dan needs souls to keep the portal open long enough.

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Meanwhile, a mage-in-training, Khadgar (Schnetzer) has sensed the portal opening and The Fel, so he goes to warn King Llane (Cooper) about the danger soon to come. Llane enlists his brother-in-law and commander of his army Lothar (Fimmel) to stop the orcs from taking over their lands. Lothar does have help in Khadgar, a half-breed named Garona (Patton) and a powerful mage, and guardian of Azeroth, Medivh (Foster). What the humans don’t know is that Durotan fears The Fel and Gul’dan from making things worse and decides that working the humans might be his kinds only hope.

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Now, there is a lot going on in Warcraft, and I do mean, a lot. That’s not necessarily, a bad thing in a movie, but what will make-or-break a movie is if everything works seemingly throughout. Unfortunately, Warcraft stumbles a bit on that. Not every plot point and story works, or when it does it leads to nothing or an underwhelming resolution. Again, not every plot point or story is this way, some of the work. When the film focuses on a linear story and characters, it works in full force.

It’s one of the great things that director Duncan Jones does in the movie. He gives sides, orcs and humans, their fair share of screen time to make us understand both sides of what’s going on, and makes them tick. Durotan gets the better arc, for the main characters of him and Lothar, as the hero orc doing what he thinks is best for his people. It also gives us something so we can sympathize with the orcs, since you know, they’re not real and makes us connect with the CGI characters.

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The human cast is fine, since I can’t really talk about the orc actors since they are all covered in CGI and their voices are distorted, which is fine since I don’t think any of us expect to hear human voices coming out of an orc. That of course doesn’t take away anything from those actors and their performances. And the CGI for the film is pretty great, but the only real orcs that get good screen time is Toby Kebbell’s Durotan (he also plays another small role in the film), who is arguably the most developed and complete character in the whole film. Next to him would be the villain Gul’dan played by Daniel Wu.

Travis Fimmel gives off a cocky but confident warrior that is respected by the others soldiers, which I’ll admit, his cockiness put me off at times. He is given, albeit it felt forced, storyline that pays off at the end. Ben Schnetzer’s Khadgar is one of the cooler human characters and seemed to enjoy his time ranting off spells and has a lot to offer in the film, but doesn’t get to, which is a shame. Paula Patton’s half-breed character Garona doesn’t really pop until the last half of the film where it takes an interesting turn, but we never see the real fallout of it, which is extremely disappointing. Ben Foster as The Guardian/Medivh pops when he shares scenes with Fimmel and Schnetzer. Dominic Cooper’s King Llane and Ruth Negga’s Lady Taria don’t do too much, with the expectation of Cooper during the final act of the film.

Again, I’ve never played the games, so I’m sure there are references and nods to the games or other material that maybe would have helped me be more into the film. This is one of the big things the film was set to face: dealing with non-fans. I’ll admit that I wasn’t looking forward to the film that much, but there was enough in the film to make me really enjoy myself while watching.

LEEROY JENKINS!

LEEROY JENKINS!

The only real gripe I have with the film is that it doesn’t feel completed. The film leaves itself way too open for sequel for my liking. It might be picky, considering we now live in a world filled with franchise starters and sequels, but Warcraft takes that to the extreme. It’s bold for Universal Pictures and Legendary Pictures to think fans will drive out in droves (or hordes) to watch the adaptation. But, for non-fans or people that don’t know anything about the world or characters, it leaves a bitter taste and feeling.

All in all, Warcraft will hopefully have enough for non-fans of the games to grab on to. The CGI for the orcs is fantastic and Toby Kebbell’s Durotan is the standout of all the characters. The film stumbles trying to control all the plot points and while some work better than others, the film still leaves some story to be desired, and it feels unfinished it some cases.

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Warcraft

3.5 out of 5

June Movie Releases

Hi there!

Can you believe it’s already June! How the time passes by. Anyway, the second month of the Summer Movie Season goes into full swing and, just like May, brings with it some highly anticipated movies. Let’s take a look shall we?

 

 

3rd

Popstar: Never Stop Never Stopping (Comedy – Universal)

A Lonely Island movie that, of course will star Andy Samberg as Connor4Real, a pop/rap superstar whose album fails to sell records and goes into a tailspin and watches his celebrity life begin to collapse. Desperate to keep his fame, he’ll try anything including trying to get his old band together. The film also stars Sarah Silverman, Imogen Poots, Jorma Taccone, Tim Meadows, Martin Sheen and many, many more. I hate to admit it, but I’m not the biggest Andy Samberg fan, and from the trailers so far, I’m not really buying what their selling.

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Me Before You (Drama – New Line Cinema/MGM)

A girl in small town forms an unlikely bond with a recently-paralyzed man she’s taking care of. I know these kinds of films have a core audience, but doesn’t it seem like they are coming out more often? Anyway, the film stars Emilia Clarke, Sam Claflin, Jenna Coleman, Matthew Lewis, Vanessa Kirby and Charles Dance.

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Teenage Mutant Ninja Turtles: Out of the Shadows (Action Adventure – Paramount Pictures/Nickelodeon Movies/Gama Entertainment Partners)

Personally, the rebooted first film left little to be desired for me. There were some potentially great moments that could have saved it, but instead, the film was a bit too targeted to the younger crowd (which was fine, whatever). So that has left me a bit underwhelmed for the sequel, despite what the studio is trying to do by adding fan favorite characters – Casey Jones played by Stephen Amell, Bebop played by Gary Anthony Williams and Rocksteady played by Stephen Farrelly aka WWE Superstar Sheamus – and “promising” a much better film this time around. The trailers look alright, but I don’t know if I can bring myself to go watch it. The film also stars new cast members in Tyler Perry as Baxter Stockman, Brian Tee as Shredder (a new one), Brittany Ishibashi as Karai, and Laura Linney.

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10th

Limited Release: Genius (Biography Drama)

Based on the book by A. Scott Berg, the film is a chronicle of Max Perkin’s (Colin Firth) time as the book editor at Scribner, where he oversaw works by Thomas Wolfe (Jude Law), Ernest Hemingway (Dominic West), F. Scott Fitzgerald (Guy Pearce) and other. Nicole Kidman, Laura Linney and Vanessa Kirby also star.

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Now You See Me 2 (Action Thriller – Lionsgate/Summit Entertainment)

The Four Horsemen – Woody Harrelson, Jesse Eisenberg, Dave Franco and Lizzy Caplan replacing Isla Fisher’s character entirely (due to Fisher’s pregnancy) – are back a year after the events from the first film. The reason is to expose the unethical practices of a tech magnate Walter Mabry (Daniel Radcliffe), who also threatens the Horsemen into pulling off their most impossible heist yet. I enjoyed the first film and wasn’t as bad as people lead others to believe. I don’t know entirely how I feel about a sequel but the cast is great, so let’s hope they can at least make it enjoyable enough as the first. The sequel also stars Sanaa Lathan, Henry Lloyd-Hughes, Jay Chou, Morgan Freeman, and Michael Caine.

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The Conjuring 2 (Horror – Warner Bros./New Line Cinema/Evergreen Media Group/Dune Entertainment/The Safran Company)

A sequel to the surprising hit The Conjuring, the sequel sees Lorraine (Vera Farmiga) and Ed Warren (Patrick Wilson) traveling to north London to help a single mother raising four children alone in a house plagued by malicious spirits, in what at the time was called the London Amityville. James Wan returns to direct with a new cast of Franka Potente, Frances O’Connor, Simon McBurney, Sterling Jerins, Madison Wolfe, Lauren Esposito, and Maria Doyle Kennedy.

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Warcraft (Fantasy Action Adventure – Universal Pictures/Legendary Pictures/Atlas Entertainment/Blizzard Entertainment)

Based on the popular video game, World of Warcraft – or WoW for short – the film has a ton of weight on its shoulders. For one, some are pegging this film as one of the video games film to save the video game adaptations from sucking, and two, their taking a property that could alienate those who aren’t interested in watching a fantasy action film. I’ve never played the games, so I’m only basing everything off the trailers, and personally, I’m still not completely sold. It could be because I’ve never played the games. Warcraft sees two different nations, human and orc, on the brink of war and the top soldiers from both sides trying to stop it. The film stars Travis Fimmel, Toby Kebbell, Dominic Cooper, Ben Foster, Paula Patton, Ben Foster, Clancy Brown, Robert Kazinsky, Daniel Wu, Ruth Negga, and Ben Schnetzer.

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17th

Limited Release: Clown 

The horror drama follows a father who finds a clown suit for his son’s birthday party, only to realize that it is not a suit at all. Interestingly, Clown has been sitting on the shelf for about three years and is just now getting a release here in the States thanks to the Weinstein Company and producer Eli Roth. But what is more interesting is the film is directed by Jon Watts, who will soon be directing the new Spider-Man film, Spider-Man: Homecoming.

 

Central Intelligence (Comedy – Warner Bros./New Line Cinema/Universal Pictures/Bluegrass Films/Principato-Young Entertainment)

Kevin Hart, a former cool guy in high school and now works as an accountant, is lured into the world of international espionage when his former high school classmate – and former fat friend – played by Dwayne Johnson shows up. Kevin Hart has slowly grown on me and I’ll watch anything (well, almost anything) with The Rock in it. Thankfully, this looks like a total Johnson project as he’s playing to his strengths here. Central Intelligence also stars Amy Ryan and Aaron Paul.

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Finding Dory (Animation – Walt Disney Pictures/Pixar Animation Studios)

A sequel to Finding Nemo, the focus now turns to the friendly-but-forgetful blue fish Dory, one again voiced by Ellen DeGeneres, that starts to remember things about her family and works to reunite with them. Dory was definitely a highlight in the first film, but the question is whether or not Dory can be enough to lead a movie, as opposed to be a supporting character. The voice cast includes Albert Brooks returning as Marlin, Diane Keaton, Ed O’Neill, Eugene Levy, Ty Burrell, Willem Dafoe, Dominic West, and Idris Elba.

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24th

Limited Release: Swiss Army Man

Aka the movie where Daniel Radcliffe plays a farting corpse, no I’m not kidding. The movie follows a man, Paul Dano, who is stranded on a deserted island, finds and befriends a dead body (Radcliffe) and try to find a way home. The movie looks weird, to say the least, but it made some buzz – good and bad – during the film festivals.

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Limited Release: The Neon Demon 

Nicholas Winding Refn (Bronson, Drive, Only God Forgives) is back with his new film that follows an aspiring model Jesse (Elle Fanning) who moves to Los Angeles. Her youth and vitality are devoured y a group of beauty-obsessed women who will take any means necessary to get what she has. Refn obviously has his own style and it seems in full force here, not only that but the trailer is pretty eerie itself. The Neon Demon also stars Christina Hendricks, Keanu Reeves, Jena Malone, Abbey Lee, Desmond Harrington, Bella Heathcote, Jamie Clayton and Alessandro Nivola.

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The Free State of Jones (Drama – STX Entertainment/Route One Films/Vendian Entertainment/Larger Than Life Productions)

Directed by Gary Ross, set during the Civil War, a poor farmer (Matthew McConaughey) from Mississippi leads a group of rebels against the Confederate army. It should be interesting to see how this plays out and with McConaughey at the lead, it should be pretty cool. Although, this doesn’t really seem like a Summer Movie Season movie, but more of a October or November movie. The film also stars Gugu Mbatha-Raw, Mahershala Ali and Keri Russell.

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Independence Day: Resurgence (Sci-Fi Action Adventure – 20th Century Fox)

A long overdue sequel to one of the most cult classic sci-fi films, Resurgence is set twenty years after the events of the first film were the world has come together and was able use and advance their own technology from the leftover alien technology. They have made a new Space Defense Program waiting for the day the aliens come back. Unlucky, for them, the aliens have return and with a vengeance. Again, the sequel is long overdue to the point that I’m not really that sold on it yet. I’m sure I’ll go watch it, but I would have been more excited probably if it came out a few years ago. Independence Day: Resurgence stars Jeff Goldblum, Liam Hemsworth, Sela Ward, William Fichtner, Charlotte Gainsbourg, Vivica A. Fox, Maika Monroe, Jessie Usher, Judd Hirsch, Brent Spiner, and Bill Pullman.

independence_day_resurgence

 

29th

The Shallows (Horror Drama – Sony Pictures/Columbia Pictures/Ombra Films/Weimaraner Republic Pictures)

A mere 200 yards from shore, Nancy (Blake Lively) is attacked by a great white shark, with her short journey to safety becoming the ultimate contest of wills. The film looks to have more of an emotional battle for Lively’s character, instead of it just being a mere survival thriller, which could help. I’m not totally sold on it to be honest, but if the word of mouth is good, I’ll give it a chance.  The film is directed by Jaume Collet-Serra (Orphan, Non-Stop, Run All Night) and stars Blake Lively, Oscar Jaenada, and Sedona Legge.

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What are you looking forward to?