Podcast: Best, Favorite & Surprise Movies of 2018

Hello everyone!

If you’ve been here with me long enough, you know that I had a podcast. The podcast had been gone for a bit, but it’s back and what better way to return to the podcast than a movie year in review. A guest and I run down our best, favorite, surprise movies of 2018. It’s a bit of a long one, so hey, have it on in the background haha. Enjoy everybody.

First Podcast of the New Year – 2017 Movies Review

The title says it all don’t you think? The first podcast of the year is here, and what better way than putting 2017 in the rear-view and talking about the year that was. Added bonus, I have a guest on the podcast this week to help me out. So sit back and enjoy everybody. Be warned, there is swearing, spoilers and it’s a long podcast. Finally, you’ll have the choice of either Youtube or iTunes. I will ask if you do listen on iTunes, help the podcast and me out and give me a rating and review there. I’d really appreciate it.

 

iTunes Link  – https://itunes.apple.com/us/podcast/the-movie-pit-podcast/id1249582608?mt=2

Youtube link

My Best/Favorite Movies/Films of the 2017

It’s the end of the year boys and girls, you know what that means? It’s list time!!

There were some great films that came out this year. The list really ranges all over the place, so you’ll see a wide array of titles, and even some surprises. But, of course, this is my list and my opinion so your list might be different, obviously, it is okay.

The list will have the films in alphabetical order, just to be fair, and because I really don’t want to go through the trouble anymore of picking a number one because it would be really tough. First let’s start off with the film that I didn’t get around to watching, whether it’s because I missed out in theaters, or because they were only in theaters in my area for a short time. Then we’ll move to the films that just missed the list, surprises of the year, honorable mentions and then the big ones.

 

Movies I Missed That I Wanted to Watch

Silence

The Wall

The Beguiled

The Glass Castle

The Little Hours

Stronger

Mark Felt: The Man Who Brought Down the White House

Last Flag Flying

Mudbound

Call Me by Your Name

Raw

Prevenge

Gerald’s Game

 

Just Missed the Lists

A Ghost Story

Atomic Blonde

Battle of the Sexes

Colossal

Kingsman: The Golden Circle

Patriots Day

The Florida Project

The Hitman’s Bodyguard

Gifted

Wind River

Band Aid

The Founder

Okja

It Comes at Night

John Wick: Chapter 2

 

 

Surprises of the Year

Cars 3

Girls Trip

Ingrid Goes West

Lowriders

Sleight

The Girl with All the Gifts

 

 

Honorable Mentions

Blade Runner 2049

Blade Runner 2049 was probably one of the most visually appealing films of the year, and it shouldn’t be a surprise since Roger Deakins was behind the cinematography along with director Denis Villeneuve (Arrival). While the film did have moments that went on a tad bit too long, Blade Runner 2049 did manage to get you invested in the world of Blade Runner again.

 

Darkest Hour

Gary Oldman is absolutely fantastic as Winston Churchill. Darkest Hour puts all the weight on Oldman’s shoulders, and he’s able to carry it all the way until the very end of the film. Set during the very beginning of Churchill’s appointment as Prime Minister during England’s worst time, and the film shows all the obstacles that he had to face. The film surprisingly doesn’t lull around too much, which it could have easily done, and while the film could have stretched out on a few places, it was Churchhill’s story and worked.

 

Detroit

Kathryn Bigelow’s Detroit was a hard film to watch. It puts you right into the thick of the horrible incident at the Algiers Motel during the Detroit riots, and never lets up on the tension. However, that’s one of the things that make it so enthralling. The cast is incredible and the claustrophobic feel of the movie makes the long time worth it. That said, Detroit is not a film that at the end you say, “man, I want to watch that again soon.”

 

Guardians of the Galaxy Vol. 2

While I think we can all agree that Guardians of the Galaxy Vol. 2 was not as great as the first movie, it does have a more emotional story than the first. If you didn’t tear up with the last scene with Peter and Yonda, you’re dead inside – I should know because I’m slightly dead inside too. Sure not all the jokes worked, but damn it, I enjoyed the hell out of Vol. 2.

 

It

The new iteration of Stephen King’s It was definitely going to divide fans. While some fans preferred the original with Tim Curry playing Pennywise the Clown, I rather enjoyed and liked this new version more. I know one of the biggest gripes with the new film is that it wasn’t scary enough – or at all if you ask some – but for me, It was indeed more creepy than scary, but in the end, it doesn’t matter.

 

Kong: Skull Island

Kong: Skull Island feels like one of those movies, no one seems to really talk about as the year ended. Whether it be because it came out early in the year in March or people just weren’t for it at all. Personally, the movie does have faults with pacing, but it’s finally seeing Kong let loose on everything in his way – like the helicopter attack – was a sight to see. Also, the film is now part of Legendary’s Monster Universe with Godzilla, so it should be interesting to see how all of it fits together.

 

Lady Bird

Lady Bird was a film that I wanted to watch as soon as I watched the trailer for the first time. Saoirse Ronan was fantastic as “Lady Bird,” who wants to escape Sacramento because she finds it rather boring. However, it’s the journey from beginning to end, and her interactions with the people like her best friend Julie (Beanie Feldstein) and her mother Marion, played greatly by Laurie Metcalf.

 

Logan Lucky

Steven Soderbergh’s return to the big screen did not fail or disappoint. Taking the heist film and giving it a southern twist with “cursed” brothers, played by Channing Tatum and Adam Driver, trying to turn their luck around. I really enjoyed the hell out of the movie, but the real draw for the film was definitely seeing Daniel Craig let loose as Joe Bang.

 

Molly’s Game

Aaron Sorkin made his directorial debut with Molly’s Game and it was a great one. Lead by Jessica Chastain playing Molly Bloom, telling her incredible true story, Sorkin infused his own style with a true story about Molly Bloom running the biggest poker games around, and her downfall after getting arrested. It’s a rather compelling story, and one that – with the exception of a few scenes – doesn’t let up until the very end.

 

Power Rangers

Look, I grew up with Power Rangers, and yes, I had my doubts about the movie. However, I enjoyed the hell out of this. An updated version of what the show was, even adding some new things to the mythology we knew of the original series. Was it the best movie of the year? No. But I’ll admit seeing and hear the zords run along each other with the original song – although cheesy – hit me right in the chest.

 

Star Wars: The Last Jedi

Yes, I know a lot of people have mixed feelings about Star Wars: The Last Jedi, and I still do too. However, when I step back and look at everything from the movie – now seeing it more than once – I did enjoy the movie a little more. There are some awesome visuals and shots in the movie that, for me, made it worthwhile. Nevertheless, I will say that yes, I do see a lot of the things that make the movie very divisive.

 

Split

Let’s face it; we had all given up on M. Night Shyamalan. I know I did, but The Visit restored some of it, but after watching Split, it was almost like watching the Shyamalan of old. That being said, Split was a movie that could have burst at the steams anytime, but it was Shyamalan’s direction with James McAvoy’s amazing performances as Kevin, and his different personalities. However, what made Split stick out the extra mile was classic Shyamalan twist at the end, which made Split connect to one of Shyamalan’s best early films.

 

The Disaster Artist

I have never seen The Room, and despite everyone saying I should watch the “worst movie ever made” I didn’t do it before I saw this. Thankfully, you didn’t need to absolutely watch The Room to enjoy and get The Disaster Artist – I’m sure it helped in some cases. But, what James Franco was able to get out of everyone on the cast, including what he was able to do by bringing Tommy Wiseau to life, but more importantly how he brought the story to life was great. The movie wasn’t just about the crazy making of The Room, but about Tommy and Greg (Dave Franco) living out their dream of making it in Hollywood.

 

 

Best/Favorite Movies of the Year

A Monster Calls

I had heard a lot about A Monster Calls before it was officially released. I also never read the book, so when I walked in, it was pretty much a clean slate. That was something I was not prepared for. A Monster Calls is an emotional gut-punch from beginning to end, and the last twenty to fifteen minutes had me in tears. That’s right, I said it TEARS! That along gave A Monster Calls a place on my list.

 

Annabelle: Creation

I wasn’t a huge fan of the first Annabelle. It had its moments, but overall it lacked the certain punch that its parent film The Conjuring had. Cue in director David F. Sandberg, who had just directed the hit horror film Lights Out, who upped everything about the first film, and dare I say, is right up there with the Conjuring movies in terms of quality and scares. Creation did bring a lot to the table, and had me on the edge of seat the whole time.

 

Baby Driver

Edgar Wright is one of those directors who apparently can’t make a bad movie. The buzz and hype around Baby Driver was extremely high when it premiered at SXSW that I pretty much told myself, “it can’t be that good, can it?” I was wrong, very, very wrong. Wright had made this high-octane and funny heist movie with great characters and an awesome soundtrack. Needless to say, I had force myself not to speed home after the movie.

 

Coco

I had my doubts about Coco, but of course we’ve all come to never doubt Pixar, and yet that’s what I did. And like all great Pixar movies, Coco had it all. A great story, great characters, amazing visuals, an amazing soundtrack; and more importantly, it tugged on every emotional string it would find. I’ll admit, it had me on the verge of tears, A LOT.

 

Dunkirk

I know Dunkirk had some fans divided, but I stand by what I said earlier in the year that Dunkirk is one of the best movies of the year. Christopher Nolan did an amazing job putting together the film, which on a technical level, is justified to be put on any top list of the year.

 

Free Fire

Ben Wheatley’s Free Fire has a simple premise, a gun deal gone wrong in a warehouse. Even with that simple premise, Free Fire was such a great, fun and funny film with a great cast that almost also felt like a throwback to the old 70s or early 80s gangster movies with similar premises.

 

Get Out  

If anyone thought Get Out was going to be hurt because of Jordan Peele comedic background, you were sorely mistaken. Get Out became an important movie that didn’t shy away from its message: racism, and what black men go through. Needless to say, Get Out put Peele on the map as a director to look out for.

 

I, Tonya

I wasn’t old enough to remember the whole Tonya Harding/Nancy Kerrigan incident, but it was something I heard. However, I, Tonya isn’t a film about that, but a combination of a biopic about Tonya Harding, played by Margot Robbie, and the events that lead up to the incident and the effect it had on Harding. It’s a powerful film filled with great performances by the cast – with Allison Janney being the standout – scenes that are hard to watch and scenes that completely come out of left-field which includes a scene that has Tonya directly speaking to the audience that I wasn’t expecting.

 

Logan

It took three tries, but 20th Century Fox finally got the character of Wolverine right. Maybe it was that we knew this was Hugh Jackman and Patrick Stewart’s last ride, or it had a breakout performance by newcomer Dafne Keen. Either way, Logan was a great bookend to one of the most popular X-Men characters and a fitting end to the character that Hugh Jackman did such a great job with.

 

Spider-Man: Homecoming

Yes, another Spider-Man reboot seemed unnecessary and maybe unwanted, but this Spider-Man was finally connected to the Marvel Cinematic Universe! However, this reboot was worth it because it finally feels like we have the real Peter Parker on the big screen (I liked Andrew Garfield, so settle down). Plus, the movie was a hell of a lot of fun.

 

The Big Sick

This was something I was interested in from the very beginning. Based on the actual story of Emily V. Gordon and Kumail Nanjiani, The Big Sick tugged on every emotion. It was funny, charming, heartbreaking and hopeful from beginning to end.

 

The LEGO Batman Movie

The LEGO Movie was a surprise hit for everyone, and LEGO Batman was definitely one of the highlights of it, so when it was announced that LEGO Batman would get his solo movie, everyone was pretty excited. Lucky for us, The LEGO Batman Movie was just as good, even better than its predecessor, but even better than that, the film had a lot of heart and was a love letter to the character of Batman.

 

The Shape of Water

Guillermo del Toro is probably one of my favorite directors of all time, and one of those directors that anytime a movie comes out by him, I’m undoubtedly going to go watch. That said, what he did with The Shape of Water was seamless. A twist on the classic “beauty and beast” story with some Creature from the Black Lagoon and other old timely films, The Shape of Water is a beautiful film from start to finish with a great score, production design and a cast lead by Sally Hawkins as mute Eliza, Richard Jenkins and del Toro mainstay Doug Jones as the creature.

 

Thor: Ragnarok

The Thor movies have never been the big blockbusters the other movies have been. Sure they’re popular enough with some fans – I’m looking at you Tom Hiddleston fans – but the Thor movies were always more on the serious side than the others. Marvel then turned Thor on its head as they splashed it with color and more humor, and I for one, loved it.

 

Three Billboards Outside Ebbing, Missouri

I’ve been a huge fan of Martin McDonagh’s work like In Bruges and Seven Psychopaths, and when I found out about this film and the cast, I immediately put this on “to watch” list. Thankfully, the movie delivered, and even surprised me too. Frances McDormand is great, but for me, the movie belonged to Sam Rockwell, in one of my favorite performances by him. The film was truly a dark comedy that hit on every level, and it left me wanting more, which doesn’t happen often.

 

War for the Planet of the Apes

Not many modern trilogies turn out to be good. They often fall apart in the sequel or even the third movie, but thankfully that didn’t happen here. War for the Planet of the Apes closed a trilogy that started as an origin story to what really feels like a segway into the original films. However, what really made these films so special is Andy Serkis’ performance as Caesar and the overall impressive and awe-inspiring special effects.

 

Wonder Woman

Finally, finally we got a Wonder Woman movie, but more importantly, IT WAS GOOD! Gal Gadot washed away some doubt of her casting as Wonder Woman in Batman v Superman: Dawn of Justice, but it was undoubtedly Wonder Woman that made non-believers finally see Gadot was almost born to play the character. Taking the action during her first adventure was a great move. The movie was full of charm, great characters and character building, but more importantly, made Wonder Woman freaking badass.

 

That’s it folks. It was definitely an interesting year for movies, films and everything in-between. What were your favorite, enjoyable, liked and best movies/films of the year? Do you agree with me? Disagree? Undecided? Nevertheless, here’s to another great and awesome year of movies and films.

New Podcast: Year in Review, Thor: Ragnarok Synopsis, Woody Harrelson Eyed for Young Solo Film & More

The first podcast of 2017 is here!

My Best/Favorite Films of 2016

It’s the end of the year boys and girls, you know what that means? It’s list time!!

There were some great films that came out this year. The list really ranges all over the place, so you’ll see a wide array of titles, and even some surprises. But, of course, this is my list and my opinion so your list might be different, obviously, it is okay.

The list will have the films in alphabetical order, just to be fair, and because I really don’t want to go through the trouble anymore of picking a number one because it would be really tough. First let’s start off with the film that I didn’t get around to watching, whether it’s because I missed out in theaters, or because they were only in theaters in my area for a short time. Also, the list won’t include limited release like Live By Night, A Monster Calls, Patriots Day or Silence since they didn’t open in my area, so I’ll include those in my list of 2017 (assuming they make the list of course). Then we’ll move to the films that just missed the list, surprises of the year, honorable mentions and then the big ones.

 

Movies I Missed That I Wanted to Watch

Anomalisa

American Honey

Billy Lynn’s Long Halftime Walk

Café Society

Captain Fantastic

Eye in the Sky

High Rise

Indignation

I Saw the Light

Loving

Miss Sloane

Swiss Army Man

The Birth of a Nation

The Hollars

The Invitation

The Light Between Oceans

The Wave

 

 

Just Missed The List

Demolition

Don’t Think Twice

Lights Out

Nocturnal Animals

The Magnificent Seven

Train to Busan

 

 

Surprises of the Year

Bad Moms (STX Entertainment/Block Entertainment)

If you told me that Bad Moms would be as funny as it was at the beginning of the year, I’d probably walk away from our conversation. But, I gave Bad Moms a chance and I actually had an enjoyable time watching it. It isn’t perfect, but there are plenty of laughs with a great lead cast in Mila Kunis, Kristen Bell and Kathryn Hahn.

bad_moms

 

Ouija: Origin of Evil (Universal Pictures/Blumhouse Productions/Platinum Dunes/Hasbro/Allspark Pictures)

I never watched the first Ouija (and I still don’t at this point), so walking into Origin of Evil knowing it was a prequel, I didn’t know what to anticipate. Thankfully, the sequel/prequel really worked, and honestly, worked better as a family drama than it did horror. Although some of the horror moments by Mike Flanagan, who directed films like Oculus and Hush, worked really well and of course it helped that he had a great cast, especially standout and young star Lulu Wilson.

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Popstar: Never Stop Never Stopping (Universal Pictures/Party Over Here/The Lonely Island/Apatow Productions)

Popstar was one of those films that I watched the trailer and found out what it was about, I couldn’t see myself watching it. Add the fact that I’m not that big of an Andy Samberg fan, but boy was I wrong. The movie was way more funnier than the trailers, and the mockumentary really adds to the movie as a whole, especially the bee “scene.” I’m okay with being wrong this time around.

popstar_never_stop_never_stopping

 

Pride and Prejudice and Zombies (Sony Pictures/Screen Gems/Cross Creak Pictures/Head Gear Films/Handsomecharlie Films/QC Entertainment/MadRiver Pictures)

I had actually been looking forward to this for a long time now, and while it wasn’t perfect, I still really enjoyed it more than I thought I would. Pride and Prejudice and Zombies knew what it was and didn’t try to overdo it or be something else.

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Storks (Warner Bros. Animation/RatPac-Dune Entertainment/Stoller Global Solutions)

Storks didn’t grab my attention at all until the second trailer came out, and even then I wasn’t completely sold on it. Then I watched it and I was glad I did. I genuinely had a great time watching the film. It had solid jokes that had me laughing for a good while after, and a very touching story with a satisfying ending that I didn’t think it would.

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The Shallows (Sony Pictures/Columbia Pictures/Ombra Films/Weimaraner Republic Pictures)

Another film I had no expectation for but ended watching anyway was the Blake Lively-trying-not-to-get-eaten-by-a-shark film. But, The Shallows wasn’t all that bad, in fact, it kind of made me change my mind on Lively as an actress. Granted it was one film, and it had everything to do with the material she was given, but The Shallows hands down is my surprise film of the year that didn’t suck.

shallows

 

Honorable Mentions

10 Cloverfield Lane (Paramount Pictures/Bad Robot/Spectrum Effects)

Considering the title for the film came out of nowhere, many were waiting to see what 10 Cloverfield Lane would bring to the table. Thankfully, it came in the form of a great film than probably most people didn’t anticipate. The third act twist to make it connect to the overall world of Cloverfield and all the online marketing threw a lot of people off, but nothing can take away what this film was able to do, in the short time we had to adjust. 10 Cloverfield Lane is one of the best thrillers of the year.

ten_cloverfield_lane

 

Christine (The Orchard/Great Point Media/Fresh Jade/BorderLine Films)

Based on a true story I didn’t know before this film, I was still excited to see how they would approach the material. Also, knowing what was going to happen didn’t affect the final product at all. Rebecca Hall is a standout in this and her performance is amazing to watch from beginning to end.

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Deepwater Horizon (Lionsgate/Summit Entertainment/Participant Media/Di Bonaventura Pictures/Closest to the Hole Productions/Leverage Entertainment)

Peter Berg feels like he’s become a “based on a true story” director, which is fine if they’re anything like Deepwater Horizon. Whether you think the concept of making a film based on the BP oil spill is a “good” idea, the film was more about the actual workers there. Not only that, the film is heavily emotion that I will not lie, made me tear up.

deepwater_horizon

 

Doctor Strange (Marvel Studios/Walt Disney Studios Motion Pictures)

Marvel continues its trend of changing the way they make their films and keeping the fans on their feet. Doctor Strange introduced magic to the already well-oiled machine that is the Marvel Cinematic Universe. Filled with trippy, and great, visuals Doctor Strange may not be the best Marvel film, but one that definitely sticks out, and will leave a lasting impression.

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Don’t Breathe (Sony Pictures/Screen Gems/Ghost House Pictures/Stage 6 Films/Good Universe)

Fede Alvarez had a lot of eyes on him after he directed the not-as-bad-as-people-thought-it-would-be remake of Evil Dead, and Don’t Breathe was a worthy follow-up. The film was filled with great tension throughout that was helped by the great sound design. Not only that, the film was vastly different from what the trailers made you think you were walking into, which is always nice.

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Eddie the Eagle (20th Century Fox/Marv Films/Saville Productions/Studio Babelsberg)

Based on the real life of Eddie the Eagle, Taron Egerton continued to prove that he is one of the best young and upcoming actors working today. Add in the fact that he’s playing a real person whose story was not only a feel-good one, but one that is truly inspirational was great to watch. Also, anytime we get to see Hugh Jackman is a plus, right?

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Finding Dory (Walt Disney Pictures/Pixar Animation Studios)

Many, myself included, worried whether a sequel to Finding Nemo was even necessary, but doubting Pixar at this point has been a bad move. Not only was Finding Dory a worthy sequel, it was a ton of fun. The film never tried to be like the previous film, and instead did things differently to tell its story, and thankfully it paid off.

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Found Footage 3D

One of the highlights of the Bruce Campbell Horror Film Festival was Found Footage 3D. Keeping true to the title, the film is shot in found footage in 3D, and as terrible as that may sound to some, Found Footage 3D is a lot of fun and worthy to seen. I’ll say this about the film, it’s the Scream of found footage movies.

found_footage_3d

 

Ghostbusters (Sony Pictures/Columbia Pictures/Village Roadshow Pictures/LStar Captial/Feigco Entertainment/Pascal Pictures/The Montecito Picture Company)

Yes, I actually enjoyed Ghostbusters. The film didn’t deserve all the hate it got. Was it perfect? No, but it wasn’t terrible either. And yes, the female-led cast actually worked. The film was funny, and the last act – although fell into typical Summer Blockbuster Movie tropes – had some cool things going for it, like ghosts taking over Time Square.

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Green Room (A24/Broad Green Pictures/Film Science)

One of the main attractions of Green Room for many I’m sure was seeing the always loveable Patrick Stewart play a terrifying Neo-Nazis leader, and that’s what he did indeed. Also, it later turned out to be one of the last films by Anton Yelchin. With all that said, Green Room did turn out to be much more than those points. While the film had some horror elements, Green Room works better as a survival thriller.

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Hacksaw Ridge (Lionsgate/Summit Entertainment/Cross Creak Pictures/Demarest Media/IM Global)

Say what you want about Mel Gibson, and maybe he still deserves it or maybe not, but the man can direct a damn movie! Hacksaw Ridge is a powerful film that, like some films on the list, is based on a true story that maybe not a lot of people knew, and props to Andrew Garfield for bringing not just the character, but the actual man, to life. The war scenes were brutal, sure, but it was Garfield’s performance that really made this movie shine.

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Headshot (Infinite Frameworks Studios)

Headshot was the newest film that starred The Raid and The Raid 2 stars Iko Uwais, Julie Estelle and Very Tri Yullisman. The film does lean more on the drama side before the action kicks into overdrive and becomes the martial arts film that the trailers promised.

headshot

 

Here Alone (Vertical Entertainment/Lola’s Productions/Easy Open Productions/Manhattan Productions/Gentile Entertainment Group/Preferred Content) 

One of the biggest surprises of the Bruce Campbell Horror Film Festival was not really too much of a horror film, but a thriller drama that follows a woman trying to live her life in a post-apocalyptic landscape. The film sounds simple but it is so much more than the synopsis has you believe. The film surpassed any sort of expectations I had for it, which was none, because I didn’t know anything about it before hand.

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Hidden Figures (20th Century Fox/Fox 2000 Pictures/Chernin Entertainment/Levantine Films)

This could have gone in my surprises of the year, but I ended up really liking Hidden Figures a lot more than I had original thought. Along with a story that really happened, I had to include it in my list of films of the year. The film was smart, funny and highly entertaining from beginning to end. Also, the wide release is early January, but I managed to see a “Special Engagement” showing, so I was able to put it on my list for 2016.

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Midnight Special (Warner Bros./Tri-State Pictures/RatPac Dune Entertainment)

Another film that I wished more people got to see was this film. Midnight Special may have the backdrop of a sci-fi film, but it really is a story about family and what a father would do for his son. The film is a independent film to the truest point, and even when the sci-fi elements come into play, it never undermines the family drama.

midnight_special

 

Moonlight (A24/Plan B Entertainment) 

There’s something special about Moonlight when watching it. The film’s decision to follow our main character from childhood to adulthood was an interesting move, but also made sense when you remember everything that was shown beforehand. The film’s theme was also something that was handled extremely well, and since the trailer – at least from what I remember – didn’t say or hint at anything about it, I was surprised and floored. Moonlight takes the risk and it pays off.

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Pete’s Dragon (Walt Disney Productions)

I had never seen – or at least don’t remember – the original Pete’s Dragon, and I’m kind of glad of that because this iteration is great. It did feel like more of a older crowd film, but there was enough for kids to enjoy and understand. The film also didn’t have a hard time pulling on the heartstrings, and Elliot the Dragon, was worth the price of admission alone.

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The Autopsy of Jane Doe (IFC Films/IFC Midnight/IM Global/Impostor Pictures/42)

Directed by Trollhunters director Andre Ovredal, The Autopsy of Jane Doe is one of those films that just came out of nowhere, and one you should see if you get the chance without knowing too much about it. All you need to know is Brian Cox and Emile Hirsch have great chemistry as father and son coroners who have to deal with a mysterious body and creepy as things going down.

autopsy-of-jane-doe

 

The Edge of Seventeen (STX Entertainment/Gracie Films)

This was a film I wasn’t too excited about just based off the premise, but once the cast came together and watching the first trailer, it went to must-watch watch. The Edge of Seventeen is a great coming-of-age film that is lead by Hailee Steinfeld and had a great supporting cast. It wasn’t the best coming-of-age film this year, but one of the best for sure.

edge_of_seventeen

 

The Handmaiden (Amazon Studios/CJ Entertainment/Magnolia Pictures/Moho Film/Yong Film)

Directed by Chan-wook Park, this erotic thriller – to put it lightly – was like nothing I ever thought it would be like. I mean, seriously, like. Nothing. I. Never. Thought. It. Would. Be.

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The Witch (A24/Parts and Labor/Rooks Nest Entertainment/Code Red Productions/Mott Street Pictures/Code Red Productions/Maiden Voyage Pictures)

The Witch was one of those films that I couldn’t shake off after watching. That doesn’t happen often, and that’s saying something coming from a guy that watches a lot of films in general. From start to finish, the film grabs you with its unique cinematography, eerie setting, and overall sense of dread.

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Zootopia (Walt Disney Pictures/Walt Disney Animation Studios)

After watching Zootopia, I thought, that’s it for animated films this year right? Well, no, but Zootopia is still right there on top of the list. Filled with smart social commentary and a great voice cast, Disney has done it again with their animated films.

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Best/Favorite Movies of the Year

Arrival (Paramount Pictures/FilmNation Entertainment/Lava Bear Films/21 Laps Entertainment)

Arrival was one of those films you make you feel comfortable until it hits you with all the emotions it’s gathered up throughout the film. It’s also one of those films that leaves you thinking way after watching the film, and start asking questions about what you would do. It’s a great film that came out of nowhere, and one we need a little more of.

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Captain America: Civil War (Walt Disney Studios Motion Pictures/Marvel Studios)

The Civil War story in the comics is unbelievable, so when Marvel announced they were going to put it on the big screen, I was a little hesitant – even though I trust Marvel. So when I watched Civil War, all I could think about was how great they were able to bring their own story into the film, and make it work and make Captain America: Civil War one of the best Marvel films so far.

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Carol (The Weinstein Company/Film4/Killer Films/Number 9 Films)

Technically a 2015 film, but considering its wide release rollout – which is when I saw it – wasn’t until 2016, I’m putting Carol here. Of course, it doesn’t really matter where you put this film because it is such a great film. Cate Blanchett and Rooney Mara made these characters and story feel so real that even with the period piece, you can easy see how modern the story is as well.

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Deadpool (20th Century Fox/Marvel Enterprises/TSG Entertainment)

Deadpool could also be labeled a Surprise Film of the Year, but let’s face it, Deadpool belongs in a favorite films of the year list. Considering it took so long to get this film made, all the kudos goes to Ryan Reynolds, director Tim Miller, and writers Rhett Reese and Paul Wernick to bring, arguably, one of the most hardest comic book characters to life on the big screen.

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Everybody Wants Some!! (Paramount Pictures/Annapurna Pictures/Detour Filmproduction)

Richard Linklater’s spiritual sequel to Dazed and Confused is so relatable to many, it’s kind of weird. We’ve all been there at some point of our lives and Linklater has this ability to find actors that we can relate to and root for it’s almost impossible.

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Hell or High Water (CBS Films/Lionsgate/Oddlot Entertainment/Sidney Kimmel Entertainment/Film 44)

Hell or High Water is one of those films you watch and wonder, why didn’t this get a bigger release? It had great performances by the cast all around, the story and cinematography were great, and feel of the film is constant throughout. If you haven’t yet, do yourself a favor and watch this film!

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Hunt for the Wilderpeople (The Orchard/Piki Films/Defender Films/Curious Film)

This is one film I didn’t know too much about before going to see it. All I knew was it was getting rave reviews and it was directed by Taika Waititi (What We Do in the Shadows, Flight of the Conchords, Thor: Ragnarok). I loved Hunt for the Wilderpeople, and one of the reason I loved it was because it was so different in its own quirky, weird, fun way.

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I Am Not a Serial Killer (IFC Midnight/Fantastic Films/Floodland Pictures/Winterland Pictures/Liquid Noise Films/Level 5 Films)

Having read the novel a few years back, I didn’t even know a movie was being released until it premiered on the film festival circuit. However, I Am Not a Serial Killer is definitely of those rare films that surpasses the source material, and what helped was the casting of Max Records and Christopher Lloyd.

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Jackie (Fox Searchlight Pictures/LD Entertainment/Wild Bunch/Why Not Productions/Protozoa Pictures/Bliss Media/Fabula)

Natalie Portman gives an absolutely crushing and great performance as Jackie Kennedy. The film is built and carried by her as we see Portman literally go through every emotion she can go through bringing the former First Lady to life that lost her husband in front of her, who also happened to be the President of the United States in a very public way.

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Kubo and the Two Strings (Focus Features/Laika Entertainment)

Laika Entertainment’s fourth film, and for me personally, their best, Kubo and the Two Strings is a beautifully done film with tremendous production design and awesome score. The story at times feels simple, but man did I fall in love with this film.

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La La Land (Summit Entertainment/Black Label Media/Marc Platt Productions/Impostor Pictures/Gilbert Films)

I was blown away by La La Land! I didn’t think the film would be as good as people were saying it was, but I’m glad it was. The film was beautifully done and filled with a great and emotional soundtrack that I’ve slowly become addicted too. The fact that is also feels like an old Hollywood film is what makes the film go above the rest.

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Manchester by the Sea (Amazon Studios/Roadside Attractions/B Story/Big Indie Pictures/Pearl Street Films/CMP/K Period Media)

Films about grief are common in Hollywood every year, however what makes Manchester by the Sea stick out is that it feels overly real than the rest. There’s no pouring his emotions out by Casey Affleck’s character, and the film shows people go through grief in their own ways. Add on the breakout performance by Lucas Hedges, and the small but powerful performance by Michelle Williams, Manchester by the Sea is one of the best films of the year.

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Moana (Walt Disney Pictures/Walt Disney Animation Studios)

Disney Animation continues to bring powerful, emotional and beautifully done films, and it felt like this year was a great year for them. Moana tells a great story through its character, but also its amazing soundtrack, which probably makes sense since they had Lin-Manuel Miranda helping them out.

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Rogue One: A Star Wars Story (Lucasfilm/Walt Disney Studios Motion Pictures/Allison Shearmur Productions)

Let’s face it, Rogue One was a huge risk for Lucasfilm. Another prequel? Really, did they learn nothing from the past? Well, we were wrong! Rogue One was not only a great prequel to A New Hope, but a great Star Wars film in general. It brings a whole new level to the franchise, and whether you are a hardcore fan, a moderate fan, and someone who is just starting, Rogue One is a ton of fun, action-packed and filled with great characters.

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Sing Street (The Weinstein Company/FilmNation Entertainment/Likely Story/PalmStar Media)

I remember watching the trailer for Sing Street and automatically knew it was going to be something special, and it looked like I was right. Sing Street is one of those films that you may have seen before, but the cast and soundtrack they were able to pull together makes this film not only one of my favorite films of the year, but one of the best films of the year.

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Star Trek Beyond (Paramount Pictures/Skydance Productions/Bad Robot/Sneaky Shark/Perfect Storm Entertainment)

Star Trek Beyond is one of those films that I don’t think many people gave a chance because Into Darkness was underwhelming and disappointing. Which is a fair assessment. However, Star Trek Beyond was a better film and a more fun film that was reminiscent of the first film in the rebooted franchise.

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The Conjuring 2 (Warner Bros./New Line Cinema/RatPac-Dune Entertainment/Evergreen Media Group/The Safran Company/Atomic Monster)

At this point, I think I’ll follow James Wan anywhere. I don’t know if The Conjuring 2 was better than the first film, but it is a worthy sequel and one that works within the world that Wan created. Not only that, he continues to bring creepy as hell characters to the big screen to fill our nightmares.

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The Jungle Book (Walt Disney Pictures/Fairview Entertainment/Moving Picture Company)

Another worthy candidate for Surprise of the Year, The Jungle Book proved you can take an old property and do something new with it, and add to it. Also, the fact that the film only has one real person in it in Neel Sethi, and everything else was done in CGI that looked real in some cases, it’s rather impressive.

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The Nice Guys (Warner Bros./Silver Pictures/Waypoint Entertainment/Misty Mountains)

Shane Black’s return to the dark comedy and noir films proved to be a good move with his great film in The Nice Guys. It’s a shame that no one really went out to see it because they missed out on the great chemistry between Ryan Gosling and Russell Crowe.

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The Revenant (20th Century Fox/New Regency Pictures/RatPac Entertainment/Anonymous Content/Appian Way)

Like Carol, Alejandro G. Inarritu’s new film was technically a 2015 film, but didn’t get its wide release rollout until 2016, which is when I saw it. Of course, the film earned Leonardo DiCaprio’s first Oscar, but it was also the performances of the other cast members like Tom Hardy and the reunion of Inarritu and cinematographer Emmanuel Lubezki. Also, watching Leo go through the torturous journey is worthy of watching the film.

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So that was my year. What are your favorite/best films of the 2016.

Worst/Disappointing/Least-Liked Movies of the 2016

It’s the end of the year boys and girls, you know what that means? It’s list time!

I’ll put up my list of “Best/Favorite” movies of the year later, but with all those good/great/awesome movies I have, I had to sit through some stinkers unfortunately. Some of these I knew weren’t going to be any good walking in, but I ended up taking the hit anyway. The list ranges all over the place so don’t think I’m attacking certain movies because it’s easy. I walk into every movie with a clear mind and soaking up the movie for what it’s worth.

The list will have the movies in alphabetical order, just to be fair, and because I really don’t want to go through the trouble anymore of picking a number one because they weren’t good enough to make it on my other list. Like all lists, this is my opinion! So if you don’t agree that’s perfectly fine and probably justified. Film is subjective, and that’s why I love it.

Finally, there are other movies that could have gone on the list, but these are the ones that truly stuck out. Alright, let’s get this over with.

 

Dishonorable Mentions

Ben-Hur

Masterminds

Siren

 

 

Disappointments/Least-Liked/Worst Movies of the Year

Anitbirth (IFC Midnight/Traverse Media/Hideaway Pictures)

This is one of the many films I watched at the Bruce Campbell Horror Film Festival in August, and having heard nothing about the film or even watching a trailer, I didn’t know what was coming. I probably should have watched the trailer, because I didn’t like this movie. At all! I didn’t feel anything for the characters, and the story felt like it was going nowhere. The ending, oh man the ending, it literally came out of nowhere, and while the ending would have been shocking if the story hadn’t been bad, it didn’t help matters whatsoever. I know I said I wouldn’t label too many of the films, but this is easily one of my worst films of the year. Maybe the worst.

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Batman v Superman: Dawn of Justice (Warner Bros./RatPac-Dune Entertainment/Atlas Entertainment/DC Entertainment)

This one may take the cake for the biggest disappointment of the year. Despite finally bringing two of the biggest comic book characters on the big screen for the first time, the film was filled with poor editing decisions along with being too crowed for its own good. Zack Snyder said the film was cut severely, but that shouldn’t mean a movie should suffer. While seeing Batman and Superman duke it out was nice to finally see on the big screen, it wasn’t enough to pick this movie up. Also, it doesn’t matter – I mean it does – but why would I sit through a movie again that’s longer to see the difference(talking about that “Extended Cut” on Blu-Ray).

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Blair Witch (Lionsgate/Veritgo Entertainment/Snoot Entertainment/Room 101)

What we all thought was just another found footage movie called The Woods actually ended up being a surprise sequel to The Blair Witch Project. The film was directed by Adam Wingard (You’re Next, The Guest) and his usual writing partner Simon Barrett –the previously films mentioned – and that had me from the very beginning. I’m a huge fan of those two, and when it was announced that the film was really Blair Witch, I was both hesitant and excited. Taking into account the film was riding high in praise it was getting in early screening, the end result was a mixed bag – being mostly negative. While the film tried to connect to the spirit of the first film, including revving up the finale, it just didn’t have that same connection the first film made. Some parts were interesting, but at the end of the day, I don’t think it was executed well.

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Gods of Egypt (Lionsgate/Summit Entertainment/Mystery Clock Cinema/Thunder Road Pictures)

Gods of Egypt was one of those movies I was excited to watch when it was announced, and when the cast came together with director Alex Proyas, I thought this has to be good, right? Turns out, I was wrong. Very, very wrong. Filled with very questionable (to put it very lightly) CGI throughout, the film felt more like a glorified SyFy Channel movie than it did a big budget Hollywood movie. It didn’t help that despite the pretty good cast, they couldn’t save this either. Dumb fun popcorn film at its finest, but still COME ON!

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Independence Day: Resurgence (20th Century Fox)

Oh boy, this was…ugh. The sequel was something many fans have been wanting for a long time, and I’m sure Resurgence destroyed any hope of getting a worthy sequel. The film had its moments, but only a few to be honest. It just was bad. I mean, I could point out the things I didn’t like with this movie or what was wrong, but that’s too much to write. Also, the more I thought about the film afterward – even know as I’m writing this – I can feel myself getting angry.

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The 5th Wave (Sony Pictures/Columbia Pictures/GK Films/LStar Capital/Material Pictures)

Based on the book by Ricky Yancy, The 5th Wave had a good set-up and source material to set it just a tad apart from the other young adult novel adaptation out there. I read the first book way before the film came out and was looking forward to seeing what they were going to do with this. Unfortunately, the film was bland, and felt way too generic for its own good. It never felt like anything was really happening even when it was, and one of its supposed standout twist moments involving a character reveal was to dark to see what was going on. A big disappointment considering what the book had to offer.

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The Neon Demon (Amazon Studios/Broad Green Pictures/Bold Films/Vendian Entertainment/Space Rocket Nation)

Oh, Nicolas Winding Refn. For me, Refn is a hit-or-miss director for the films I’ve seen. I really liked Bronson and Drive, but Valhalla Rising I couldn’t even finish, and I’ve heard nothing but bad things from Only God Forgives. When it came to The Neon Demon, I didn’t know what to anticipate, and even while I was watching it, I thought, what the hell am I watching? So The Neon Demon wasn’t even a disappointment, least-liked or bad movie, it just was a movie I watched that had its very Refn-esque moments, and some what the hell did I just watch moments.

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Triple 9 (Open Road Films/Anonymous Content/Worldview Entertainment/MadRiver Pictures)

Triple 9 had a lot of good things going for it with an amazing cast and a great director in John Hillcoat (The Road). So it’s a shame that the film ended up being a bit of a disappointment. The film had some great potential, and while the film does live up to some of it, it didn’t capitalize on what the film promised or what it could have been.

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Suicide Squad (Warner Bros./DC Entertainment/RatPac-Dune Entertainment/Atlas Entertainment/Lin Pictures)

If Batman v Superman: Dawn of Justice was a disappointment, Suicide Squad just added to it. I didn’t get on the hate train like a lot of other people did. I liked most of it, and I thought some parts worked, but I couldn’t get over all the missteps the film had to make it good or even great. To even say it was better than Dawn of Justice (the theater cut) isn’t even saying that much either. I didn’t hate Suicide Squad, and while I had more fun watching this than Dawn of Justice, I can’t honestly say I loved it either. Also, Jared Leto’s Joker: ugh.

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Warcraft (Universal Pictures/Legendary Pictures/Blizzard Entertainment/Atlas Entertainment)

I never played the games myself, but I knew how big the game was to some people. I also knew this film was in the works for a long time – Sam Raimi was originally attached to direct for a while – so finally seeing this on the big screen was a big deal. Unfortunately, for me, the movie didn’t click for me. The film at times felt too much like it was catering to the fans then casual or non-game fans, which is something I always thought the film shouldn’t have done. I didn’t dislike Warcraft, some of it was pretty good, but overall, the film felt jumbled at times and I had a hard time connecting to some of the characters.

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All right, so there are my worst, disappointments, least-liked films of the year. What were some of yours?

Be on the lookout for my other lists coming out soon.

Favorite/Standout Cinematography, Action/Fight Sequences, Score/Soundtrack, Visual Effects & Trailers of 2016

This is a continuation of my Favorite/Standouts of the Year, this time focusing more on the genre side of things with my favorite fights/action sequences, cinematography, score/soundtrack, visual effects and trailers.

 

Fight/Action Sequence

Assassin’s Creed: Run Through the City

Assassin’s Creed’s best moments where set in the past, and a majority of them were action sequences. The standout sequences was the run through the city that involves Aguilar (Michael Fassbender) and Maria (Ariane Labed) on the run from Ojeda (Hovik Keuchkerian) and his men. Along with small fights in tight quarters or on rooftops, the scene may be the best scene in the whole film.

 

Captain America: Civil War: Airport Battle & Captain America/Winter Soldier vs. Iron Man

Okay, this is a copout since this these are most of the action sequences, but let’s face it, Civil War, was filled with great action sequences. Of course, the biggest highlight was the Airport Battle that was unbelievably nerdy. The second big fight is Captain America and The Winter Soldier vs. Iron Man in a fight that is much more personal that I think anyone could have imagined being in a comic book film.

 

Deadpool: Deadpool Takes Out Convoy

While the scene is just a modified version of the “leaked” footage that came out the year before, the convoy sequence stood out to me because it happens in such a confined space and it still allows Ryan Reynolds to give us very Deadpool like lines.

 

Doctor Strange: The Ancient One vs. Kaecilius/Zealots & Strange vs. Kaecilius and Zealots

The fight scenes in Doctor Strange brought a new style to fight scenes in the Marvel Cinematic Universe: Magic. Not only that, that opening fight scenes between The Ancient One and the Zealots and Kaecilius showed the MCU isn’t scared of going a more martial arts route.

 

Ip Man 3 – Ip Man vs. Frank & Ip Man vs. Cheung Tin-chi

The Donnie Yen Ip-Man films are always filled with great fight scenes and Ip-Man 3 was no different. The two standout fights for me was the heavily promoted fight with Mike Tyson – who plays a mob boss named Frank – and the final fight between Ip Man and Cheung Tin-chi (Jin Zhang). The fight with Frank is actually good, and while arguably a stunt fight (they could have easily casted someone else), it doesn’t disappoint too much. As for the final fight with Cheung Tin-chi, this one was building almost from the beginning of the film, and when it finally happens, you can totally feel the emotion behind every punch and movement they make.

 

Moana: Moana and Maui Escape Kakamora

Another animated sequence that stood out to me was this Mad Max: Fury Road-inspired chase scene in Moana. Right down to the beating drums, and weirdly dressed Kakamora’s, the chase was something I’m sure George Miller would be proud of.

 

Rogue One: Chirrut Imwe vs. Stormtroppers, Final Battle, Vadar Boards

I’d be surprised if this doesn’t end up on other peoples lists. Personally, seeing Donnie Yen mess up some Stormtroopers was awesome. However, the final battle on Scarif was what the film was building up to, and it did not disappoint. Finally, the Vadar scene. I won’t give it away too much if you haven’t seen it, but wow!

 

Storks: Junior and Tulip vs. The Penguins

Animated “fight/action” sequences usually involve comedy and aren’t really taken seriously, and you know what? Sometimes that’s okay. Storks did that with their fight scenes that involves are heroes, Junior and Tulip, going up against penguins. What makes it standout – besides the homage to Aliens – all of it happens as they try to make the least amount of noise possible so they don’t wake up the baby.

 

The Revenant – Opening Ambush

The opening ambush scene was really something to watch unfold. The cinematography by Emmanuel Lubezki is done in the classic Lubezki trope in that it’s done in shot continuous take. Not only that, it happens very fast and is so chaotic, that it makes it a standout scene.

 

X-Men: Apocalypse: Quicksilver’s Rescue & Wolverine Breaks Free

While Quicksilver’s Rescue was awesome to watch, seeing Hugh Jackman unleashed a bit of Berserker Rage on Stryker’s men was an even more awesome sight to see. Especially knowing that Jackman is on his way out the door as Wolverine/Logan

 

 

Honorable Mention

Batman v Superman: Dawn of Justice: Batman vs. Knyazev’s Men

Deadpool: Deadpool vs. Ajax (Finale)

Ghostbusters: Ghostbusters vs. Times Square Ghosts

Hacksaw Ridge: First Attack

Headshot: Ishmael vs. Tano & Ishmael vs. Lee

Kill Zone 2: Chatchai vs. Kit (Prison Riot) & Chatchai/Kit vs. Ko Hung aka The Warden

Miss Peregrine’s Home for Peculiar Children: Skeletons vs. Hollows

Star Trek Beyond: Enterprise Takeover

Suicide Squad: Suicide Squad/Katana/Rick Flag’s Unit vs. Monsters (Streets)

The Magnificent Seven: Finale Shootout

Warcraft: Durotan vs. Gul’dan

 

 

Cinematography

Emmanuel Lubezki – The Revenant

Emmanuel Lubezki has already made himself a well-known name amongst cinematographers, so it came as no surprise that his work in The Revenant was amazing and beautiful to watch.

 

Jarin Blaschke – The Witch

I’ve never heard of Jarin Blaschke, but I will be on the lookout for whatever he does next because his work in The Witch was equal parts creepy, eerie and gut-wrenching scary as hell. I’m not usually a fan of quotes in movie trailers, but the quote in the trailers that basically said it feels like something you shouldn’t be watching it completely true.

 

Linus Sandgren – La La Land

La La Land feels like an ultimate homage to old timey Hollywood films right down to cinematography during the musical sections of the film. Also, the fact that they used real location around Los Angeles is an added bonus (says the man from outside Chicago).

 

Pedro Luque – Don’t Breathe

One of the reasons that Don’t Breathe worked – at least for me – is the look of it all. The creepy house with the overall dark look made the film a more effective horror thriller. Pedro Luque really had a great eye for it all, and lets add the surprisingly good blackout sequences using night vision to show the pure terror of our main characters was great.

 

Zach Kuperstein – The Eyes of My Mother

The Eyes of My Mother is probably one of the creepiest films cinematography-wise. The film is shot in black and white, and for some reason, it made it a hell of a lot more creepier. It makes you imagine what the colors would look like, but even its nature shots and more distributing shots, the film is still beautiful to look at.

 

 

Honorable Mentions

Bradford Young – Arrival

Don Burgess – The Conjuring 2

Marc Spicer – Lights Out

Natasha Braier – The Neon Demon

Pasha Kapinos/Vsevolod Kaptur/Fedor Lyass – Hardcore Henry

Roman Osin – The Autopsy of Jane Doe

Stephane Fontaine – Jackie

 

 

Score/Soundtrack

Dario Marianelli – Kubo and the Two Strings

Kubo and the Two Strings is already a great film, but one of the main reasons is because of the music. The music connects to theme they’re going for, and Regina Spektor’s cover of “My Guitar Gently Weeps” is beautiful.

 

Justin Hurwitz – La La Land

Easily one of, if not, the best soundtracks of the year, La La Land’s soundtrack is as vivid as the set-pieces it plays over. You can easily be addict to the soundtrack, I know I was, because as soon as I walked out of the theater I bought the soundtrack.

 

Mark Korven – The Witch

The Witch is already eerily creepy with its cinematography, but add on the music that was created by Mark Korven, you have yourself an all around horror film of nightmares.

 

Opetaia Foa’i, Mark Mancina, and Lin-Manuel Miranda – Moana

Come on, let’s face it – you’ve been singing songs from Moana since you’ve seen it, right? Okay then.

 

Musical Department in Sing Street 

Sing Street doesn’t have one specific person attached for the music. Some were covers, but Drive it Like You Stole It, is one of the best new songs of the year.

 

Honorable Mentions

Hans Zimmer and Junkie XL – Batman Batman v Superman: Dawn of Justice

Johann Johannsson – Arrival

Lukasz Pawel Buda/Samuel Scott/Conrad Wedde – Hunt for the Wilderpeople

Ryuichi Sakamoto, Carsten Nicolai, and Bryce Dessner – The Revenant

 

 

Visual Effects

Doctor Strange

Marvel introduced us to the magical realm and other dimensions, and I don’t know if anyone other than Scott Derrickson could have introduced us to that. The visuals were just amazing to see, even with the Inception-style effects, that aren’t as dominate as you would think, the visuals made Doctor Strange a standout Marvel film.

 

The Jungle Book

The Jungle Book is a film that probably should have failed, but it didn’t – at all. The film is bursting with phenomenal visuals, that even after you find out that almost everything was created with visuals, you watch wondering, was that real? Honestly, The Jungle Book was arguably some of the best CGI we’ve ever seen.

 

 

Honorable Mentions

Fantastic Beasts and Where to Find Them

Ghostbusters

Pete’s Dragon

The BFG

 

 

Trailers

Captain America: Civil War Trailer 2

 

Guardians of the Galaxy Vol. 2

 

 

Free Fire

 

 

Kong: Skull Island

 

 

Logan

 

 

War for the Planet of the Apes

 

 

Wonder Woman Comic Con

 

 

Honorable Mentions

Get Out

First Official ‘Suicide Squad’ Trailer

The Birth of a Nation Teaser

First Sausage Party Trailer

 

So that’s it ladies and gentlemen.

What are some of your favorites, and be on the lookout for the big lists next week!